"Child Is Father of the Man" | |
---|---|
Song by the Beach Boys | |
from the album The Smile Sessions | |
Released | October 31, 2011 |
Recorded | October 11, 1966 –April 1967 |
Studio | Western, Columbia, Sunset Sound, and Beach Boys, Los Angeles |
Length | 2:14 |
Label | Capitol |
Songwriter(s) | |
Producer(s) | Brian Wilson |
Music video | |
"Child Is Father of the Man" on YouTube |
"Child Is Father of the Man" is a song by American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally recorded for the band's never-finished album Smile . In 2004, Wilson rerecorded the song for Brian Wilson Presents Smile . In 2011, the Beach Boys' original recording was released on The Smile Sessions .
The title derives from an idiom meaning that man is the product of habits and behavior developed in youth. Surviving tapes of the original recordings do not show any lyrics other than "child is father of the man". Parks penned new words for the 2004 version. The instrumentation includes keyboard, trumpet, vocal rounds, and a droning guitar saturated with reverb. [1] Elements of the song were later reworked for the band's "Little Bird" and "Surf's Up".
"Child is father of the man" is an idiom originating from the poem "My Heart Leaps Up" by William Wordsworth. [2] There are many different interpretations of the phrase, the most popular of which is that man is the product of habits and behavior developed in youth. [1] In a late 1966 interview, Brian Wilson remarked, "And another thing that interests me ... who was it, Karl Menninger [ sic ], who said, 'The child is father of the man'? That fascinates me!" [3] [4] [nb 1]
According to historian Keith Badman, Van Dyke Parks stated that there were lyrics for the song that were never originally recorded. [6] In 2004, Parks told journalist Domenic Priore, "It was an instrumental piece until Brian asked me to put words on it in November of 2003." [1] He said he had originally suggested the idiom to Wilson. [1]
Brian had a fervent desire to re-invent himself as an individual, not as a boy, and that's what happened, I think. By the time I met him, he had already done "When I Grow Up (To Be A Man)"; he'd already raised the questions about being a man, and when I met him, that crisis was acute. I knew it was psychologically complex and over my head. The only way I could help with any of this, whatever it was he was going through, was refer him to that poem by Hawthorne [ sic ] from which the phrase "the child is father to the man" comes. He used it as part of his inquiry of Smile, as a lyric. [1]
Wilson's 2016 memoir states that "'Child Is Father of the Man' was about mental health and knowing yourself so you could do the right things in the world." [7]
The instrumental track for "Child Is Father of the Man" was recorded on October 7 ("Version 1") and October 11, 1966 ("Version 2") at Western Studio. The latter was logged as a "Cabin Essence" session. [8] Biographer Jon Stebbins described the track as "a brooding and expansive aura, with a plaintive harmonica [ sic ] line not dissimilar to those heard on Ennio Morricone Spaghetti Western soundtracks." [9]
Vocals were overdubbed by the group on October 12 and December 2 at Columbia Studio. [8] Band archivist Mark Linett later said that there are vocal parts obscured by Carl Wilson's singing on the track. Linett said, "When he's not singing, you can hear faint background vocal parts that no longer exist on the multitrack. They must have been in his headphones, and were picked up by the vocal mic. It could be that Brian decided he didn't need them, or that he was going to re-record them, but never did. You hear this sort of stuff throughout the tapes." [10]
A mix of "Child Is Father of the Man" was compiled in late 1966 and later released on the 2018 compilation Wake the World: The Friends Sessions . [11] In April 1967, the band revisited the song at Sound Recorders. Brian played grand piano while he and his bandmates sang vocals. The tape was logged as "Tune X" on the box and slated as "Nowhere" on the session tape. [8]
In 1968, the song's chorus was rewritten and rerecorded as the chorus for "Little Bird" from Friends . [12]
In 1971, when the band completed "Surf's Up" for their album of the same name, the coda included a reworking of the chorus from "Child Is Father of the Man". [13] [14] Writing in a 1996 online Q&A, band manager Jack Rieley wrote that Brian had "stated clearly that it was his intent all along for Child to be the tag for Surfs Up." [15]
Per band archivist Craig Slowinski. [8]
Version 1 (October 7, 1966)
Version 2 (October 11 –December 2, 1966)
Version 3 (circa April 10, 1967)
Smiley Smile is the twelfth studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point.
Brother Records, Inc. (BRI) is an American holding company and record label established in 1966 that owns the intellectual property rights of the Beach Boys, including "The Beach Boys" trademark. It was founded by brothers Brian, Carl and Dennis Wilson, and their cousin Mike Love. As of 2011, the corporation was equally owned by four shareholders and directors: Brian Wilson, Mike Love, Al Jardine, and the estate of Carl Wilson.
Holland is the 19th studio album by American rock band the Beach Boys, released January 8, 1973 on Brother/Reprise. It is their first album recorded without Bruce Johnston since 1965, their second with Blondie Chaplin and Ricky Fataar, and their final studio album created under the de facto leadership of Carl Wilson and manager Jack Rieley. The LP was originally packaged with a bonus EP, Mount Vernon and Fairway, which consisted of a 12-minute fairy tale written and produced by Brian and Carl Wilson.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
Carl and the Passions – "So Tough" is the 18th studio album by American rock band the Beach Boys, released May 15, 1972 on Brother/Reprise. The album is a significant musical departure for the band and is the first to feature the Flames' Blondie Chaplin and Ricky Fataar as additions to their official line-up. It sold poorly and was met with lukewarm reviews, but later gained stature as a cult favorite among fans.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
"Heroes and Villains" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson envisioned the song as an Old West-themed musical comedy that would surpass the recording and artistic achievements of "Good Vibrations". The single was Brother Records' first release. While it failed to meet critical and commercial expectations, it was nevertheless a hit record, peaking at number 12 in the U.S. and number 8 in the UK.
"Sail On, Sailor" is a song by American rock band the Beach Boys from their 1973 album Holland. It was written primarily by Van Dyke Parks and Brian Wilson with Ray Kennedy, Tandyn Almer, and Jack Rieley. The lead singer on the song is Blondie Chaplin, making this one of the band's few well-known songs not sung by Mike Love, Brian Wilson or Carl Wilson. The song was released as a single in 1973, backed with "Only with You", and peaked at No. 79 on the Billboard singles chart. A 1975 reissue charted higher, at No. 49.
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"Wonderful" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was their only collaboration that resulted in a love song, telling the story of a young girl's sexual awakening and its disruption of her devotion to God and her parents.
"Cabinessence" is a song by the American rock band the Beach Boys from their 1969 album 20/20 and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson described the song as a "rock and roll waltz" about railroads, while Parks offered that the pair were attempting to write a song that would end on "a freeze frame of the Union Pacific Railroad". The instrumentation includes banjo, cello, dobro, bouzouki, fuzz bass, trumpet, accordion, and percussion that was arranged to sound like the pounding of rail spikes.
"Wind Chimes" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was inspired by wind chimes hanging outside Wilson's home and was one of the first pieces tracked for the Smile sessions.
"Vegetables" is a song by American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, the song was conceived by Wilson as a tongue-in-cheek promotion of organic food. Another reported inspiration for the song was a humorous comment Wilson heard about the effect of marijuana turning him and his friends into a "vegetative" state.
"Fire" is an instrumental by American musician Brian Wilson that he originally composed for the Beach Boys' never-finished album Smile. Named after Catherine O'Leary and the Great Chicago Fire, the track was originally conceptualized as part of "The Elements", a four-part movement based on the four classical elements: Air, Fire, Earth, and Water. Wilson's friends, family, and colleagues later referred to its recording as heralding his period of psychosis and the unraveling of the Smile project.
"Do You Like Worms?" is a song by American rock band the Beach Boys from their unfinished album Smile. Written by Brian Wilson and Van Dyke Parks, the song is about the recolonization of the American continent and contains references to the Sandwich Islands and "Bicycle Rider Back" playing cards. None of the lyrics appear to mention worms; asked about the title, Parks said he could not remember where it came from, although in a Reddit AMA, Wilson stated that Parks had come up with it.
"Look" is an incomplete musical piece that was composed by American musician Brian Wilson for the Beach Boys' aborted Smile album. Wilson produced the backing track at the start of the Smile sessions in August 1966. It is theorized that a missing session tape may have contained a vocal track that he recorded with his bandmates in October.
Smile is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds. It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single. Instead, after a year of recording, the album was shelved and the group released a downscaled version, Smiley Smile, in September 1967. Over the next four decades, few of the original Smile tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history.
Lei'd in Hawaii is an unfinished live album by American rock band the Beach Boys that was produced shortly after the completion of their 1967 studio album Smiley Smile. It was initially planned to include the band's first live concert performances since their tour of Europe in May 1967.
The Radiant Radish was a health food store located at the corner of Melrose Avenue and San Vicente Boulevard in West Hollywood, California, from 1969 to 1971. It was managed by Brian Wilson of the Beach Boys, his cousin Steve Korthoff, and friend Arny Geller.
"Holidays" is an instrumental by the American rock band the Beach Boys that was composed by Brian Wilson for their never-finished Smile album. In 2003, it was rewritten with new lyrics by Van Dyke Parks as "On a Holiday" for the project Brian Wilson Presents Smile (2004).
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