"You're So Good to Me" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys, released on July 5, 1965, on their ninth studio album Summer Days . It was later included as the B-side of the group's single "Sloop John B", which was released on March 21, 1966. Mojo later wrote that the song was the closest the group had come to northern soul.
"Good Timin’" is a song by the American rock band the Beach Boys and the second single from their 1979 album L.A. . It is one of the few songs jointly credited to Brian and Carl Wilson.
"Disney Girls (1957)" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. It was written and sung by Bruce Johnston, who also plays upright piano, Moog synthesizer, and mandolin. Johnston later rerecorded the song for his 1977 solo album, Going Public.
"Add Some Music to Your Day" is a song by American rock band the Beach Boys that was released in the US on February 23, 1970 as the lead single from their album Sunflower. It was written by Brian Wilson, Joe Knott and Mike Love. Wilson later said that Knott "was a friend of mine who wasn't a songwriter but he contributed a couple of lines. But I can't remember which ones!"
"Deirdre" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written primarily by Bruce Johnston, it is a love song named after the sister of one of his ex-girlfriends, and is one of his two main song contributions on the album, the other being "Tears in the Morning". Johnston stated that co-writer Brian Wilson's contributions were limited to a few lyrics.
"Wild Honey" is a song recorded by the American rock band the Beach Boys. Written by Brian Wilson and Mike Love, it was released as the lead single from their 1967 album Wild Honey, with the B-side of the single being "Wind Chimes". The single peaked at number 31 in the U.S. and number 29 in the U.K.
"Don't Go Near the Water" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. Written by Mike Love and Al Jardine, the song puts an ironic, ecological spin on the traditional Beach Boys beach- and surf- based songs: instead of enjoying surfing and other fun activities, this time the listener is advised to avoid the water for environmental reasons.
"It's About Time" is a song by American rock band the Beach Boys from their 1970 album Sunflower. Written by Dennis Wilson, Al Jardine, Bob Burchman and Carl Wilson, it was issued as the B-side of the "Tears in the Morning" single. Jardine said, "'It's About Time' was Carl, Dennis and I. That's a good one. I like that production. That was mostly Dennis, and I just helped with the lyrics. Dennis and Carl did the track."
"Tears in the Morning" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Bruce Johnston, it was issued as a single, with the B-side "It's About Time". The single failed to chart in the U.S., but reached the top 5 in the Netherlands.
"Slip On Through" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Dennis Wilson and Gregg Jakobson, it was issued as a single with the B-side "This Whole World". It did not chart.
"Long Promised Road" is a song by the American rock band the Beach Boys from their 1971 album Surf's Up. It was written by Carl Wilson and Jack Rieley. Aside from a few guitar instrumentals written in the early days of the band and collective co-writing credits, the song is Wilson's first solo composition, and he plays all of the instruments himself.
"All I Want to Do" is a song by American rock band the Beach Boys from their 1969 album 20/20. It was written by Dennis Wilson and Stephen Kalinich, and released as the B-side to "I Can Hear Music".
"The Girl from New York City" is a song written by Brian Wilson and Mike Love for the American rock band The Beach Boys. It was released on their 1965 album Summer Days . It was written as an answer song to The Ad Libs' hit from earlier that year, "The Boy from New York City".
"Sumahama" is a song by American rock band the Beach Boys from their 1979 album L.A. . Written by Mike Love, it was lyrically inspired by his fiancé at the time, a woman named Sumako. The lyrics describe "a young girl who wants to go with her mother to a place called 'Sumahama' in search of her father." Although some of the lyrics are in Japanese, Sumako was of Korean descent.
"Lady Lynda" is a song written by vocalist/guitarist Al Jardine and touring keyboardist Ron Altbach for American rock band the Beach Boys. It was released on the band's 1979 album L.A. . Its melody is based on "Jesu, Joy of Man's Desiring" by J. S. Bach.
"Goin' On" is a song written by Brian Wilson and Mike Love for the American rock band The Beach Boys. It was released on their 1980 album Keepin' the Summer Alive. The single reached number 83 on the Billboard Hot 100.
"Livin' with a Heartache" is a song written by Carl Wilson and Randy Bachman for the American rock band the Beach Boys, one of two collaborations between the two writers. It was recorded from August 27–29 at Bachman's home studio known as "The Barn" in Lynden, Washington with two further sessions at Rumbo Studios in November and December 1979. "Livin' with a Heartache" was released on the Beach Boys' 1980 album Keepin' the Summer Alive and was subsequently released with a truncated 3:05 mix as a single backed with "Santa Ana Winds" which failed to chart in the US.
"Getcha Back" is a song written by Mike Love and Terry Melcher for the American rock band the Beach Boys, on their 1985 album The Beach Boys. It was the band's first release since the drowning death of Dennis Wilson in 1983. The song peaked at number 26 nationally and number two on the Adult Contemporary chart.
"It's Gettin' Late" is a song written by Carl Wilson, Myrna Smith Schilling and Robert White Johnson for the American rock band the Beach Boys. It was released on their 1985 album The Beach Boys and as a single with "It's O.K."
Summer Days is the ninth studio album by American rock band the Beach Boys, released on July 5, 1965, on Capitol. The band's previous album, The Beach Boys Today!, represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling.
