On 22 August 1962, the militant underground organisation OAS, infuriated by the French government granting independence to Algeria, attempts to assassinate President Charles de Gaulle. The assassination attempt fails, leaving de Gaulle and his entire entourage unharmed. Within six months, OAS leader Jean Bastien-Thiry and several other members are captured and Bastien-Thiry is executed.
The remaining OAS leaders, now hiding in Austria, plan another attempt, and hire a British assassin, who goes by the code name "Jackal", for $500,000. The Jackal travels to Genoa and commissions a custom rifle from a gunsmith, and fake identity papers from a forger, whom the Jackal kills when the criminal unwisely tries blackmailing him. In Paris, the Jackal duplicates a key to a sixth-floor flat overlooking the Place du 18 juin 1940.
The OAS relocate to Rome. The French Action Service kidnap the OAS's chief clerk, Viktor Wolenski. Wolenski dies under interrogation, but not before the agents extract vital information about the plot, including the word "Jackal". The Interior Minister convenes a secret cabinet meeting of the heads of the French security forces. Police Commissioner Berthier recommends his deputy, Claude Lebel, to lead the investigation. Lebel is given special emergency powers, though de Gaulle's refusal to change his planned public appearances complicates matters.
Colonel St. Clair, a personal military aide to de Gaulle and a cabinet member, carelessly discloses classified government information to his mistress, Denise, unaware she is an OAS agent. She passes this on to her contact, who, in turn, aids the Jackal. Meanwhile, Lebel determines that British suspect Charles Harold Calthrop (whose name Cha… Cal… suggests chacal, French for jackal) may be travelling under the name Paul Oliver Duggan, who died as a child, and has entered France.
Although the Jackal learns the authorities have uncovered the assassination plot, he decides to proceed. While at a hotel, the Jackal meets and seduces the aristocratic Colette de Montpellier. Warned by his contact, the Jackal leaves just before Lebel and his men arrive. After a nearly fatal vehicular accident, the Jackal steals a car and drives to Madame de Montpellier's country estate to hide out. He kills her after she reveals the police have already spoken to her. Using an already stolen passport, the Jackal then assumes the identity of a bespectacled Danish schoolteacher named Per Lundquist. After disposing of Duggan's belongings in a river, he catches a train for Paris.
Madame de Montpellier's body is discovered and her car is recovered at the railway station. Lebel, no longer hindered by secrecy restrictions, launches a public manhunt. The Jackal picks up a gay man at a Turkish bathhouse and stays at the man's flat. The Jackal kills him after the man sees a TV news broadcast that "Lundquist" is wanted for the murder of Madame de Montpellier.
At a meeting with the Interior Minister's cabinet, Lebel says he believes the Jackal will attempt to shoot de Gaulle during the commemoration of the liberation of Paris during World War II, scheduled three days hence. Lebel plays a recording of a phone call in which Denise provides information to an OAS contact. St. Clair apologises for his indiscretion and immediately leaves. When asked how he knew St. Clair was the source of the leak, Lebel says he wiretapped every cabinet member's phone. The French Interior Minister, feeling that the case is now solved, dismisses Lebel from the case. Denise returns to St. Clair's apartment and discovers that he has committed suicide and finds the police awaiting her. Subsequently losing track of the Jackal, the French Interior Minister reinstates Lebel.
On Liberation Day, the Jackal, disguised as André Martin (an elderly French veteran amputee), enters a building using the key he had earlier procured. In an upper apartment overlooking the ceremonial area, he assembles the rifle hidden within his crutch and waits by the window. When Lebel discovers that a policeman allowed "Martin" to pass through the security cordon, the two race to the building. As de Gaulle presents the first medal, the Jackal takes aim, but as he shoots he narrowly misses when the president suddenly leans forward. As he reloads the rifle for another shot, Lebel and the policeman burst in. The Jackal shoots the policeman, but Lebel kills him using the officer's submachine gun.
In England, while police are searching Charles Harold Calthrop's flat, the real Calthrop suddenly arrives. He accompanies them to Scotland Yard and is later cleared, leaving the police to wonder about the true identity of the assassin. The Jackal is buried in an unmarked grave, with Lebel as the only witness.
