The John B. Sails | |
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Traditional song | |
Other name |
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Style | Folk |
Language | English |
Published | 1916 |
"Sloop John B" (originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription was published in 1916 by Richard Le Gallienne, and Carl Sandburg included a version in his The American Songbag in 1927. There have been many recordings of the song since the early 1950s, with variant titles including "I Want to Go Home" and "Wreck of the John B".
In 1966, American rock band the Beach Boys recorded a folk rock adaptation that was produced and arranged by Brian Wilson and released as the second single from their album Pet Sounds . The record peaked at number three in the U.S., number two in the UK, and topped the charts in several other countries. It was innovative for containing an elaborate a cappella vocal section not found in other pop music of the era, and it remains one of the group's biggest hits. [1]
In 2011, the Beach Boys' version of "Sloop John B" was ranked number 276 on Rolling Stone 's list of "The 500 Greatest Songs of All Time". [2]
"The John B. Sails" was transcribed by Richard Le Gallienne, with five verses and the chorus published in his article "Coral Islands and Mangrove-Trees" in the December 1916 issue of Harper’s Monthly Magazine . [3] Gallienne published the first two verses and chorus in his 1917 novel Pieces of Eight. [4] The lyrics describe a disastrous voyage on a sloop, with the vessel plagued by drunkenness and arrests and a pig eating the narrator's food.
Carl Sandburg included the first three verses and chorus of "The John B. Sails" in his 1927 collection The American Songbag . He states that he collected it from John T. McCutcheon, a political cartoonist from Chicago. McCutcheon told him:
Time and usage have given this song almost the dignity of a national anthem around Nassau. The weathered ribs of the historic craft lie imbedded in the sand at Governor's Harbor, whence an expedition, especially sent up for the purpose in 1926, extracted a knee of horseflesh and a ring-bolt. These relics are now preserved and built into the Watch Tower, designed by Mr. Howard Shaw and built on our southern coast a couple of points east by north of the star Canopus.
"Sloop John B" | ||||
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Single by the Beach Boys | ||||
from the album Pet Sounds | ||||
B-side | "You're So Good to Me" | |||
Released | March 21, 1966 | |||
Recorded | July 12 –December 29, 1965 | |||
Studio | United Western Recorders, Hollywood | |||
Genre | ||||
Length | 2:59 | |||
Label | Capitol | |||
Songwriter(s) | Traditional, arranged by Brian Wilson | |||
Producer(s) | Brian Wilson | |||
The Beach Boys singles chronology | ||||
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Music video | ||||
"Sloop John B" on YouTube | ||||
Audio sample | ||||
The Kingston Trio's 1958 recording of "The John B. Sails" was recorded under the title "The Wreck of the John B." [10] It was the direct influence on the Beach Boys' version. The Beach Boys' Al Jardine was a keen folk music fan,and he suggested to Brian Wilson that the Beach Boys should record the song. As Jardine explains:
Brian was at the piano. I asked him if I could sit down and show him something. I laid out the chord pattern for 'Sloop John B.' I said,'Remember this song?' I played it. He said,'I'm not a big fan of the Kingston Trio.' He wasn't into folk music. But I didn't give up on the idea. So what I did was to sit down and play it for him in the Beach Boys idiom. I figured if I gave it to him in the right light,he might end up believing in it. So I modified the chord changes so it would be a little more interesting. The original song is basically a three-chord song,and I knew that wouldn't fly.
Jardine updated the chord progression by having the subdominant (D♭major) move to its relative minor (B♭minor) before returning to the tonic (A♭major),thus altering a portion of the song's progression from IV —I to IV —ii —I. This device is heard immediately after the lyric "into a fight" and "leave me alone".
