Around the World with Orson Welles | |
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Written by | Orson Welles |
Directed by | Orson Welles |
Starring | Orson Welles |
Country of origin | United Kingdom |
Original language | English |
No. of episodes | 6 |
Production | |
Producer | Louis Dolivet |
Running time | 26 minutes |
Original release | |
Network | ITV |
Release | 7 October – 16 December 1955 |
Around the World with Orson Welles is a series of six short travelogues originally written and directed by Orson Welles for Associated-Rediffusion in 1955, for Britain's then-new ITV channel. Despite its title emphasizing the world, it was entirely filmed in Europe. Among other incidents in the episodes, Welles visited Jean Cocteau and Juliette Gréco in Paris, attended a bullfight in Madrid (with co-hosts Kenneth Tynan and Elaine Dundy) and visited the Basque Country.
In March 1955, Associated-Rediffusion had originally commissioned a series of 26 half-hour programmes, but in the end, only 6 were broadcast, and even then, in rather troubled circumstances. Before a contract had even been signed, Welles had rapidly shot a pilot episode himself (the third episode broadcast, "Revisiting Vienna") using loaned money and on the basis of an informal agreement. As Welles had made an agreement with producer Louis Dolivet in 1953 to work exclusively for him (beginning with their troubled film production Mr. Arkadin ), Dolivet was brought on board as the series producer. [1] : 198
The filming schedule was ambitious. Once the contract was signed, Welles was expected to make a further 25 episodes in 25 weeks spread out over nine months, with the first broadcast scheduled for September 1955. However, Welles's other commitments interfered with his ability to meet deadlines, and much of the series was left incomplete. Welles spent much of 1955 working on writing, directing and acting in his London stage production Moby Dick—Rehearsed , and after that flopped on the West End, he switched to shooting an (aborted) film adaptation of the play, first in London, and then in Rome – filming Moby Dick—Rehearsed in Rome was under the pretext of working on the Around the World with Orson Welles TV series. [1] : 198
Although Associated-Rediffusion retained a number of rights, including approval of episode synopses, script approval, music approval, and viewing rights for the rushes and final cut, film scholars Jean-Pierre Berthomé and Francois Thomas argue that Welles remained in control much of the time, due to the fragmentary, piecemeal way in which much of the footage was shot, with the writer/director/presenter being the only person who could piece it all together. For instance, Welles shot most of his interviews with only one camera, focussed on the interviewee, and all of the reverse shots of him asking questions had to be shot later in a studio. Frequently, Welles's entire episodes would be heavily studio-dependent; his entire participation in an episode on bullfighting consisted of filming himself entering and sitting down at a bullfight, then filming the bullfight; and the reconstructing part of the audience seats in a studio, so he could record his bullfight commentary months after having watched it. [1] : 200
The first episode missed its initial broadcast deadline, and it was still not finished when it went out the following month – Welles had to provide the voiceover himself, live from Rome, when it was broadcast in the UK. The second episode was missing a voiceover in several sections. The third and fifth episodes, were the most complete. [1] : 202
Welles had effectively abandoned the production to move back to the USA at the end of 1955, so the fourth and sixth episodes were particularly badly hit. Episode four, on the Paris district of St. Germain des Prés, had to be padded out with stock footage from other documentaries. Episode six had only half the necessary footage, so it was padded out by having two friends of Welles's, Kenneth Tynan and Elaine Dundy (who had been present at the same bullfight he recorded), become guest hosts for the first half of the episode, until the existing footage of Welles could be used. The seventh episode was not originally completed or broadcast. [1] : 202
No. | Title | Original air date |
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1 | "Pays Basque I (The Basque Country)" | 7 October 1955 |
2 | "Pays Basque II (La Pelote basque)" | 21 October 1955 |
3 | "Revisiting Vienna" "The Third Man Returns to Vienna" | 4 November 1955 |
4 | "St.-Germain-des-Prés" | 18 November 1955 |
5 | "Chelsea Pensioners" | 2 December 1955 |
6 | "Madrid Bullfight" | 16 December 1955 |
For many years, it was believed that the third episode, "Revisiting Vienna", [2] also known as "The Third Man Returns to Vienna",[ citation needed ] (Welles starred in The Third Man in 1949) was lost. In June 2011, the episode was found in the archives at the Wisconsin Historical Society Center for Film and Theater Research in Madison, Wisconsin by Ray Langstone, completing the series. [3] [4]
Orson Welles also worked on a seventh episode entitled "The Tragedy of Lurs", which was not completed. The documentary was based on the controversial Dominici murder case in France, and contained interviews with many of the principals shortly after the trial. A version of the film, using Welles's footage and additional sound, was constructed by French filmmaker Christophe Cognet and integrated into his 52-minute documentary titled The Dominici Affair by Orson Welles (2000). [1] : 309 [5]
Sets containing what were then thought to be the five sole surviving broadcast episodes and "The Dominici Affair" were separately released on both VHS and DVD. Then, in 2015, to mark the centenary of Welles's birth, the British Film Institute released both DVD and limited-edition Blu-ray sets containing all six broadcast episodes and The Dominici Affair by Orson Welles. [6]
George Orson Welles was an American director, actor, writer, producer, and magician who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time.
