George Orson Welles was an American actor, director, screenwriter, and producer who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time.
Native Son (1940) is a novel written by the American author Richard Wright. It tells the story of 20-year-old Bigger Thomas, a black youth living in utter poverty in a poor area on Chicago's South Side in the 1930s.
John Houseman was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his collaboration, as producer of The Blue Dahlia, with writer Raymond Chandler on the screenplay. He won the Academy Award for Best Supporting Actor for his portrayal of Professor Charles W. Kingsfield in the 1973 film The Paper Chase. He reprised the role of Kingsfield in the 1978 television series adaptation.
The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury also released promptbooks and phonographic recordings of four Shakespeare works for use in schools.
The Cradle Will Rock is a 1937 play in music by Marc Blitzstein. Originally a part of the Federal Theatre Project, it was directed by Orson Welles and produced by John Houseman. Set in Steeltown, U.S.A., the Brechtian allegory of corruption and corporate greed includes a panoply of social figures. It follows the efforts of Larry Foreman to unionize the town's workers and combat the powerful industrialist Mr. Mister, who controls the town's factory, press, church, and social organization. The piece is almost entirely sung-through, giving it many operatic qualities, although Blitzstein included popular song styles of the time.
Too Much Johnson is a 1938 American silent comedy film written and directed by Orson Welles. An unfinished film component of a stage production, it was made three years before Welles directed Citizen Kane, but it was never publicly screened. It was shot to be integrated into Welles's Mercury Theatre stage presentation of William Gillette's 1894 comedy, but the film sequences could not be shown due to the absence of projection facilities at the venue, the Stony Creek Theatre in Connecticut. The resulting plot confusion reportedly contributed to the stage production's failure.
Ray Bidwell Collins was an American character actor in stock and Broadway theatre, radio, films, and television. With 900 stage roles to his credit, he became one of the most successful actors in the developing field of radio drama. A friend and associate of Orson Welles for many years, Collins went to Hollywood with the Mercury Theatre company and made his feature-film debut in Citizen Kane (1941), as Kane's ruthless political rival. Collins appeared in more than 75 films and had one of his best-remembered roles on television, as Los Angeles homicide detective Lieutenant Arthur Tragg in the CBS-TV series Perry Mason.
Paul Stewart was an American character actor, director and producer who worked in theatre, radio, films and television. He frequently portrayed cynical and sinister characters throughout his career.
Jane Eyre is a 1943 American film adaptation of Charlotte Brontë's 1847 novel of the same name, released by 20th Century Fox. It was directed by Robert Stevenson and produced by the uncredited Kenneth Macgowan and Orson Welles; Welles also stars in the film as Edward Rochester, with Joan Fontaine playing the title character.
Rose McClendon was a leading African-American Broadway actress of the 1920s. A founder of the Negro People's Theatre, she guided the creation of the Federal Theatre Project's African American theatre units nationwide and briefly co-directed the New York Negro Theater Unit.
Canada Lee was an American professional boxer and then an actor who pioneered roles for African Americans. After careers as a jockey, boxer and musician, he became an actor in the Federal Theatre Project, including the 1936 production of Macbeth adapted and directed by Orson Welles. Lee later starred in Welles's original Broadway production of Native Son (1941). A champion of civil rights in the 1930s and 1940s, Lee was blacklisted and died shortly before he was scheduled to appear before the House Un-American Activities Committee. He advanced the African American tradition in theatre pioneered by such actors as Paul Robeson. Lee was the father of actor Carl Lee.
Moby Dick is a two-act drama by Orson Welles. The play was staged June 16–July 9, 1955, at the Duke of York's Theatre in London, in a production directed by Welles. The original cast included Welles, Christopher Lee, Kenneth Williams, Joan Plowright, Patrick McGoohan, Gordon Jackson, Peter Sallis, and Wensley Pithey. The play was published by Samuel French in 1965.
Biggie Thomas is a fictional character in the novel Native Son (1940) by American author Richard Wright.
Native Son, also known as Sangre negra, is a 1951 Argentine black-and-white drama film directed by French filmmaker Pierre Chenal. It is based on the novel Native Son by American author Richard Wright, who also stars in the film and co-wrote the screenplay with Chenal. Actor Canada Lee, who was originally scheduled to play the film's protagonist Bigger Thomas, had difficulties with his visa while filming Cry, the Beloved Country (1951) in South Africa and had to decline the role; with the whole production in jeopardy due to the mishap, Wright decided to step in and replace Lee.
Erskine Sanford was an American actor on the stage, radio and motion pictures. Long associated with the Theatre Guild, he later joined Orson Welles's Mercury Theatre company and appeared in several of Welles's films, including Citizen Kane (1941), in which he played Herbert Carter, the bumbling, perspiring newspaper editor.
The Voodoo Macbeth is a common nickname for the Federal Theatre Project's 1936 New York production of William Shakespeare's Macbeth. Orson Welles adapted and directed the production, moved the play's setting from Scotland to a fictional Caribbean island, recruited an entirely Black cast, and earned the nickname for his production from the Haitian vodou that fulfilled the role of Scottish witchcraft. A box office sensation, the production is regarded as a landmark theatrical event for several reasons: its innovative interpretation of the play, its success in promoting African-American theatre, and its role in securing the reputation of its 20-year-old director.
Native Son is a 1986 American drama film directed by Jerrold Freeman, and starring Carroll Baker, Victor Love, Matt Dillon, and Oprah Winfrey. The film is based on the 1940 novel Native Son, written by Richard Wright.
From the end of the Second World War to the beginning of the McCarthy era (1945–1950), the American professional theatre produced twenty shows on civil rights, nine of them on Broadway.
This is a comprehensive listing of the theatre work of Orson Welles.
There isn't one person, I suppose, in a million, who knows that I was ever in the theatre.
The Comedy Theatre was a Broadway theatre located at 110 West 41st Street in Manhattan that opened in 1909. It presented the first Broadway appearances of Katharine Cornell and Ruth Draper, as well as Eugene O'Neill's first Broadway play. Shuttered in the wake of the Depression, it reopened in 1937 as the Mercury Theatre — the venue for Orson Welles's groundbreaking adaptation of Shakespeare's Julius Caesar and other productions for the Mercury Theatre repertory company. In 1939 it began presenting classic Yiddish theatre. The building was demolished in 1942.
