"Our Sweet Love" | |
---|---|
Song by the Beach Boys | |
from the album Sunflower | |
Released | August 31, 1970 |
Recorded | November 6, 1969 – January 26, 1970 [1] [2] |
Studio | Gold Star and Beach Boys Studio, Los Angeles |
Length | 2:38 |
Label | Brother/Reprise |
Songwriter(s) | |
Producer(s) | The Beach Boys |
Licensed audio | |
"Our Sweet Love" on YouTube |
"Our Sweet Love" is a song by the American rock band the Beach Boys from their 1970 album Sunflower . Written by Brian Wilson, Carl Wilson, and Al Jardine, "Our Sweet Love" features a lush sound that has been compared to the band's work on Pet Sounds . Brian Wilson originally left the song unfinished, resulting in the band completing it for Sunflower. Carl Wilson sings the song's lead vocal.
"Our Sweet Love" is a reworking of a Friends outtake, "Our New Home". [3] The nucleus of the song was largely composed by Brian Wilson, who commented: "I wrote that for Carl. After I wrote it I said, 'Hey, he could sing this good' so I gave it to Carl." [4] However, in another interview, Brian characterized the song as a collaboration with Carl, stating, "We tried [writing together] one time and wrote 'Good Timin″ and 'Our Sweet Love.' Carl was a very very sensitive writer, he was a sensitive person, he was a very good artist." [5] [nb 1] According to Al Jardine, Brian refused to complete the song and the rest of the band worked to finish it: "'Our Sweet Love' was one we finished with Brian. He just didn't want to finish it. So we kind of helped. We became completers of ideas." [7] [8]
The song features a string arrangement provided by French composer Michel Colombier, overdubbed on January 26, 1970. [9] Colombier also arranged two other tracks on Sunflower, both largely composed by Bruce Johnston: "Deirdre" and "Tears in the Morning".
"Our Sweet Love" was included on early versions of the Sunflower album (versions with the provisional titles Sun Flower and Add Some Music) that were rejected by Reprise Records. [4] [10] The song remained on the final released Sunflower track listing when it was released in 1970.
In addition to a remastering of the original recording, two alternate tracks of "Our Sweet Love" were included on the 2021 Feel Flows boxset. One features only track and backing vocals, while another features the song's isolated string part. [11]
In a 1970 review of Sunflower, Rolling Stone wrote that the song "is most reminiscent of the mood of Pet Sounds." [12]
Critical appraisal of the song remains high in retrospective writings. The Quietus praised the song as "a straightforward but strong ballad led by the angelic tones of little brother Carl." [13] Glide Magazine lauded the song's "mature expressions of emotion". [14] Matthew Greenwald of AllMusic said, "'Our Sweet Love' could have easily fit on [Pet Sounds] in terms of feel and lyric message. Celebrating the simple pleasures of pure love and tranquility, it may be one of the best Beach Boys love ballads." [15]
Sourced from Craig Slowinski. The bassist could not be identified. [16]
The Beach Boys
Additional musicians
Sunflower is the 16th studio album by the American rock band the Beach Boys, released on August 31, 1970 on Reprise Records, their first for the label. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
L.A. is the 23rd studio album by the American rock band the Beach Boys, released on March 16, 1979, and their first issued through CBS Records. Recorded during a period of acrimony between the band members, it was a critical and commercial failure, peaking at number 100 in the U.S. and number 32 in the UK.
M.I.U. Album is the 22nd studio album by American rock band the Beach Boys, released on September 25, 1978. Characterized for its easy-listening sound, the album was produced by Al Jardine and touring member Ron Altbach during one of the most acrimonious periods in the band's history. It sold poorly, peaking at number 151 in the U.S, and was met with confused reactions from critics and fans.
"Wake the World" is a song by American rock band the Beach Boys from their 1968 album Friends. It was written by Brian Wilson and Al Jardine about getting up in the morning for work. In addition to appearing on Friends, "Wake the World" was released as B-side to "Do It Again" in July 1968. The song has since appeared multiple times on the band's live setlists and has been described as a cult favorite.
