Act of Violence | |
---|---|
Directed by | Fred Zinnemann |
Screenplay by | Robert L. Richards |
Story by | Collier Young |
Produced by | William H. Wright |
Starring | |
Cinematography | Robert Surtees |
Edited by | Conrad A. Nervig |
Music by | Bronislau Kaper |
Production company | |
Distributed by | Loew's Inc. [1] |
Release date |
|
Running time | 82 minutes |
Country | United States |
Language | English |
Budget | $1,290,000 [2] |
Box office | $1,129,000 [2] |
Act of Violence is a 1949 American film noir directed by Fred Zinnemann and starring Van Heflin, Robert Ryan, Janet Leigh, Mary Astor and Phyllis Thaxter. [3] It was produced by Hollywood studio Metro-Goldwyn-Mayer. Adapted for the screen by Robert L. Richards from a story by Collier Young, the film confronts the ethics of war and was one of the first to address the problems of World War II veterans. [4]
After surviving a Nazi POW camp where comrades were murdered by guards during an escape attempt, Frank Enley is respected for his fine character and good works in the small California town of Santa Lisa, where he, his young wife Edith and baby had settled after moving from the East. What his wife does not know is that Frank moved them in an attempt to escape the fall-out from events in that WWII prison camp.
Frank has a nemesis, Joe Parkson, once his best friend, who lived through the ordeal and was left with a crippled leg. Unable to convince Joe not to make an escape attempt, Frank had alerted the SS Nazi camp commander to the prisoners' plan, taking the camp commandant at his word that he would "go easy" on the men. The prisoners were bayonetted and left to die, and only Joe survived by playing dead. Joe is now determined to exact justice on Frank, whose location he has learned from a newspaper story commending Enley for his civic endeavors.
Joe's girlfriend, Ann Sturgess, knows everything about her man, but cannot dissuade him from his passion to right past wrongs by seeing Frank dead. Joe confronts Edith at their house and tells her the truth about Frank.
Doggedly pursued by Joe, Frank goes to a trade convention at a Los Angeles hotel. Edith shows up to hear the truth straight from her husband, before fleeing back home. Joe finds Frank and they scuffle. Frank runs through downtown Los Angeles and ends up on Skid Row, where he is picked up in a bar by a woman, Pat, who introduces him to a shady lawyer, Gavery, and a thug for hire, Johnny. A drunken Frank gives Johnny the information he needs to lure Joe into an ambush at the Santa Lisa train station.
Waking from his drunken binge, Frank regrets the deal. He goes home and tries to persuade Edith that it is all over. While she is seeing to their child, he leaves and goes to the station to warn Joe. Johnny is waiting with a gun, but as he fires, Frank jumps in front of Joe and is hit. Frank manages to grab Johnny as he speeds off in his car, causing it to crash into a lamppost, killing Johnny. Frank falls into the street near the fiery crash and dies. Joe, realizing what Frank has done, kneels by his old captain and tells the surrounding crowd that he will be the one to tell Frank's wife about her husband's death.
