Genre | Anthology drama |
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Running time | 60 minutes |
Country of origin | United States |
Language(s) | English |
Home station | CBS |
Hosted by | Orson Welles |
Starring |
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Created by | Orson Welles |
Written by |
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Directed by |
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Produced by |
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Executive producer(s) | Davidson Taylor (for CBS) |
Narrated by | Orson Welles |
Original release | July 11 – December 4, 1938 |
No. of series | 1 |
No. of episodes | 22 |
Opening theme | Piano Concerto No. 1 in B-flat minor by Tchaikovsky |
The Mercury Theatre on the Air is a radio series of live radio dramas created and hosted by Orson Welles. The weekly hour-long show presented classic literary works performed by Welles's celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. [lower-alpha 1] The series began July 11, 1938, as a sustaining program on the CBS Radio network, airing Mondays at 9 pm ET. On September 11, the show moved to Sundays at 8 pm.
The show made headlines with its "The War of the Worlds" broadcast on October 30, one of the most famous broadcasts in the history of radio due to the panic it allegedly caused, after which the Campbell Soup Company signed on as sponsor. The Mercury Theatre on the Air made its last broadcast on December 4 of that year, and The Campbell Playhouse began five days later, on December 9. [2]
After the theatrical successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. The series began July 11, 1938,
Orson Welles presented a special challenge to the CBS sound effects team, The New Yorker reported. "His programs called for all sorts of unheard-of effects, and he could be satisfied with nothing short of perfection." For the first episode, "Dracula", the sound team searched for the perfect sound of a stake being driven through the heart of the vampire. They first presented a savoy cabbage and a sharpened broomstick for Welles's approval. "Much too leafy," Welles concluded. "Drill a hole in the cabbage and fill it with water. We need blood." When that sound experiment also failed to satisfy Welles, he considered awhile—and asked for a watermelon. The New Yorker recalled the effect:
Welles stepped from the control booth, seized a hammer, and took a crack at the melon. Even the studio audience shuddered at the sound. That night, on a coast-to-coast network, he gave millions of listeners nightmares with what, even though it be produced with a melon and hammer, is indubitably the sound a stake would make piercing the heart of an undead body. [3]
As the Mercury's second theatre season began in 1938, Welles and John Houseman were unable to write the Mercury Theatre on the Air broadcasts on their own. For "Hell on Ice" (October 8, 1938), the 14th episode of the series, they hired Howard E. Koch, whose experience in having a play performed by the Federal Theatre Project in Chicago led him to leave his law practice and move to New York to become a writer. [4] The Mercury Theatre on the Air was a sustaining show underwritten by CBS, so in lieu of a more substantial salary Houseman gave Koch the rights to any script he worked on—including, to his literal good fortune, "The War of the Worlds". After five months Koch left the show for Hollywood; his last script was "The Glass Key" (March 10, 1939), [5] : 175–176 by which time The Mercury Theatre on the Air was called The Campbell Playhouse .
No. | Title | Original air date | |
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1 | "Dracula" | July 11, 1938 | |
Adapted from the novel by Bram Stoker Cast: Orson Welles (Dr. John Seward, Count Dracula), Elizabeth Farrell (Lucy Westenra), George Coulouris (Jonathan Harker), Agnes Moorehead (Mina Harker), Martin Gabel (Dr. Van Helsing), Ray Collins (Russian Captain), Karl Swenson (Mate) [1] : 343 [6] [7] | |||
2 | "Treasure Island" | July 18, 1938 | |
