Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Thrash metal is an extreme subgenre of heavy metal music characterized by its overall aggression and fast tempo. The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment, opposition to armed conflicts, and at times shares a disdain for the Christian religion with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk.
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".
The new wave of British heavy metal was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music.
Kerrang! is a British music webzine and quarterly magazine that primarily covers rock, punk and heavy metal music. Since 2017, the magazine has been published by Wasted Talent Ltd. The magazine was named onomatopoeically after the sound of a "guitar being struck with force".
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.
Kurt Loder is an American entertainment critic, author, columnist, and television personality. He served in the 1980s as editor at Rolling Stone, during a tenure that Reason later called "legendary". He has contributed to articles in Reason, Esquire, Details, New York, and Time. He has also made cameos on several films and television series. He is best known for his role at MTV News since the 1980s and for appearing in other MTV-related television specials. He has hosted the SiriusXM radio show True Stories since 2016.
Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Radiohead and The Verve.
Revolver is a heavy metal music and hard rock magazine, published in North America. It has been in print since 2000, and is about both established acts and up-and-comers in heavy music.
Indian rock is a music genre in India that may incorporate elements of Indian music with rock music, and is often topically India-centric. While India is more often known for its classical music, filmi, Bollywood music, Indi-pop, and Bhangra, the Indian rock scene has also produced numerous bands and artists.
Hit Parader was an American music magazine that operated between 1942 and 2008. A monthly publication, it focused on rock and pop music in general until the 1970s, when its focus began turning to hard rock and heavy metal. By the early 1980s, Hit Parader focused exclusively on heavy metal and briefly produced a spinoff television program entitled Hit Parader's Heavy Metal Heroes. The magazine reached its circulation peak in the mid-to-late 1980s selling a half-million copies every month as heavy metal music achieved high levels of popularity and commercial success.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as 5-MeO-DMT, DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Australian heavy metal music has its roots in both the Australian hard rock and pub rock tradition of the 1970s and the American and British heavy metal scenes. Since the mid-1980s, Australian heavy metal has been particularly influenced by foreign bands, particularly Swedish death metal, American thrash metal and black metal from Norway. Within Australia heavy metal has always remained part of the underground but since the mid-1990s many Australian metal acts have found widespread acceptance in overseas markets, particularly in Europe.
The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology.
Zoo World was an American bi-weekly rock music magazine that operated between 1971 and 1975. Available throughout the United States, it was published in Fort Lauderdale, Florida and intended as a rival to Rolling Stone. In early issues of the magazine, the cover carried a subtitle reading: "The Music Megapaper".
KRLA Beat was an American rock music magazine that operated between 1964 and 1968. It began in October 1964 as a free newsletter distributed by the Southern Californian radio station KRLA, before being reworked as a more reportage-focused title in February 1965. The music journalism archive Rock's Backpages describes KRLA Beat as "the first American newspaper dedicated to coverage of the top-forty rock-and-roll music scene".
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
