"Suzanne" | |
---|---|
![]() Dutch vinyl single | |
Single by Leonard Cohen | |
from the album Songs of Leonard Cohen | |
B-side | |
Released | January 1968 |
Recorded | Columbia Studio E, New York City |
Genre | Folk |
Length | 3:48 |
Label | Columbia |
Songwriter(s) | Leonard Cohen |
Producer(s) | John Simon |
Alternative release | |
![]() "Hall of Fame" vinyl rerelease, circa 1970–71 (Canadian edition pictured) |
"Suzanne" is a song written by Canadian poet and musician Leonard Cohen in the 1960s. First published as a poem in 1966, it was recorded as a song by Judy Collins in the same year, and Cohen performed it as his debut single, from his 1967 album Songs of Leonard Cohen . Many other artists have recorded versions, and it has become one of the most covered songs in Cohen's catalogue.
Far Out and American Songwriter ranked the song number four and number two, respectively, on their lists of the 10 greatest Leonard Cohen songs. [1] [2] In 2021, it was ranked at No. 284 on Rolling Stone 's "Top 500 Greatest Songs of All Time". [3] [4]
"Suzanne" was inspired by Cohen's platonic relationship with the dancer Suzanne Verdal. Its lyrics describe the rituals that they enjoyed when they met: Suzanne would invite Cohen to visit her apartment by the harbour in Montreal, where she would serve him Constant Comment tea, [5] and they would walk around Old Montreal past the church of Notre-Dame-de-Bon-Secours, where sailors were blessed before heading out to sea. [6]
Verdal was interviewed by CBC News's The National in 2006 about the song. Verdal says that she and Cohen never had a sexual relationship, [7] contrary to what some interpretations of the song suggest. Cohen stated in a 1994 BBC interview that he only imagined having sex with her, as there was neither the opportunity nor inclination to actually go through with it. [8] Verdal has said she met Cohen twice after the song's initial popularity: once after a concert Cohen performed in the 1970s and once in passing in the 1990s when she danced for him, but Cohen did not speak to her (and possibly did not recognise her). Verdal never benefited financially from the song's enormous commercial success. [9]
Its lyrics first appeared as the poem "Suzanne Takes You Down" in Cohen's 1966 book of poetry Parasites of Heaven. The song was on his debut album Songs of Leonard Cohen . Cohen's recording was released as a single in 1968 but did not reach music charts. [10] The song only charted after Cohen's death in 2016.
Nick Cave performed the song in the film Leonard Cohen: I'm Your Man . [11]
Martin Sharp wrote the lyrics for Cream's "Tales of Brave Ulysses" to the melody of the Judy Collins version of this song. Eric Clapton later set Sharp's lyrics to his own music. [12]
Chart (2016) | Peak position |
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Austria (Ö3 Austria Top 40) [13] | 39 |
France (SNEP) [14] | 3 |
Germany (GfK) [15] | 61 |
Netherlands (Single Top 100) [16] | 79 |
Scotland (OCC) [17] | 56 |
Spain (PROMUSICAE) [18] | 9 |
Switzerland (Schweizer Hitparade) [19] | 14 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [20] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
The song "Suzanne" was first performed by The Stormy Clovers in 1966 and then recorded by Judy Collins, appearing on her 1966 album In My Life .
In 1967, Noel Harrison's version—the second cover of the song [21] —reached number 125 in the Bubbling Under the Hot 100 chart on the week ending September 30. [22] Harrison's version entered the Billboard Hot 100 chart at number 86 on October 28 [23] and peaked at number 56 on November 25, 1967. [24] [25] [26] In Canada it reached number 38. [27]
In 1969, Herman van Veen's Dutch version [28] entered the Dutch Top 40 list at number 39 on April 26 [29] and reached fourth place on May 31. [30]
It has since been covered by many other artists, [3] including a young Bruce Springsteen in his band the Castiles. [31]
It has been translated in Italian by Fabrizio De André and included in his album Canzoni (1974).
The band R.E.M. gave Cohen a joint songwriting credit for their song "Hope" (on their 1998 album Up ), in light of the similarity between the two songs. [32]
"In the Air Tonight" is the debut solo single by English drummer and singer-songwriter Phil Collins. It was released as the lead single from Collins's debut solo album, Face Value, in January 1981. It was selected as the second single from the album in the US and Canada after I Missed Again.
"My Way" is a song popularized in 1969 by Frank Sinatra set to the music of the French song "Comme d'habitude" composed by Jacques Revaux with lyrics by Gilles Thibaut and Claude François and first performed in 1967 by Claude François.
Songs of Leonard Cohen is the debut album by Canadian singer-songwriter Leonard Cohen, released on December 27, 1967, on Columbia Records. More successful in Europe than in North America, Songs of Leonard Cohen foreshadowed the kind of chart success Cohen would go on to achieve. It peaked at number 13 on the UK Albums Chart, spending nearly a year and a half on it. In the US, it reached number 83 on the Billboard 200.
"Fire and Rain" is a song written and performed by American singer-songwriter James Taylor, released in August 1970 by Warner Bros. Records as the second single from Taylor's second studio album, Sweet Baby James. The song follows Taylor's reaction to the suicide of Suzanne Schnerr, a childhood friend, and his experiences with drug addiction and fame. After its release, "Fire and Rain" peaked at number two on RPM's Canada Top Singles chart and at number three on the Billboard Hot 100.
