Related Research Articles
Michael Kahn is an American film editor known for his frequent collaboration with Steven Spielberg. His first collaboration with Spielberg was for his 1977 film, Close Encounters of the Third Kind. He has edited all of Spielberg's subsequent films except for E.T. the Extra-Terrestrial (1982), which was edited by Carol Littleton. Kahn has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raiders of the Lost Ark (1981), Schindler's List (1993), and Saving Private Ryan (1998), which were all Spielberg-directed films.
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
Stephen Mirrione is an American film editor. He is best known for winning an Academy Award for his editing of the film Traffic (2000).
Zach S. Staenberg, A.C.E. is an American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.
Joe Hutshing is an American film editor who grew up in San Diego, California and is best known for working multiple times with film director, Oliver Stone and well as with film director Cameron Crowe. Hutshing graduated from the University of Oregon in 1980.
David Brenner was an American film editor known for being one of director Oliver Stone's "hot shot" group of up-and-coming film editors. He was elected as a member of the American Cinema Editors. He died at the age of 59.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
Richard Marks was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films.
Terence Rawlings was an English film and sound editor. With over 70 feature film credits between 1962 and 2004, he was most noted for his work with directors such as Ridley Scott, Ken Russell, and Martin Campbell.
Jay Cassidy is an American film editor with dozens of credits since 1978.
James Elmo Williams was an American film and television editor, producer, director and executive. His work on the film High Noon (1952) received the Academy Award for Best Film Editing. In 2006, Williams published Elmo Williams: A Hollywood Memoir.
Eric James Zumbrunnen was a film editor who won the ACE Eddie Award for the film Being John Malkovich (1999).
Michael J. HillACE was an American film editor. He and his editing partner Dan Hanley had a longstanding, notable collaboration with director Ron Howard, having cut all of Howard's films from Night Shift (1982) to In the Heart of the Sea (2015). They won an Academy Award for the film Apollo 13 (1995), and the BAFTA Award for the film Rush (2013). Hill was a member of the American Cinema Editors (ACE).
Christina Jean "Chris" Innis is an American film editor and filmmaker. She was awarded the 2010 Academy Award, BAFTA, and ACE awards for "Best Film Editing" on the film The Hurt Locker shared with co-editor, Bob Murawski. She is an elected member of the American Cinema Editors (ACE) and has served as an associate director on the board.
Ken Schretzmann is an American film editor known for animated features such as Cars (2006), Toy Story 3 (2010), The Lorax (2012), and The Secret Life of Pets (2016) as well as The Willoughbys (2020) and Pinocchio (2022).
The American Cinema Editors Award for Best Edited Feature Film – Dramatic is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited dramatic film for a given year. Before splitting in 2000, this award included both dramatic and comedy/musical films.
The American Cinema Editors Award for Best Edited Feature Film – Comedy is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited comedic film for a given year. It was split off from American Cinema Editors Award for Best Edited Feature Film – Dramatic in 2000.
Richard Franklin Chew is an American film editor, best known for his Academy Award-winning work on Star Wars (1977), alongside Paul Hirsch and Marcia Lucas. Other notable films include One Flew Over the Cuckoo's Nest (1975), Risky Business (1983), Waiting to Exhale (1995), That Thing You Do! (1996), and I Am Sam (2001). His career over a variety of films spans more than four decades.
Joe Walker is a British film editor who has worked in both England and Los Angeles. In 2022, he won the Academy Award for Best Film Editing for his work on Dune, having been nominated twice before for 12 Years a Slave and Arrival. For the American Cinema Editors Award for Best Edited Feature Film – Dramatic he has received a string of five nominations over eight years and in 2016 he won, for Arrival. He took the European Film Award for Best Editor for Shame in 2012 and Satellite Award for Best Editing for Sicario in 2016.
Matthew Friedman is an American film editor and senior lecturer at the AFI Conservatory. He won the American Cinema Editors Eddie Award for best feature film editing for his work on Palm Springs, which broke the existing Sundance film sales record by sixty-nine cents. Friedman was nominated for the ACE Eddie the previous year as well for The Farewell, his third collaboration with director Lulu Wang,
References
- 1 2 Joe Klotz at IMDb
- ↑ Park, Esther; Edwards, Aliyah (February 8, 2009). "Precious interview with film editor Joe Klotz". Saint Francis College. Archived from the original on 2011-08-27. Retrieved 2011-06-13.
- ↑ "ACE Member Directory". American Cinema Editors. Archived from the original on 2019-03-27. Retrieved 2019-03-27. Editors who are members of the American Cinema Editors can use the designation "A.C.E." in their film credits.
