The Adventures of Harry Lime (broadcast in the United States as The Lives of Harry Lime) is an old-time radio programme produced in the United Kingdom during the 1951 to 1952 season. Orson Welles reprises his role of Harry Lime from the celebrated 1949 film The Third Man . The radio series is a prequel to the film, and depicts the many misadventures of con-artist Lime in a somewhat lighter tone than that of the film.
The Adventures of Harry Lime is one of the most successful series created by prolific British radio producer Harry Alan Towers and his company Towers of London. Towers and Graham Greene, author of The Third Man, had the same literary agent, and Towers learned that Greene had not sold the rights to the character of Harry Lime to Alexander Korda when he sold Korda The Third Man . Towers quickly bought the rights to the character and in 1951 he put a syndicated radio series into production. Orson Welles reprised the role of Harry Lime in a series of adventures that preceded the story told in The Third Man. [1]
Several episodes would begin with "The Third Man Theme" being played, abruptly cut off by an echoing gunshot. Then Welles would speak: "That was the shot that killed Harry Lime. He died in a sewer beneath Vienna, as those of you know who saw the movie The Third Man . Yes, that was the end of Harry Lime ... but it was not the beginning. Harry Lime had many lives ... and I can recount all of them. How do I know? Very simple. Because my name is Harry Lime."
Although often cited as a BBC production, the series was one of a number produced and distributed independently by Towers of London and syndicated internationally.
Only sixteen of the episodes were acquired and broadcast by the BBC in the UK. It was the first time that the BBC broadcast episodes of a dramatic series that it did not produce. The full series was syndicated to radio stations in the U.S.
Original air date | # | Episode title |
---|---|---|
3 August 1951 | 1 | "Too Many Crooks" |
10 August 1951 | 2 | "See Naples and Live" |
17 August 1951 | 3 | "Clay Pigeon" |
24 August 1951 | 4 | "A Ticket to Tangiers" |
31 August 1951 | 5 | "Voodoo" |
7 September 1951 | 6 | "The Bohemian Star" |
14 September 1951 | 7 | "Love Affair" |
21 September 1951 | 8 | "Rogue's Holiday" |
28 September 1951 | 9 | "Work of Art" |
5 October 1951 | 10 | "Operation Music Box" |
12 October 1951 | 11 | "Golden Fleece" |
19 October 1951 | 12 | "Blue Bride" |
26 October 1951 | 13 | "Every Frame Has a Silver Lining" |
2 November 1951 | 14 | "Mexican Hat Trick" |
9 November 1951 | 15 | "Art Is Long and Lime Is Fleeting" |
16 November 1951 | 16 | "In Pursuit of a Ghost" (aka "El Zorro") |
23 November 1951 | 17 | "Horse Play" (aka "The Racetrack") |
30 November 1951 | 18 | "Three Farthings for Your Thoughts" |
7 December 1951 | 19 | "The Third Woman" |
14 December 1951 | 20 | "An Old Moorish Custom" |
21 December 1951 | 21 | "It's a Knockout" |
28 December 1951 | 22 | "Two Is Company" |
4 January 1952 | 23 | "Cherchez La Gem" |
11 January 1952 | 24 | "Hands of Glory" |
18 January 1952 | 25 | "Double Double Trouble" (aka "The Double Double Cross") |
25 January 1952 | 26 | "Five Thousand Pengoes and a Kiss" |
1 February 1952 | 27 | "Dark Enchantress" |
8 February 1952 | 28 | "Earl on Troubled Waters" |
15 February 1952 | 29 | "The Dead Candidate" |
22 February 1952 | 30 | "It's in the Bag" |
29 February 1952 | 31 | "Hyacinth Patrol" |
7 March 1952 | 32 | "Turnabout is Foul Play" |
14 March 1952 | 33 | "Violets, Sweet Violets" |
21 March 1952 | 34 | "Faith, Lime and Charity" |
28 March 1952 | 35 | "Pleasure Before Business" |
4 April 1952 | 36 | "Fool's Gold" |
11 April 1952 | 37 | "Man of Mystery" |
18 April 1952 | 38 | "The Painted Smile" |
25 April 1952 | 39 | "Harry Lime Joins The Circus" |