Adapted from the novel by Robert Louis Stevenson Cast: Orson Welles (adult Jim Hawkins, Long John Silver [8] : 141 ), Arthur Anderson (Jim Hawkins), George Coulouris (Captain Smollett), Ray Collins (Ben Gunn), Agnes Moorehead (Mrs. Hawkins), Eustace Wyatt (Squire Trelawney), Alfred Shirley (Blind Pew); with William Alland, Stephen Fox, Richard Wilson [1] : 344 [6] [9] : 86 [10] | |||
3 | "A Tale of Two Cities" | July 25, 1938 | |
Adapted from the novel by Charles Dickens Cast: Orson Welles (Dr. Alexandre Manette, Sydney Carton), Mary Taylor (Lucie Manette), Eustace Wyatt (Clerk), Edgar Barrier (Charles Darnay), Martin Gabel (Mr. Jarvis Lorry), Frank Readick (Ernest Defarge), Betty Garde (Madame Defarge), Erskine Sanford (the President), Ray Collins (Prosecutor), [6] Kenneth Delmar (Counselor for the Defense) [1] : 344 [8] : 142 [9] : 87 [11] | |||
4 | "The Thirty-Nine Steps" | August 1, 1938 | |
Adapted from the novel by John Buchan Orson Welles (Richard Hannay, Marmaduke Jopley) [1] : 344 [6] [9] : 88 [12] | |||
5 | "I'm a Fool" "The Open Window" "My Little Boy" | August 8, 1938 | |
Adaptations of three short stories Orson Welles, Edgar Barrier and William Alland perform "I'm a Fool" by Sherwood Anderson. Ray Collins, Brenda Forbes and Virginia Welles (as Anna Stafford) perform "The Open Window" by Saki. Betty Garde, Kingsley Colton, Estelle Levy and Orson Welles perform "My Little Boy" by Carl Ewald. [1] [9] : 88 [13] | |||
6 | "Abraham Lincoln" | August 15, 1938 | |
Adapted from the play by John Drinkwater, supplemented by excerpts from Lincoln's speeches and letters Cast: Orson Welles (Abraham Lincoln), Ray Collins (Grant), Edward Jerome (General Lee), George Coulouris (Hook), Joseph Cotten (Seward), Carl Frank (Scott), Karl Swenson (Hay), William Alland (Dennis) and Agnes Moorehead (Mrs. Lincoln) [1] : 345 [9] : 89 [14] | |||
7 | "The Affairs of Anatol" | August 22, 1938 | |
Adapted from the play by Arthur Schnitzler Cast: Orson Welles, Alice Frost, Arlene Francis, Helen Lewis, Ray Collins [1] : 345 [9] : 89 | |||
8 | "The Count of Monte Cristo" | August 29, 1938 | |
Adapted from the novel by Alexandre Dumas Cast: Orson Welles (Edmond Dantès), Ray Collins (Abbé Faria), George Coulouris (Monsieur Morrel), Edgar Barrier (de Villefort), Eustace Wyatt (Caderousse), Paul Stewart (Paul Dantés) Sidney Smith (Mondego), Richard Wilson (the Officer), Virginia Welles, as Anna Stafford (Mercédès), William Alland (Merchant) [1] : 345 [6] [9] : 89 [15] | |||
9 | "The Man Who Was Thursday" | September 5, 1938 | |
Adapted from the novel by G. K. Chesterton Cast: Orson Welles (Gabriel Syme), Eustace Wyatt (President Sunday), Ray Collins (the Professor), George Coulouis (Mr. Lucian Gregory), Edgar Barrier (the Marquis), Paul Stewart (Gogol), Joseph Cotten (Dr. Bull), Erskine Sanford (Secretary), Alan Devitt (Witherspoon), Virginia Welles, as Anna Stafford (Rosamond) [1] : 345 [6] [9] : 90 [16] | |||
10 | "Julius Caesar" | September 11, 1938 | |
Adapted from the Mercury Theatre's stage triumph Cast: Orson Welles (Brutus), H. V. Kaltenborn (Commentator), Martin Gabel (Cassius), George Coulouris (Antony), Joseph Holland (Caesar); music by Marc Blitzstein [1] : 345 [6] [9] : 90 [17] | |||
11 | "Jane Eyre" | September 18, 1938 | |
Adapted from the novel by Charlotte Brontë Music by Bernard Herrmann Welles used the disc to prepare the 1943 film in which he starred, and the acetate original was irreparably damaged. [1] : 345 [9] : 91 | |||
12 | "The Immortal Sherlock Holmes" | September 25, 1938 | |
Adapted from the play by William Gillette Cast: Orson Welles (Sherlock Holmes), Ray Collins (Dr. Watson), Mary Taylor (Alice Faulkner), Brenda Forbes (Madge Larrabee), Edgar Barrier (James Larrabee), Morgan Farley (Inspector Forman), Richard Wilson (Jim Craigin), Eustace Wyatt (Professor Moriarty) [1] : 346 [6] [18] | |||
13 | "Oliver Twist" | October 2, 1938 | |
14 | "Hell on Ice" | October 9, 1938 | |
Adapted from the book by Edward Ellsberg Cast: Orson Welles, Al Swenson, Bud Collyer, Dan Seymour (announcer), Frank Readick, Howard Smith, Joseph Cotten, Ray Collins, Thelma Schnee, William Alland, Bernard Herrmann (composer, conductor), Davidson Taylor (production supervisor) [1] : 346 [19] [20] | |||
15 | "Seventeen" | October 16, 1938 | |
