"Here Comes the Night" | |
---|---|
Song by the Beach Boys | |
from the album Wild Honey | |
Released | December 18, 1967 |
Recorded | October 26, 1967 |
Studio | Beach Boys Studio |
Genre | Blue-Eyed Soul [1] |
Length | 2:41 |
Label | Capitol |
Songwriter(s) | Brian Wilson, Mike Love |
Producer(s) | The Beach Boys |
Licensed audio | |
"Here Comes the Night" on YouTube |
"Here Comes the Night" is a song by the American rock band the Beach Boys from their 1967 album Wild Honey . Written by Brian Wilson and Mike Love, the group later rerecorded the track for their 1979 album, L.A. (Light Album) , as a disco song lasting nearly eleven minutes. A four-minute edit of this version was released as a single on February 19, 1979 and reached number 44 on the U.S. Billboard Hot 100.
Author Andrew Hickey noted: "This is a rather by-the-numbers song which however manages the interesting trick of having the chorus apparently lose its tonal centre altogether – normally one would have a harmonically simple chorus while the verses are complex, but this has simple verses in C but a chorus whose chords are Cmin, Ab7 and F, which are chords that just should not go together." [2]
"Here Comes the Night" was recorded at Beach Boys Studio on October 26, 1967. [3]
"Here Comes the Night" | ||||
---|---|---|---|---|
Single by the Beach Boys | ||||
from the album L.A. (Light Album) | ||||
B-side | "Baby Blue" | |||
Released | February 19, 1979 | |||
Genre | Disco | |||
Length | 4:28 | |||
Label | Brother/Caribou/CBS | |||
Songwriter(s) | Brian Wilson, Mike Love | |||
Producer(s) | ||||
The Beach Boys singles chronology | ||||
| ||||
Licensed audio | ||||
"Here Comes the Night" on YouTube |
The 1979 disco version of the song, produced by Bruce Johnston and Curt Becher, is over eight minutes longer than the original song, with Becher contributing to the arrangement. [1]
Dennis Wilson was opposed to this recording, and Brian did not participate. [4] Al Jardine later expressed his distaste for the disco remake of the song.
I hated that track. It was one of the worst experiences of my life recording anywhere, but Bruce has this idea to do the perfect disco record, which of course none of our fans wanted us to do. I like the original song, but this pandering to disco did not work. Curt Becher, who was really quite a producer and musician in his own right, it was really a labor of love for those guys. They wanted every note perfect, and it had to be right on the right beats per minute, mathematically created for disco. But that disco sound didn't suit the Beach Boys at all. [5]
There are five edits of this disco version. The first edit appears on the L.A. (Light Album) , while the second edit was released on a 12" single release (Caribou/Brother/CBS 2Z8-9028). The third edit was the B-side of the 12" single, which is a slightly shorter instrumental (backing track) version of the song. The fourth and fifth version of the song is found on the 7" single release (Caribou/Brother/CBS ZS8 9026)(DJ version).[ citation needed ]
Variations
Record producer Tony Visconti spoke positively of the song, commenting, "I can play that 10 times today and I wouldn't get bored with it." [6]
The "Here Comes the Night" disco single (backed with "Baby Blue") was issued on February 19, 1979 and peaked at number 44. [4] The band briefly introduced the disco version into their live set in 1979. Jardine commented, "We performed it once and we were booed. We actually received such criticism that we never played it again." [5]
Reviewing the single in 1979, Smash Hits said, "Hard, fast electro-burble and swirling strings pound along beneath snatches of harmonising voices and a lot of solo lead singing of an unremarkable song. It's OK but there are plenty of better disco tracks about." [7] Record World said that the song "is lush and perfectly adapted to the genre." [8]
The Beach Boys
Additional musician
The Beach Boys
Additional personnel
Chart (1979) | Peak position |
---|---|
UK Singles (The Official Charts Company) [11] | 37 |
US Billboard Hot 100 [12] | 44 |
US Billboard Disco Top 80 [13] | 48 |
The Beach Boys' Christmas Album is the seventh studio album by the American rock band the Beach Boys, released November 9, 1964 on Capitol Records. It contains five original songs and seven standards on a Christmas theme. The album proved to be a long-running success during subsequent Christmas seasons, initially reaching No. 6 on Billboard's Christmas LP's chart in its initial release and eventually going gold. Music historian James Perone wrote that it is "regarded as one of the finest holiday albums of the rock era".
L.A. is the 23rd studio album by the American rock band the Beach Boys, released on March 16, 1979, and their first issued through CBS Records. Recorded during a period of acrimony between the band members, it was a critical and commercial failure, peaking at number 100 in the U.S. and number 32 in the UK.
Keepin' the Summer Alive is the 24th studio album by American rock band the Beach Boys, released March 24, 1980, on Brother, Caribou and CBS Records. Produced by Bruce Johnston, the album peaked at number 75 in the US, during a chart stay of 6 weeks, and number 54 in the UK. It is the group's last album recorded with Dennis Wilson, who drowned in 1983, although he only appears on one song.