2 May 1952 | 40 | "Suzie's Cue" |
9 May 1952 | 41 | "Viva La Chance" |
16 May 1952 | 42 | "The Elusive Vermeer" |
23 May 1952 | 43 | "Murder on the Riviera" |
30 May 1952 | 44 | "Pearls of Bohemia" |
6 June 1952 | 45 | "A Night in a Harem" |
13 June 1952 | 46 | "Blackmail Is a Nasty Word" |
20 June 1952 | 47 | "The Professor Regrets" |
27 June 1952 | 48 | "The Hard Way" |
4 July 1952 | 49 | "Paris Is Not the Same" |
11 July 1952 | 50 | "Honeymoon" |
18 July 1952 | 51 | "The Blue Caribou" |
25 July 1952 | 52 | "Greek Meets Greek" |
The con orchestrated by Welles' character in the episode "Horse Play" closely resembles that of the 1973 Robert Redford and Paul Newman film "The Sting." Both are based on the book "The Big Con" written by David W. Maurer which was published in 1940.
The episode "Man of Mystery", written by Welles, was later expanded by him and served as the basic plot for his film Mr. Arkadin .
A recording of the 1951 "A Ticket to Tangiers" episode of The Lives of Harry Lime series is available on the Criterion Collection DVD edition of The Third Man . In addition, recordings of the 1952 episodes Man of Mystery, Murder on the Riviera and Blackmail is a Nasty Word are included on the Criterion Collection DVD The Complete Mr. Arkadin .
Fifteen episodes were adapted into a short story collection, The Lives of Harry Lime, published in the United Kingdom by Pocket Books in 1952. The book was credited to "Orson Welles and others", and Welles had been credited with writing the scripts of several episodes, but it is unclear whether or not he wrote the adaptations.
Additionally, Harry Alan Towers has cast doubt on whether Welles even wrote the episodes he was credited with. He describes how the series started being written by a team of experienced American radio scriptwriters. When Welles discovered they were being paid $1,000 per script, he offered to write 6 scripts himself. The scripts were delivered and Towers duly paid Welles $6,000. Then one day, a man walked into Towers' office, demanding to be paid for the scripts which he had ghostwritten for Welles. When Welles was asked about it later, he smiled: "Don't pay him. They weren't very good scripts." [2]
The episodes which were adapted into short stories were:
Welles also tried to convert one episode script into a film script for producer Alexander Korda. When that fell through, the story was adapted into a novel and published in France as Une Grosse Légume in 1953. The novel was ghostwritten by Maurice Bessy and published under Welles's name. It has never been published in English. [4]
Joseph Cheshire Cotten Jr. was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of The Philadelphia Story and Sabrina Fair. He then gained worldwide fame in three Orson Welles films: Citizen Kane (1941), The Magnificent Ambersons (1942), and Journey into Fear (1943), for which Cotten was also credited with the screenplay.
George Orson Welles was an American director, actor, screenwriter and producer who is remembered for his innovative work in radio, theatre and film. He is considered to be among the greatest and most influential filmmakers of all time.
The Third Man is a 1949 British film noir directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Set in postwar Vienna, the film centres on American Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Viewing his death as suspicious, Martins elects to stay in Vienna and investigate the matter.
Sir Carol Reed was an English film director and producer, best known for Odd Man Out (1947), The Fallen Idol (1948), The Third Man (1949), and Oliver! (1968), for which he was awarded the Academy Award for Best Director.
Lights Out is an American old-time radio program devoted mostly to horror and the supernatural.
