The Fountain of Youth | |
---|---|
Directed by | Orson Welles |
Screenplay by | Orson Welles |
Based on | Youth from Vienna by John Collier |
Produced by | Desi Arnaz |
Starring | |
Narrated by | Orson Welles |
Cinematography | Sidney Hickox |
Edited by | Bud Molin |
Production companies | Orson Welles Enterprises, Inc. Desilu Productions |
Release date |
|
Running time | 25 minutes |
Country | United States |
Language | English |
Budget | $54,896 total cost |
The Fountain of Youth is a 1956 television pilot directed by Orson Welles for a proposed Desilu Productions anthology series that was never produced. Based on a short story by John Collier, the short film narrated onscreen by Welles stars Dan Tobin, Joi Lansing and Rick Jason. The Fountain of Youth was televised once, on September 16, 1958, on NBC's Colgate Theatre . It received the prestigious Peabody Award for 1958, the only unsold television pilot ever to be so honored.
The Fountain of Youth is a 1956 television pilot for an anthology series that was never produced. It was broadcast once, on September 16, 1958, on NBC's Colgate Theatre . The short film was written and directed by Orson Welles, based on the short story "Youth from Vienna" by John Collier. Joi Lansing and Rick Jason star as a narcissistic couple faced with an irresistible temptation concocted by a scientist (Dan Tobin). Welles himself is also much in evidence as onscreen narrator.
"It was intended to inaugurate a series of short stories Welles would narrate and direct in the First Person Singular style of his Mercury Theatre on the Air and Campbell Playhouse radio series, but with his innovative radio techniques adapted for the visual intimacy of the newer medium," wrote Welles biographer Joseph McBride. "Welles described it to me as his only 'film conceived for the box'. The vaudeville-show tone and blackout style, suited to the 1920s setting, lend unsettling dark humor to this fable about human vanity … As the faintly sinister host, Welles is so ubiquitous a presence, sometimes even mouthing the characters words, that he becomes their puppet master, darkly amused by their self-destructive foibles." [1] : 124
Desi Arnaz conceived the series and proposed that Welles host and narrate every episode — combining his gift for storytelling with the intimacy of television. "When I made my deal with Orson for the pilot, I was trying to develop an anthology series which would include The Fountain of Youth," Arnaz wrote, "and the kind of stories Edgar Allan Poe is famous for, like 'The Pit and the Pendulum'." [2] : 306 Working with Desilu art director Claudio Guzmán, Welles used an innovative process of stills and live action, Arnaz recalled:
We used still pictures and "hold frames," and a lot of the stuff they think is so new today. If we wanted to show a guy making a successful play for a girl, we would use four still pictures: he looking, she looking, he winking, she winking, hold frame. It was almost a comic-strip technique and hadn't been used on television. [2] : 306
"I was very fond of it, that way of doing it," Welles recalled. "It was based entirely on back projection, there was no scenery. We just took the props from the prop department and put them behind the screen, and a few little things in front. It was entirely ad lib. … And of course it's the only comedy I've ever made on film. I used to do an awful lot of comedy in the theatre, and radio. But in film I've always been pretty solemn." [3] : 518
Most published reports that the pilot was costly and over schedule were refuted by Welles scholar Bill Krohn, who studied the Desilu files. Filming took five days, May 8–11 and 14, 1956. [4] The total cost was $54,896 — nearly $5,000 over budget but about half the cost of the first episode of I Love Lucy . [3] : 518 Before signing the deal Arnaz had clarified the finances with Welles: "I am not RKO. This is my 'Babalu' money," Arnaz told him. "I never had any trouble with Orson," Arnaz wrote. [2] : 307
Arnaz reported that CBS gave the series a slot, with General Foods as a sponsor, but the challenges in getting Welles to commit to a series lasting 30 to 38 weeks daunted them and the series did not go on the air. [2] : 306
Leading man Rick Jason devoted a chapter called "Orson Welles and Feet of Clay" in his online autobiography, Scrapbooks of My Mind, to the making of the film, carefully detailing the unique approaches Welles employed to arrive at the film's striking result. [5] In a May 2000 discussion at the Paley Center for Media Jason described his difficulties in working with Welles. [6]
The Fountain of Youth remains available for viewing at the Paley Center for Media in New York City and Los Angeles. [7] Welles' youngest daughter, Beatrice, working with Reeder Brand Management revealed in March 2023 they were looking for a streamer or label interested in releasing the film, along with other Welles television projects. [8]
In order of onscreen credits:
The Fountain of Youth was broadcast September 16, 1958, on NBC-TV's Colgate Theatre . [3] : 424–425 It received a special 1958 Peabody Award, announced in April 1959 by Peabody board chairman Bennett Cerf: [9]
To Orson Welles, for the wit, originality, and insouciance of The Fountain of Youth, NBC, one of the merriest, most irreverent half-hours of the year 1958, this special Peabody Award is given. [10]
"It was the only unsold pilot ever to win the then most coveted award in television," wrote executive producer Desi Arnaz. [2] : 307
"Hollywood at this time was just getting into film production for TV", said Ron Simon, curator of the Museum of Television & Radio in Beverly Hills, California, where the film screened in 2000. "Welles obviously had a much greater vision. It would have been interesting if he could have tried to do this on a weekly basis." [11]
"The best measure of how far ahead of its time this experimental but unpretentious program was in 1958 is that it still seems avant-garde compared with anything yet seen on American commercial television," wrote biographer Joseph McBride in 2006. [1] : 124
Desiderio Alberto Arnaz y de Acha III, known as Desi Arnaz, was a Cuban-American actor, musician, producer, and bandleader. He played Ricky Ricardo on the American television sitcom I Love Lucy, in which he co-starred with his wife Lucille Ball. Arnaz and Ball are credited as the innovators of the syndicated rerun, which they pioneered with the I Love Lucy series.
