History
St. Werner, from Cologne, and Toma, from Düsseldorf, are childhood friends who were born on the same day and in the same hospital. [2] They both experimented with electronic music in the mid 1990s. On earlier recordings, their music was primarily krautrock, dub, techno and ambient, and did not feature vocals, but more recent recordings increasingly include vocals from featured guest artists, many of whom have toured with the duo.
Their first album, Vulvaland , was released in 1994 on the British record label Too Pure. Sean Cooper of AllMusic stated that it is "a wibbly, barely digital match of ambient texturology with experimental strains of techno, dub, and Krautrock." [3] Their second album, Iaora Tahiti , has a much more playful feel and encompasses a wider variety of electronic dance genres. Over the years, their sound has increased in warmth, playfulness and what the duo term "fantastic analysis". Their sixth album Niun Niggung (released on Domino Records in 2000), showed live instruments becoming more prominent. Idiology , their seventh album, continued this practice, and on their eighth album, Radical Connector , they took more of an accessible "pop" approach; both also increasingly included vocals, primarily from touring drummer Dodo NKishi. [4]
Mouse on Mars regularly perform live as a three-piece, with Toma & St. Werner augmented by drummer Dodo NKishi. In 2005, they released their first live album, titled Live 04 . [5]
The band released their tenth full album, Parastrophics , almost six years later, in February 2012. It was their first album to be released under Modeselektor's Monkeytown record label. Following this another six years later, the band reunited with Thrill Jockey to release Dimensional People in April 2018.
St. Werner has released solo work under his own name, and as Lithops and Noisemashinetapes. [6] St. Werner also partners with Markus Popp of Oval for Microstoria. St. Werner has also collaborated with the renowned visual artist Rosa Barba. While releasing albums on British indie labels, Mouse on Mars started their own label, Sonig, on which they release their own work and that of other German artists. They have also produced a number of EPs and have recorded music for film soundtracks as well as remixing the work of other musicians.
In 2018 with the release of the Dimensional People release, the band perform under the name of Dimensional People Ensemble, an ensemble of drums, horns, strings, vocals, and electronic instruments, played by robotics and humanoids. [7] [8]
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