Categories | Music magazine |
---|---|
Publisher | Cecil Tuck |
First issue | October 7, 1964 |
Final issue | May 4, 1968 |
Company | Beat Publications |
Based in | Los Angeles, U.S. |
KRLA Beat was an American rock music magazine that operated between 1964 and 1968. [1] It began in October 1964 as a free newsletter distributed by the Southern Californian radio station KRLA, before being reworked as a more reportage-focused title in February 1965. [2] The music journalism archive Rock's Backpages describes KRLA Beat as "the first American newspaper dedicated to coverage of the top-forty rock-and-roll music scene". [3]
The magazine was noted for its coverage of British Invasion groups, particularly the Beatles, but also the Rolling Stones, the Kinks and Herman's Hermits. [4] Its access to the Beatles was facilitated by direct contributions from the band's press officer, Tony Barrow. [2] [4] The magazine was also granted exclusive access to the Rolling Stones during their recording sessions in Los Angeles, [3] after the group had become enamoured with RCA Studios in Hollywood. [5]
Whilst acknowledging the cooperation that existed between the magazine and its subjects, KRLA Beat's online history states that "In the hands of Beat writers, many articles remained mostly unaffected by tabloid-style gossip, occasionally reporting negatively about favorite bands of the day." [2] Author Robert Rodriguez describes the editorial approach as "refreshingly honest in its reporting". [4]
KRLA Beat was published by Cecil Tuck, who had worked for newspapers in Texas before being appointed news director at KRLA. [2] According to the magazine's website, the early, newsletter version of the title ran for 20 issues, published weekly from October 1964 onward. [6] The newsletter was solely the work of Bonnie Golden, formerly an editor at Teen Screen magazine, and distributed free to newsstands, [2] record stores, and the station's listeners. [6]
Following Tuck's relaunching of the title, with an issue dated February 25, 1965, [7] its staff writers included Carol Deck, Louise Criscione, Mike Tuck, Rochelle Reed, and "Eden". [3] The last of these was a pseudonym for Nikki Wine, who went on to produce Casey Kasem's radio show American Top 40 . [8] KRLA DJs Dave Hull and Tony Leigh were also credited as contributors, through the publication of their on-air interviews, [3] as was former Beatles publicist Derek Taylor, [9] who briefly hosted a radio show of his own. [10]
Writing in his online "Chart Beat Chat" for Billboard in September 2004, Fred Bronson recalled that he wrote for KRLA Beat as a sixteen-year-old in the mid 1960s. [11] By 1968, the magazine included articles by Jacoba Atlas [3] – later a contributor to Circus , Melody Maker , [12] Los Angeles Free Press and Rolling Stone [13] and to film publications such as Show [14] and Film Comment . [15]
After leaving the Beatles' employ and establishing himself as a successful publicist in California, [16] Taylor became editor of KRLA Beat in 1967. [2] That year, he helped organize the Monterey Pop Festival. [16] Having championed American acts such as the Byrds and the Beach Boys since 1965, [10] [17] he subsequently guided the magazine's direction toward countercultural issues and psychedelia. [2]
In 1968, editorial disagreements between Taylor and Tuck, together with the latter's concerns about increased expenditure on the magazine, forced Taylor's departure. [2] KRLA Beat continued until May 1968. [3] Tuck was forced to shut down the publication due to its precarious financial position. [2]
Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.
Derek Taylor was an English journalist, writer, publicist and record producer. He is best known for his role as press officer to the Beatles, with whom he worked in 1964 and then from 1968 to 1970, and was one of several associates to earn the moniker "the Fifth Beatle". Before returning to London to head the publicity for the Beatles' Apple Corps organisation in 1968, he worked as the publicist for California-based bands such as the Byrds, the Beach Boys and the Mamas and the Papas. Taylor was known for his forward-thinking and extravagant promotional campaigns, exemplified in taglines such as "The Beatles Are Coming" and "Brian Wilson Is a Genius". He was equally dedicated to the 1967 Summer of Love ethos and helped stage that year's Monterey Pop Festival.
"Norwegian Wood (This Bird Has Flown)" otherwise known as simply "Norwegian Wood", is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the second appearance of the Indian string instrument on a Western rock recording, four months after the release of the Kinks' "See My Friends". The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
"Michelle" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was composed principally by Paul McCartney, with the middle eight co-written with John Lennon. The song is a love ballad with part of its lyrics sung in French.
"Taxman" is a song by the English rock band the Beatles from their 1966 album Revolver. Written by the group's lead guitarist, George Harrison, with some lyrical assistance from John Lennon, it protests against the higher level of progressive tax imposed in the United Kingdom by the Labour government of Harold Wilson, which saw the Beatles paying over 90 per cent of their earnings to the Treasury. The song was selected as the album's opening track and contributed to Harrison's emergence as a songwriter beside the dominant Lennon–McCartney partnership. It was the group's first topical song and the first political statement they had made in their music.