"Help Me, Rhonda" is a song by American rock band the Beach Boys, appearing first on their 1965 album The Beach Boys Today! and subsequently in re-recorded form on the following 1965 album Summer Days . It was written by Brian Wilson, with additional lyrics by Mike Love. Unlike many other songs by the band from this period, "Help Me, Rhonda" features a lead vocal sung by Al Jardine.
"Wake the World" is a song by American rock band the Beach Boys from their 1968 album Friends. It was written by Brian Wilson and Al Jardine about getting up in the morning for work. In addition to appearing on Friends, "Wake the World" was released as B-side to "Do It Again" in July 1968. The song has since appeared multiple times on the band's live setlists and has been described as a cult favorite.
"Good Timin’" is a song by the American rock band the Beach Boys and the second single from their 1979 album L.A. . It is one of the few songs jointly credited to Brian and Carl Wilson.
"Add Some Music to Your Day" is a song by American rock band the Beach Boys that was released in the US on February 23, 1970 as the lead single from their album Sunflower. It was written by Brian Wilson, Joe Knott, and Mike Love. Wilson later said that Knott "was a friend of mine who wasn't a songwriter but he contributed a couple of lines. But I can't remember which ones!"
"Tears in the Morning" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Bruce Johnston, it was issued as a single, with the B-side "It's About Time". The single failed to chart in the U.S., but reached the top 5 in the Netherlands.
"Our Sweet Love" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson, Carl Wilson, and Al Jardine, "Our Sweet Love" features a lush sound that has been compared to the band's work on Pet Sounds. Brian Wilson originally left the song unfinished, resulting in the band completing it for Sunflower. Carl Wilson sings the song's lead vocal.
"I Can Hear Music" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector for American girl group the Ronettes in 1966. This version spent one week on the Billboard Pop chart at number 100. In early 1969, the Beach Boys released a cover version as a single from their album 20/20 (1969), peaking at number 24 in the US.
"Come Go With Me" is a song written by C. E. Quick, an original member of the American doo-wop vocal group the Del-Vikings. The song was originally recorded by The Del-Vikings in 1956 but not released until July 1957 on the Luniverse LP "Come Go With The Del Vikings". The final version of the song was released in the second week of January 1957 and was led by Gus Backus. When Joe Averbach, the owner of Fee Bee Records couldn't handle the demand, he signed with Dot Records in late January 1957; the song became a hit, peaking at No. 5 on the US Billboard Top 100 Pop Charts. It also reached #2 on the R&B chart.
"Sumahama" is a song by American rock band the Beach Boys from their 1979 album L.A. . Written by Mike Love, it was lyrically inspired by his fiancée at the time, a woman named Sumako. The lyrics describe "a young girl who wants to go with her mother to a place called 'Sumahama' in search of her father." Although some of the lyrics are in Japanese, Sumako was of Korean descent.
"Lady Lynda" is a song written by vocalist/guitarist Al Jardine and touring keyboardist Ron Altbach for American rock band the Beach Boys. It was released on the band's 1979 album L.A. . Its melody is based on "Jesu, Joy of Man's Desiring" by J. S. Bach.
"Goin' On" is a song written by Brian Wilson and Mike Love for the American rock band The Beach Boys. It was released on their 1980 album Keepin' the Summer Alive. The single reached number 83 on the Billboard Hot 100.
"Livin' with a Heartache" is a song written by Carl Wilson and Randy Bachman for the American rock band the Beach Boys, one of two collaborations between the two writers. It was recorded from August 27–29 at Bachman's home studio known as "The Barn" in Lynden, Washington with two further sessions at Rumbo Studios in November and December 1979. "Livin' with a Heartache" was released on the Beach Boys' 1980 album Keepin' the Summer Alive and was subsequently released with a truncated 3:05 mix as a single backed with "Santa Ana Winds" which failed to chart in the US.
"Getcha Back" is a song written by Mike Love and Terry Melcher for the American rock band the Beach Boys, on their 1985 album The Beach Boys. It was the band's first release since the drowning death of Dennis Wilson in 1983. The song peaked at number 26 nationally and number two on the Adult Contemporary chart.
"She Believes in Love Again" is a song written by Bruce Johnston for the American rock band the Beach Boys. It was released on their 1985 album The Beach Boys. The song was re-recorded during the That's Why God Made the Radio sessions but was not included on the final track list.
"Lady" is a song written by Dennis Wilson, recorded by him with Daryl Dragon and released under the name "Dennis Wilson & Rumbo" in the United Kingdom on 4 December 1970, on Stateside Records. The song served as the B-side of the "Sound of Free" single. The single was not issued in the United States.
"Rock 'n' Roll to the Rescue" is a song by American rock band the Beach Boys from their 1986 album Made in U.S.A. Written by Mike Love and Terry Melcher, it was released as a single on June 9, 1986 and reached number 68 on the U.S. Billboard pop singles chart.
Summer Days is the ninth studio album by American rock band the Beach Boys, released on July 5, 1965, on Capitol. The band's previous album, The Beach Boys Today!, represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling.