"The Night Was So Young" | |
---|---|
Song by the Beach Boys | |
from the album The Beach Boys Love You | |
Released | April 11, 1977 |
Recorded | 1976–1977 |
Studio | Brother Studios, California |
Genre | Ballad |
Length | 2:15 |
Label | Brother/Reprise |
Songwriter(s) | Brian Wilson |
Producer(s) | Brian Wilson |
Licensed audio | |
"The Night Was So Young" on YouTube |
"The Night Was So Young" is a song by American rock band the Beach Boys from their 1977 album The Beach Boys Love You . Written by Brian Wilson, it is a ballad that was inspired by his mistress at the time.
"The Night Was So Young" was written by Brian Wilson and sung by his brother Carl. [1] It was written about the band's former fanmail sorter, Debbie Keil, who would often visit Brian at his home and at his behest, much to his wife's chagrin. [2] [3] Wilson would refer to her as a "golden-haired angel coming in at night". [2]
The lyrics discuss the singer's romantic fixation on a woman who "has to hide" and "won't even try" to steer their relationship where he desires. The narrator expresses befuddlement with their dynamic ("is somebody going to tell me why she has to lie"), and, at the end, implores her to "let me come over to you". [4]
Biographers Andrew Doe and John Tobler refer to it as a "yearning ballad" that "documents one of Brian's more tangled relationships of the late Seventies." [5] Jon Stebbins describes the song as "a direct descendent of Pet Sounds in both sound and attitude", [6] while Peter Ames Carlin says that the lyrical content revels in "traditional shades of self-pity, jealousy, and loneliness". [7]
Rob Hughes of Uncut rated "The Night Was So Young" among Wilson's finest songs. [8] Musician Dennis Diken, writing in the album's 2000 reissue liner notes, called it perhaps his favorite song on Love You, as well as the album's "most fully realized" track in terms of instrumental arrangement. [1] In his review of the album, Pitchfork contributor D. Erik Kempke highlighted the track for its "beautiful harmonies", adding that the song "sounds like it could have been a Pet Sounds outtake, were it not for the bleating synths." [9]
Asked for his favorite songs he ever wrote, as well as the songs he felt were most underrated, Wilson included "The Night Was So Young" in both answers. [10] In the 2016 memoir I Am Brian Wilson , the song is praised as "a beautiful ballad [...] with great harmonies". [11] He rerecorded the song for the soundtrack to the 2021 documentary Brian Wilson: Long Promised Road . [12]
Al Jardine called it one of his favorite songs, commenting, "Oh God, isn't that a remarkable bridge? With that little tempo change, it's beautiful. It is Brian and Carl at their best." [13]
The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Dennis Carl Wilson was an American musician, singer, and songwriter who co-founded the Beach Boys. He is best remembered as their drummer and as the middle brother of bandmates Brian and Carl Wilson. Dennis was the only true surfer in the Beach Boys, and his personal life exemplified the "California Myth" that the band's early songs often celebrated. He was also known for his association with the Manson Family and for co-starring in the 1971 film Two-Lane Blacktop.
Friends is the fourteenth studio album by American rock band the Beach Boys, released on June 24, 1968, through Capitol Records. The album is characterized by its calm and peaceful atmosphere, which contrasted the prevailing music trends of the time, and for its brevity, with five of its 12 tracks running less than two minutes long. It sold poorly, peaking at number 126 on the Billboard charts, the group's lowest U.S. chart performance to date, although it reached number 13 in the UK. Fans generally came to regard the album as one of the band's finest.
Holland is the 19th studio album by American rock band the Beach Boys, released January 8, 1973 on Brother/Reprise. It is their first album recorded without Bruce Johnston since 1965, their second with Blondie Chaplin and Ricky Fataar, and their final studio album created under the de facto leadership of Carl Wilson and manager Jack Rieley. The LP was originally packaged with a bonus EP, Mount Vernon and Fairway, which consisted of a 12-minute fairy tale written and produced by Brian and Carl Wilson.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
Carl and the Passions – "So Tough" is the 18th studio album by American rock band the Beach Boys, released May 15, 1972 on Brother/Reprise. The album is a significant musical departure for the band and is the first to feature the Flames' Blondie Chaplin and Ricky Fataar as additions to their official line-up. It sold poorly and was met with lukewarm reviews, but later gained stature as a cult favorite among fans.
15 Big Ones is the 20th studio album by the American rock band the Beach Boys, released July 5, 1976 on Brother/Reprise. It includes a mix of original songs and renditions of rock 'n' roll and R&B standards. The LP was the band's first album with production credited solely to Brian Wilson since Pet Sounds (1966). As such, its release was accompanied by a controversial media campaign that declared his comeback as an active member of the Beach Boys' recording and touring group.
The Beach Boys Love You is the 21st studio album by American rock band the Beach Boys, released April 11, 1977, on Brother/Reprise. Sometimes called the band's "punk" or "synth-pop" album, Love You is characterized for its pioneering use of synthesizers and its juxtaposition of adolescent-oriented lyrics with the adult band members' gravelly vocals.
L.A. is the 23rd studio album by the American rock band the Beach Boys, released on March 16, 1979, and their first issued through CBS Records. Recorded during a period of acrimony between the band members, it was a critical and commercial failure, peaking at number 100 in the U.S. and number 32 in the UK.
M.I.U. Album is the 22nd studio album by American rock band the Beach Boys, released on September 25, 1978. Characterized for its easy-listening sound, the album was produced by Al Jardine and touring member Ron Altbach during one of the most acrimonious periods in the band's history. It sold poorly, peaking at number 151 in the U.S, and was met with confused reactions from critics and fans.
All Summer Long is the sixth album by American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
Brian Wilson is the first solo album by American musician Brian Wilson of the Beach Boys, released July 12, 1988 by Sire and Reprise Records. Promoted as a spiritual successor to his band's 1966 release Pet Sounds, the album is characterized for its rich, synthesizer-heavy orchestrations. It cost over $1 million to record and was the first album produced by Wilson since The Beach Boys Love You (1977). His former psychologist, Eugene Landy, was credited as "executive producer".
"Wake the World" is a song by American rock band the Beach Boys from their 1968 album Friends. It was written by Brian Wilson and Al Jardine about getting up in the morning for work. In addition to appearing on Friends, "Wake the World" was released as B-side to "Do It Again" in July 1968. The song has since appeared multiple times on the band's live setlists and has been described as a cult favorite.
"Our Sweet Love" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson, Carl Wilson, and Al Jardine, "Our Sweet Love" features a lush sound that has been compared to the band's work on Pet Sounds. Brian Wilson originally left the song unfinished, resulting in the band completing it for Sunflower. Carl Wilson sings the song's lead vocal.
"Girls on the Beach" is a song by the American rock band the Beach Boys from their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, the song is in the vein of the band's previous surf ballads and features Four Freshmen-inspired harmonies. The song also served as the title track to the movie The Girls on the Beach.
"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".
"Had to Phone Ya" is a song by the American rock band the Beach Boys from their 1976 album 15 Big Ones. It was written by Brian Wilson, his sister-in-law Diane Rovell, and Mike Love. The song was issued as the B-side to their single "It's O.K.". An earlier recording by the group American Spring was included as a bonus track on a later reissue of the album Spring (1972).
"Good Time" is a song by American pop music duo American Spring from their 1972 album Spring. It was written by Brian Wilson and Al Jardine originally for the Beach Boys' album Sunflower (1970). In 1972, Spring released "Good Time" as their second single, recording their voices atop the Beach Boys' instrumental track. In 1977, the Beach Boys released their original version of the song on the album The Beach Boys Love You.
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