Cast
Edward Fox as the Jackal, also known as Paul Duggan, Per Lundquist, and André Martin
The Day of the Jackal was originally part of a two-picture deal between John Woolf and Fred Zinnemann, the other being an adaptation of the play Abelard and Heloise by Ronald Millar.[7]
Universal Studios initially wanted to cast a major American actor as the Jackal, with Robert Redford and Jack Nicholson flown to Europe to audition. Although Universal favoured Nicholson, Zinnemann ultimately secured a production agreement stipulating that only European actors would be cast. Afterwards, British actors David McCallum, Ian Richardson and Michael York were considered, before Zinnemann cast Edward Fox. Jacqueline Bisset was offered the role of Denise, but had to decline due to scheduling conflicts.[8]
The Reading Room at the British Museum Library, where the Jackal reads Le FigaroHotel Negresco in Nice where the Jackal learns his mission has been revealed.
The Day of the Jackal was filmed in studios and on location in France, Britain, Italy and Austria.[9] Zinnemann was able to film in locations usually denied to filmmakers — such as inside the Ministry of the Interior — due in large part to French producer Julien Derode's skill in dealing with authorities.[9] Nevertheless, the opening sequence was not shot in the Élysée courtyard but at the hôtel de Soubise, the main office of the French National Archives. The two palaces were both built at the beginning of the 18th century, but the Hôtel de Soubise is more accessible and has less security than the Élysée.
During the massive annual 14 July parade down the Champs-Élysées, the company was allowed to film inside the police lines, capturing extraordinary closeup footage of the massing of troops, tanks, and artillery during the final Liberation Day sequence.[citation needed] Zinnemann wrote that Adrien Cayla-Legrand, the actor who played de Gaulle, was mistaken by several Parisians for the real de Gaulle during filming — though de Gaulle had been dead for two years prior to the film's release. Since the sequence was filmed during a real parade, it led to confusion; the crowd (many of whom were unaware that a film was being shot) mistook the actors portraying police officers for real officers, and many tried to help them arrest the "suspects" they were apprehending in the crowd.[citation needed]
During the weekend of 15 August, the Paris police cleared a very busy square of all traffic to film additional scenes.[9][10]
Frederick Forsyth later wrote that for the film contract to buy rights for his novel, he was offered two options: £17,500 plus a small percentage of subsequent film profits, or £20,000 and no royalties. He took £20,000, noting that such a payment was already a massive sum to him, but due to his naïveté about finances, he waived rights to a small fortune in royalties given the film's enduring success.[11]
The film received positive reviews, with a 91% rating on Rotten Tomatoes from 32 reviews. The consensus summarizes: "The Day of the Jackal is a meticulously constructed thriller with surprising irreverence and taut direction."[12]
Critics of the period were generally favorably impressed with the film.[13] Among those was Roger Ebert of the Chicago Sun-Times, who gave it his highest rating of four stars:
"Fred Zinnemann’s The Day of the Jackal is one hell of an exciting movie. I wasn’t prepared for how good it really is: it’s not just a suspense classic, but a beautifully executed example of filmmaking. It’s put together like a fine watch. The screenplay meticulously assembles an incredible array of material, and then Zinnemann choreographs it so that the story—complicated as it is—unfolds in almost documentary starkness. The Day of the Jackal is two and a half hours long and seems over in about fifteen minutes."[14]
Ebert concluded: "Zinnemann has mastered every detail... There are some words you hesitate to use in a review, because they sound so much like advertising copy, but in this case I can truthfully say that the movie is spellbinding."[15] Ebert included the film at No. 7 on his list of the Top 10 films of the year for 1973.[16]
The Time film critic appreciated the transition from novel to film:
"The Day of the Jackal makes one appreciate anew the wonderful narrative efficiency of the movies. Frederick Forsyth's bestselling novel — essentially what mystery buffs call a police procedural, but blown up to international proportions — kept losing its basically simple storyline in the forest of words. The writer required paragraphs to detail the procedures of an international manhunt, not to mention the procedures of the Jackal himself, a hired gun employed by disaffected French army officers to assassinate Charles de Gaulle. This is the kind of material that a good director can give us in the wink of a panning camera's eye."[17]
The review continued, that due to the skills of director Fred Zinnemann, "what might have been just another expensive entertainment becomes, on a technical level, a textbook on reels in the near-forgotten subject of concise moviemaking. In short, as so often happens, a second-rate fiction has been transformed into a first-rate screen entertainment."[17]