"Good Timin’" is a song by the American rock band the Beach Boys and the second single from their 1979 album L.A. . It is one of the few songs jointly credited to Brian and Carl Wilson.
"This Whole World" is a song by American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson, the song features his brother Carl on lead vocals and is credited as a Beach Boys production. Earlier in the year, it had been included on the Warner Brothers promotional sampler album The Big Ball, and as a single, fronted with "Slip On Through", but did not make the U.S. or UK pop charts.
"Add Some Music to Your Day" is a song by American rock band the Beach Boys that was released in the US on February 23, 1970 as the lead single from their album Sunflower. It was written by Brian Wilson, Joe Knott, and Mike Love. Wilson later said that Knott "was a friend of mine who wasn't a songwriter but he contributed a couple of lines. But I can't remember which ones!"
"Deirdre" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written primarily by Bruce Johnston, it is a love song named after the sister of one of his ex-girlfriends, and is one of his two song contributions on the album, the other being "Tears in the Morning". Johnston has claimed that co-writer Brian Wilson's contributions were limited to a few lyrics, although music historians Andrew G. Doe and John Tobler wrote in 2004 that "Deirdre" had been "developed from a musical theme first used in 'We're Together Again,'" a 1968 composition credited to Brian Wilson and singer Ron Wilson.
"It's About Time" is a song by American rock band the Beach Boys from their 1970 album Sunflower. Written by Dennis Wilson, Al Jardine, Bob Burchman and Carl Wilson, it was issued as the B-side of the "Tears in the Morning" single. Jardine said, "'It's About Time' was Carl, Dennis and I. That's a good one. I like that production. That was mostly Dennis, and I just helped with the lyrics. Dennis and Carl did the track."
"Tears in the Morning" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Bruce Johnston, it was issued as a single, with the B-side "It's About Time". The single failed to chart in the U.S., but reached the top 5 in the Netherlands.
"All I Wanna Do" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson and Mike Love, the dreamlike production quality was created through liberal use of overdubbing, reverb and delay effects. It was influential to the development of lo-fi music and pioneered sounds that became associated with the shoegaze, dream pop, and chillwave music genres.
"Take a Load Off Your Feet" is a song by the American rock band the Beach Boys from their 1971 album Surf's Up. It was written by Al Jardine, Brian Wilson and Gary Winfrey.
"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".
"Lady Lynda" is a song written by vocalist/guitarist Al Jardine and touring keyboardist Ron Altbach for American rock band the Beach Boys. It was released on the band's 1979 album L.A. . Its melody is based on "Jesu, Joy of Man's Desiring" by J. S. Bach.
"Here Comes the Night" is a song by the American rock band the Beach Boys from their 1967 album Wild Honey. Written by Brian Wilson and Mike Love, the group later rerecorded the track for their 1979 album, L.A. , as a disco song lasting nearly eleven minutes. A four-minute edit of this version was released as a single on February 19, 1979 and reached number 44 on the U.S. Billboard Hot 100.
"Livin' with a Heartache" is a song written by Carl Wilson and Randy Bachman for the American rock band the Beach Boys, one of two collaborations between the two writers. It was recorded from August 27–29 at Bachman's home studio known as "The Barn" in Lynden, Washington with two further sessions at Rumbo Studios in November and December 1979. "Livin' with a Heartache" was released on the Beach Boys' 1980 album Keepin' the Summer Alive and was subsequently released with a truncated 3:05 mix as a single backed with "Santa Ana Winds" which failed to chart in the US.
"Hey Little Tomboy" is a song by American rock band the Beach Boys from their 1978 album M.I.U. Album. Written by Brian Wilson, the song was to be included as a track on Adult/Child before the album was scrapped. It was also issued as the B-side to their single "Peggy Sue".
"Lady" is a song written by Dennis Wilson, recorded by him with Daryl Dragon and released under the name "Dennis Wilson & Rumbo" in the United Kingdom on 4 December 1970, on Stateside Records. The song served as the B-side of the "Sound of Free" single. The single was not issued in the United States.
Summer Days is the ninth studio album by the American rock band the Beach Boys, released on July 5, 1965, on Capitol. The band's previous album, The Beach Boys Today!, represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling.