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The Beach Boys' Christmas Album is the seventh studio album by the American rock band the Beach Boys, released November 9, 1964 on Capitol Records. It contains five original songs and seven standards on a Christmas theme. The album proved to be a long-running success during subsequent Christmas seasons, initially reaching No. 6 on Billboard's Christmas LP's chart in its initial release and eventually going gold. Music historian James Perone wrote that it is "regarded as one of the finest holiday albums of the rock era".
20/20 is the 15th studio album by American rock band the Beach Boys, released February 10, 1969 on Capitol Records. The LP was named for being their 20th overall release when factoring in live albums and compilations. Much of 20/20 consists of outtakes from earlier albums. It reached number 3 on UK record charts and number 68 in the U.S. Brian Wilson was absent during most of the album's recording after admitting himself into a psychiatric hospital, requiring brothers Carl and Dennis to retrieve several outtakes he had recorded years earlier. While Brian does not appear on the front cover, the inner gatefold of the original vinyl release features him alone, behind an eye examination chart.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
"Good Timin’" is a song by the American rock band the Beach Boys and the second single from their 1979 album L.A. . It is one of the few songs jointly credited to Brian and Carl Wilson.
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"'Til I Die" is a song by American rock band the Beach Boys from their 1971 album Surf's Up, subsequently issued as the B-side of the single "Long Promised Road". With autobiographical lyrics about death and hopelessness, it is one of the few songs in which both the words and music were written solely by Brian Wilson. An extended mix of the original recording, created by engineer Stephen Desper, was included on the 1998 Endless Harmony Soundtrack.
"This Whole World" is a song by American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson, the song features his brother Carl on lead vocals and is credited as a Beach Boys production. Earlier in the year, it had been included on the Warner Brothers promotional sampler album The Big Ball, and as a single, fronted with "Slip On Through", but did not make the U.S. or UK pop charts.
"Disney Girls (1957)" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. It was written and sung by Bruce Johnston, who also plays upright piano, Moog synthesizer, and mandolin. Johnston later rerecorded the song for his 1977 solo album, Going Public.
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971.
"Don't Go Near the Water" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. Written by Mike Love and Al Jardine, the song puts an ironic, ecological spin on the traditional Beach Boys beach- and surf- based songs: instead of enjoying surfing and other fun activities, this time the listener is advised to avoid the water for environmental reasons.
"A Day in the Life of a Tree" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. It was written by Brian Wilson and the group's manager Jack Rieley, who also performed lead vocal. The lyrics were inspired by Wilson's feelings toward environmental pollution.
"Slip On Through" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Dennis Wilson and Gregg Jakobson, it was issued as a single with the B-side "This Whole World". It did not chart.
"All I Wanna Do" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson and Mike Love, the dreamlike production quality was created through liberal use of overdubbing, reverb and delay effects. It was influential to the development of lo-fi music and pioneered sounds that became associated with the shoegaze, dream pop, and chillwave music genres.
"Feel Flows" is a song recorded by American rock band the Beach Boys from their 1971 album Surf's Up. It was written by guitarist Carl Wilson and band manager Jack Rieley, and was one of Wilson's first songs.
"Sound of Free" is a song performed by American musicians Dennis Wilson and Daryl Dragon that was written by Wilson and Mike Love. It was released by Stateside Records as a British-exclusive single on December 4, 1970. The B-side was "Lady". In 2013, "Sound of Free" was officially released on CD for the first time on the Beach Boys' box set Made in California.
"Lady" is a song written by Dennis Wilson, recorded by him with Daryl Dragon and released under the name "Dennis Wilson & Rumbo" in the United Kingdom on 4 December 1970, on Stateside Records. The song served as the B-side of the "Sound of Free" single. The single was not issued in the United States.
"You're Welcome" is a song written by Brian Wilson for American rock band the Beach Boys. It was released on July 24, 1967 as the B-side of the "Heroes and Villains" single. It later appeared as a bonus track on the compilations Smiley Smile/Wild Honey (1990) and The Smile Sessions (2011).
"All Dressed Up for School" is a song by American rock band the Beach Boys that was recorded in 1964 during the early sessions for their album The Beach Boys Today!. Written by Brian Wilson, the lyrics express the narrator's newfound fascination with a girl after realizing "what a turn on" she is in school clothes. It is one of the last original tracks the group recorded as a small ensemble rock band before entering their orchestral phase.
"Sherry She Needs Me" is a song written in 1965 by Brian Wilson and Russ Titelman for the American rock band the Beach Boys. The recording was not released until decades later. As a solo artist in 1998, Wilson completed the song with lyric changes by Carole Bayer Sager; it was renamed "She Says That She Needs Me" and released on his album Imagination.
"H.E.L.P. Is On the Way" is a song by American rock band the Beach Boys that was recorded during the making of their 1971 album Surf's Up. It was written by Brian Wilson and Mike Love about H.E.L.P., a Los Angeles restaurant that the band had frequented. The song also references Wilson's health food shop, the Radiant Radish.
References
- ↑ Chidester, Brian (January 30, 2014). "Brian Wilson's Secret Bedroom Tapes". LA Weekly. Retrieved 1 February 2014.
- 1 2 3 Willman, Chris (August 31, 2021). "Beach Boys' Archivists on the 'Feel Flows' Boxed Set, and How the Group Was Peaking — Again — While the World Wasn't Looking". Variety . Retrieved August 31, 2021.
- 1 2 Doe, Andrew Grayham. "VAULTS". Endless Summer Quarterly. Retrieved December 11, 2014.
- 1 2 "Beach Boys Producers Alan Boyd, Dennis Wolfe, Mark Linett Discuss 'Made in California' (Q&A)". Rock Cellar Magazine. September 4, 2013. Archived from the original on September 30, 2013. Retrieved September 9, 2013.
- ↑ "INTERVIEW WITH BRIAN WILSON OF THE BEACH BOYS IN EARLY 1980'S". Global Image Works. 1976. Retrieved July 18, 2014.
- ↑ Leaf, David (2022). God Only Knows: The Story of Brian Wilson, the Beach Boys and the California Myth (3rd ed.). Omnibus Press. p. [ page needed ]. ISBN 9781913172756.
- ↑ Doe, Andrew G. "GIGS80". Bellagio 10452. Endless Summer Quarterly.
- ↑ Slowinski, Craig (Summer 2021). Beard, David (ed.). "Surf's Up: 50th Anniversary Edition". Endless Summer Quarterly Magazine. Vol. 34, no. 134. Charlotte, North Carolina.