"The Business Man" | |
---|---|
Short story by Edgar Allan Poe | |
Country | United States |
Language | English |
Genre(s) | Comedy |
Publication | |
Publisher | Burton's Gentleman's Magazine |
Media type | Print (periodical) |
Publication date | February 1840 |
"The Business Man" is a short story by Edgar Allan Poe about a businessman boasting of his accomplishments. It was published in February 1840 in Burton's Gentleman's Magazine . The story questions the concept of a self-made man.
The narrator of the story is Peter Proffit, a "methodical" businessman by his own admission. He says a nurse swung him around when he was a young boy, and he bumped his head against a bedpost. That single event determined his fate: the resulting bump was in the area dedicated to system and regularity, according to phrenology.
Proffit goes on to say that he despises geniuses and that they are all asses—"the greater the genius the greater the ass". Geniuses can not, he says, be turned into men of business.
At the age of fourteen, his father forced him to work as a merchant, which Proffit could not stand. He says that though most boys run away from home at the age of twelve, he chose to wait until the age of sixteen. What finally convinced him was his mother's suggestion that he work as a grocer. Instead, he becomes a "Walking-Advertisement" for a tailor. Feeling swindled by his employer over a penny, however, he moves on to start his own business.
Proffit goes into the "Eye-Sore" business. When he sees a large home or palace being built, he buys a nearby or adjoining property and builds a "mud-hovel" or "pig-sty" so ugly that he is paid 500% the value of the lot to tear it down—essentially a species of spite house for extorting purposes. One owner, however, offers less than 500%. In retaliation, Proffit lamp-blacks the house overnight. For this, he is jailed, and ostracized by others in the Eye-Sore business.
Proffit then enters the Assault-and-Battery business. He makes money by starting fights with people on the streets and then sues them for attacking him. He then becomes involved with "Mud-Dabbling", making people pay him not to splash them with mud. He also has a dog rub up against people's shoes to make them dirty, then offers his services as a shoeshiner. Though he gave the dog a third of the profits, the routine split when the dog began to demand half.
Proffit then becomes an organ grinder, though he makes money by people paying him to stop rather than to play. He boasts of his own abilities in business and lists his eight "speculations" for success. He then tries forging letters and delivering them to rich people, asking them to pay postage themselves, as was the custom at the time. He says, however, that he had moral issues with this line of work after hearing people say unkind things about the fake people who had written to them.
A law is later passed to keep down the population of cats, with citizens paid for any cat tails they turn in. Proffit begins to raise cats so that he can collect the reward for their tails. It was his most profitable venture. After all his business ventures, he considers himself "a made man" and is considering running for office or, more accurately, purchasing a seat in county government.
The story was originally titled "Peter Pendulum" [1] and published in Burton's Gentleman's Magazine in February 1840. [2] It was first published as "The Business Man" in the August 2, 1845, issue of the Broadway Journal . [3] Poe biographer Kenneth Silverman implies "The Business Man" is similar to Poe's essay "The Philosophy of Furniture", written about the same time, as another of his attacks on obsessive economic pursuits. [4]
The story is a satire [5] and is often interpreted as a reflection of Poe's strained relationship with his foster father John Allan, himself a successful businessman. [3] The story also satirizes businesspeople in general, suggesting that their success is not due to their method of punctuality and self-discipline but because of ruthless business practices, violence, egotism, and pure chance. [6] Poe also calls to question the concept of a "self-made man", expressing skepticism that such a concept is possible. [7] Like "The Man That Was Used Up", another of Poe's satires, this man is essentially hollow and worthless. [8]
In "The Business Man", Poe also makes fun of the dubious nature of phrenology, then a popular pseudoscience. [6]
In the story, the narrator asserts: "In biography, truth is every thing, and in autobiography it is especially so". This is ironic considering Poe's own tendency to alter his life story; he often omitted details of his military career, and invented stories about his nonexistent travels to Greece, Turkey, and Russia. [9]
Proffit's dog is named Pompey, a name Poe also uses for two African slave characters in "A Predicament" and in "The Man That Was Used Up". [10]
Edgar Allan Poe was an American writer, poet, author, editor, and literary critic who is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism and Gothic fiction in the United States, and of American literature. Poe was one of the country's earliest practitioners of the short story, and is considered the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. He is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career.
"The Balloon-Hoax" is the title used in collections and anthologies of a newspaper article by American writer Edgar Allan Poe, first published in 1844 in The Sun newspaper in New York. Originally presented as a true story, it detailed European Monck Mason's trip across the Atlantic Ocean in only three days in a gas balloon. It was later revealed as a hoax and the story was retracted two days later.
"A Descent into the Maelström" is an 1841 short story by American writer Edgar Allan Poe. In the tale, a man recounts how he survived a shipwreck and a whirlpool. It has been grouped with Poe's tales of ratiocination and also labeled an early form of science fiction.
