The Grass Roots are an American rock band that charted frequently between 1965 and 1975. The band was originally the creation of Lou Adler and songwriting duo P. F. Sloan and Steve Barri. In their career, they achieved two gold albums and two gold singles, and charted singles on the Billboard Hot 100 a total of 21 times. Among their charting singles, they achieved Top 10 three times, Top 20 six times and Top 40 14 times.[4][5] They have sold over 20 million records worldwide.[6]
Until his death in 2011, early member Rob Grill and a newer lineup of the Grass Roots continued to play many live performances each year. After his death, the group featured no original band members, with a lineup personally chosen by Grill carrying on the legacy of the group with nationwide live performances.
The founding years
The name "Grass Roots" (originally spelled as one word "Grassroots") originated in mid-1965 as the name of a band project by Los Angeles songwriter and producer duo P.F. Sloan and Steve Barri. Sloan and Barri had written several songs in an attempt by their record company, Dunhill Records (owned by Lou Adler), to cash in on the budding folk rock movement. One of these songs was "Where Were You When I Needed You", which was recorded by Sloan and Barri. Sloan provided the lead vocals and played guitar, Larry Knechtel played keyboards, Joe Osborn played the bass and Bones Howe was on drums.[7] The song was released under "The Grass Roots" name and sent, as a demo, to several radio stations of the San Francisco Bay area.
When moderate interest in this new band arose, Sloan and Barri went to look for a group that could incorporate the Grass Roots name. They found one in The Bedouins, a San Francisco band that won a Battle of the Bands at a Teenage Fair in San Mateo, California.[6] A new version of "Where Were You When I Needed You" with that band's lead vocalist, Willie Fulton (later, an early member of Tower of Power), was recorded.
In late 1965, the Grass Roots got their first official airplay on Southern California radio stations, such as KGB (AM) in San Diego and KHJ in Los Angeles, with a version of the Bob Dylan song "Mr. Jones (Ballad of a Thin Man)". Dylan granted Sloan the opportunity to cover the song after Sloan showed appreciation for his first listen to Dylan's demonstration acetate of the song.[6]
For some months, the group appeared as the first "real" Grass Roots. They were used by Dunhill to back up The Mamas & the Papas and Barry McGuire and became a house band at The Trip nightclub in Hollywood. The partnership with Sloan and Barri broke up when the band demanded more space for their own more blues rock-oriented material (which Dunhill was not willing to give them). Willie Fulton (lead vocals, guitar), Denny Ellis (guitar, backing vocals) and David Stensen (bass, backing vocals) went back to San Francisco, with drummer Joel Larson being the only one who remained in Los Angeles (he later returned to the group in 1972). Fulton, Ellis and Stensen continued to appear as the Grass Roots, with original Bedouins drummer Bill Shoppe, until Dunhill ordered them to cease, because the label decided to start all over again with another group, whom they would groom to be the Grass Roots. In the meantime, the second version of "Where Were You When I Needed You" peaked in the Top 40 in mid-1966, while an album of the same name sold poorly.[6]
Still looking for a group to record their material and promote it with live dates, Sloan and Barri in 1966 offered Wisconsin-based band The Robbs (for whom they produced some early material) a chance to assume the identity of the Grass Roots, but the group declined.[citation needed]
Peak years
The group's third – and by far most successful – incarnation was finally found in a Los Angeles band called The 13th Floor (not to be confused with the 13th Floor Elevators). This band consisted of Creed Bratton (vocals, guitar), Rick Coonce (drums, percussion), Warren Entner (vocals, guitar, keyboards) and Kenny Fukumoto (vocals, bass) and had formed only a year earlier. Entner, who had been attending film school at UCLA alongside future The Doors members Jim Morrison and Ray Manzarek, was drifting through Europe in the summer of 1965 singing and playing on street corners when he met fellow busker and American Creed Bratton in Israel, where an Israeli businessman expressed interest in managing and promoting them. The duo moved on individually, though, and ended up back in LA by 1966, where they formed the 13th Floor and submitted a demo tape to Dunhill Records.[8] After Fukomoto was drafted into the army, the group went through two replacements before the label found singer Rob Grill, who had a voice that P.F. Sloan regarded as the perfect vehicle to convey his songs in a more commercially accessible manner than Sloan could with his own singing. Grill only played guitar, but had to quickly learn the rudiments of bass to fill that vacancy in the lineup. In 1967 the band was offered the choice to go with their own name or choose to adopt a name that had already been heard of nationwide.
