"The Warmth of the Sun" | ||||
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Single by the Beach Boys | ||||
from the album Shut Down Volume 2 | ||||
A-side | "Dance, Dance, Dance" | |||
Released | October 26, 1964 | |||
Recorded | January 1 and 8, 1964 | |||
Studio | Western Studios, Hollywood | |||
Genre | ||||
Length | 2:51 | |||
Label | Capitol Records | |||
Songwriter(s) | ||||
Producer(s) | Brian Wilson | |||
The Beach Boys singles chronology | ||||
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"The Warmth of the Sun" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys. It was released on their 1964 album Shut Down Volume 2 and as the B-side of the "Dance, Dance, Dance" single, which charted at number eight in the United States and number twenty four in the United Kingdom. Brian Wilson produced the song, and the rest of the album.
Wilson and Love began composing the song on November 22, 1963, the day of the assassination of John F. Kennedy, [2] although the two co-authors give different accounts of the timing and whether it was begun before or after the killing. The subsequent recording of the song was informed by the emotional shock felt by its authors in the wake of Kennedy's death.
"The Warmth of the Sun" was started in the early morning hours of the same morning that President Kennedy was killed in Dallas. The melody was so haunting, sad, melancholy, that the only thing that I could think of lyrically was the loss of love, when interest slips and feelings aren't reciprocated…though I wanted to have a silver lining on that cumulus nimbus cloud so I wrote the lyrics from the perspective of, "Yes, things have changed and love is no longer there, but the memory of it lingers like the warmth of the sun." I think it's really impactful and memorable…one of my favorite songs from an emotional and personal point of view.
— Mike Love, 2007 [3]
In the 2016 autobiography I Am Brian Wilson , Wilson recalled that the song was written the day of the assassination, in response to it:
When the shooting happened, everyone knew instantly. It was all over the TV and on every kind of news. I called Mike and he asked me if I wanted to write a song about it. I said sure. It seemed like something we had to think about, and songs were the way I thought about things. We drove over to my office and in a half hour we had "The Warmth of the Sun." We didn't think of it as a big song. It was a personal response. But it got bigger over time because of the history linked to it. [4]
Cash Box described it as "an ultra-lovely, lazy paced ballad that the boys deliver in oh-so-smooth, ear-arresting fashion." [5] Reviewing the song for AllMusic, Donald A. Guarisco stated, "The sublime balance of lush vocals and sensitive songwriting made 'The Warmth of the Sun' one of the Beach Boys' finest and most moving ballads." [6] Brian Wilson pioneered the use of adventurous chord changes in pop—"The Warmth of the Sun"'s transitions from C to A-minor to E-flat, were unheard of in 1964. [7]
Among the session musicians who played on the recording were Hal Blaine and Ray Pohlman. [8]
Credits from Craig Slowinski. [9]
The Beach Boys
Additional musicians
It was featured on the soundtrack of Good Morning, Vietnam (1987).
Willie Nelson performed lead vocals on a version of the song on the album Stars and Stripes Vol. 1 .
The song was recorded by Murry Wilson—father of Brian, Carl and Dennis Wilson—on his one and only album, The Many Moods of Murry Wilson , which was released in 1967 on Capitol Records.
Vince Gill performed another version at "An All-Star Tribute to Brian Wilson (2001)" concert.
In 2006, Matthew Sweet and Bangles lead singer Susanna Hoffs recorded the song for their collaboration, Under the Covers, Vol. 1 .
In 2006, Matt Thiessen of Relient K released a version of the song for his solo piano project Matt Thiessen & The Earthquakes via the compilation album My Other Band, Vol 1. [10]
In 2010, Rumer recorded a version on the B-side of her single "Aretha".
Shelby Flint and Tim Weston, "Wouldn't It Be Nice, A Jazz Portrait of Brian Wilson."
Friends of Dean Martinez recorded a version on their album "Under the Waves."
Instrumental/surf band Los Straitjackets performs the song in live sets as of 2024.
Shut Down Volume 2 is the fifth album by the American rock band the Beach Boys, released March 2, 1964 on Capitol Records. Produced by Brian Wilson, it is the follow-up to the band's Little Deuce Coupe, released the previous October, and to Shut Down, a Capitol compilation album. Shut Down Volume 2 was the first of three studio albums that the band released in 1964, and the first recorded without guitarist David Marks, who departed from the band following disagreements with manager Murry Wilson. The album reached number 13 in the US during a chart stay of 38 weeks.
Stars and Stripes Vol. 1 is the twenty-eighth studio album by American rock band the Beach Boys, released on August 19, 1996, by River North Records. Produced by Joe Thomas and Brian Wilson, Stars and Stripes is a collaborative album between the Beach Boys and various country acts.