Adapted from the novel by Booth Tarkington Cast: Orson Welles (William Sylvanus Baxter), Betty Garde (Mrs. Baxter), Ray Collins (Mr. Parcher), Mary Wickes (Mrs. Parcher), Joseph Cotten (Genesis), Ruth Ford (Lola Pratt, the Baby Talk Girl), Marilyn Erskine (Jane), Elliott Reid (Cousin George), Pattee Chapmen (Rannie), Morgan Farley (Joe Bullitt) [1] : 346 [6] [21] | |||
16 | "Around the World in Eighty Days" | October 23, 1938 | |
Adapted from the novel by Jules Verne Cast: Orson Welles (Phineas Fogg), Ray Collins (Mr. Fix), Edgar Barrier (Passepartout), Eustace Wyatt (Ralph), Frank Readick (Stuart), Arlene Francis (Princess Aouda), Stefan Schnabel (Parsee), Al Swenson (the Captain), William Alland (the Officer) [1] : 346 [6] [22] | |||
17 | "The War of the Worlds" | October 30, 1938 | |
Adapted from the novel by H. G. Wells Cast: Orson Welles (producer, director, host, performer: Professor Richard Pierson), Dan Seymour (announcer), Paul Stewart (associate producer, adaptor, performer: Studio announcer, Third Studio Announcer), Frank Readick (Reporter Carl Phillips, Radio operator 2X2L), Kenny Delmar (Policeman at farm, Captain Lansing, Secretary of the Interior, Bayonne radio operator), Ray Collins (Farmer Wilmuth, Harry McDonald the radio VP, Rooftop radio announcer), Carl Frank (Second studio announcer, Fascist stranger), Richard Wilson (Brig. General Montgomery Smith, Officer 22nd Field Artillery, Langham Field), William Alland (Meridian room announcer, Field artillery gunner), Stefan Schnabel (Field artillery observer), William Herz (Newark radio operator, Radio operator 8X3R), Howard Smith (Bomber Lt. Voght), Bernard Herrmann (composer, conductor), John Houseman (producer, adaptor, script editor), Howard Koch (adaptor), Davidson Taylor (production supervisor), Ora Nichols (sound effects), Ray Kremer (sound effects), Jim Rogan (sound effects), John Dietz (sound engineer) [1] : 346 [19] [23] [24] | |||
18 | "Heart of Darkness" "Life With Father" | November 6, 1938 | |
Adaptation of the novella Heart of Darkness by Joseph Conrad, with the following cast: Orson Welles (Author, Ernest Kurtz), Ray Collins (Marlow), Alfred Shirley (Accountant), George Coulouris (Assistant Manager), Edgar Barrier (Second Manager), William Alland (Agent), Virginia Welles, as Anna Stafford (Kurtz's Intended Bride), Frank Readick (Tchiatosov) Adaptation of the play Life With Father by Clarence Day, with the following cast: Orson Welles (Father), Mildred Natwick (Mother), Mary Wickes (Employment Office Manager), Alice Frost (Margaret), Arthur Anderson (young Clarence Day) [1] : 347 [6] [25] | |||
19 | "A Passenger to Bali" | November 13, 1938 | |
20 | "The Pickwick Papers" | November 20, 1938 | |
21 | "Clarence" | November 27, 1938 | |
22 | "The Bridge of San Luis Rey" | December 4, 1938 | |
The Mercury Theatre on the Air was inducted into the National Radio Hall of Fame in 1988. [27]
George Orson Welles was an American director, actor, writer, and producer who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time.
"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938, over the CBS Radio Network. The episode is infamous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners.
John Houseman was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his collaboration, as producer of The Blue Dahlia, with writer Raymond Chandler on the screenplay. He won the Academy Award for Best Supporting Actor for his portrayal of Professor Charles W. Kingsfield in the 1973 film The Paper Chase. He reprised the role of Kingsfield in the 1978 television series adaptation.
The Campbell Playhouse (1938–1940) was a live CBS radio drama series directed by and starring Orson Welles. Produced by Welles and John Houseman, it was a sponsored continuation of The Mercury Theatre on the Air. The series offered hour-long adaptations of classic plays and novels, as well as adaptations of popular motion pictures.
The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury also released promptbooks and phonographic recordings of four Shakespeare works for use in schools.
Paul Stewart was an American character actor, director and producer who worked in theatre, radio, films and television. He frequently portrayed cynical and sinister characters throughout his career.
