"The Philosophy of Composition" is an 1846 essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing. He also makes the assertion that "the death... of a beautiful woman" is "unquestionably the most poetical topic in the world". Poe uses the composition of his own poem "The Raven" as an example. The essay first appeared in the April 1846 issue of Graham's Magazine . It is uncertain if it is an authentic portrayal of Poe's own method.
Generally, the essay introduces three of Poe's theories regarding literature. The author recounts this idealized process by which he says he wrote his most famous poem, "The Raven", to illustrate the theory, which is in deliberate contrast to the "spontaneous creation" explanation put forth, for example, by Coleridge as an explanation for his poem Kubla Khan . Poe's explanation of the process of writing is so rigidly logical, however, that some have suggested the essay was meant as a satire or hoax. [1]
The three central elements of Poe's philosophy of composition are:
Poe believed that all literary works should be short. He writes, "[...] there is a distinct limit, as regards length, to all works of literary art — the limit of a single sitting [...]" He especially emphasized this "rule" with regard to poetry, but also noted that the short story is superior to the novel for this reason.
Poe dismissed the notion of artistic intuition and argued that writing is methodical and analytical, not spontaneous. He writes that no other author has yet admitted this because most writers would "positively shudder at letting the public take a peep behind the scenes at the fully matured fancies discarded in despair at the cautious selections and rejections".
The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or "effect", he wishes to create, commonly known as the "unity of effect". Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. [2] Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia. [3]
In the essay, Poe traces the logical progression of his creation of "The Raven" as an attempt to compose "a poem that should suit at once the popular and the critical taste." He claims that he considered every aspect of the poem. For example, he purposely set the poem on a tempestuous evening, causing the raven to seek shelter. He purposefully chose a pallid bust to contrast with the dark plume of the bird. The bust was of Pallas in order to evoke the notion of scholar, to match with the presumed student narrator poring over his "volume[s] of forgotten lore." No aspect of the poem was an accident, he claims, but is based on total control by the author. [4]
Even the term "Nevermore," he says, is based on logic following the "unity of effect." The sounds in the vowels in particular, he writes, have more meaning than the definition of the word itself. He had previously used words like "Lenore" for the same effect.
The raven itself, Poe says, is meant to become symbolic by the end of the poem. As he wrote, "The reader begins now to regard the Raven as emblematical—but it is not until the very last line of the very last stanza, that the intention of making him emblematical of Mournful and Never-ending Remembrance is permitted directly to be seen." [5] This may imply an autobiographical significance to the poem, alluding to the many people in Poe's life who had died. [6]
It is uncertain if Poe really followed the method he describes in "The Philosophy of Composition." T. S. Eliot wrote that "[i]t is difficult for us to read that essay without reflecting that if Poe plotted out his poem with such calculation, he might have taken a little more pains over it: the result hardly does credit to the method." [7] [8] Biographer Joseph Wood Krutch described the essay as, "a rather highly ingenious exercise in the art of rationalization than literary criticism." [9]
It is apparent, however, that many French literary figures and composers believed that Poe composed "The Raven" in the manner depicted in "The Philosophy of Composition." Maurice Ravel, in a July 1931 interview, stated that "the finest treatise on composition, in my opinion, and the one which in any case had the greatest influence upon me was [Poe's] "Philosophy of Composition... I am convinced that Poe indeed wrote his poem "The Raven" in the way that he indicated." Charles Baudelaire believed that the "unity of impression, the totality of effect" described by Poe endowed a composition with "a very special superiority." [10]
George Rex Graham, a friend and former employer of Poe, declined Poe's offer to be the first to print "The Raven". Graham said he did not like the poem but offered $15 as a charity. Graham made up for his poor decision by publishing "The Philosophy of Composition" [11] in the April 1846 issue of Graham's American Monthly Magazine of Literature and Art.
Edgar Allan Poe was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales involving mystery and the macabre. He is widely regarded as one of the central figures of Romanticism and Gothic fiction in the United States, and of early American literature. Poe was one of the country's first successful practitioners of the short story, and is generally considered to be the inventor of the detective fiction genre. In addition, he is credited with contributing significantly to the emergence of science fiction. He is the first well-known American writer to earn a living by writing alone, which resulted in a financially difficult life and career.
"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language and supernatural atmosphere. It tells of a distraught lover who is paid a visit by a mysterious raven that repeatedly speaks a single word. The lover, often identified as a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further antagonize the protagonist with its repetition of the word "Nevermore". The poem makes use of folk, mythological, religious, and classical references.
"Annabel Lee" is the last complete poem composed by American author Edgar Allan Poe. Like many of Poe's poems, it explores the theme of the death of a beautiful woman. The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are envious. He retains his love for her after her death. There has been debate over who, if anyone, was the inspiration for "Annabel Lee". Though many women have been suggested, Poe's wife Virginia Eliza Clemm Poe is one of the more credible candidates. Written in 1849, it was not published until shortly after Poe's death that same year.