"Day Of The Jackal is not a great film, but it’s a damn good one, one of the very few films released this year that is worth all the trouble and expense of going out to the movies. ... give [director Zinnemann] a good yarn and he tells it without any personal intrusions and attention-getting tics. Jackal is an authentically detailed suspense story with ingenious twists. And you may be surprised, for director Fred (High Noon) Zinnemann and adapter Kenneth Ross have made a curiously depersonalized kind of suspense flick of Frederick Forsyth’s best-seller..." The script highlights in a suspenseful way the conflict between a relentless "killer’s brain" and the stolid and relentless work of detectives on the hunt for an unknown and elusive quarry.[18]
MacLeans Magazine’s critic called it: "...an authentically detailed suspense story with ingenious twists."[19] Other critics praised the film as an intricate and detailed maze, entertaining and never tedious.[20][21]
Critic Matt Brunson of Film Frenzy favorably noted the interplay between author and director:
"Author Frederick Forsyth struck gold right out of the gate with his first fictional work, the 1971 international bestseller The Day of the Jackal, and then had the good fortune to watch it transformed into a motion picture that (unlike too many page-to-screen efforts) steadfastly avoided botching the source material. A largely faithful adaptation of Forsyth’s novel ... Fred Zinnemann, scripter Kenneth Ross, and editor Ralph Kemplen (earning this film’s sole Oscar nomination) all deserve high marks for ratcheting up the tension in a movie whose outcome is never in doubt (after all, de Gaulle died years later at home, at the age of 79)."[21]
"All of this the cinema is properly and effectively equipped to handle. Zinnemann, with the help of an excellent script from Kenneth Ross, has transferred the novel lock, stock, barrel and silencer to the screen. Nothing important has been left out. ..... [The script and the film conveys, the action, conflict, place and denouement. Making it a] "documentary thriller is that it leaves nothing to the imagination.' In other words, for those of you who have read the novel, going to The Day of the Jackal will be curiously like the experience of seeing the same film a second time round or seeing the filmed version of a stage play. For anyone who hasn't read Forsyth's book, the film can be recommended wholeheartedly."[22]
As Empire magazine noted, the scrupulously researched "pulp thriller" provided "the perfect template for this exhaustive procedural. In many ways, this outstanding piece of filmmaking marks the apotheosis of a certain style of thriller that has since fallen out of fashion—the mind game. [It is] built with the minutiae of a Swiss watch", without blandishments. The linear plot "is made infinitely complex by the portrayal of this empty vessel of a killer by Fox..." An irresistible force is pitted against an immovable object — a conflict facilitated by the script.[23]TV Guide noted that the film was an intricate story "with a parallel structure that details the Jackal's preparations for the assassination" and the prophylactic efforts of the detectives.[24]
Gannett news service critic Bernard Drew had both compliments and criticisms: "This is not a bad movie, it races by and entertains, after a fashion. It simply is not as good as it should have been. One wonders what Hitchcock or Costa-Gavras would have done with it. They would have cast it differently, cut down on the elaborate detailing, so much of which comes down to nothing, and the huge dramatis personae, and possibly might have made a better movie--more humorous, passionate, and credible--and then again, quite possibly not."[25]
The Japanese filmmaker Akira Kurosawa cited this movie as one of his 100 favorite films.[26]
Box office
The film grossed $16,056,255 at the box office[4] earning North American rentals of $8,525,000.[5] Zinnemann was pleased with the film's reception at the box office, telling an interviewer in 1993: "The idea that excited me was to make a suspense film where everybody knew the end - that de Gaulle was not killed. In spite of knowing the end, would the audience sit still? And it turned out that they did, just as the readers of the book did."[27]
Awards and nominations
The Day of the Jackal and the resultant Academy Award nomination were career milestones for Kenneth Ross, the Scottish-American screenwriter.[A]
The Jackal (1997) - An American film directed by Michael Caton-Jones, written by Chuck Pfarrer, and starring Bruce Willis, Richard Gere, Sidney Poitier and Diane Venora. Forsyth, Woolf, Zinnemann and Fox opposed the production and filed an injunction to prevent Universal Pictures from using the name of the original novel and film, and it would be marketed as being "inspired by" rather than directly based on Forsyth's novel.[30][31][32][33] The film does not credit Forsyth's novel as source material, and only credits Kenneth Ross with "earlier screenplay."