Principal photography on Act of Violence took place from May 17 to mid-July 1948, with added scenes shot in late August 1948. Location shooting included scenes at Big Bear Lake and the San Bernardino National Forest, California, accompanied by filming at the MGM Studios in Culver City. Some of the nighttime city scenes were shot in the slum neighborhoods of Los Angeles. [5]
Originally adapted from unpublished story by Collier Young, before he embarked on a career as an independent producer with his future wife Ida Lupino, the film was intended to be a small, independent film. Howard Duff was to be the star, but when MGM picked up the rights, Gregory Peck was to be paired with Humphrey Bogart in the leading roles. Robert Ryan was lent to MGM by RKO Pictures for the production. [6] Act of Violence was the third film made by Ryan in 1948, following Berlin Express and Return of the Badmen . [7]
Director Fred Zinnemann said that Act of Violence was the first film in which he felt he had full control of all the aspects of film-making. [8]
According to MGM records, Act of Violence earned $703,000 in the US and Canada and $426,000 overseas, resulting in a loss of $637,000. [2]
Bosley Crowther, reviewing the film for The New York Times, emphasized that it was a director's "tour de force. For this latter asset of the picture, we have Mr. Zinnemann to thank. He has pictured, at least, a visual setting for terror and violence and he has kept the pursued and the pursuer going at a grueling pace. In the former role, Van Heflin strains and sweats impressively. As his relentless pursuer, Robert Ryan is infernally taut. Mr. Zinnemann has also extracted a tortured performance from Janet Leigh as the fearful, confused and disillusioned wife of the hunted man and he has got squalid portraits of scoundrels from Mary Astor, Berry Kroeger and Taylor Holmes." [9]
Variety gave Act of Violence a positive review, writing "The grim melodrama implied by its title is fully displayed in Act of Violence...tellingly produced and played to develop tight excitement...The playing and direction catch plot aims and the characterizations are all topflight thesping. Heflin and Ryan deliver punchy performances that give substance to the menacing terror...It's grim business, unrelieved by lightness, and the players belt over their assignments under Zinnemann's knowing direction. Janet Leigh points up her role as Heflin's worried but courageous wife, while Phyllis Thaxter does well by a smaller part as Ryan's girl. A standout is the brassy, blowzy femme created by Mary Astor—a woman of the streets who gives Heflin shelter during his wild flight from fate." [10]
Film reviewer Roger Westcombe, writing for the Big House Film Society, considers Act of Violence unsettling, and wrote "Act of Violence...with a profundity, through its unsettling moral continuum, redolent not of Hollywood simplicities of good/evil but of the art one associates with Zinnemann's European background. This contains a clue. Fred and his brother escaped their native Austria in 1938, but their parents, waiting for U.S. visas that never came, perished—separately—in concentration camps. The 'survivor guilt' this awful closing engendered must resemble the emotional see-saw ride which fiction like the ethical pendulum of Act of Violence can only start to expiate." [11]
Currently, it holds a 90% "Fresh" rating on Rotten Tomatoes, based on 10 reviews. [12]
Fred Zinnemann was nominated for the Grand Prize of the Festival at the 1949 Cannes Film Festival for his work on Act of Violence. [13]
The Naked Spur is a 1953 American Western film directed by Anthony Mann and starring James Stewart, Janet Leigh, Robert Ryan, Ralph Meeker, and Millard Mitchell. Written by Sam Rolfe and Harold Jack Bloom, the film is about a bounty hunter who tries to bring a murderer to justice, and is forced to accept the help of two strangers who are less than trustworthy.
Alfred Zinnemann was an Austrian-American film director and producer. He won four Academy Awards for directing and producing films in various genres, including thrillers, westerns, film noir and play adaptations. He began his career in Europe before emigrating to the US, where he specialized in shorts before making 25 feature films during his 50-year career.
The Search is a 1948 American film directed by Fred Zinnemann that tells the story of a young Auschwitz survivor and his mother who search for each other across post-World War II Europe. It stars Montgomery Clift, Ivan Jandl, Jarmila Novotná and Aline MacMahon.
Jeanette Helen Morrison, known professionally as Janet Leigh, was an American actress and author. Raised in Stockton, California, by working-class parents, Leigh was discovered at 18 by actress Norma Shearer, who helped her secure a contract with Metro-Goldwyn-Mayer. With MGM, she appeared in films such as the dramas The Romance of Rosy Ridge (1947), the crime-drama Act of Violence (1948), the drama Little Women (1949), the comedy Angels in the Outfield (1951), the romance Scaramouche (1952), and the Western drama The Naked Spur (1953).
Peter Sydney Ernest Lawford was an English-American actor.
Emmett Evan "Van" Heflin Jr. was an American theatre, radio, and film actor. He played mostly character parts over the course of his film career, but during the 1940s had a string of roles as a leading man. Heflin won the Academy Award for Best Supporting Actor for his performance in Johnny Eager (1942). He also had memorable roles in westerns such as Shane (1953), 3:10 to Yuma (1957), and Gunman's Walk (1958), and as a bomb man in the disaster film Airport (1970), his last screen role.