I Love Lucy is an American television sitcom that originally aired on CBS from October 15, 1951, to May 6, 1957, with a total of 180 half-hour episodes spanning six seasons. The series starred Lucille Ball and her husband Desi Arnaz, along with Vivian Vance and William Frawley, and follows the life of Lucy Ricardo (Ball), a young, middle-class housewife living in New York City, who often concocts plans with her best friends and landlords, Ethel and Fred Mertz, to appear alongside her bandleader husband, Ricky Ricardo (Arnaz), in his nightclub. Lucy is depicted trying numerous schemes to mingle with and be a part of show business. After the series ended in 1957, a modified version of the show continued for three more seasons, with 13 one-hour specials, which ran from 1957 to 1960. It was first known as The Lucille Ball–Desi Arnaz Show, and later, in reruns, as The Lucy–Desi Comedy Hour.
The year 1958 in television involved some significant events. Below is a list of television-related events during 1958.
Desilu Productions, Inc. was an American television production company founded and co-owned by husband and wife Desi Arnaz and Lucille Ball. The company is best known for shows such as I Love Lucy, The Lucy Show, Mannix, The Untouchables, Mission: Impossible and Star Trek. Until 1962, Desilu was the second-largest independent television production company in the United States, behind MCA's Revue Studios, until MCA bought Universal Pictures and Desilu became and remained the number-one independent production company, until Ball sold it to Gulf and Western Industries in 1968.
Vivian Vance was an American actress best known for playing Ethel Mertz on the sitcom I Love Lucy (1951–1957), for which she won the 1953 Primetime Emmy Award for Outstanding Supporting Actress, among other accolades. She also starred alongside Lucille Ball in The Lucy Show from 1962 until she left the series at the end of its third season in 1965. In 1991, she posthumously received a star on the Hollywood Walk of Fame. She is most commonly identified as Lucille Ball’s longtime comedic foil from 1951 until her death in 1979.
The Lucy Show is an American sitcom that aired on CBS from 1962 to 1968. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the fourth season (1965–1966) divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star.
Lucie Désirée Arnaz is an American actress and singer. She is the daughter of actors Lucille Ball and Desi Arnaz.
Joi Lansing was an American model, film and television actress, and nightclub singer. She was noted for her pin-up photos and roles in B-movies, as well as a prominent role in the famous opening "tracking shot" in Orson Welles' 1958 crime drama Touch of Evil.
The Mothers-in-Law is an American sitcom featuring Eve Arden and Kaye Ballard as two women who were friends and next-door neighbors until their children's elopement made them in-laws. The show aired on NBC television from September 1967 to April 1969. Executive produced by Desi Arnaz, the series was created by Bob Carroll, Jr., and Madelyn Davis.
Rick Jason was an American actor, born in New York City, and most remembered for starring in the ABC television drama Combat! (1962–1967).
The Lucy–Desi Comedy Hour is a collection of thirteen black-and-white one-hour specials airing occasionally from 1957 to 1960. The first five were shown as specials during the 1957–58 television season. The remaining eight were originally shown as part of Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and Westinghouse Desilu Playhouse Presents The Lucille Ball–Desi Arnaz Show for the following seasons. The successor to the classic comedy, I Love Lucy, the programs featured the same cast members: Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley, and Little Ricky. The production schedule avoided the grind of a regular weekly series.
Studio One is an American anthology drama television series that was adapted from a radio series. It was created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. It premiered on November 7, 1948, and ended on September 29, 1958, with a total of 467 episodes over the course of 10 seasons.
The following is the 1958–59 network television schedule for the four major English language commercial broadcast networks in the United States. The schedule covers primetime hours from September 1958 through March 1959. The schedule is followed by a list per network of returning series, new series, and series cancelled after the 1957–58 season.
Private Secretary is an American sitcom that aired on CBS from February 1, 1953, to March 17, 1957. Created by Ned Marin, the series stars Ann Sothern as Susan Camille "Susie" MacNamara, devoted secretary to handsome talent agent Peter Sands, played by Don Porter.
Daniel Richard "Dann" Cahn was an American film editor who received the Career Achievement Award from the American Cinema Editors (ACE). Cahn was best known as the head editor of the TV series, I Love Lucy and for his work as the head of post-production of Desilu Playhouse. Cahn would also go on to edit several more movies and TV series such as The Beverly Hillbillies. Cahn worked with Orson Welles, Russ Meyer and others.
Westinghouse Desilu Playhouse is an American television anthology series produced by Desilu Productions. The show ran on the Columbia Broadcasting System between 1958 and 1960. Three of its 48 episodes served as pilots for the 1950s television series The Twilight Zone and The Untouchables.
Daniel Malloy Tobin was an American character actor in films, television and on the stage. He generally portrayed gentle, urbane, rather fussy, sometimes obsequious and shifty characters, sometimes with a concealed edge of malice.
Lucille Désirée Ball was an American actress, comedian, producer, and studio executive. She was recognized by Time in 2020 as one of the most influential women of the 20th century for her work in all four of these areas. She was nominated for 13 Primetime Emmy Awards, winning five, and was the recipient of several other accolades, such as the Golden Globe Cecil B. DeMille Award and two stars on the Hollywood Walk of Fame. She earned many honors, including the Women in Film Crystal Award, an induction into the Television Hall of Fame, a Kennedy Center Honor, and the Governors Award from the Academy of Television Arts & Sciences.
Colgate Theatre is a 30-minute dramatic anthology television series broadcast on NBC during the summer and early autumn of 1958. It consisted entirely of unsold television pilots.