In the beginning, they were one of many U.S. guitar pop/rock bands, but with the help of Barri and their other producers, they developed a unique sound for which they drew as heavily on British beat as on soul music, rhythm and blues, and folk rock. Many of their recordings featured a brass section, which was a novelty in those days among American rock bands, with groups like Chicago just developing.
The bulk of the band's material continued to be written by Dunhill Records staff (not only Sloan and Barri) and the LA studio musicians who were part of what became known as the Wrecking Crew played the music on most, but not all, of their hits.[7] The Grass Roots also recorded songs written by the group's musicians, which appeared on their albums and the B-sides of many hit singles.
As the Grass Roots, they had their first top-10 hit in the summer of 1967 with "Let's Live for Today", an English-language cover version of "Piangi con me", a 1966 hit for the Anglo-Italian quartet The Rokes. "Let's Live for Today" sold over one million copies and was awarded a gold disc.[9] With Rob Grill as lead singer, they recorded a third version of "Where Were You When I Needed You". The band continued in a similar hit-making vein for the next five years (1967–1972).
In late 1967, the band recorded the album Feelings, which featured much heavier input in the songwriting and playing by the group members themselves, but its failure to sell prompted Barri to take full hold of the reins again, as he moved the band in a more R&B, horn-punctuated direction. By this time, Sloan had phased out of his involvement with the band and relocated to New York City to pursue a solo career.
Creed Bratton became frustrated by Dunhill's refusal to allow the band to write its own songs and play the instruments on its records (although the members did play alone at concerts). After a disastrous appearance at the Fillmore West in April 1969, a "slightly inebriated" Bratton was asked to leave the band.[7] He was replaced by Dennis Provisor on keyboards and vocals, and lead guitarist Terry Furlong (1969–1971) was also brought in to form a quintet.[10] This was the first of many line-up changes for this version of the band.
According to Rob Grill, the band turned down "Don't Pull Your Love" and "Love Grows (Where My Rosemary Goes)," the latter supposedly because one of the members had a girlfriend named Rosemary and they thought it was inappropriate to have a song with her name and not the other members' girlfriends.[11] Both songs became regulars they performed live and later included on their 2000 live album The Grass Roots – Live At Last.[12]
The Grass Roots, with their new members, played at Newport Pop Festival 1969 at Devonshire Downs, which was a racetrack at the time but now is part of the North Campus for California State University, Northridge. The group played on Sunday June 22, 1969, a week before their hit "I'd Wait A Million Years" reached the Hot 100. In Canada they played at the Vancouver Pop Festival at the Paradise Valley Resort in British Columbia in August 1969.
By 1971, Furlong had stopped touring with the group to pursue a solo career, but continued to contribute on records during the rest of the band's time on Dunhill. His touring replacement was Brian Naughton, who left in 1972. Drummer Rick Coonce was gone as well, by the beginning of 1972, and new members Joe Pollard (drums, percussion) and another guitarist named Terry (last name unknown) joined up. Terry was soon replaced by Reed Kailing (vocals, guitars). Drummer Pollard and keyboardist Dennis Provisor left soon after to go out as a duo (although Provisor was featured on the band's 1972 Move Along album) and were replaced by a returning Rick Coonce and keyboard man Virgil Weber (ex-Hamilton, Joe Frank & Reynolds and Climax). But Coonce was back for only a short period before he was gone again, turning the drum slot over to original member Joel Larson. Singers Rob Grill and Warren Entner remained the point of focus during these years.