So I put some minor changes in there,and it stretched out the possibilities from a vocal point of view. Anyway,I played it,walked away from the piano and we went back to work. The very next day,I got a phone call to come down to the studio. Brian played the song for me,and I was blown away. The idea stage to the completed track took less than 24 hours. [11]
Wilson elected to change some lyrics:"this is the worst trip since I've been born" to "this is the worst trip I've ever been on","I feel so break up" to "I feel so broke up",and "broke up the people's trunk" to "broke in the captain's trunk". The first lyric change has been suggested by some to be a subtle nod to the 1960s psychedelia subculture. [2] [12] [13]
The instrumental section of the song was recorded on July 12,1965,at United Western Recorders,Hollywood,California,the session being engineered by Chuck Britz and produced by Brian Wilson. The master take of the instrumental backing took fourteen takes to achieve. Wilson's arrangement blended rock and marching band instrumentation with the use of flutes,glockenspiel,bass saxophone,bass,guitar,and drums. [14]
The vocal tracks were recorded over two sessions. The first was recorded on December 22,1965,at Western Recorders,produced by Wilson. The second,on December 29,added a new lead vocal and Billy Strange's 12-string electric guitar part. Jardine explained that Wilson "lined us up one at a time to try out for the lead vocal. I had naturally assumed I would sing the lead,since I had brought in the arrangement. It was like interviewing for a job. Pretty funny. He didn't like any of us. My vocal had a much more mellow approach because I was bringing it from the folk idiom. For the radio,we needed a more rock approach. Wilson and Mike [Love] ended up singing it." [15] On the final recording,Brian Wilson sang the first and third verses and Mike Love sang the second.
Kent Hartman,in his book The Wrecking Crew ,described Billy Strange's contribution to the song. Brian Wilson called Strange into the studio one Sunday,played him the rough recording,and told him he needed an electric twelve-string guitar solo in the middle of the track. When Strange replied that he did not own a twelve string,Wilson responded by calling Glenn Wallichs,the head of Capitol Records and owner of Wallichs Music City. A Fender Electric XII and Twin Reverb amplifier were quickly delivered (despite the shop they were ordered from being closed on Sundays),and Strange recorded the guitar part in one take. Wilson then gave Strange $2,000 to cover the cost of the equipment. [16]
A music video set to "Sloop John B" was filmed for the UK's Top of the Pops ,directed by newly employed band publicist Derek Taylor. It was filmed at Brian's Laurel Way home with Dennis Wilson acting as cameraman. [17]
The single,backed with the song "You're So Good to Me",was released on March 21,1966 in the US and on April 15,1966 in the UK. It entered the Billboard Hot 100 chart on April 2,and peaked at No. 3 on May 7,remaining on the chart,in total,for 11 weeks. It charted highly throughout the world,remaining as one of the Beach Boys' most popular and memorable hits. It was No. 1 in Germany,Austria,and Norway—all for five weeks each—as well as Sweden,Switzerland,the Netherlands,South Africa,and New Zealand. It placed No. 2 in the UK,Ireland (where it was the group's highest charting single at the time),Canada,and in Record World. It was the fastest Beach Boys seller to date,moving more than half a million copies in less than two weeks after release. [18] It had a three-week stay at number 1 in the Netherlands,making it the "Hit of the Year". [19]
Cash Box described the single as a "topflight adaptation" that treats "the folk oldie in a rhythmic,effectively-building warm-hearted rousing style." [20] Record World said that "The Beach Boys have taken a tune from the folk books and given it an intriguing rock backing." [21]
In 1968,the recording's instrumental was released on Stack-O-Tracks . Along with sessions highlights,the box set The Pet Sounds Sessions includes two alternate takes,one with Carl Wilson singing lead on the first verse,and one with Brian singing all parts.[ citation needed ]
In 2011,the song was sung by Fisherman's Friends at Cambridge Folk Festival. [22] and released on Suck'em and Sea. [23] It was featured in the compilation album Cambridge Folk Festival 2011 [24] In 2016,to commemorate the fiftieth anniversary of Pet Sounds,Brian Wilson and his touring band (including Al Jardine) performed Sloop John B live at Capitol Studios. [25]
In 2021,another UK based group,Isle 'Ave A Shanty sang the song at the 2021 Harwich Sea Shanty Festival and included the song on their 2022 debut album Swinging the Lamp. [26] [27]
Per band archivist Craig Slowinski. [28]
The Beach Boys
