Classics selected by Brian Wilson | ||||
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Compilation album by | ||||
Released | July 2, 2002 | |||
Recorded | June 1963–November 1972, Except "California Feelin' ": Spring 2002 | |||
Genre | Rock | |||
Length | 56:57 | |||
Label | Capitol | |||
Producer | Brian Wilson and Carl Wilson | |||
Compiler | Brian Wilson | |||
The Beach Boys chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Blender | [2] |
Encyclopedia of Popular Music | [3] |
Classics selected by Brian Wilson is a compilation of songs by The Beach Boys and released through Capitol Records in mid-2002. It was compiled by Brian Wilson himself that February. It includes a new recording of an unreleased 1970s track, "California Feelin'" not by The Beach Boys but Wilson and his live band.
Brian wrote in the liner notes:
Picking just 19 Beach Boys favorites is one of the hardest things I ever had to do. If you asked me tomorrow I would probably want to include "Kiss Me, Baby", "Salt Lake City", "Girl Don't Tell Me", "The Little Girl I Once Knew", "At My Window" and, from Holland , "Funky Pretty" & "Mount Vernon and Fairway". Blondie Chaplin's vocal on the fadeout to "Funky Pretty" is sensational. But here's my list as of today... Brian Wilson's 19 favorites on February 11, 2002.
Wilson's choices tend to favor his ballads, from "Surfer Girl" and "The Warmth of the Sun" to his Pet Sounds and Smile material. Later song selections include "'Til I Die" and "Sail On, Sailor".
Classics selected by Brian Wilson briefly made the US charts, reaching number 159 during a chart stay of 1 week.
All tracks use stereo mixes available at the time. Thus, tracks 3, 9 and 10 are in mono.
Chart (2013) | Peak position |
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US Billboard 200 [4] | 159 |
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965 on Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record became an early example of a rock concept album and established the group as album artists rather than just a singles band. It has since become regarded as one of the greatest albums of all time.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the US record charts, becoming their highest-charting LP of new music in the US since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
"Sail On, Sailor" is a song by American rock band the Beach Boys from their 1973 album Holland. It was written by Brian Wilson, Ray Kennedy, Tandyn Almer, Jack Rieley, and Van Dyke Parks. It was released as a single in 1973, backed with "Only with You", and peaked at number 79 on the American singles charts. A 1975 reissue charted higher, at number 49. According to Jon Stebbins, "It is perhaps the only perennial Beach Boys favorite to still thrive in the classic rock and album rock FM radio formats of the present."
Ten Years of Harmony is an official double album compilation album released by the Beach Boys in 1981, and spanning their entire Brother Records-era up to that point (1970–80), including some unreleased or rare material. Although the song "Darlin'" had originally been recorded in 1967 while the group was signed to Capitol Records, the version on Ten Years of Harmony was recorded live in 1973 for the album The Beach Boys in Concert.
The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997 by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.
Endless Harmony Soundtrack is an anthology album of previously unheard material by The Beach Boys, originally released by Capitol Records in August 1998. Named for Bruce Johnston's song on the 1980 album Keepin' the Summer Alive, it was designed as a tie-in with the band's biographical documentary of the same name. The soundtrack was re-issued in March 2000 with some remixing and different artwork, while the original 1998 edition went out of print shortly thereafter.
Hawthorne, CA, subtitled Birthplace of a Musical Legacy, is the second anthology collection by The Beach Boys and released through Capitol Records. A double-compact disc, it was put together after the positive reaction to the Endless Harmony Soundtrack to give hardcore Beach Boys fans more rarities and alternate versions of well-known songs. The collection features spoken word tracks from different band members recorded throughout the 1990s during production of the Endless Harmony documentary, as well as a clip from a 1969 radio show. Home recordings dating back to 1960 and a backing track from 1973's "Sail On, Sailor" were also included. It never charted in either the United States or the United Kingdom, and it is currently out of print.