The group's songs during 1967–1972 include: "Let's Live for Today", a cover of an Italian hit by The Rokes, "Piangi con me" (U.S. number eight) and "Things I Should Have Said" (U.S. number 23) (1967); "Midnight Confessions" (U.S. number five, their biggest hit) (1968); "Bella Linda" (a cover of an Italian hit by Lucio Battisti, "Balla Linda") (U.S. number 28), "Lovin' Things" (a cover of a UK hit by Marmalade the previous year) (U.S. number 49), "The River Is Wide" (U.S. number 31), "I'd Wait a Million Years" (U.S. number 15) and "Heaven Knows" (U.S. number 24) (1969); "Walking Through the Country" (U.S. number 44) and "Baby Hold On" (U.S. number 35) (1970); "Temptation Eyes" (number 15), "Sooner or Later" (U.S. number 9) and "Two Divided by Love" (U.S. number 16) (1971); "Glory Bound" (U.S. number 34) and "The Runway" (U.S. number 39) (1972).
By early 1974, the Grass Roots had left Dunhill (now ABC Records), and Kailing, Weber and longtime member Entner (later a successful manager with groups such as Rage Against the Machine and Quiet Riot) moved on, while former members Terry Furlong and Dennis Provisor returned. But Furlong left permanently by mid-1974 to be succeeded by Gene Barkin, then by Reggie Knighton. The resulting group was Grill, Larson, Provisor, and Knighton. Dennis Lambert and Brian Potter, who had penned the group's 1971 hit "Two Divided by Love" and many others, invited the band to join their Haven label, where they released an eponymous album in 1975, The Grass Roots, containing the single "Mamacita", which charted at number 71 on the Billboard Hot 100. Follow-up singles failed to chart.
Later years
1976 to 1981
Their 1976 single "Out In The Open" proved to be their swan song on Haven. Knighton left in 1976 and Alan Deane took over, followed by guitarist Glen Shulfer in 1977. ABC Records issued a final greatest-hits package of the group titled ABC Collection in 1976, but in late 1977, Grill decided to take a break from performing and later recorded the 14 Greats album on Gusto Records featuring Provisor and himself. This album consisted of 1978 rerecordings of their hits.
The group, still managed and booked by Grill (who owned the group's name), in late 1977 continued touring with Larson, Mark Miller (lead vocals, guitar) and Brian Carlyss (bass, backing vocals), joined by Lonnie Price (lead vocals, keyboards) and Randy Ruff (organ, backing vocals) for touring dates and TV appearances until November 1978. Larson was then joined by new players Scott Hoyt (lead vocals, guitars), David Nagy (lead vocals, bass) and Gene Wall (keyboards). Nagy and Larson left in 1979 and were replaced by a returning Carlyss and Reagan McKinley (drums, percussion).
During this period, the group appeared on an HBO television special, '60s Rock Scrapbook, filmed at Magic Mountain amusement park in Valencia, California, in October 1979, with Grill and Dennis Provisor making special appearances.
Grill launched a solo career in 1979 (assisted on his solo album, Uprooted, by Lindsey Buckingham, Mick Fleetwood and John McVie of Fleetwood Mac on the song "Rock Sugar"). Grill toured as a solo act in 1979–1980 opening for Fleetwood Mac's Tusk tour with a band led by guitarist Rick Alexander.[13]
When interest in bands of the 1960s rose again in 1980, Grill (along with Provisor, Shulfer and new players Steve Berendt (bass) and Luke Meurett (drums)) took back the Grass Roots name and toured the United States and Japan. Guitarist Miller returned to fill in on guitar for Shulfer on some dates with the group in 1981 and Ron Pitt and Mike Daley replaced Berendt and Meurett respectively the same year.