"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. The song was recorded during the sessions for the band's Rubber Soul album. The single reached number one in Britain, the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s.
"Think for Yourself" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by George Harrison, the band's lead guitarist, and, together with "If I Needed Someone", marked the start of his emergence as a songwriter beside John Lennon and Paul McCartney. The song's lyrics advocate independent thinking and reflect the Beatles' move towards more sophisticated concepts in their writing at this stage of their career. The song has invited interpretation as both a political statement and a love song, as Harrison dismisses a lover or friend in a tone that some commentators liken to Bob Dylan's 1965 single "Positively 4th Street". Among musicologists, the composition has been recognised as adventurous in the degree of tonal ambiguity it employs across parallel major and minor keys and through its suggestion of multiple musical modes.
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". The song was written primarily by Paul McCartney with significant lyrical contributions from John Lennon, and credited to Lennon–McCartney.
"Blue Jay Way" is a song by the English rock band the Beatles. Written by George Harrison, it was released in 1967 on the group's Magical Mystery Tour EP and album. The song was named after a street in the Hollywood Hills of Los Angeles where Harrison stayed in August 1967, shortly before visiting the Haight-Ashbury district of San Francisco. The lyrics document Harrison's wait for music publicist Derek Taylor to find his way to Blue Jay Way through the fog-ridden hills, while Harrison struggled to stay awake after the flight from London to Los Angeles.
"Love You To" is a song by the English rock band the Beatles from their 1966 album Revolver. The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood " in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music. The recording was made with minimal participation from Harrison's bandmates; instead, he created the track with tabla player Anil Bhagwat and other Indian musicians from the Asian Music Circle in London.
"If I Needed Someone" is a song by the English rock band the Beatles, written by George Harrison, the group's lead guitarist. It was released in December 1965 on their album Rubber Soul, except in North America, where it appeared on the June 1966 release Yesterday and Today. The song reflects the reciprocal influences shared between the Beatles and American band the Byrds. On release, it was widely considered to be Harrison's best song to date. A recording by the Hollies was issued in Britain on the same day as Rubber Soul and peaked at number 20 on the national singles chart.
"It's All Too Much" is a song by the English rock band the Beatles from their 1969 album Yellow Submarine. Written by George Harrison in 1967, it conveys the ideological themes of that year's Summer of Love. The Beatles recorded the track in May 1967, shortly after completing their album Sgt. Pepper's Lonely Hearts Club Band. It was one of four new songs they then supplied for the 1968 animated film Yellow Submarine, to meet their contractual obligations to United Artists.
"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the Billboard Hot 100 chart and number one on the Cash BoxTop 100 chart.
Joseph McGrath is a Scottish film and television director and screenwriter. He was born in Glasgow and studied at Glasgow School of Art in the late 1940s and early 1950s where his energy and talent was admired by his contemporaries.
Nowhere Man is the 12th extended play (EP) by the English rock band the Beatles. It was released on 8 July 1966. It includes four songs from their album Rubber Soul, which had been released in December 1965. The EP was only issued in mono, with the Parlophone catalogue number GEP 8952.
"The Dangling Conversation" is a song by American music duo Simon & Garfunkel, released in September 1966 as the second single from the duo's third studio album, Parsley, Sage, Rosemary and Thyme (1966).
Apple Jam is the third LP included in English rock musician George Harrison's 1970 triple album All Things Must Pass. It consists of four instrumental jams, three of which were recorded during the album sessions, and "It's Johnny's Birthday", a 30th birthday tribute to John Lennon. The disc was Apple Records' way of placating record buyers for the high retail price of All Things Must Pass, which was one of the first triple albums in rock history. It was given a dedicated design by Tom Wilkes, with a logo depicting a jam jar and apple leaves.
The Beatles' 1965 tour of the United Kingdom was a concert tour that took place between 3 and 12 December 1965, comprising 18 shows at nine venues across England, Scotland and Wales. It coincided with the release of the Beatles' studio album Rubber Soul and their double A-side single "Day Tripper" / "We Can Work It Out", and was the final UK tour undertaken by the band. Weary of Beatlemania, the group conceded to do the tour but refused to also perform a season of Christmas concerts as they had done over the 1963–64 and 1964–65 Christmas seasons.
Jazz & Pop was an American music magazine that operated from 1962 to 1971. It was launched as Jazz and managed by Pauline Rivelli, with finance provided by Bob Thiele, the producer of jazz artists such as Duke Ellington, John Coltrane, Louis Armstrong, Earl Hines and Count Basie. The publication served as a rival title to Down Beat magazine, which had been established in the 1930s.
Jacoba Atlas is an American executive producer in television, also publishing as a journalist, music critic, novelist, screenwriter and documentary filmmaker. She won a Peabody Award, an Emmy Award and a CableACE Award for Survivors of the Holocaust (1996), a TV documentary made for TBS.