John Henry Noyes Collier was a British-born writer and screenwriter best known for his short stories, many of which appeared in The New Yorker from the 1930s to the 1950s. Most were collected in The John Collier Reader ; earlier collections include a 1951 volume, Fancies and Goodnights, which won the International Fantasy Award and remains in print. Individual stories are frequently anthologized in fantasy collections. John Collier's writing has been praised by authors such as Anthony Burgess, Ray Bradbury, Roald Dahl, Neil Gaiman, Michael Chabon, Wyndham Lewis, and Paul Theroux. He appears to have given few interviews in his life; those include conversations with biographer Betty Richardson, Tom Milne, and Max Wilk.
The Black Museum is a radio crime-drama program produced by Harry Alan Towers, which was broadcast in the USA on the Mutual network in 1952. It was then broadcast in Europe in 1953 on Radio Luxembourg, a commercial radio station, and was not broadcast by the BBC until 1991.
Around the World with Orson Welles is a series of six short travelogues originally written and directed by Orson Welles for Associated-Rediffusion in 1955, for Britain's then-new ITV channel. Despite its title emphasizing the world, it was entirely filmed in Europe. Among other incidents in the episodes, Welles visited Jean Cocteau and Juliette Gréco in Paris, attended a bullfight in Madrid and visited the Basque Country.
Mr. Arkadin, known in Britain as Confidential Report, is a French-Spanish-Swiss coproduction film, written and directed by Orson Welles and shot in several Spanish locations, including Costa Brava, Segovia, Valladolid and Madrid. Filming took place throughout Europe in 1954, and scenes shot outside Spain include locations in London, Munich, Paris, the French Riviera and at the Château de Chillon in Switzerland.
Harry Alan Towers was a British radio and independent film producer and screenwriter. He wrote numerous screenplays for the films he produced, often under the pseudonym Peter Welbeck. He produced over 80 feature films and continued to write and produce well into his eighties. Towers was married to the actress Maria Rohm, who appeared in many of his films.
The Adventures of Ellery Queen is the title of a radio series and four separate television series made from the 1950s through the 1970s. They were based on the fictional detective and pseudonymous writer Ellery Queen and the cases he solved with his father, Inspector Richard Queen.
Studio One is an American anthology drama television series that was adapted from a radio series. It was created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. It premiered on November 7, 1948 and ended on September 29, 1958, with a total of 467 episodes over the course of 10 seasons.
Treasure Island is a 1972 adventure film, based on the 1883 novel by Robert Louis Stevenson. The film stars Orson Welles as Long John Silver, Kim Burfield as Jim Hawkins, Walter Slezak as Squire Trelawney, Rik Battaglia as Captain Smollett, and Ángel del Pozo as Doctor Livesey.
"The Third Man Theme" is an instrumental written and performed by Anton Karas for the soundtrack to the 1949 film The Third Man.
Patricia Paz Maria Medina was a British actress. She is perhaps best known for her roles in the films Phantom of the Rue Morgue (1954) and Mr. Arkadin (1955).
Robert Arden was an English film, television and radio actor born in London who worked and lived mostly in the United Kingdom.
Orson Welles Great Mysteries is a British television series originally transmitted between 1973 and 1974, produced by Anglia Television for the ITV network.
This is a comprehensive listing of the radio programs made by Orson Welles. Welles was often uncredited for his work, particularly in the years 1934–1937, and he apparently kept no record of his broadcasts.
Radio is what I love most of all. The wonderful excitement of what could happen in live radio, when everything that could go wrong did go wrong. I was making a couple of thousand a week, scampering in ambulances from studio to studio, and committing much of what I made to support the Mercury. I wouldn't want to return to those frenetic 20-hour working day years, but I miss them because they are so irredeemably gone.
This is a bibliography of books by or about the director and actor Orson Welles.
Der Frosch mit der Maske, aka Face of the Frog, is a 1959 West German-Danish black-and-white crime film directed by Harald Reinl and starring Siegfried Lowitz and Joachim Fuchsberger. It was the first of a very successful series of films based on works by Edgar Wallace produced by Rialto Film in West Germany. This film was adapted from the 1925 novel The Fellowship of the Frog.