1982 to 1993
In 1982 Grill went forward with a brand-new lineup consisting of seasoned session players. They were Terry Oubre (guitars, backing vocals), Charles Judge (keyboards, synthesizers, backing vocals) and Ralph Gilmore (drums, percussion, backing vocals). Another keyboardist, Bob Luna, came in around mid-1982 to substitute for Judge on dates when he was not available. That same year, the new band released Powers of the Night on MCA. This was the last album of new material to be released by the Grass Roots to date.
Later in 1982, the Grass Roots performed an Independence Day concert on the National Mall in Washington, DC, attracting a large crowd and setting a record for attendance (over half a million people), at that time, for an outdoor concert for a single musical act.[14][15] In April 1983, James G. Watt, President Ronald Reagan's Secretary of the Interior, banned Independence Day concerts on the mall by such groups. Watt said, "rock bands" that had performed on the Mall on Independence Day in 1981 and 1982 had encouraged drug use and alcoholism and had attracted "the wrong element", who would mug people and families attending any similar events in the future.[15] During the ensuing uproar, Grill stated that he felt "highly insulted" by Watt's remarks, which he called "nothing but un-American".[15]
After Powers of the Night failed to attract much attention, Grill and the group continued to tour into 1984. Dave Rodgers (keyboards, backing vocals) replaced Charles Judge and after Terry Oubre and Ralph Gilmore departed, Grill brought in two additional new players named George Spellman (guitars, backing vocals) and Coy Fuller (drums, percussion) and toured Europe in the summer of '84. According to Grill, a country single, "St. Somewhere", also was recorded in Nashville with this same lineup. The single had a very limited release, with the same song on the flip (as Oak 1071) credited to Rob Grill and the Grass Roots. "St. Somewhere" was written by Kent Robbins and the track was produced by Mark Sherrill.
By late 1984, Grill had returned to the US and was touring with yet another new group of Grass Roots that included Dusty Hanvey (guitars, backing vocals), Larry Nelson (keyboards, synthesizers, backing vocals), and David Page (drums, percussion). This lineup's first show was in Okinawa.[citation needed]
From this point on, Grill and the group would concentrate on the "'60s nostalgia" circuit, starting with the Happy Together '85 Tour with fellow 1960s groups The Turtles, The Buckinghams, and Gary Lewis & the Playboys.[16]
Hanvey and Nelson continued backing The Monkees for their 1987 tour, while the Grass Roots joined Classic Superfest, which also featured Herman's Hermits, Mark Lindsay and Gene Clark's Byrds. For this tour, Mark Tomorsky handled guitar and Michael Lewis (soon replaced by Robbie Barker) was on keyboards. Terry Danauer was also added on bass then, but by October 1987, Hanvey and Nelson were back with Grill, and Joe Dougherty replaced David Page on drums in 1989.[citation needed]
In 1991 Rhino Records released a double CD anthology of the group.
Mike Stec came in for Danauer on bass in 1992–1993 before Grill took over bass again. From here on the band's lineup was stable.
In 2000 Grill released a Grass Roots live concert album titled Live at Last, which was followed in 2001 by an album with a symphonic quartet titled Symphonic Hits.[6]
During the 2000s, the group regulars had available substitutes: former Outsiders singer Sonny Geraci sat in for Grill during the first half of 2002, Scott Sechman filled in for Hanvey in 1998, Chris Merrell filled in for Hanvey on various dates 2000–2006, while Hal Ratliff came in for Nelson when he had other commitments from 2000 on.[citation needed]
In 2008 Grill released a second live concert album titled Live Gold and brought in Mark Dawson (vocals, bass) earlier that year to fill in when he was absent.[6]
During the summers of 2010 and 2011, the Grass Roots had heavy touring schedules throughout the U.S., both on their own and as part of the Happy Together: 25th Anniversary Tour, along with Flo & Eddie of The Turtles, Mark Lindsay, The Buckinghams and The Monkees member Micky Dolenz.
