"A Descent into the Maelström" is an 1841 short story by American writer Edgar Allan Poe. In the tale, a man recounts how he survived a shipwreck and a whirlpool. It has been grouped with Poe's tales of ratiocination and also labeled an early form of science fiction.
"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been described as the first modern detective story; Poe referred to it as one of his "tales of ratiocination".
"The Tell-Tale Heart" is a short story by American writer Edgar Allan Poe, first published in 1843. It is told by an unnamed narrator who endeavors to convince the reader of the narrator's sanity while simultaneously describing a murder the narrator committed. The victim was an old man with a filmy pale blue "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, attempting the perfect crime, complete with dismembering the body in the bathtub and hiding it under the floorboards. Ultimately, the narrator's actions result in hearing a thumping sound, which the narrator interprets as the dead man's beating heart.
"The Gold-Bug" is a short story by American writer Edgar Allan Poe published in 1843. The plot follows William Legrand, who becomes fixated on an unusual gold-colored bug he has discovered. His servant Jupiter fears that Legrand is going insane and goes to Legrand's friend, an unnamed narrator, who agrees to visit his old friend. Legrand pulls the other two into an adventure after deciphering a secret message that will lead to a buried treasure.
"The Oval Portrait" is a horror short story by American writer Edgar Allan Poe, involving the disturbing circumstances of a portrait in a château. It is one of his shortest stories, filling only two pages in its initial publication in 1842.
"The Angel of the Odd" is a satirical short story by Edgar Allan Poe, first published in 1844 in The Columbian Lady's and Gentleman's Magazine.
"MS. Found in a Bottle" is an 1833 short story by American writer Edgar Allan Poe. The plot follows an unnamed narrator at sea who finds himself in a series of harrowing circumstances. As he nears his own disastrous death while his ship drives ever southward, he writes an "MS.", or manuscript, telling of his adventures which he casts into the sea. Some critics believe the story was meant as a satire of typical sea tales.
The Pit and the Pendulum is a 1961 horror film directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was loosely inspired by Edgar Allan Poe's 1842 short story of the same name. Set in sixteenth-century Spain, the story is about a young Englishman who visits a foreboding castle to investigate his sister's mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film's climactic sequence.
The Pit and the Pendulum is a 1991 American horror film directed by Stuart Gordon and based on the 1842 short story by Edgar Allan Poe. The film is an amalgamation of the aforementioned story with Poe's "The Cask of Amontillado", and it also appropriates the anecdote of "The Sword of Damocles", reassigning it to the character of Torquemada.
"The Man of the Crowd" is a short story by American writer Edgar Allan Poe about a nameless narrator following a man through a crowded London. It was first published in 1840.
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
"The Imp of the Perverse" is a short story by 19th-century American author and critic Edgar Allan Poe. Beginning as an essay, it discusses the narrator's self-destructive impulses, embodied as the symbolic metaphor of "the Imp of the Perverse". The narrator describes this spirit as the agent that tempts a person to do things "merely because we feel we should not."
"Never Bet the Devil Your Head: A Moral Tale" is a short story by American author Edgar Allan Poe, first published in 1841. The satirical tale pokes fun at the notion that all literature should have a moral and spoofs transcendentalism.
"Thou Art the Man", originally titled "Thou Art the Man!", is a short story by Edgar Allan Poe, first published in 1844. It is an early experiment in detective fiction, like Poe's "The Murders in the Rue Morgue", though it is generally considered an inferior story.
The works of American author Edgar Allan Poe include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs. He often included elements of popular pseudosciences such as phrenology and physiognomy. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.
William Mudford was a British writer, essayist, translator of literary works and journalist. He also wrote critical and philosophical essays and reviews. His 1829 novel The Five Nights of St. Albans: A Romance of the Sixteenth Century received a good review from John Gibson Lockhart, an achievement which was considered a rare distinction. Mudford also published short fictional stories which were featured in periodicals such as Blackwood's Edinburgh Magazine, Fraser's Magazine, and Bentley's Miscellany.
"The Iron Shroud" or less commonly known as the "Italian Revenge" is a short story of Gothic fiction written by William Mudford in 1830 and published in Blackwood's Edinburgh Magazine and also as a twenty four page chapbook. It is a classic predicament story about a noble Italian hero who is confined in a continuously and imperceptibly contracting iron torture chamber. In the story, the chamber walls and ceiling are slowly contracting, day by day, through mechanical means, to the point of eventually crushing and enveloping the victim, thus metaphorically becoming his iron shroud. The story is considered to have provided Edgar Allan Poe with the idea of the shrinking cell in his short story "The Pit and the Pendulum" and it is viewed as Mudford's most famous tale.
The Blood Demon, also known as The Torture Chamber of Dr. Sadism, The Snake Pit and the Pendulum, Blood of the Virgins, and Castle of the Walking Dead, is a 1967 West German horror film directed by Harald Reinl and starring Christopher Lee, Karin Dor, and Lex Barker.
The Pit and the Pendulum is a three-reel film adapted from Edgar Allan Poe's 1842 short story of the same name, directed, and produced by pioneering French filmmaker Alice Guy-Blaché through her American company Solax Studios in 1913.
The Pit and the Pendulum is a 1964 French featurette horror film directed by Alexandre Astruc and starring Maurice Ronet. It tells the story of a prisoner sentenced to death who is tormented by the Spanish Inquisition. The film is based on the 1842 short story with the same title by Edgar Allan Poe.
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