"Good Time" | ||||
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Single by American Spring | ||||
from the album Spring | ||||
B-side | "Sweet Mountain" | |||
Released | May 1, 1972 | |||
Recorded | 1970–1972 | |||
Studio | Beach Boys Studio, Los Angeles | |||
Length | 2:49 | |||
Label | United Artists | |||
Songwriter(s) | Brian Wilson, Al Jardine | |||
Producer(s) | Brian Wilson, Stephen Desper | |||
American Spring singles chronology | ||||
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Audio sample | ||||
"Good Time" | |
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Song by the Beach Boys | |
from the album The Beach Boys Love You | |
Released | April 11, 1977 |
Recorded | 1970 |
Length | 2:50 |
Label | Brother/Reprise |
Songwriter(s) | Brian Wilson, Al Jardine |
Producer(s) | Brian Wilson |
"Good Time" is a song by American pop music duo American Spring from their 1972 album Spring . It was written by Brian Wilson and Al Jardine originally for the Beach Boys' album Sunflower (1970). In 1972, Spring released "Good Time" as their second single, recording their voices atop the Beach Boys' instrumental track. In 1977, the Beach Boys released their original version of the song on the album The Beach Boys Love You . [1]
Jardine commented, "I co-wrote 'Good Time' with Brian; that's a typical Brian track. It was really a lot of fun doing that." [2]
The basic track for "Good Time" was first recorded by the Beach Boys on January 7, 1970 at Brian Wilson's home studio with horns and strings overdubbed at a later date. [3] David Sandler remembers that when the session players arrived to Wilson's home, "he went to his office and wrote horn charts while talking to me. It was an amazing horn line, with this overriding French horn riff, and he did the whole thing while having a conversation with me." [4] The track was included on the provisional track listing for Add Some Music, but when that album and Reverberation were reconfigured by Warner Bros. Records into Sunflower , "Good Time" was not included. [5]
During the tracking session for "Good Time", Brian or Bruce Johnston segued into a piano rendition of the Beatles' "You Never Give Me Your Money". [6] Johnston could not remember who played the Beatles' song when approached for comment. In 2021, the recording was included as a track on the compilation Feel Flows . [7]
In the second quarter of 1972, Marilyn Wilson of American Spring overdubbed a lead vocal atop the backing track and backing vocals from The Beach Boys' 1970 session with further work done by producers Brian Wilson, David Sandler and Stephen Desper. This version of "Good Time" was issued as a single on May 1, 1972 and was later included on their début album Spring . [8] [9]
The Beach Boys released an unadorned version of the original 1970 take of "Good Time" on their 1977 album The Beach Boys Love You . [10] Wilson explained that he recycled the song for Love You because Spring had sold poorly, and he thought, "Maybe the exposure to that song to people might be good. Why waste a song?" [11] Since the recording of "Good Time", Wilson's voice had deteriorated significantly, making it the only track on Love You in which his singing is not coarse. [12]
The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished for their vocal harmonies, adolescent-oriented themes, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and under Brian's direction, often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Sunflower is the sixteenth studio album by the American rock band the Beach Boys, released on August 31, 1970, and their first on Reprise Records. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29.
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965 on Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record became an early example of a rock concept album and established the group as album artists rather than just a singles band. It has since become regarded as one of the greatest albums of all time.
Surf's Up is the seventeenth studio album by American rock band the Beach Boys, released August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the US record charts, becoming their highest-charting LP of new music in the US since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
15 Big Ones is the twentieth studio album by the American rock band the Beach Boys, released July 5, 1976 on Brother/Reprise. It includes a mix of original songs and renditions of rock 'n' roll and R&B standards. The LP was the band's first album produced by Brian Wilson since Pet Sounds (1966), and as such, its release was accompanied by a controversial media campaign that declared his comeback as an active member of the Beach Boys' recording and touring group.
All Summer Long is the sixth album by American rock band the Beach Boys, released July 13, 1964 on Capitol Records. It was the first LP the group recorded since the British Invasion. The album rose to number 4 in the U.S. during a 49-week chart stay, and was certified gold by the RIAA. Lead single "I Get Around" was issued in May and became the band's first number one hit in the U.S.
"Never Learn Not to Love" is a song recorded by the American rock band the Beach Boys that was issued as the B-side to their "Bluebirds over the Mountain" single on December 2, 1968. Credited to Dennis Wilson, the song was an altered version of "Cease to Exist", written by the cult leader Charles Manson. Manson wrote his version of the song specifically for the Beach Boys to record, and his lyrics were meant to address personal tensions he had witnessed between Dennis and his brothers Brian and Carl.
"Please Let Me Wonder" is a song by the American rock band the Beach Boys from their 1965 album The Beach Boys Today!. Written by Brian Wilson and Mike Love, it was the first song Wilson wrote under the influence of marijuana. The lyrics are about a man who does not know if a girl loves him and is afraid of learning the answer, and so he prefers to fantasize that she does. On February 15, the song was issued as the B-side to their "Do You Wanna Dance?" single before the album's release.
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"Wonderful" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, the song tells the story of a young girl's sexual awakening and its disruption of her devotion to God and her parents. It was the only "boy-girl" song they wrote for Smile.
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971.
"Deirdre" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written primarily by Bruce Johnston, it is a love song named after the sister of one of his ex-girlfriends, and is one of his two main song contributions on the album, the other being "Tears in the Morning". Brian Wilson was also credited as a songwriter, although his contributions were minimal.
"Susie Cincinnati" is a song by the American rock band the Beach Boys that was recorded during the sessions for their 1970 album Sunflower. It was written by Al Jardine about a female cab driver from Ohio.
"Had to Phone Ya" is a song by the American rock band the Beach Boys from their 1976 album 15 Big Ones. It was written by Brian Wilson, his sister-in-law Diane Rovell, and Mike Love. The song was issued as the B-side to their single "It's O.K.". An earlier recording by the group American Spring was included as a bonus track on a later reissue of the album Spring (1972).
"Ding Dang" is a song by American rock band the Beach Boys from their 1977 album The Beach Boys Love You. It was written by Brian Wilson and Roger McGuinn during an impromptu jam session after Wilson had visited McGuinn's home to acquire amphetamines.
"Loop de Loop " is a song by the American rock band the Beach Boys that was written by Al Jardine, Brian Wilson, and Carl Wilson. It was originally recorded between the late 1960s and 1970s. In 1998, Jardine finished the song for its release on Endless Harmony Soundtrack.
Spring is the only album by American pop duo Spring, released in July 1972 on United Artists. It contains cover versions of popular songs as well as original material written or co-written by producer Brian Wilson. The album sold poorly, and in later years, became a valuable collector's item.
"Do You Like Worms?" is a song by American rock band the Beach Boys from their never-finished album Smile. Written by Brian Wilson and Van Dyke Parks, the song is about the recolonization of the American continent and contains lyrical references to the Sandwich Islands and "Bicycle Rider Back" playing cards. None of the lyrics appear to mention worms; asked about the title, Parks said he could not remember where it came from.
Summer Days is the ninth studio album by American rock band the Beach Boys, released on July 5, 1965, on Capitol. The band's previous album, The Beach Boys Today!, represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling.
"Holidays" is an instrumental by the American rock band the Beach Boys that was composed by Brian Wilson for their never-finished Smile album. In 2003, it was rewritten with new lyrics by Van Dyke Parks as "On a Holiday" for the project Brian Wilson Presents Smile (2004).