Grill continued to lead the band into the current millennium as the Grass Roots sole owner and made appearances with the band until his death.[17]
Rick Coonce died of heart failure on February 25, 2011,[citation needed] and Rob Grill died on July 11, 2011, from complications following a stroke.[citation needed]
2012 to present
In 2012 the group was again part of the Happy Together Tour and the current band of Dawson, Dougherty, Hanvey and Nelson continued to tour nationwide, oftentimes appearing with other classic rock groups such as John Kay and Steppenwolf, Tommy James and The Shondells, The Buckinghams and Herman's Hermits starring Peter Noone.
Creed Bratton referred to his time with the Grass Roots in an episode of The Office ("Booze Cruise" in season two) in the deleted scenes on DVD.
Again in 2015, they joined The Turtles, The Association, Mark Lindsay, The Buckinghams and The Cowsills for that year's Happy Together Tour.[18]
The name Grass Roots was used sporadically by Arthur Lee of Love, in the Los Angeles area. Dunhill Records secured the legal use of the name by releasing a record, which Lee never did.
The song "Let's Live for Today" has the identical Italian melody and virtually the same arrangement that was used in an earlier song called "Be Mine Again"; although this song includes the "One, Two, Three, Four" and "Sha-La-La-La-La" as in the Grass Roots hit, the lyrics are otherwise different. The version by Dutch band The Skope that was released in 1966 is included on the Pebbles, Volume 15 LP.
The 1975 The Grass Roots LP is seen in the film FM. The back cover appears in a long DJ broadcast room scene with characters played by Cleavon Little and Martin Mull.
The band is mentioned by John Candy's character in the film Uncle Buck. He comments about the music while navigating a teenage party looking for his missing niece.
Guitarist Creed Bratton played a character also named Creed Bratton, a fictional version of himself, in the US version of the television show The Office. In a scene that never aired from the episode "Booze Cruise", Bratton's boss, Michael, borrowed the guitar from a cruise ship's band and poorly plays a version of "Smoke on the Water" by Deep Purple. Bratton then takes the guitar from Michael and proceeds to surprise the rest of the passengers with his excellent playing. The scene then cuts to a confessional, where Bratton talks of his time with the Grass Roots, complete with pictures of the actual band and references to actual tours. In another deleted scene from the episode "Product Recall", a fictional Scranton Times writer notices Bratton was a member of the Grass Roots. He also sang one of his own songs titled "Spinnin' N Reelin'" in the episode "A Benihana Christmas". In the series finale, it is again mentioned that Creed was a member of the Grass Roots. Creed performs his own song "All the Faces" to close out the episode.
The band was mentioned frequently on the nationally syndicated Don and Mike radio show. Don Geronimo sat in with the band several times at performances in the Washington, D.C. area.
The Grass Roots song "Midnight Confessions" was featured in the 1997 film Jackie Brown.
In 2006 former manager Marty Angelo published a book entitled Once Life Matters: A New Beginning, which has numerous stories about his life on the road with Rob Grill and the Grass Roots in the early 1970s.
The song "Let's Live for Today" serves as the title music for Apple TV's 2022 Pachinko.[21]
Philip Gary "Flip" Sloan, known professionally as P. F. Sloan, was an American singer and songwriter. During the mid-1960s, he wrote, performed, and produced many Billboard Top 20 hits for artists such as Barry McGuire, the Searchers, Jan and Dean, Herman's Hermits, Johnny Rivers, the Grass Roots, the Turtles, and the Mamas and the Papas.
Creed Bratton is an American actor, singer and musician. A former member of the rock band the Grass Roots, he is best known for playing a fictionalized version of himself on the NBC sitcom The Office, which earned him five nominations for the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series.
Erik Michael Coonce was the drummer for American rock band The Grass Roots from 1966 to 1972.
Joel Larson is an American rock drummer and percussionist who is known as a founding member of The Merry-Go-Round and for being associated with The Turtles and The Grass Roots.