Robert Bushnell Ryan was an American actor and activist. Known for his portrayals of hardened cops and ruthless villains, Ryan performed for over three decades. He was nominated for the Academy Award for Best Supporting Actor for his role in the film noir drama Crossfire (1947).
Johnny Eager is a 1941 American film noir directed by Mervyn LeRoy and starring Robert Taylor, Lana Turner and Van Heflin. Heflin won an Academy Award for Best Supporting Actor. The film was one of many spoofed in Dead Men Don't Wear Plaid (1982).
George Sidney was an American film director and producer who worked primarily at Metro-Goldwyn-Mayer. His work includes cult classics Bye Bye Birdie (1963) and Viva Las Vegas (1964). With an extensive background in acting, stage direction, film editing, and music, Sidney created many of post-war Hollywood's big budget musicals, such as Annie Get Your Gun (1950), Show Boat (1951), Kiss Me Kate (1953), Jupiter's Darling (1955), and Pal Joey (1957). He was also a president of the Screen Directors Guild for 16 years.
Johnny Angel is a 1945 American film noir directed by Edwin L. Marin and written by Steve Fisher from the 1944 novel Mr. Angel Comes Aboard by Charles Gordon Booth. The movie stars George Raft, Claire Trevor and Signe Hasso, and features Hoagy Carmichael.
The Clock is a 1945 American romantic drama film starring Judy Garland and Robert Walker and directed by Garland's future husband, Vincente Minnelli. This was Garland's first dramatic role, as well as her first starring vehicle in which she did not sing.
Houdini is a 1953 American Technicolor biographical film from Paramount Pictures, produced by George Pal and Berman Swarttz, directed by George Marshall, that stars Tony Curtis and Janet Leigh. The film's screenplay, based upon the life of magician and escape artist Harry Houdini, was written by Philip Yordan, based on the book Houdini by Harold Kellock. The film's music score was by Roy Webb and the cinematography by Ernest Laszlo. The art direction was by Albert Nozaki and Hal Pereira, and the costume design by Edith Head.
The Seventh Cross is a 1944 American drama film, set in Nazi Germany, starring Spencer Tracy as a prisoner who escaped from a concentration camp. The story chronicles how he interacts with ordinary Germans and gradually sheds his cynical view of humanity.
Alias a Gentleman is a 1948 American romantic comedy film directed by Harry Beaumont and starring Wallace Beery with a supporting cast that includes Dorothy Patrick, Tom Drake, Gladys George and Sheldon Leonard. It was produced by Hollywood studio Metro-Goldwyn-Mayer.
The Moonshine War is a 1970 American crime comedy-drama film directed by Richard Quine, based on the 1969 novel of the same name by Elmore Leonard. It stars Patrick McGoohan, Richard Widmark, Alan Alda, and Will Geer.
That Forsyte Woman is a 1949 American romantic drama film directed by Compton Bennett and starring Greer Garson, Errol Flynn, Walter Pidgeon, Robert Young and Janet Leigh. It is an adaptation of the 1906 novel The Man of Property, the first book in The Forsyte Saga by John Galsworthy.
Man's Fate was an abandoned 1969 film adaptation of the novel Man's Fate by Andre Malraux to have been directed by Fred Zinnemann and produced by Metro-Goldwyn-Mayer (MGM).
The Big Bounce is a 1969 American drama film directed by Alex March, based on the 1969 novel of the same name by Elmore Leonard and starring Ryan O'Neal in his film debut, Van Heflin, and Leigh Taylor-Young in what was the first of several films based on Leonard's crime novels. Taylor-Young was nominated for a Laurel Award for her performance in the film. The film was shot on location in Monterey and Carmel, California.
Gangway for Tomorrow is a 1943 American anthology film produced and directed by the Austrian-American John H. Auer, and originally known by its working title, An American Story. Steeped in the propaganda tones of early World War II features, the film is largely B-fare.
"The Cruel Day" was an American television play broadcast on February 24, 1960, as part of the CBS television series, Playhouse 90. It was the tenth episode of the fourth season of Playhouse 90 and the 127th episode overall.