The Organisation armée secrète was a far-right French dissident paramilitary and terrorist organisation during the Algerian War. The OAS carried out several terrorist attacks, including bombings and assassinations, in an attempt to prevent Algeria's independence from French colonial rule. Its motto was L’Algérie est française et le restera.
Alfred Zinnemann was an Austrian-American film director and producer. He won four Academy Awards for directing and producing films in various genres, including thrillers, westerns, film noir and play adaptations. He began his career in Europe before emigrating to the US, where he specialized in shorts before making 25 feature films during his 50-year career.
The Day of the Jackal (1971) is a political thriller novel by English author Frederick Forsyth about a professional assassin who is contracted by the OAS, a French dissident paramilitary organisation, to kill Charles de Gaulle, the President of France.
Frederick McCarthy Forsyth is an English novelist and journalist. He is best known for thrillers such as The Day of the Jackal, The Odessa File, The Fourth Protocol, The Dogs of War, The Devil's Alternative, The Fist of God, Icon, The Veteran, Avenger, The Afghan, The Cobra and The Kill List. Forsyth's works frequently appear on best-sellers lists and more than a dozen of his titles have been adapted to film. By 2006, he had sold more than 70 million books in more than 30 languages.
Red Rabbit is a spy thriller novel, written by Tom Clancy and released on August 5, 2002. The plot occurs a few months after the events of Patriot Games (1987), and incorporates the 1981 assassination attempt on Pope John Paul II. Main character Jack Ryan, now an analyst for the Central Intelligence Agency, takes part in the extraction of a Soviet defector who knows of a KGB plot to kill the pontiff. The book debuted at number one on The New York Times Best Seller list.
Tulle is a commune in central France. It is the third-largest town in the former region of Limousin and is the capital of the department of Corrèze, in the region of Nouvelle-Aquitaine. Tulle is also the episcopal see of the Roman Catholic Diocese of Tulle.
The Service de documentation extérieure et de contre-espionnage, abbreviated SDECE, was France's external intelligence agency from 6 November 1944 to 2 April 1982, when it was replaced by the Directorate-General for External Security (DGSE). It should not be confused with the Deuxième Bureau which was intended to pursue purely military intelligence.
Jean-Marie Bastien-Thiry was a French Air Force lieutenant colonel, military air-weaponry engineer and the creator of the Nord SS.10/SS.11 missiles. Bastien-Thiry attempted to assassinate French president Charles de Gaulle on 22 August 1962 in retaliation for de Gaulle's decision to accept Algerian independence. Bastien-Thiry was the last person to be executed by firing squad in France.
Jacques Soustelle was an important and early figure of the Free French Forces, a politician who served in the French National Assembly and at one time served as Governor General of Algeria, an anthropologist specializing in Pre-Columbian civilizations, and vice-director of the Musée de l'Homme in Paris in 1939. Soustelle and his followers opposed any compromise with anticolonial activists in Algeria in the Algerian War.
The Jackal is a 1997 American action thriller film directed by Michael Caton-Jones. It is a loose take on the 1973 film The Day of the Jackal, which was based on the 1971 novel of the same name by Frederick Forsyth. The film stars Bruce Willis, Richard Gere, and Sidney Poitier in his final theatrically released film role.
The SAC, officially created in January 1960, was a Gaullist militia founded by Jacques Foccart, Charles de Gaulle's chief adviser for African matters, and Pierre Debizet, a former Resistant and official director of the group. Important members included Charles Pasqua, part of the Gaullist movement and known as Jacques Chirac's mentor, Etienne Léandri, a friend of Pasqua, Robert Pandraud or Christian Fouchet. The predecessor of the SAC was the service of order of the Rassemblement du Peuple Français (RPF) Gaullist party. The SAC was dissolved in 1982 under François Mitterrand's government, after a particularly gruesome multiple murder triggered by internal rivalries.
