Nat Sanders | |
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Born | Nathaniel Sanders August 8, 1980 New London, Connecticut, U.S. |
Alma mater | Florida State University |
Occupation | Film editor |
Nathaniel Sanders (born August 9, 1980) is an American film editor. He is best known for his collaborations with Destin Daniel Cretton and Barry Jenkins. He won Independent Spirit Awards for both Short Term 12 (2013) and Moonlight (2016), as well as being nominated for an Academy Award for the latter.
Sanders was born in New London, Connecticut. He studied film at the Florida State University College of Motion Picture Arts, graduating in 2002. After moving to Hollywood, his first job as an editor was on the reality television show The Biggest Loser —a job that he quit when another FSU alumnus, writer-director Barry Jenkins, made his 2008 film Medicine for Melancholy , which Sanders moved to San Francisco to edit. [1] (In 2014, Sanders thanked Jenkins for "saving me from a career in reality television".) [2] When Medicine for Melancholy premiered at the 2008 South by Southwest film festival, Sanders met director Lynn Shelton and soon after headed to Seattle to edit her film Humpday , which was released in 2009. [1]
Following the release of Medicine for Melancholy and Humpday, Sanders was named one of Filmmaker Magazine 's "25 New Faces in Independent Film" in 2009. He worked at the Sundance Institute's Directors' Lab while editing his next project, the 2010 film The Freebie . [3] In 2010, he had a minor acting role in Tiny Furniture ; he was friends with Lena Dunham, the film's writer, director and lead actress. Sanders also edited Mark and Jay Duplass's film The Do-Deca-Pentathlon , which was released in 2012, four years after it had originally been filmed. [4]
Sanders met Destin Daniel Cretton at the 2011 Sundance Film Festival, and in 2012 Cretton hired Sanders to edit Short Term 12 , a feature-length adaption of Cretton's 2009 short film of the same name. [4] In March 2014, Sanders won the Independent Spirit Awards' inaugural Best Editing award for his work on Short Term 12. [2] After Short Term 12, he edited Laggies , his fourth collaboration with Lynn Shelton, and the first season of Togetherness , an HBO series created by Mark and Jay Duplass. [4]
In 2016, Sanders, alongside Joi McMillon, edited the Barry Jenkins drama Moonlight . Sanders was responsible for editing the first and second chapters, while McMillon was responsible for the third. [5] The pair received much acclaim for their work, and were both nominated for the Academy Award for Best Film Editing at the 89th Academy Awards. [6]
He lives in Los Angeles with his wife.
Mumblecore is a subgenre of independent film characterized by naturalistic acting and dialogue, low budgets, an emphasis on dialogue over plot, and a focus on the personal relationships of young adults. Filmmakers associated with the genre include Andrew Bujalski, Lynn Shelton, the Duplass brothers Mark and Jay, Greta Gerwig, Aaron Katz, Joe Swanberg, and Ry Russo-Young. In many cases, though, these directors reject the term. The genre is a mostly American phenomenon. The related term mumblegore has been used for films mixing the mumblecore and horror genres.
The Florida State University College of Motion Picture Arts is the film school of the Florida State University. About 215 students are enrolled in classes, including undergraduates and graduate students, including Bachelor of Fine Arts and Master of Fine Arts students.
Lawrence Jay Duplass is an American filmmaker, actor and author widely known for his films The Puffy Chair (2005), Cyrus (2010), and Jeff, Who Lives at Home (2011), made in collaboration with his younger brother, Mark Duplass.
Lynn Shelton was an American filmmaker, known for writing, directing, and producing such films as Humpday and Your Sister's Sister. She was associated with the mumblecore genre.
Mark David Duplass is an American filmmaker, actor, writer, and musician. With his brother Jay Duplass, he started the film production company Duplass Brothers Productions in 1996, in which they wrote and directed The Puffy Chair (2005), Baghead (2008), Cyrus (2010), Jeff, Who Lives at Home (2011), and The Do-Deca-Pentathlon (2012).
Kathryn Aselton is an American actress, film director and producer. She directed and co-starred in The Freebie, which was shown in the non-competition "Next" category at the Sundance Film Festival in 2010. She also starred in the FX sitcom The League for its seven-season run from 2009 to 2015, and in the first two seasons of FX's Marvel Comics X-Men drama Legion.
Medicine for Melancholy is a 2008 romantic drama film written and directed by Barry Jenkins in his feature directorial debut. The film stars Wyatt Cenac, Tracey Heggins, and Elizabeth Acker.
Short Term 12 is a 2013 American independent drama film written and directed by Destin Daniel Cretton. It is adapted from Cretton's short film of the same name, produced in 2009. The film stars Brie Larson as Grace Howard, a young supervisor of a group home for troubled teenagers. The film was the first leading performance of Larson's career.
Destin Daniel Cretton is an American filmmaker. He is best known for his films Short Term 12 (2013), The Glass Castle (2017), Just Mercy (2019) and the Marvel Studios film Shang-Chi and the Legend of the Ten Rings (2021).
Duplass Brothers Productions is an American independent film and television production company founded by Mark Duplass and Jay Duplass, two brothers who are also actors, directors, producers and writers. They have produced films such as The Puffy Chair (2005), Safety Not Guaranteed (2012), The One I Love (2014) and The Skeleton Twins (2014), and the HBO comedy-drama television series Togetherness (2015–2016) and Room 104 (2017-2020).
Stephanie Langhoff is an American film and television producer.
Moonlight is a 2016 American coming-of-age drama film written and directed by Barry Jenkins, based on Tarell Alvin McCraney's unpublished semi-autobiographical play In Moonlight Black Boys Look Blue. It stars Trevante Rhodes, Mahershala Ali, Naomie Harris, Ashton Sanders, Jharrel Jerome, Janelle Monáe, and André Holland.
Steve Zissis is an American actor, writer and producer. A longtime friend of Jay and Mark Duplass, he has appeared in and co-produced some of their productions, including the films Baghead (2008), Cyrus (2010), The Do-Deca-Pentathlon (2012) and the TV series Togetherness (2015–2016). He has also appeared in other films and TV shows, including the 2013 film Her.
Mel Eslyn is an American film producer, director and writer. She works primarily in the Seattle independent film industry and has collaborated with Lynn Shelton and Mark and Jay Duplass on numerous films. She is best known for producing The One I Love (2014) and Lamb (2015), for which she won an Independent Spirit Award. She acts as the President of Duplass Brothers Productions.
Barry Jenkins is an American filmmaker. After making his filmmaking debut with the short film My Josephine (2003), he directed his first feature film Medicine for Melancholy (2008) for which he received an Independent Spirit Award nomination for Best First Feature. He is also a member of The Chopstars collective as a creative collaborator.
The 15th Washington D.C. Area Film Critics Association Awards were announced on December 5, 2016.
The 37th London Film Critics' Circle Awards, honouring the best in film for 2016, were announced by the London Film Critics' Circle on 22 January 2017.
Joi McMillon is an American film editor. In 2003, she graduated from Florida State University College of Motion Picture Arts. McMillon is known for her work on the Academy Award-winning film Moonlight (2016), and If Beale Street Could Talk (2018), both winning several respective accolades.
Adele Marie Romanski is an American independent film producer. She is best known for producing the acclaimed films Moonlight, Never Rarely Sometimes Always, and Aftersun. Moonlight received eight Oscar nominations at the 89th Academy Awards, winning Best Picture for Romanski, along with Dede Gardner and Jeremy Kleiner.
The Someone to Watch Award, sponsored by Kiehl's, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.