"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been described as the first modern detective story; Poe referred to it as one of his "tales of ratiocination".
Le ChevalierC. Auguste Dupin is a fictional character created by Edgar Allan Poe. Dupin made his first appearance in Poe's 1841 short story "The Murders in the Rue Morgue", widely considered the first detective fiction story. He reappears in "The Mystery of Marie Rogêt" (1842) and "The Purloined Letter" (1844).
"Al Aaraaf" is an early poem by American writer Edgar Allan Poe, first published in 1829. It tells of the afterlife in a place called Al Aaraaf, inspired by A'raf as described in the Quran. At 422 lines, it is Poe's longest poem.
Eureka (1848) is a lengthy non-fiction work by American author Edgar Allan Poe (1809–1849) which he subtitled "A Prose Poem", though it has also been subtitled "An Essay on the Material and Spiritual Universe". Adapted from a lecture he had presented, Eureka describes Poe's intuitive conception of the nature of the universe, with no antecedent scientific work done to reach his conclusions. He also discusses man's relationship with God, whom he compares to an author. Eureka is dedicated to the German naturalist and explorer Alexander von Humboldt (1769–1859).
"The Mystery of Marie Rogêt", often subtitled A Sequel to "The Murders in the Rue Morgue", is a short story by American writer Edgar Allan Poe written in 1842. This is the first murder mystery based on the details of a real crime. It first appeared in Snowden's Ladies' Companion in three installments, November and December 1842 and February 1843. Poe referred to it as one of his "tales of ratiocination".
Sarah Elmira Royster Shelton was an adolescent sweetheart of Edgar Allan Poe who became engaged to him shortly before his death in 1849.
"Metzengerstein: A Tale in Imitation of the German" is a short story by American writer and poet Edgar Allan Poe, his first to see print. It was first published in the pages of Philadelphia's Saturday Courier magazine, in 1832. The story follows the young Frederick, the last of the Metzengerstein family, who carries on a long-standing feud with the Berlifitzing family. Suspected of causing a fire that kills the Berlifitzing family patriarch, Frederick becomes intrigued with a previously unnoticed and untamed horse. Metzengerstein is punished for his cruelty when his own home catches fire and the horse carries him into the flame. Part of a Latin hexameter by Martin Luther serves as the story's epigraph: Pestis eram vivus—moriens tua mors ero.
"The Man of the Crowd" is a short story by American writer Edgar Allan Poe about a nameless narrator following a man through a crowded London. It was first published in 1840.
The Conchologist's First Book is an illustrated textbook on conchology issued in 1839, 1840, and 1845. The book was originally printed under Edgar Allan Poe's name. The text was based on Manual of Conchology by Thomas Wyatt, an English author and lecturer.
The death of Edgar Allan Poe on October 7, 1849, has remained mysterious in regard to both the cause of death and the circumstances leading to it. American author Edgar Allan Poe was found delirious and disheveled at a tavern in Baltimore, Maryland, on October 3. He sought the help of magazine editor Joseph E. Snodgrass and was taken to the Washington College Hospital, where he was treated for apparent intoxication. Poe had no visitors in the hospital and gave no account of how he came to be in his condition before dying on October 7 at age 40.
The Stylus, originally intended to be named The Penn, was a would-be periodical owned and edited by Edgar Allan Poe. It had long been a dream of Poe to establish an American journal with very high standards in order to elevate the literature of the time. Despite attempts at signing up subscribers and finding financial backers and contributors, the journal never came to be.
"The Imp of the Perverse" is a short story by 19th-century American author and critic Edgar Allan Poe. Beginning as an essay, it discusses the narrator's self-destructive impulses, embodied as the symbolic metaphor of The Imp of the Perverse. The narrator describes this spirit as the agent that tempts a person to do things "merely because we feel we should not."
"Never Bet the Devil Your Head: A Moral Tale" is a short story by American author Edgar Allan Poe, first published in 1841. The satirical tale pokes fun at the notion that all literature should have a moral and spoofs transcendentalism.
"Thou Art the Man", originally titled "Thou Art the Man!", is a short story by Edgar Allan Poe, first published in 1844. It is an early experiment in detective fiction, like Poe's "The Murders in the Rue Morgue", though it is generally considered an inferior story.
"Bon-Bon" is a comedic short story by Edgar Allan Poe, first published in December 1832 in the Philadelphia Saturday Courier. Originally called "The Bargain Lost", it follows Pierre Bon-Bon, who believes himself a profound philosopher, and his encounter with the Devil. The story's humor is based on the verbal interchange between the two, which satirizes classical philosophers such as Plato and Aristotle. The Devil reveals that he has eaten the souls of many of these philosophers.
William Henry Leonard Poe, often referred to as Henry Poe, was an American sailor, amateur poet and the older brother of Edgar Allan Poe and Rosalie Poe.
The works of American author Edgar Allan Poe include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs. He often included elements of popular pseudosciences such as phrenology and physiognomy. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.