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The Beach Boys: Nashville Sounds | |
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Directed by | Alan Boyd, Steven R. Monroe |
Produced by | Stephanie Bennett Kathy Blake |
Starring | Brian Wilson Carl Wilson Mike Love Al Jardine Bruce Johnston |
Edited by | Alan Boyd, Tom Mitchell |
Music by | The Beach Boys |
Production company | |
Release date |
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Running time | 60 minutes |
Country | United States |
Language | English |
The Beach Boys: Nashville Sounds is documentary film that features studio footage of the making of American rock band the Beach Boys' twenty-eighth studio album Stars and Stripes Vol. 1 . The film features interviews with participants of the project.
The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their elegant vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Pet Sounds is the 11th studio album by the American rock band the Beach Boys, released on May 16, 1966 by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds garnered recognition for its ambitious production, sophisticated music, and emotional lyrical content. It is considered to be among the greatest and most influential albums in music history.
Surfin' Safari is the debut album by the American rock band the Beach Boys, released October 1, 1962 on Capitol Records. The official production credit went to Nick Venet, though it was Brian Wilson with his father Murry who contributed substantially to the album's production; Brian also wrote or co-wrote nine of its 12 tracks. The album reached number 32 in the US during a chart stay of 37 weeks.
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965 on Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record became an early example of a rock concept album and established the group as album artists rather than just a singles band. It has since become regarded as one of the greatest albums of all time.
20/20 is the 15th studio album by American rock band the Beach Boys, released February 10, 1969 on Capitol Records. The LP was named for being their 20th overall release when factoring in live albums and compilations. Much of 20/20 consists of outtakes from earlier albums. It reached number 3 on UK record charts and number 68 in the U.S. Brian Wilson was absent during most of the album's recording after admitting himself into a psychiatric hospital, requiring brothers Carl and Dennis to retrieve several outtakes he had recorded years earlier. While Brian does not appear on the front cover, the inner gatefold of the original vinyl release features him alone, behind an eye examination chart.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
Still Cruisin' is the twenty-sixth studio album by the Beach Boys, their thirty-fifth official album, and their last release of the 1980s. It is also the last album of new material released during a brief return to Capitol Records.
The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997 by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.
Sounds of Summer: The Very Best of The Beach Boys is a greatest hits album of the American rock band the Beach Boys, released on June 10, 2003 by Capitol Records. The original collection was considered the most comprehensive single-disc compilation of the band's music, with 30 tracks including nearly every U.S. Top 40 hit of their career, except for "The Little Girl I Once Knew" (1965) and "It's OK" (1976).
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop.
James Ronald Horn is an American saxophonist, woodwind player, and session musician.
"Sloop John B" is a Bahamian folk song from Nassau. A transcription by Richard Le Gallienne was published in 1916, and a version was included in Carl Sandburg's The American Songbag in 1927. Since the early 1950s there have been many recordings of the song with variant titles including "I Want to Go Home" and "Wreck of the John B".
"Do It Again" is a song by the American rock band the Beach Boys that was released as single on July 8, 1968. It was written by Brian Wilson and Mike Love as a self-conscious callback to the group's earlier surf image, which they had not embraced since 1964. Love and Wilson also share the lead vocal on the song.
"Surfin' Safari" is a song by American rock band the Beach Boys, written by Brian Wilson and Mike Love. Released as a single with "409" in June 1962, it peaked at number 14 on the Billboard Hot 100. The song also appeared on the 1962 album of the same name.
T.A.M.I. Show is a 1964 concert film released by American International Pictures. It includes performances by numerous popular rock and roll and R&B musicians from the United States and England. The concert was held at the Santa Monica Civic Auditorium on October 28 and 29, 1964. Free tickets were distributed to local high school students. The acronym "T.A.M.I." was used inconsistently in the show's publicity to mean both "Teenage Awards Music International" and "Teen Age Music International".
"I Just Wasn't Made for These Times" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyrics describe the disillusionment of someone who struggles to fit into society. Musically, it is distinguished for its melodic bass guitar, layered vocals, and Electro-Theremin solo, marking the first time the instrument was used in popular music and the first time theremin-like sounds were used on a rock record.
Low Country Sound is a record label imprint of Elektra Records based in Nashville, Tennessee. It was founded in 2015 by music producer Dave Cobb who also runs it. Among the artists currently signed to Low Country Sound, some notable acts are Anderson East, Brent Cobb and Rival Sons.
RCA Studio A is a music recording studio in Nashville, Tennessee built and founded in 1964 by Chet Atkins, Owen Bradley and Harold Bradley. Originally known simply by the name "RCA Victor Nashville Sound Studios", along with adjacent RCA Studio B, it became known in the 1960s for becoming an essential factor and location to the development of the musical production style and sound engineering technique known as the Nashville Sound.
"He's a Doll" is a song by American girl group the Honeys that was written and produced by the Beach Boys' Brian Wilson. It was released as their fourth single on April 13, 1964, with the B-side "The Love of a Boy and Girl". The song was heavily influenced by Phil Spector productions such as "Be My Baby" (1963) and features the same verse chord progression as "Da Doo Ron Ron" (1963). Diane Rovell remembered, "We had a ball doing 'He's a Doll' ... That was our attempt at the Angels/Shangri-Las sound."