Joseph Cheshire Cotten Jr. was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of The Philadelphia Story (1939) and Sabrina Fair (1953). He then gained worldwide fame for his collaborations with Orson Welles films on three films, Citizen Kane (1941), The Magnificent Ambersons (1942), and Journey into Fear (1943), for which Cotten starred in and was also credited with the screenplay.
George Orson Welles was an American actor, director, screenwriter, and producer who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time.
John Houseman was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his collaboration, as producer of The Blue Dahlia, with writer Raymond Chandler on the screenplay. He won the Academy Award for Best Supporting Actor for his portrayal of Professor Charles W. Kingsfield in the 1973 film The Paper Chase. He reprised the role of Kingsfield in the 1978 television series adaptation.
Edwin Orr Denby was an American writer of dance criticism, poetry, and a novel, but is perhaps now best known for his work with Orson Welles in translating and adapting the 1851 French comedy The Italian Straw Hat to the American stage in 1936 in the form of the farce Horse Eats Hat.
The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury also released promptbooks and phonographic recordings of four Shakespeare works for use in schools.
The Cradle Will Rock is a 1937 play in music by Marc Blitzstein. Originally a part of the Federal Theatre Project, it was directed by Orson Welles and produced by John Houseman. Set in Steeltown, U.S.A., the Brechtian allegory of corruption and corporate greed includes a panoply of social figures. It follows the efforts of Larry Foreman to unionize the town's workers and combat the powerful industrialist Mr. Mister, who controls the town's factory, press, church, and social organization. The piece is almost entirely sung-through, giving it many operatic qualities, although Blitzstein included popular song styles of the time.
Henny Backus was a Broadway showgirl in the 1930s whose stage credits include Orson Welles's Horse Eats Hat. She was the wife of actor and comedian Jim Backus.
Too Much Johnson is a 1938 American silent comedy film written and directed by Orson Welles. An unfinished film component of a stage production, it was made three years before Welles directed Citizen Kane, but it was never publicly screened. It was shot to be integrated into Welles's Mercury Theatre stage presentation of William Gillette's 1894 comedy, but the film sequences could not be shown due to the absence of projection facilities at the venue, the Stony Creek Theatre in Connecticut. The resulting plot confusion reportedly contributed to the stage production's failure.
Macbeth is a 1948 American historical drama directed by Orson Welles. A film adaptation of William Shakespeare's tragedy of the same name, it tells the story of the Scottish general who becomes the King of Scotland through treachery and murder. The film stars Welles in the lead role and Jeanette Nolan as Lady Macbeth.
Maxine Elliott's Theatre was originally a Broadway theatre at 109 West 39th Street in the Midtown Manhattan neighborhood of New York City. Built in 1908, it was designed by architect Benjamin Marshall of the Chicago-based firm Marshall and Fox, who modeled the façade after the neoclassical Petit Trianon in Versailles. In later years, it was known as WOR Mutual Radio Theatre (1941–1944), CBS Radio Playhouse No. 5 (1944–1948), and CBS Television Studio No. 44 or CBS Television Studio Studio 51 (1948–1956). The theater was demolished in 1960 to make way for the Springs Mills Building.
Hiram Sherman was an American actor.
The Voodoo Macbeth is a common nickname for the Federal Theatre Project's 1936 New York production of William Shakespeare's Macbeth. Orson Welles adapted and directed the production, moved the play's setting from Scotland to a fictional Caribbean island, recruited an entirely Black cast, and earned the nickname for his production from the Haitian vodou that fulfilled the role of Scottish witchcraft. A box office sensation, the production is regarded as a landmark theatrical event for several reasons: its innovative interpretation of the play, its success in promoting African-American theatre, and its role in securing the reputation of its 20-year-old director.
Jack Carter was an American actor. He is known for creating the role of Crown in the original Broadway production of Porgy (1927), and for starring in Orson Welles's stage productions including Macbeth (1936) and Doctor Faustus (1937). He appeared in a few motion pictures in the 1930s and 1940s.
Eric Burroughs was an American stage and radio actor whose career spanned the 1930s to the early 1960s. He appeared in Orson Welles's all-Black Federal Theatre Project production of Macbeth. Burroughs was later lauded by radio giant Norman Corwin as being "the finest Negro actor in radio."
Ceiling Unlimited (1942–1944) is a CBS radio series created by Orson Welles and sponsored by the Lockheed-Vega Corporation. The program was conceived to glorify the aviation industry and dramatize its role in World War II.
Rhinoceros was a 1960 production of Eugène Ionesco's surrealist play of the same name, which had been written the year before. It was the first English-language production of the play, starred future husband-and-wife team Laurence Olivier and Joan Plowright, and was directed by Orson Welles. Olivier also co-produced the play, which was Welles's last work as a theatre director.
This is a comprehensive listing of the theatre work of Orson Welles.
There isn't one person, I suppose, in a million, who knows that I was ever in the theatre.
Caesar is the title of Orson Welles's innovative 1937 adaptation of William Shakespeare's Julius Caesar, a modern-dress bare-stage production that evoked comparison to contemporary Fascist Italy and Nazi Germany. Considered Welles's highest achievement in the theatre, it premiered November 11, 1937, as the first production of the Mercury Theatre, an independent repertory theatre company that presented an acclaimed series of productions on Broadway through 1941.
The authorship of the screenplay for Citizen Kane, the 1941 American motion picture that marked the feature film debut of Orson Welles, has been one of the film's long-standing controversies. With a story spanning 60 years, the quasi-biographical film examines the life and legacy of Charles Foster Kane, played by Welles, a fictional character based in part upon the American newspaper magnate William Randolph Hearst and Chicago tycoons Samuel Insull and Harold McCormick. A rich incorporation of the experiences and knowledge of its authors, the film earned an Academy Award for Best Original Screenplay for Herman J. Mankiewicz and Welles.
The Italian Straw Hat is a five-act comedy by Eugène Labiche and Marc-Michel. It premiered at the Théâtre du Palais-Royal in Paris on 14 August 1851. It has been adapted for the cinema in French, English, German, Czech and Russian, and as a musical play in English and Italian versions. The piece remains regularly staged in France, where it entered the repertoire of the Comédie-Française in Paris and of theatres in other French cities.