Additional musicians and production staff
"Mister John B" | ||||
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Single by Sylvie Vartan | ||||
Language | French | |||
B-side | "La chanson" | |||
Released | July 1966 | |||
Recorded | Summer 1966 | |||
Genre | Pop | |||
Length | 2:45 | |||
Label | RCA Victor | |||
Songwriter(s) | Traditional, Brian Wilson, Giles Thibaut, Georges Aber, Eddie Vartan | |||
Sylvie Vartan singles chronology | ||||
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In 1966, the song was adapted into French by Giles Thibaut, Georges Aber, and Eddie Vartan as "Mister John B" and performed by Vartan's sister Sylvie and released as a single in July 1966 as a non-album single, based on the Beach Boys version from earlier that year. [29] The song had on-and-off chart success from mid-to-late 1966 on the French Belgian charts, peaking at Number 35 on the French Belgian charts on November 19, 1966. [30] Vartan would go on to re-record the song for her 2013 album "Sylvie In Nashville" but failed to chart unlike the former version. [31] [32]
Chart (1966) | Peak position |
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Belgium (Ultratop 50 Wallonia) | 35 [33] |
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It has been popular amongst English football fans since the mid-2000s when Liverpool adapted the song to sing about their 2005 Champions League final triumph in Istanbul.[ citation needed ] It was subsequently adopted by the supporters of English non-league team F.C. United of Manchester as a club anthem in 2007. [34] [35]
Since then more high-profile teams have followed suit, usually with different lyrics for their own teams, including Watford, with Newcastle, Blackpool, Middlesbrough and Hull also adopting the song as their own. It was sung by Phil Brown, the manager of Hull City FC, shortly after Hull had avoided relegation from the Premier League in 2009.[ citation needed ]
The melody of "Sloop John B" has been used as the basis for the "Famine Song", a sectarian anti-Irish Catholic song which refers to Irish migration to Great Britain in the context of the Great Irish Famine and contains the line "the famine's over, why don't you go home?". The song has been sung by fans of Rangers F.C. in reference to rival club Celtic F.C., which was established by Irish Catholic migrants in Glasgow and retains a large Irish supporter base. [36] [37] The song was first sung publicly by Rangers fans at a match at Celtic Park in April 2008. [38] Rangers have repeatedly asked their fans not to sing the song. In 2009 Scotland's Justiciary Appeal Court ruled that the song was racist, with judge Lord Carloway stating that its lyrics "are racist in calling upon people native to Scotland to leave the country because of their racial origins". [37]
This section needs additional citations for verification .(August 2022) |
All versions titled "Sloop John B", except where noted.
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
This section needs additional citations for verification .(October 2020) |
Weekly singles charts
| Year-end charts
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The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
Carl Dean Wilson was an American musician who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group's de facto leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death.
Alan Charles Jardine is an American musician who co-founded the Beach Boys. He is best known as the band's rhythm guitarist, background vocalist, and for occasionally singing lead vocals on singles such as number-one hit "Help Me, Rhonda" (1965), "Then I Kissed Her" (1965), "Cottonfields" (1970), and a cover of the Del-Vikings’ "Come Go with Me" (1981). His song "Lady Lynda" was also a UK top 10 hit for the group in 1979. Other Beach Boys songs that feature Jardine on lead include "I Know There's an Answer" (1966), “Vegetables" (1967), a cover of Buddy Holly’s “Peggy Sue” (1978), and "From There to Back Again" (2012).
Carl and the Passions – "So Tough" is the 18th studio album by American rock band the Beach Boys, released May 15, 1972 on Brother/Reprise. The album is a significant musical departure for the band and is the first to feature the Flames' Blondie Chaplin and Ricky Fataar as additions to their official line-up. It sold poorly and was met with lukewarm reviews, but later gained stature as a cult favorite among fans.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966, and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
Stars and Stripes Vol. 1 is the twenty-eighth studio album by American rock band the Beach Boys, released on August 19, 1996, by River North Records. Produced by Joe Thomas and Brian Wilson, Stars and Stripes is a collaborative album between the Beach Boys and various country acts.