"Lenore" is a poem by the American author Edgar Allan Poe. It began as a different poem, "A Paean", and was not published as "Lenore" until 1843.
"Ulalume" is a poem written by Edgar Allan Poe in 1847. Much like a few of Poe's other poems, "Ulalume" focuses on the narrator's loss of his beloved due to her death. Poe originally wrote the poem as an elocution piece and, as such, the poem is known for its focus on sound. Additionally, it makes many allusions, especially to mythology, and the identity of Ulalume herself, if a real person, has been a subject of debate.
"Al Aaraaf" is an early poem by American writer Edgar Allan Poe, first published in 1829. It tells of the afterlife in a place called Al Aaraaf, inspired by A'raf as described in the Quran. At 422 lines, it is Poe's longest poem.
"The Light-House" is the unofficial title of the last work written by Edgar Allan Poe. He did not live to finish it, and had barely begun it by the time of his death in 1849.
Eureka (1848) is a lengthy non-fiction work by the American author Edgar Allan Poe (1809–1849) which he subtitled "A Prose Poem", though it has also been subtitled "An Essay on the Material and Spiritual Universe". Adapted from a lecture he had presented, Eureka describes Poe's intuitive conception of the nature of the universe, with no antecedent scientific work done to reach his conclusions. He also discusses man's relationship with God, whom he compares to an author. Eureka is dedicated to the German naturalist and explorer Alexander von Humboldt (1769–1859).
The Edgar Allan Poe National Historic Site is a preserved home once rented by American author Edgar Allan Poe, located at 532 N. 7th Street, in the Spring Garden neighborhood of Philadelphia, Pennsylvania. Though Poe lived in many houses over several years in Philadelphia, it is the only one which still survives. It was designated a National Historic Landmark in 1962.
"Berenice" is a short horror story by American writer Edgar Allan Poe, first published in the Southern Literary Messenger in 1835. The story is narrated by Egaeus, who is preparing to marry his cousin Berenice. He tends to fall into periods of intense focus, during which he seems to separate himself from the outside world. Berenice begins to deteriorate from an unnamed disease until only her teeth remain healthy. Egaeus obsesses over them. When Berenice is buried, he continues to contemplate her teeth. One day, he awakens with an uneasy feeling from a trance-like state and hears screams. A servant reports that Berenice's grave has been disturbed, and she is still alive. Beside Egaeus is a shovel, a poem about "visiting the grave of my beloved", and a box containing 32 teeth.
"The Poetic Principle" is an essay by Edgar Allan Poe, written near the end of his life and published posthumously in 1850, the year after his death. It is a work of literary criticism, in which Poe presents his literary theory. It is based on a series of lectures Poe had given late in his lifetime.
Sarah Helen Power Whitman was an American poet, essayist, transcendentalist, spiritualist and a romantic interest of Edgar Allan Poe.
Graham's Magazine was a nineteenth-century periodical based in Philadelphia established by George Rex Graham and published from 1840 to 1858. It was alternatively referred to as Graham's Lady's and Gentleman's Magazine, Graham's Magazine of Literature and Art, Graham's American Monthly Magazine of Literature and Art, and Graham's Illustrated Magazine of Literature, Romance, Art, and Fashion.
The Broadway Journal was a short-lived New York City-based newspaper founded by Charles Frederick Briggs and John Bisco in 1844 and was published from January 1845 to January 1846. In its first year, the publication was bought by Edgar Allan Poe, becoming the only periodical he ever owned, though it failed after only a few months under his leadership.
"Eulalie", or "Eulalie — A Song", is a poem by Edgar Allan Poe, first published in the July 1845 issue of The American Review and reprinted shortly thereafter in the August 9, 1845 issue of the Broadway Journal.
The American Review, alternatively known as The American Review: A Whig Journal and The American Whig Review, was a New York City-based monthly periodical that published from 1844 to 1852. Published by Wiley and Putnam, it was edited by George H. Colton, and after his death, beginning with Volume 7, by James Davenport Whelpley. As of Volume 10, July 1849, the proprietors of the journal were Whelpley and John Priestly. The American Review was allied to the Whig Party.
"The Philosophy of Furniture" is an essay written by American author Edgar Allan Poe and published in 1840. The essay is an unusual work by Poe, whose better-known works include horror tales like "The Tell-Tale Heart". The essay presents Poe's theories on interior decorating.
"The Business Man" is a short story by Edgar Allan Poe about a businessman boasting of his accomplishments. It was published in February 1840 in Burton's Gentleman's Magazine. The story questions the concept of a self-made man.
The works of American author Edgar Allan Poe include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs. He often included elements of popular pseudosciences such as phrenology and physiognomy. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.
"The Duc de L'Omelette" is a humorous short story by American writer Edgar Allan Poe. It was first published in the Philadelphia Saturday Courier on March 3, 1832, and was subsequently revised a number of times by the author.