The Jackal is a fictional character, the principal antagonist of the novel The Day of the Jackal by Frederick Forsyth. He is an assassin who is contracted by the OAS French terrorist group of the early 1960s to kill Charles de Gaulle, then President of France. The book was published on 7 June 1971, in the year following de Gaulle's death, and became an instant bestseller. In the 1973 original film adaptation, he is portrayed by Edward Fox. A revised version of the character was portrayed by Bruce Willis in the 1997 remake adaptation of the original film, having a divergent storyline and set in the U.S., with a fictional First Lady of the United States as the target of the assassination. In the 2024 TV series, he is portrayed by Eddie Redmayne.
Michel Subor was a French actor who gained initial fame with the starring role in Jean-Luc Godard's second feature, Le petit soldat (1960), but the French government banned it until 1963 because of its political content, touching on terrorism during the undeclared Algerian War. He acted in a couple of American films in the late 1960s including the role of Claude Jade's husband in Alfred Hitchcock's Topaz. In 1999, he once again played Forestier in Beau Travail, a highly praised variation of Billy Budd, directed by Claire Denis. He continued to work with her.
The Seventh Cross is a 1944 American drama film, set in Nazi Germany, starring Spencer Tracy as a prisoner who escaped from a concentration camp. The story chronicles how he interacts with ordinary Germans and gradually sheds his cynical view of humanity.
A political thriller is a thriller that is set against the backdrop of a political power struggle, high stakes and suspense is the core of the story. The genre often forces the audiences to consider and understand the importance of politics. The stakes in these stories are immense, and the fate of a country is often in the hands of one individual. Political corruption, organized crime, terrorism, and warfare are common themes.
Jean Martin was a French actor of stage and screen. Martin served in the French Resistance during World War II and later fought with the French paratroopers in Indochina. Theatrically, he is perhaps best known for originating two roles in Samuel Beckett's most famous plays: Lucky in Waiting for Godot, and Clov in Endgame. During the 1950s, he was a performer at the Théâtre National Populaire and also worked for radio plays.
Ralph Kemplen was a British film editor with more than fifty film credits between 1933 and 1982. He had a long collaboration with director John Huston on six films between 1951 and 1966. He also directed one feature film, The Spaniard's Curse (1958).
Wrath of the Lion is a 1964 thriller novel by Jack Higgins. Like the more famous The Day of the Jackal by Frederick Forsyth, the background to Higgins' book is the last ditch effort by the OAS, a French dissident paramilitary organisation, to take revenge on Charles de Gaulle, the President of France, for his having granted independence to Algeria and ended French rule there.
Georges Watin, nicknamed la Boîteuse [the feminine version of "The Limper"], was an Algerian-born French agricultural manager and militant activist of the counter-revolutionary Organisation armée secrète. He was involved in torture, murder, bombings and assassination attempts, including against French president Charles de Gaulle. His plans and actions were a major inspiration for events depicted in Frederick Forsyth's début novel, The Day of the Jackal, in which he called Watin "The most dangerous man in the room".
The Petit-Clamart attack, also referred to by its perpetrators as Operation Charlotte Corday after Charlotte Corday, was an assassination attempt organized by Lieutenant-Colonel Jean Bastien-Thiry with the Organisation armée secrète (OAS) that aimed to kill Charles de Gaulle, president of France at the time. The attack was carried out on 22 August 1962.
References
Notes
↑ He was later nominated for an Edgar Award for his screenplay of the 1977 film Black Sunday. Other credits include the play Tømmerflåden, and the films The Fourth War and Brother Sun.[28]
↑ "The Day of the Jackal". Rotten Tomatoes. Retrieved 22 November 2022. The Day of the Jackal is a meticulously constructed thriller with surprising irreverence and taut direction.
↑ Hofsess, John (1 August 1973). "The greening of the Western". MacLeans Magazine. Retrieved 22 November 2022. Day Of The Jackal is not a great film, but it's a damn good one, one of the very few films released this year that is worth all the trouble and expense of going out to the movies. Zinnemann has a self-effacing directorial style; give him a good yarn and he tells it without any personal intrusions and attention-getting tics.
↑ Pollack, Joe (27 May 1973). "The Day of the Jackal". St. Louis Post Dispatch. p.100. Retrieved 22 November 2022. Kenneth Ross's screenplay [a film adaptation of Forsyth's novel], leads the viewers through a maze of detail work on both sides of the law, yet the performance and the direction never allow the film to become tedious
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