Sounds of Summer: The Very Best of The Beach Boys is a 2003 compilation of music by The Beach Boys released through Capitol Records. This collection is the most comprehensive single disc compilation ever issued of their music, with 30 tracks clocking in at over 76 minutes and grabbing nearly every US Top 40 hit of their career, except for 1965's number 20 hit "The Little Girl I Once Knew", and the 1976 top-30 hit "It's O.K.". In 2011, Mike Love stated, "Sounds of Summer is fast approaching selling three million copies – if it's triple-platinum, which is, you know, pretty good. And by the time this 50th celebration is over, it'll probably be more than triple-platinum."
"Here Today" is a song written by Brian Wilson and Tony Asher for American rock band the Beach Boys, released on their 1966 album Pet Sounds. It is the tenth track on the album. The song's lyric is expressed from the perspective of a narrator who warns the listener of the inevitable heartbreak that will result from his newfound love. It was later included as the B-side to the 1967 single "Darlin'".
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"Wonderful" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, the song tells the story of a young girl's sexual awakening and its disruption of her devotion to God and her parents. It was the only "boy-girl" song they wrote for Smile.
"A Day in the Life of a Tree" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. It was written by Brian Wilson and the group's manager Jack Rieley, who also performed lead vocal. The lyrics were inspired by Wilson's feelings toward environmental pollution.
"Marcella" is a song written by Brian Wilson, Tandyn Almer and Jack Rieley for the American rock band The Beach Boys about a massage therapist. It was released on their 1972 album Carl and the Passions – "So Tough". It is the last song to feature Bruce Johnston during his original tenure in the band.
The Warmth of the Sun is a 2007 compilation of music by The Beach Boys released through Capitol Records. A companion to 2003's Sounds of Summer: The Very Best of The Beach Boys, The Warmth of the Sun is composed of fan favorites and hits that were left off its predecessor. Several songs were remixed in stereo for the first time. These are "All Summer Long", "You're So Good to Me", "Then I Kissed Her", "Please Let Me Wonder", and "Let Him Run Wild". The song "Wendy" appears as a new stereo remix with its middle eight cough edited out. This album also features an alternate mix of "Break Away" and the single versions of "Why Do Fools Fall In Love" and "Cool, Cool Water".
The Very Best of the Beach Boys is an UK-exclusive album released by the American rock and roll band The Beach Boys. The album was released by EMI in 2001 and features 30 of their greatest hits digitally remastered. The album is the first compilation of The Beach Boys that makes a full retrospective of their career, displaying their greatest hit songs, during their 40-year career. Other compilations had already been released throughout the years, but only focusing on certain time periods of the band, or focusing on their complete career, but with several volumes.
"Child Is Father of the Man" is a song by American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally recorded for the band's never-finished album Smile. In 2004, Wilson rerecorded the song for Brian Wilson Presents Smile. In 2011, the Beach Boys' original recording was released on The Smile Sessions.
Live – The 50th Anniversary Tour is a live album by the Beach Boys released on May 21, 2013. The album was recorded during the band's 50th anniversary reunion tour.
Made in California (1962–2012) is a compilation box set by the Beach Boys, released on August 27, 2013. The set, released through Capitol Records, was designed by Mark London in a form emulating a high school yearbook. The set contains six CDs with tracks that span the band's entire career, including outtakes, demos, B-sides, rarities, alternate takes and versions, plus over 60 previously unreleased. It supersedes the theretofore career-spanning 1993 box set Good Vibrations: Thirty Years of The Beach Boys, which followed a similar premise.
The songwriting of American musician Brian Wilson, co-founder and multi-tasking leader of the Beach Boys, is widely considered to be among the most innovative and significant of the late 20th century. His combined arranging, producing, and songwriting skills also made him a major innovator in the field of music production. In a 1966 article that asks "Do the Beach Boys rely too much on sound genius Brian?" brother and bandmate Carl Wilson said that while every member of the group contributed ideas, Brian was most responsible for their music. Dennis Wilson said: "Brian Wilson is the Beach Boys. He is the band. We're his fucking messengers. He is all of it. Period. We're nothing. He's everything."