Baroness Karen Christenze von Blixen-Finecke was a Danish author who wrote in Danish and English. She is also known under her pen names Isak Dinesen, used in English-speaking countries; Tania Blixen, used in German-speaking countries; Osceola, and Pierre Andrézel.
Jeanne Moreau was a French actress, singer, screenwriter, director, and socialite. She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. Moreau began playing small roles in films in 1949, later achieving prominence with starring roles in Louis Malle's Elevator to the Gallows (1958), Michelangelo Antonioni's La Notte (1961), and François Truffaut's Jules et Jim (1962). Most prolific during the 1960s, Moreau continued to appear in films into her 80s. Orson Welles called her "the greatest actress in the world".
A Woman Is a Woman is a 1961 French musical romantic comedy film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo, Anna Karina and Jean-Claude Brialy. It is a tribute to American musical comedy and associated with the French New Wave. It is Godard's third feature film, and his first in color and Cinemascope.
Fernando Casado Arambillet, best known as Fernando Rey, was a Spanish film, theatre, and television actor, who worked in both Europe and the United States. A suave, international actor best known for his roles in the films of surrealist director Luis Buñuel and as the drug lord Alain Charnier in The French Connection (1971) and French Connection II (1975), he appeared in more than 150 films over half a century.
Oja Kodar is a Croatian actress, screenwriter and director known as Orson Welles's romantic partner during the later years of his life.
Chimes at Midnight is a 1966 period comedy-drama film written, directed by and starring Orson Welles. The film's plot centres on William Shakespeare's recurring character Sir John Falstaff and the father–son relationship he has with Prince Hal, who must choose between loyalty to his father, King Henry IV, and Falstaff. The English-language film was an international co-production of Spain, France, and Switzerland.
Diary of a Chambermaid is a 1964 drama film directed by Spanish-born filmmaker Luis Buñuel and starring Jeanne Moreau as a Parisian chambermaid who uses her body and wiles to navigate the perversion, corruption, and violence she encounters at the provincial estate where she goes to work. Though highly satirical and reflective of his typical anti-bourgeois sentiments, it is one of Buñuel's more realistic films, and generally avoids the outlandish surrealist imagery and far-fetched plot twists found in many of his other works. The film was the first screenwriting collaboration between Buñuel and Jean-Claude Carrière, who extensively reworked the 1900 novel of the same name by Octave Mirbeau. Buñuel and Carrière would go on to collaborate on Belle de Jour (1967), The Milky Way (1969), The Discreet Charm of the Bourgeoisie (1972), The Phantom of Liberty (1974) and That Obscure Object of Desire (1977).
The Trial is a 1962 drama film written and directed by Orson Welles, based on the 1925 posthumously published novel of the same name by Franz Kafka. Welles stated immediately after completing the film: "The Trial is the best film I have ever made". The film begins with Welles narrating Kafka's parable "Before the Law" to pinscreen scenes created by the artists Alexandre Alexeieff and Claire Parker.
Norman Eshley is an English actor best known for his television roles.
Savages is a 1972 Merchant Ivory Film directed by James Ivory and screenplay by George W. S. Trow and Michael O'Donoghue, based on an idea by Ivory.
Simon of the Desert is a 1965 Mexican surrealist film directed by Luis Buñuel and starring Claudio Brook and Silvia Pinal. It is loosely based on the story of the ascetic 5th-century Syrian saint Simeon Stylites, who lived for 39 years on top of a pillar. The screenplay was co-written by Buñuel and his frequent collaborator Julio Alejandro.
Robinson Crusoe is a 1954 adventure film directed by Luis Buñuel, based on the 1719 novel of the same name by Daniel Defoe. It stars Dan O'Herlihy as Crusoe and Jaime Fernández as Friday. Both English and Spanish versions were produced, making it Buñuel's first English-language film.
La Rivière Espérance is a French TV series, 9 episodes of 90 minutes each, directed by Josée Dayan based on the novel by Christian Signol and shown in 1995 on France 2.
The Dreamers is an unfinished film project directed and produced between 1980 and 1982 by Orson Welles. Adapted from Karen Blixen stories, Welles co-wrote a script with his companion Oja Kodar and filmed a few scenes but was unable to complete the film due to financing problems.
The Sailor from Gibraltar is a 1967 British romantic drama film directed by Tony Richardson and starring Jeanne Moreau, Ian Bannen, Vanessa Redgrave, Hugh Griffith and Orson Welles. Based on the novel Le Marin de Gibraltar by Marguerite Duras, it tells the story of a mysterious wealthy woman who travels the world in her yacht in search of a lost lover she calls “the sailor from Gibraltar”.
The Deep is an unfinished film directed by Orson Welles, based on Charles Williams' novel Dead Calm (1963), which was later adapted as an eponymous 1989 film. Welles produced and wrote The Deep, as well as played the role of Russ Brewer opposite Jeanne Moreau and Laurence Harvey.
Three Crowns of the Sailor is a 1983 French fabulist film with surrealist and oneiric flourishes written and directed by Chilean director Raúl Ruiz.
Anecdotes of Destiny is a collection of stories by Danish author Karen Blixen written under the pseudonym Isak Dinesen. It was the last work published during Karen Blixen's lifetime, on October 12, 1958.
The Heroine is an incomplete 1967 film, now lost, that was directed by Orson Welles.
The Citizen Kane trailer is a four-minute, self-contained, "making of" promotional short film by Orson Welles and the Mercury Theatre, released in 1940 to promote the film Citizen Kane. Unlike other standard theatrical trailers of the era, it did not feature any footage of the actual film itself, but was a wholly original pseudo-documentary piece. It is considered by numerous film scholars such as Simon Callow, Joseph McBride and Jonathan Rosenbaum to be a standalone short film, rather than a conventional "trailer", and to represent an important stage in developing Welles's directorial style.