Songs of Love and Hate is the third studio album by Canadian singer-songwriter Leonard Cohen. Produced by Bob Johnston, the album was released on March 19, 1971, through Columbia Records.
The Future is the ninth studio album by the Canadian singer-songwriter Leonard Cohen, released in 1992. Almost an hour in length, it was Cohen's longest album up to that date. Both the fall of the Berlin Wall and the 1992 Los Angeles riots took place while Cohen was writing and recording the album, which expressed his sense of the world's turbulence. The album was recorded with a large cast of musicians and engineers in several different studios; the credits list almost 30 female singers. The album built on the success of Cohen's previous album, I'm Your Man, and garnered overwhelmingly positive reviews. The Future made the Top 40 in the UK album charts, went double platinum in Canada, and sold a quarter of a million copies in the U.S., which had previously been unenthusiastic about Cohen's albums.
Ten New Songs is Leonard Cohen's tenth studio album, released in 2001. His first album in 9 years, Ten New Songs was co-written and produced by Sharon Robinson in Cohen's and Robinson's home studios in Los Angeles. The album peaked at #143 on the Billboard 200, #4 in Canada, #1 in Poland and #1 in Norway.
"A Whiter Shade of Pale" is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. Without much promotion, it reached number 5 on the US Billboard Hot 100. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide. In the years since, "A Whiter Shade of Pale" has become an enduring classic, with more than 1,000 known cover versions by other artists.
"Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a new version recorded by John Cale in 1991. Cale's version inspired a 1994 recording by Jeff Buckley that in 2004 was ranked number 259 on Rolling Stone's "the 500 Greatest Songs of All Time".
"Ruby Tuesday" is a song by the English rock band the Rolling Stones, released in January 1967. The song became the band's fourth number-one hit in the United States and reached number three in the United Kingdom as a double A-side with "Let's Spend the Night Together". The song was included in the American version of Between the Buttons.
"Bird on the Wire" is a song written by Canadian musician Leonard Cohen, which became one of his signature songs. It was recorded 26 September 1968 in Nashville and included on his 1969 album Songs from a Room. A May 1968 recording produced by David Crosby, titled "Like a Bird", was added to the 2007 remastered CD. Judy Collins was the first to release the song on her 1968 album Who Knows Where the Time Goes. Joe Cocker also covered the song on his second studio album the following year and his version reached #78 in Canada.
"Everybody Knows" is a song written by Canadian singer-songwriter Leonard Cohen and collaborator Sharon Robinson. It has often been covered and used in soundtracks.
"(I Can't Get No) Satisfaction" is a song by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff is widely considered one of the greatest hooks of all time. The song's lyrics refer to sexual frustration and commercialism.
In My Life is the fifth studio album by the American singer and songwriter Judy Collins, released by Elektra Records in 1966. It peaked at No. 46 on the Billboard Pop Albums charts in 1967.
"Da Doo Ron Ron (When He Walked Me Home)" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector. It first became a popular top five hit single for the American girl group the Crystals in 1963. American teen idol Shaun Cassidy recorded the song in 1977 and his version hit number one on the Billboard Hot 100 chart. There have also been many other cover versions of this song, including one by the songwriters Jeff Barry and Ellie Greenwich themselves, performing as the Raindrops.
"Comment te dire adieu" is a French adaptation of the song "It Hurts to Say Goodbye". It was originally recorded by Françoise Hardy in 1968.
"Bad Case of Loving You " is a 1978 song, written and originally recorded by Moon Martin and sung a year later by Robert Palmer. The song became one of Palmer's definitive hits.
Leonard Cohen was a Canadian singer-songwriter and poet who was active in music from 1967 until his death in 2016. Cohen released 14 studio albums and eight live albums during the course of a recording career lasting almost 50 years, throughout which he remained an active poet. His entire catalogue is available on Columbia Records. His 1967 debut Songs of Leonard Cohen earned an RIAA gold record; he followed up with three more highly acclaimed albums: Songs from a Room (1969), Songs of Love and Hate (1971) and New Skin for the Old Ceremony (1974), before allowing Phil Spector to produce Death of a Ladies' Man for Warner Bros. Records in 1977. Cohen returned to Columbia in 1979 for Recent Songs, but the label declined to release his next album, Various Positions (1984) in the US, leaving it to American shops to import it from CBS Canada. In 1988, Columbia got behind Cohen again and gave full support to I'm Your Man, which brought his career to new heights, and Cohen followed it with 1992's The Future.
Leonard Norman Cohen was a Canadian songwriter, singer, poet, and novelist. Themes commonly explored throughout his work include faith and mortality, isolation and depression, betrayal and redemption, social and political conflict, and sexual and romantic love, desire, regret, and loss. He was inducted into the Canadian Music Hall of Fame, the Canadian Songwriters Hall of Fame, and the Rock and Roll Hall of Fame. He was invested as a Companion of the Order of Canada, the nation's highest civilian honour. In 2011, he received one of the Prince of Asturias Awards for literature and the ninth Glenn Gould Prize.
"So Long, Marianne" is a song written by Canadian poet and musician Leonard Cohen. It was featured on his debut album, Songs of Leonard Cohen.
This is Leonard Cohen, and for the next hour on BBC Radio 1 I'll be talking about my work, and you've already heard Jennifer Warnes offer a few remarks and we'll hear from her again, and also Suzanne Vega has been very kind to contribute some observations about my songs and what they meant to her.
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