"Baby It's You" is a song written by Burt Bacharach (music), Luther Dixon, and Mack David (lyrics). It was recorded by the Shirelles and the Beatles and was a hit for both. The highest-charting version of "Baby It's You" was by the band Smith, who took the track to No.5 on the US charts in 1969.
"I Know There's an Answer" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson, Terry Sachen, and Mike Love, the song was inspired by Wilson's experience with the drug LSD and his struggle with ego death. Musically, it is distinguished for its colorful arrangement, unorthodox structure, and bass harmonica solo. The instrumentation also includes guitars, tambourine, tack piano, banjo, clarinets, flutes, electric keyboards, and timpani. Wilson, Love, and Al Jardine trade the lead vocal, for which the melody spans two octaves.
"You're So Good to Me" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys, released on July 5, 1965, on their ninth studio album Summer Days . It was later included as the B-side of the group's single "Sloop John B", which was released on March 21, 1966. Mojo later wrote that the song was the closest the group had come to northern soul.
"Help Me, Rhonda" is a song by American rock band the Beach Boys, appearing first on their 1965 album The Beach Boys Today! and subsequently in re-recorded form on the following 1965 album Summer Days . It was written by Brian Wilson, with additional lyrics by Mike Love. Band member Al Jardine sings the lead vocal, a rarity for this era in the Beach Boys.
"Do You Want to Dance" is a song written by American singer Bobby Freeman and recorded by him in 1958. It reached number No. 5 on the United States Billboard Top 100 Sides pop chart, No. 2 on the Billboard R&B chart, and No. 1 in Canada. Cliff Richard and the Shadows' version of the song reached No. 2 in the United Kingdom in 1962, despite being a B-side. The Beach Boys notably covered the song in 1965 for their album The Beach Boys Today!; retitled "Do You Wanna Dance?", their version reached No. 12 in the United States. A 1972 cover by Bette Midler with the original title restored reached No. 17.
"Wake the World" is a song by American rock band the Beach Boys from their 1968 album Friends. It was written by Brian Wilson and Al Jardine about getting up in the morning for work. In addition to appearing on Friends, "Wake the World" was released as B-side to "Do It Again" in July 1968. The song has since appeared multiple times on the band's live setlists and has been described as a cult favorite.
"She Knows Me Too Well" is a song written by Brian Wilson and Mike Love for the American rock band The Beach Boys, about a man who is engrossed and obsessed in his own jealousy and insecurity. It was released on the 1965 album The Beach Boys Today!, initially serving as the B-side of their "When I Grow Up " single in 1964. It was one of the first songs that Brian wrote while under the influence of marijuana.
"California Saga/California" is a song by American rock band the Beach Boys from their January 1973 album Holland. It was written by Al Jardine and is the third and final part of the "California Saga" series of songs on Holland. In May 1973, a remixed version was issued as a single under the title "California Saga ".
"You Need a Mess of Help to Stand Alone" is a song by American rock band the Beach Boys from their 1972 album Carl and the Passions – "So Tough". It was written by Brian Wilson and Jack Rieley, and was issued as the album's lead single with the B-side "Cuddle Up". The single failed to chart.
"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".
"Barbara Ann" is a song written by Fred Fassert that was first recorded by the Regents as "Barbara-Ann". Their version was released in 1961 and reached No.13 on the Billboard Hot 100 chart. A more well-known version of the song was recorded by the Beach Boys for their 1965 in-house live album Beach Boys' Party! In December, "Barbara Ann" was issued as a single with the B-side "Girl Don't Tell Me", peaking at No. 2 in the U.S. and No. 3 in the UK.
Live – The 50th Anniversary Tour is a live album by the Beach Boys released on May 21, 2013. The album was recorded during the band's 50th anniversary reunion tour.
The Pet Sounds 50th Anniversary World Tour was a worldwide concert tour by American musicians Brian Wilson, Al Jardine, and Blondie Chaplin held to commemorate the 50th anniversary of the Beach Boys' album Pet Sounds (1966). Scheduled for more than 100 dates, it marks Wilson and Jardine's final performances of the album.