Jane Eyre is a 1943 American film adaptation of Charlotte Brontë's 1847 novel of the same name, released by 20th Century Fox. It was directed by Robert Stevenson and produced by the uncredited Kenneth Macgowan and Orson Welles; Welles also stars in the film as Edward Rochester, with Joan Fontaine playing the title character.
The Magnificent Ambersons is a 1918 novel by Booth Tarkington, the second in his Growth trilogy after The Turmoil (1915) and before The Midlander. It won the Pulitzer Prize for fiction.
Twentieth Century is a 1932 play by Ben Hecht and Charles MacArthur based on the unproduced play Napoleon of Broadway by Charles B. Millholland, inspired by his experience working for the eccentric Broadway impresario David Belasco.
The Hurricane is a 1936 novel by Charles Nordhoff and James Norman Hall about a Pacific Ocean hurricane.
The Mercury Theatre (1937–1946) was an independent repertory theatre company founded in New York City by Orson Welles and producer John Houseman.
The Hitch-Hiker is a radio play written by Lucille Fletcher. It was first presented on the November 17, 1941, broadcast of The Orson Welles Show on CBS Radio, featuring a score written and conducted by Bernard Herrmann, Fletcher's first husband. Welles performed The Hitch-Hiker four times on radio, and the play was adapted for a notable 1960 episode of the television series The Twilight Zone.
The Orson Welles Show (1941–42), also known as The Orson Welles Theater, Orson Welles and his Mercury Theater and the Lady Esther Show, was a live CBS Radio series produced, directed and hosted by Orson Welles. Broadcast Mondays at 10 p.m. ET, it made its debut September 15, 1941. Its last broadcast was February 2, 1942.
Abraham Lincoln is a 1918 play by John Drinkwater about the 16th President of the United States. Drinkwater's first great success, it premiered in England in 1918. The 1919 Broadway production starred Frank McGlynn.
Ceiling Unlimited (1942–1944) is a CBS radio series created by Orson Welles and sponsored by the Lockheed-Vega Corporation. The program was conceived to glorify the aviation industry and dramatize its role in World War II.
This is a comprehensive listing of the radio programs made by Orson Welles. Welles was often uncredited for his work, particularly in the years 1934–1937, and he apparently kept no record of his broadcasts.
Radio is what I love most of all. The wonderful excitement of what could happen in live radio, when everything that could go wrong did go wrong. I was making a couple of thousand a week, scampering in ambulances from studio to studio, and committing much of what I made to support the Mercury. I wouldn't want to return to those frenetic 20-hour working day years, but I miss them because they are so irredeemably gone.
The Mercury Summer Theatre of the Air (1946) is a CBS radio drama series produced, directed by and starring Orson Welles. It was a short-lived summer radio series sponsored by Pabst Blue Ribbon, on Friday evenings at 10 p.m. ET lasting 15 episodes. It harked back to Welles's earlier The Mercury Theatre on the Air (1938) and its successor, The Campbell Playhouse, but was not able to replicate its success. The series offered 30-minute adaptations of classic plays and novels, plus some adaptations of popular motion pictures, whereas the original had offered more depth in its 60-minute running time. Although the Mercury Theatre troupe had disbanded when Welles was fired from RKO studios in 1942 and the Mercury players were dismissed with him, this radio series offered a reunion of many Mercury personnel, including Richard Wilson and composer Bernard Herrmann, as well as familiar actors such as Agnes Moorehead and William Alland.
The Orson Welles Almanac is a 1944 CBS Radio series directed and hosted by Orson Welles. Broadcast live on the Columbia Pacific Network, the 30-minute variety program was heard Wednesdays at 9:30 p.m. ET January 26 – July 19, 1944. The series was sponsored by Mobilgas and Mobiloil. Many of the shows originated from U.S. military camps, where Welles and his repertory company and guests entertained the troops with a reduced version of The Mercury Wonder Show. The performances of the all-star jazz band that Welles brought together for the show were an important force in the revival of traditional New Orleans jazz in the 1940s.
The Campbell Playhouse was an American anthology series and television drama that originally aired on NBC from June 6, 1952 to May 28, 1954.
Orson Welles Commentaries (1945–46) is an ABC radio series produced and directed by Orson Welles. Featuring commentary by Welles, with reminiscences and readings from literature, the 15-minute weekly program aired Sunday afternoons at 1:15 p.m. ET beginning September 16, 1945. Lear Radio sponsored the program through the end of June 1946 when it failed to find a larger audience. The series was continued by ABC as a sustaining show through October 6, 1946. Orson Welles Commentaries was the last of Welles's own radio shows.