Cows in the Pasture | |
---|---|
Studio album by Fred Vail | |
Released | 2025 |
Recorded | April 1970, 2024 |
Studio | Wally Heider Recording, Hollywood |
Genre | Country and western [1] |
Producer | Brian Wilson |
Cows in the Pasture is an upcoming country and western album recorded in 1970 by former Beach Boys' talent manager and promoter Fred Vail and produced by Brian Wilson. [1] [2] [3] The album is now in the works to be completed, along with a docuseries which will trace Vail's life story and the resurrection of the country record. [4]
In the early months of 1970, Brian Wilson held a meeting with Fred Vail, at the time the manager of Wilson's band the Beach Boys, in a Los Angeles hotel room. Wilson proposed the idea of recording a country music album, with Vail on lead vocals and Wilson overseeing production. The proposal, even by Wilson's standards at the time, was perceived as unconventional, primarily due to Vail's lack of formal singing experience. [4]
Five recording sessions unfolded at Wally Heider Studios in Hollywood, California, between April 4 to April 17, 1970. These sessions coincided with the Beach Boys' recording of Sunflower nearby in Hollywood. Throughout these recording sessions, Wilson and Vail collaborated to lay down the foundational tracks, complete with scratch vocals, for a total of 14 songs. Musicians such as James Burton on guitar, Glen D. Hardin on piano, and Red Rhodes on steel guitar contributed to the project. [4]
Halfway through the recording process, before Vail could finalize the vocals, Wilson lost interest, abandoning the record. The master tapes were subsequently shelved for over five decades. This unfinished album eventually gained significance in Beach Boys lore, with fans colloquially naming the previously untitled project Cows in the Pasture. [5] [4]
Circa 2014, the Beach Boys' management contacted Fred Vail to inform him that they had discovered five rolls of two-inch tape with his and Brian Wilson's names on them. Vail requested that they be sent to him rather than being disposed of. Around the same time, Vail befriended concert producer Sam Parker, a Beach Boys fan who was eager to hear Vail's stories about his time with the band. After learning that Vail had the Cows in the Pasture tapes in his garage, Parker decided to finish the album and tell Vail's story in the form of a documentary. [4]
As of 2024, the plan is to record new vocals by Vail and an assortment of guest singers, including one song featuring Wilson who is also involved as executive producer, with T Bone Burnett participating as well. A camera crew has been present at the new studio sessions, with the footage to be turned into a four-part documentary on Vail that will also be executive produced by Parker and Wilson. Both the album and docuseries are scheduled for release in 2025. [4]
Frederick Vail (born March 24, 1944) has held various roles including concert promoter and co-manager for the Beach Boys. Vail began his career in Sacramento, CA, commencing as a radio announcer and teenage news announcer at the age of 12. During his high school years, he spearheaded the committee responsible for orchestrating the arrival of various bands at school dances.
Among these musical talents was The Beach Boys, who, at the time, were gaining traction on the charts but limited their performances mainly to the Los Angeles area. Vail successfully secured the band for an event, marking the beginning of a prosperous collaboration. His involvement in promoting and booking The Beach Boys continued to play a crucial role over the ensuing years.
His roles at Capitol Records and RCA Records as a promotion and marketing manager gave him the opportunity to move to Nashville in 1974. [6] In 1980, Vail founded Treasure Isle Recorders, Inc., the first Nashville studio to become all-digital, remaining busy over the years due to the spacious tracking rooms, which many engineers and musicians claim to be among the best acoustics they've encountered. Artists like Dolly Parton, Johnny Cash, the Beach Boys, and Waylon Jennings have recorded in the studio. [7]
Vail's friendship with The Beach Boys spans over 60 years. He came up with the concept of the Beach Boys Concert album and arranged the group's 1983 White House concert. [8] [9] Vail's journey with the band also included moments like witnessing the mastering of Pet Sounds in the studio.
Reflecting on his interactions with the band, Vail shared, "A lot of times when I'd pick the Beach Boys up I'd have country stations on, and I'd sing along sometimes and they'd be teasing me. And then they'd put on the pop music stations and I'd put it back on the country stations. We were just fooling around. So they knew I sang and liked country music." [1]
Per Badman: [1]
Per Badman: [1]
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
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Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
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All Summer Long is the sixth album by the American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
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"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
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