With eight wins for Cabaret, adapted from the Broadway stage musical by Bob Fosse, the film set a record for most Oscar prizes without winning Best Picture. Best Picture winner The Godfather received three Academy Awards.
This year was the first time that two African American women received nominations for Best Actress: Cicely Tyson and Diana Ross.[3] Minnelli accepted her Oscar despite a slight scrape she had incurred while riding a motorcycle. Ross was criticized for running a promotional ad campaign demanding that she win the Best Actress Oscar.[4] Meanwhile, Edward G. Robinson, who died two months before the ceremony, became the second actor to receive his honorary Oscar posthumously, after Douglas Fairbanks (d. 1939) in 1940.
This was also the first year when all Oscar winners were brought on stage at the end of the ceremony.[5] The show drew a television audience of 85 million viewers.[6][7]
To Charles S. Boren, leader for 38 years of the industry's enlightened labor relations and architect of its policy of non-discrimination. With the respect and affection of all who work in films.
To Edward G. Robinson (†) who achieved greatness as a player, a patron of the arts and a dedicated citizen... in sum, a Renaissance man. From his friends in the industry he loves. (Accepted on his behalf by his wife)
It was initially announced, on February 12, 1973, that The Godfather received 11 nominations, more than any other film that year.[11][12] This was reduced to 10 nominations (tied with Cabaret for the most) after a new vote by the academy's music branch, following a controversy over whether Nino Rota's score for The Godfather was eligible for the nomination it received.[10][13] For the re-balloting, members of the music branch chose from six films: The Godfather and the five films that had been on the shortlist for best original dramatic score but did not get nominated. John Addison's score for Sleuth won this new vote, and thus replaced Rota's score on the official list of nominees.[14] The controversy arose, according to Academy President Daniel Taradash, because the love theme in The Godfather had previously been used by Rota in Fortunella, an Italian movie from several years earlier.[15]
The nominations in the category of Best Original Song were not announced in February with the rest of the nominations, reportedly because of "a mixup in balloting".[16] It was later reported that the academy had been considering whether Curtis Mayfield's song "Freddie's Dead" from the film Super Fly should be eligible. The song was ruled ineligible for a nomination because its lyrics were not sung in the film. (The song was released as a single with lyrics, but the version in the film was an instrumental.) Academy governor John Green was quoted as saying: "Times have changed. In the old days, Hollywood made 30 or 40 musicals a year, and there were plenty of songs to choose from. Now there are hardly any, and most of the eligible songs are themes. Both the lyric and the music must be heard on the sound track to be eligible."[17]
Sacheen Littlefeather was an American actress, model, and activist of Native American civil rights who Marlon Brando chose to represent him at the ceremony.[18] Littlefeather took the stage and spoke on Brando's behalf as a form of protest, representing Native Americans.[19]
The audience in the Dorothy Chandler Pavilion was divided between applause and jeers.[20] "I was distressed that people should have booed and whistled and stomped, even though perhaps it was directed at myself," Brando later told Dick Cavett. "They should have at least had the courtesy to listen to her."[20] Her appearance prompted the Academy of Motion Picture Arts and Sciences to rule out future proxy acceptance of Academy Awards. (Oscars for winners unable to accept in person are now accepted in their behalf by the presenters.)[21]
Both Sacheen Littlefeather and Marty Pasetta, who directed the Academy Awards telecast, claimed that John Wayne had to be restrained by six security guards to prevent him from assaulting Littlefeather.[22] The story was later refuted as having "never happened" by film historian Farran Nehme. She characterised Pasetta's story as "getting more exciting each time it was told".[23]
Presenters and performers
The following individuals, listed in order of appearance, presented awards or performed musical numbers.
Notably, Charlton Heston was late for his role presenting the voting rules, reportedly due to a flat tire. Clint Eastwood, who was slated to present for Best Picture, was asked to fill in. Heston's written dialogue leaned heavily on his role in the movie The Ten Commandments, leading Eastwood to quip, "Come on, flip the card, man. This isn't my bag." Eastwood also famously said on filling in at the last minute, "...They pick the guy who hasn't said but three lines in 12 movies to substitute for him [Heston]". Heston arrived part of the way through the bit, allowing Eastwood to escape.[24]
↑ Bruce Russell (March 28, 1973). "Cabaret shades Godfather". Leader-Post. Regina, Sask.Reuters. Retrieved June 9, 2013– via Google News Archive. The film, withdrawn from U.S. movie theatres in the bitter controversy over Chaplin's political views and private life, qualified by being released for the first time in Los Angeles last year.
↑ Bret Wood. "Limelight". TCM. Archived from the original on April 20, 2013. Retrieved June 9, 2013.
↑ "The Godfather". AFI Catalog of Feature Films. Archived from the original on July 17, 2014. Retrieved June 16, 2013.
↑ "100 Years of Paramount: Academy Awards". Paramount Pictures. Archived from the original on June 4, 2013. Retrieved June 16, 2013. The Godfather score, composed by Nino Rota, was originally announced as one of the five official nominees. It was later pointed out that portions of the score and the main theme were composed by Rota for his score to the 1958 Italian film, Fortunella. The Music Branch was given this information and re-balloted to determine the fifth nomination. The list of six films they were to choose from were the remaining five of the top ten preliminary listings, plus The Godfather score. The results of the re-balloting was that the fifth nomination became Sleuth, composed by John Addison.
↑ "Oscar Nominations Offer Few Oddities". The Milwaukee Journal. February 13, 1973. Archived from the original on June 20, 2013. Retrieved June 16, 2013. Because of a mixup in balloting, the nominations for best song won't be announced until March 5.
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