The Third Man is a 1949 film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotten, Alida Valli, Orson Welles and Trevor Howard, set in post-war Vienna. The film centres on an American, Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Martins decides to stay in Vienna and investigate his death.
The Adventures of Harry Lime is an old-time radio programme produced in the United Kingdom during the 1951 to 1952 season. Orson Welles reprises his role of Harry Lime from the celebrated 1949 film The Third Man. The radio series is a prequel to the film, and depicts the many misadventures of con-artist Lime in a somewhat lighter tone than that of the film.
Kenneth Peacock Tynan was an English theatre critic and writer. Initially making his mark as a critic at The Observer, he praised John Osborne's Look Back in Anger (1956) and encouraged the emerging wave of British theatrical talent.
The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury also released promptbooks and phonographic recordings of four Shakespeare works for use in schools.
F for Fake is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Far from serving as a traditional documentary on de Hory, the film also incorporates Welles's companion Oja Kodar, hoax biographer Clifford Irving and Orson Welles as himself. F for Fake is sometimes considered an example of a film essay.
The Lady from Shanghai is a 1947 American film noir produced and directed by Orson Welles that stars Rita Hayworth, Welles and Everett Sloane. Welles's screenplay is based on the novel If I Die Before I Wake by Sherwood King.
Othello is a 1951 tragedy directed and produced by Orson Welles, who also adapted the Shakespearean play and played the title role. Recipient of the Grand Prix du Festival International du Film at the 1952 Cannes Film Festival, the film was distributed by United Artists when it was released in the United States in 1955. Othello was filmed on location over a three-year period in Morocco, Venice, Tuscany and Rome as well as at the Scalera Studios in Rome.
Mr. Arkadin, known in Britain as Confidential Report, is a French-Spanish-Swiss co-production film noir, written and directed by Orson Welles and shot in several Spanish locations, including Costa Brava, Segovia, Valladolid, and Madrid. Filming took place throughout Europe in 1954, and scenes shot outside Spain include locations in London, Munich, Paris, the French Riviera, and at the Château de Chillon in Switzerland.
Elaine Rita Dundy was an American novelist, biographer, journalist, actress and playwright.
It's All True is an unfinished Orson Welles feature film comprising three stories about Latin America. "My Friend Bonito" was supervised by Welles and directed by Norman Foster in Mexico in 1941. "Carnaval" and "Jangadeiros" were directed by Welles in Brazil in 1942. It was to have been Welles's third film for RKO Radio Pictures, after Citizen Kane (1941) and The Magnificent Ambersons (1942). The project was a co-production of RKO and the Office of the Coordinator of Inter-American Affairs that was later terminated by RKO.
Moby Dick is a two-act drama by Orson Welles. The play was staged June 16–July 9, 1955, at the Duke of York's Theatre in London, in a production directed by Welles. The original cast included Welles, Christopher Lee, Kenneth Williams, Joan Plowright, Patrick McGoohan, Gordon Jackson, Peter Sallis, and Wensley Pithey. The play was published by Samuel French in 1965.
The Other Side of the Wind is a 2018 satirical drama film co-written, co-edited, and directed by Orson Welles, and posthumously released in 2018 after 48 years in development. The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg, and Oja Kodar.
Orson Welles (1915–1985) was an American director, actor, writer, and producer who is best remembered for his innovative work in radio, theatre and film. He is widely considered one of the greatest and most influential filmmakers of all time.
Don Quixote is an unfinished film project written, co-produced and directed by Orson Welles. Principal photography took place between 1957 and 1969. Test footage was filmed as early as 1955, second-unit photography was done as late as 1972, and Welles was working on the film intermittently until his death in 1985. The film was eventually edited by Jesús Franco and was released in 1992, to mixed reviews.
Lost television broadcasts are mostly those early television programs which cannot be accounted for in studio archives.
The Merchant of Venice is a 1969 drama short film directed by Orson Welles based on William Shakespeare's play of the same name. While actually completed, it is frequently cited as an unfinished film, though better described as a partially lost film due to the loss of film elements.
Vienna is a 1968 short film directed by Orson Welles. It was originally produced as part of his abandoned television special, Orson's Bag, which was made for CBS. However, in 1969, with the project close to completion, CBS withdrew their funding over Welles' long-running disputes with US authorities regarding his tax status. The film remained uncompleted. Despite its name, Vienna freely mixes footage shot in Vienna, Zagreb, and a Los Angeles studio. An 8-minute segment was restored by the Munich Film Museum in 1999.
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with the 1956 film Moby Dick, in which Welles played a supporting role.
It's All True: Based on an Unfinished Film by Orson Welles is a 1993 documentary film about Orson Welles's ill-fated Pan-American anthology film It's All True, shot in 1941–42 but never completed. Written and directed by Richard Wilson, Bill Krohn and Myron Meisel, the film is narrated by Miguel Ferrer. It was named the year's Best Non-Fiction Film by the Los Angeles Film Critics Association, and its filmmakers received a special citation from the National Society of Film Critics.