Robert Frank Grill was an American musician and songwriter, best known as lead singer and bassist of the rock and roll group The Grass Roots. Though not a founding member, Grill was the longest-serving member of the band prior to his death in 2011.
"Don't Pull Your Love" is the debut single by Hamilton, Joe Frank & Reynolds which became a top ten hit single in 1971. The song was written by Brian Potter and Dennis Lambert.
Reggie Knighton is an American singer, songwriter and lead guitarist from Biloxi, Mississippi who relocated to Los Angeles, California at an early age and grew up there.
Let's Live for Today is the second studio album by the American rock band the Grass Roots, released in July 1967 by Dunhill Records. A new group was brought in for this album which included Creed Bratton, Rick Coonce, Warren Entner and Rob Grill. It features their first top-ten hit by the same name, "Let's Live for Today". The bulk of the compositions are by group creators Sloan and Barri, but the new group was allowed to compose four songs and was given some input in the studio instrumentation. The other A and B side singles released were "Depressed Feeling", "Things I Should Have Said" b/w "Tip of My Tongue", and "Wake Up, Wake Up" b/w "No Exit". The album charted at No. 75.
"Midnight Confessions" is a song written by Lou T. Josie and originally performed by the Ever-Green Blues. American rock band The Grass Roots later made it famous when they released it as a single in 1968. Though never released on any of the group's studio albums, it was on their first compilation album, Golden Grass, and has since been included on many of their other compilations.
Live from Agora was the fourth and final album from the Dwight Twilley Band, recorded live in October 1976 and released in 2009 on Gigatone Records. The album consists of a recording of a live performance of the band at the Agora Theatre and Ballroom in Cleveland, Ohio, which had been taped for broadcast on Cleveland radio station WMMS.
"Let's Live for Today" is a song written by David "Shel" Shapiro and Italian lyricist Mogol, with additional English lyrics provided by Michael Julien. It was first recorded, with Italian lyrics, under the title of "Piangi con me" by the English band the Rokes in 1966. Later, when "Piangi con me" was to be released in the United Kingdom, publisher Dick James Music requested that staff writer Julien compose English lyrics for the song. Julien composed new lyrics, rather than translating from the Italian, and it was his input that transformed "Piangi con me" into "Let's Live for Today".
Dennis Provisor is an American musician and songwriter. He recorded on several different labels, including 20th Century Fox and Valiant, under the name of Denny Provisor. He released some soulful singles as a solo artist. He later joined the groups The Hook, Blue Rose, and The Grass Roots. Provisor is a lead singer, keyboard player and songwriter.
Their 16 Greatest Hits is the third compilation album by the American rock band the Grass Roots. It was originally released by Dunhill Records in September 1971 shortly after the success of "Sooner or Later" earlier that year. The album also included many other hit singles that were released from 1966 to 1971. The album was released on both stereo LP & tape as well as in Quadraphonic Sound on both LP & tape. This album was the only Quadraphonic album released by The Grass Roots.
Where Were You When I Needed You is the debut studio album by the American pop band the Grass Roots, released in October 1966 by Dunhill Records. Most of the album is performed by the songwriter/producer duo of P.F. Sloan and Steve Barri. Some of the album features members of a San Francisco band that became the first Grass Roots. The members who recorded are vocalist Willie Fulton and drummer Joel Larson. The A and B side singles released are "Mr. Jones ", "You're a Lonely Girl", "Where Were You When I Needed You", "(These Are) Bad Times", "Only When You're Lonely", "This Is What I Was Made For", Tip of My Tongue" and "Look Out Girl".
More Golden Grass is the second compilation album by the American rock band the Grass Roots, released in September 1970 by Dunhill Records. It includes the No. 15 charting single "Temptation Eyes", the No. 61 charting single "Come On And Say It", and the No. 35 charting single "Baby Hold On". The album charted at No. 152.
