Pier Angeli, also credited under her real name, Anna Maria Pierangeli, was an Italian-born television and film actress who starred in American, British and European films throughout her career. Her American motion picture debut was in the starring role of the film Teresa (1951), for which she won a Golden Globe Award for Young Star of the Year - Actress. She also worked as a singer and model.
Somebody Up There Likes Me is a 1956 American drama film directed by Robert Wise and starring Paul Newman and Pier Angeli, based on the life of middleweight boxing legend Rocky Graziano. The supporting cast features Everett Sloane, Eileen Heckart, Harold J. Stone, Sal Mineo, and Robert Loggia. Steve McQueen has a brief unbilled speaking role as Fidel.
Tom Drake was an American actor. Drake made films starting in 1940 and continuing until the mid-1970s, and also made TV acting appearances.
The Story of Three Loves is a 1953 American Technicolor romantic anthology film made by MGM. It consists of three stories, "The Jealous Lover", "Mademoiselle", and "Equilibrium". The film was produced by Sidney Franklin. "Mademoiselle" was directed by Vincente Minnelli, while Gottfried Reinhardt directed the other two segments. The screenplays were written by John Collier, Jan Lustig, and George Froeschel.
Flame and the Flesh is a 1954 American drama film directed by Richard Brooks and starring Lana Turner, Pier Angeli, Carlos Thompson and Bonar Colleano. It was made and distributed by MGM and produced by Joe Pasternak from a screenplay by Helen Deutsch based on the 1924 novel French Naples au baiser de feu by Auguste Bailly. The music score was by Nicholas Brodszky and the cinematography by Christopher Challis. It was shot at M-G-M British Studios near London and on location around Positano and Naples in Southern Italy. The film's sets were designed by the art director Alfred Junge.
Light in the Piazza is a 1962 American romantic comedy-drama film directed by Guy Green and starring Olivia de Havilland, Rossano Brazzi, Yvette Mimieux, George Hamilton, and Barry Sullivan. Based on the 1960 novel The Light in the Piazza by Elizabeth Spencer, the film is about a beautiful but mentally disabled young American woman traveling in Italy with her mother and the Italian man they meet during one leg of their trip.
Laughing Sinners is a 1931 American pre-Code Metro-Goldwyn-Mayer feature film starring Joan Crawford and Clark Gable in a story about a cafe entertainer who experiences spiritual redemption. The dialogue by Martin Flavin was based upon the play Torch Song by Kenyon Nicholson. The film was directed by Harry Beaumont. Laughing Sinners was the second of eight cinematic collaborations between Crawford and Gable.
Meet Me in Las Vegas (1956) is an MGM musical comedy produced by Joe Pasternak, directed by Roy Rowland, filmed in Eastman Color and CinemaScope, and starring Dan Dailey and Cyd Charisse.
The Vintage is a 1957 American crime drama film directed by Jeffrey Hayden and starring Pier Angeli, Mel Ferrer, John Kerr, Michèle Morgan and Theodore Bikel. The screenplay was written by Michael Blankfort, based on a novel by Ursula Keir. The film was distributed by MGM.
Too Young to Kiss is a 1951 American comedy film from Metro-Goldwyn-Mayer starring Van Johnson and June Allyson. The film, in which the 34-year-old Allyson's Cynthia Potter masquerades as a 14-year-old child prodigy, was directed by Robert Z. Leonard.
SOS Pacific is a 1959 British adventure drama film directed by Guy Green and starring Richard Attenborough, Pier Angeli, John Gregson, Eva Bartok and Eddie Constantine. The film was shot in black and white, but later underwent colourisation.
Escape from Fort Bravo is a 1953 American Anscocolor Western film set during the American Civil War. It stars William Holden, Eleanor Parker, and John Forsythe.
Tomorrow Is Another Day is a 1951 Italian melodrama film directed by Léonide Moguy and starring Pier Angeli, Aldo Silvani and Anna Maria Ferrero. It was produced as a follow-up to the hit film Tomorrow Is Too Late also directed by Moguy and starring Angeli in her screen debut. Afterwards Angeli moved to Hollywood as a contract star of MGM.
The Reformer and the Redhead is a 1950 American romantic comedy film written, produced and directed by Norman Panama and Melvin Frank, and starring June Allyson and Dick Powell.
Fearless Fagan is a 1952 comedy film directed by Stanley Donen and stars Janet Leigh and Carleton Carpenter. It is about a clown who is drafted into the military and tries to sneak his pet lion into the service. The film was inspired by the 12 Feb 1951 Life Magazine story Fearless Fagan Finds a Home where Private Floyd D. Humeston requested an emergency 14-day furlough from Ft. Ord, California to take care of his pet lion. Fagan played himself with the army assigning Pvt Humeston to act as a technical adviser on the film.
The Horizontal Lieutenant is a 1962 American romantic comedy war film, based on the 1961 novel The Bottletop Affair by Gordon Cotler who was a Japanese interpreter for US Army Intelligence during World War II. It is a military comedy about an unfortunate army intelligence lieutenant who finds himself isolated on a remote island army outpost during World War II. It stars Jim Hutton and Paula Prentiss and was directed by Richard Thorpe.
The Light Touch is a 1951 film starring Stewart Granger, Pier Angeli, and George Sanders, written and directed by Richard Brooks.
Sombrero is a 1953 American musical romance film directed by Norman Foster and starring Ricardo Montalbán, Pier Angeli, Vittorio Gassman and Cyd Charisse.
Black Hand is a 1950 American film noir directed by Richard Thorpe and starring Gene Kelly as an Italian immigrant fighting against the Black Hand extortion racket in New York City in the first decade of the 20th century.
Captain Eddie is a 1945 American drama film directed by Lloyd Bacon, based on Seven Were Saved by "Eddie" Rickenbacker and Lt. James Whittaker's We Thought We Heard the Angels Sing. The film stars Fred MacMurray, Lynn Bari and Charles Bickford. Captain Eddie is a "biopic" of Rickenbacker, from his experiences as a flying ace during World War I to his later involvement as a pioneering figure in civil aviation, and his iconic status as a business leader who was often at odds with labour unions and the government.