Murry Gage Wilson was an American songwriter, talent manager, record producer, and music publisher, best known as the father of the Beach Boys' Brian, Dennis, and Carl Wilson. After the band's formation in 1961, Murry became their first manager, and in 1962, he founded their publishing company, Sea of Tunes, with Brian. Later in his life, Wilson was accused of physically and verbally abusing his children, charges which he denied.
All Summer Long is the sixth album by the American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
"Fun, Fun, Fun" is a song by the American rock band the Beach Boys from their 1964 album Shut Down Volume 2. Written by Brian Wilson and Mike Love, it was released as a single in February, backed with "Why Do Fools Fall in Love". "Fun, Fun, Fun" is one of the many Beach Boys' songs that defined a genre of music called the California myth.
Classics selected by Brian Wilson is a compilation of songs by The Beach Boys and released through Capitol Records in mid-2002. It was compiled by Brian Wilson himself that February. It includes a new recording of an unreleased 1970s track, "California Feelin'" not by The Beach Boys but Wilson and his live band.
"Help Me, Rhonda" is a song by American rock band the Beach Boys, appearing first on their 1965 album The Beach Boys Today! and subsequently in re-recorded form on the following 1965 album Summer Days . It was written by Brian Wilson, with additional lyrics by Mike Love. Band member Al Jardine sings the lead vocal, a rarity for this era in the Beach Boys.
"Kiss Me, Baby" is a song by the American rock band the Beach Boys from their 1965 album The Beach Boys Today!. Written by Brian Wilson and Mike Love, it was issued as the B-side of the group's "Help Me, Rhonda" single on April 5.
"Do It Again" is a song by the American rock band the Beach Boys that was released as a standalone single on July 8, 1968. It was written by Brian Wilson and Mike Love as a self-conscious callback to the group's earlier surf image, which they had not embraced since 1964. Love and Wilson also share the lead vocal on the song.
"When I Grow Up (To Be a Man)" is a song by American rock band the Beach Boys from their 1965 album The Beach Boys Today!. Written by Brian Wilson and Mike Love, it was first issued as a single on August 24, 1964, paired with the B-side "She Knows Me Too Well". It peaked at number 9 in the U.S., number 27 in the UK, and number 1 in Canada.
"She Knows Me Too Well" is a song written by Brian Wilson and Mike Love for the American rock band The Beach Boys, about a man who is engrossed and obsessed in his own jealousy and insecurity. It was released on the 1965 album The Beach Boys Today!, initially serving as the B-side of their "When I Grow Up " single in 1964. It was one of the first songs that Brian wrote while under the influence of marijuana.
"In My Room" is a song written by Brian Wilson and Gary Usher for the American rock band the Beach Boys. It was released on their 1963 album Surfer Girl. It was also released as the B-side of the "Be True to Your School" single. The single peaked at number 23 in the U.S. and was eventually inducted into the Grammy Hall of Fame in 1999. "In My Room" was ranked number 212 on Rolling Stone's list of The 500 Greatest Songs of All Time.
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971.
"Dance, Dance, Dance" is a song by the American rock band the Beach Boys from their 1965 album Beach Boys Today!. Written by Brian Wilson, Carl Wilson, and Mike Love, it was first issued as a single in October 1964, backed with "The Warmth of the Sun". "Dance, Dance, Dance" marked Carl's first recognized writing contribution to a Beach Boys single, his contribution being the song's primary guitar riff and solo.
"Little Honda" is a song by the American rock band the Beach Boys from their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, it pays tribute to the small Honda motorcycle and its ease of operation, specifically the Honda 50.
"Don't Back Down" is a song by the American rock band the Beach Boys and the final track on their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, the lyrics describe a group of surfers who "don't back down from that wave", explaining that they "gotta be a little nuts" to show the girls "who's got guts". It was the group's last surfing-themed song until 1968's "Do It Again".
"Don't Hurt My Little Sister" is a song by the American rock band the Beach Boys from their 1965 album The Beach Boys Today!. Written by Brian Wilson with additional lyrics by Mike Love, it was inspired by Wilson's interactions with sisters Marilyn, Diane, and Barbara Rovell. It was produced on June 22, 1964, making it the earliest-recorded song on the album.
"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".
"I Get Around" is a song by American rock band the Beach Boys and the opening track from their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, the autobiographical lyrics describe the group's reaction to their newfound fame and success, as well as their restlessness concerning the status quo, and their desire to find new places "where the kids are hip". It was released as a single on May 11, 1964, with the B-side "Don't Worry Baby".
"Surfin' U.S.A." is a song by the American rock band the Beach Boys, credited to Chuck Berry and Brian Wilson. It is a rewritten version of Berry's "Sweet Little Sixteen" set to new lyrics written by Wilson and an uncredited Mike Love. The song was released as a single on March 4, 1963, backed with "Shut Down". It was then placed as the opening track on their album of the same name.