Feelings is the third studio album by the American rock band the Grass Roots, released in February 1968 by Dunhill Records. It contained many songs composed by the group's members and studio performances of the musician's instrumentation. The album was intended to take the group into a heavier psychedelic direction with their music. The A- and B-side singles released from the album were "Melody For You" b/w "Hey Friend", "Feelings" b/w "Here's Where You Belong", "Who Will You Be Tomorrow", "Hot Bright Lights", "All Good Things Come to an End" and "You and Love Are the Same". Midway during this run "Midnight Confessions" was released as an A-side and became the group's highest charting single.
Lovin' Things is the fourth album by American rock group the Grass Roots. The album was originally released by Dunhill Records in 1969. The album charted at No. 73. It contained only two songs composed by the group. The album was intended to take the group into a soulful direction that was being rewarded by charting singles. The A- and B-side singles released were "Lovin' Things", "The River Is Wide", "(You Gotta) Live for Love" and "Fly Me to Havana". At the end of this run, "I'd Wait a Million Years" was released as an A side and became the group's next charting single, appearing on their next album, Leaving It All Behind.
Golden Grass is the first greatest hits album by the American rock band the Grass Roots, released in November 1968 by Dunhill Records. The LP's release in the fall of 1968 followed the success of the group's highest-charting single, "Midnight Confessions". It featured a song written by Carole King and Toni Stern titled "Lady Pleasure", which was previously unreleased by the group, as well as a new single, "Bella Linda", which was originally written by the Italian songwriting duo of Lucio Battisti and Mogol. The Grass Roots' version of the song, which was given English lyrics by Barry Gross and Steve Barri, charted at No. 28. Golden Grass is the highest charting Grass Roots album at #25, and was certified gold by the RIAA in 1970.
Leaving It All Behind is the fifth studio album by the American rock band the Grass Roots, released in November 1969 by Dunhill Records. Following the departure of Creed Bratton, who left in April 1969, seasoned musician Dennis Provisor joined the group, solidifying the new direction of the band. Terry Furlong and Brian Naughton became alternating touring guitarists for the group. In a return to grace for the group member composers, it contained six songs written by the group. The album was intended to move the group further in a soulful direction that was being rewarded by more charting singles. The A- and B-side singles released were "I'd Wait a Million Years", "Heaven Knows" b/w "Don't Remind Me", and "Walking Through The Country" b/w "Truck Drivin' Man". At the end of this run "Something's Comin' Over Me" was released as a B-side to "Come On And Say It", a charting single written by the group that appeared on the band's next compilation album, More Golden Grass. The album charted at No. 36, making it the group's highest-charting studio album.
Move Along is the sixth studio album by the American rock group the Grass Roots. The album was released in 1972 and charted at No. 86. It was the last of the group's albums to chart on the Billboard Top LPs & Tape chart. The album marked the departures of longtime drummer Rick Coonce and keyboardist Dennis Provisor from the group, though Provisor still contributed to the album both as a performer (uncredited) and as a composer. The A- and B-side singles released were "Two Divided by Love", "Glory Bound" b/w "Only One", "The Runway" b/w "Move Along", and "Anyway the Wind Blows" b/w "Monday Love". Later, the song "Someone to Love" was released as the B side to the song "Love Is What You Make It", which appeared on the band's following album, Alotta Mileage.
References
↑ Morrison, Craig (2000). Psychedelic Music in San Francisco: Style, Context, and Evolution. Concordia University. p.79.
↑ "July 4: Day of Music, Parades, Fireworks", The Washington Post, Washington, D.C., July 3, 1982, p. D1.
1 2 3 Phil McCombs, "Watt Outlaws Rock Music on Mall for July 4", The Washington Post, Washington, D.C., April 6, 1983, p. A1; Phil McCombs and Richard Harrington, "Watt Sets Off Uproar with Music Ban", The Washington Post, Washington, D.C., April 7, 1983, pp. A1, A17.
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