Blazing Saddles | |
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![]() Theatrical release poster by John Alvin [1] | |
Directed by | Mel Brooks |
Screenplay by |
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Story by | Andrew Bergman |
Produced by | Michael Hertzberg |
Starring | |
Cinematography | Joseph Biroc |
Edited by | |
Music by | John Morris |
Production company | Crossbow Productions |
Distributed by | Warner Bros. |
Release date |
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Running time | 93 minutes [2] |
Country | United States |
Budget | $2.6 million |
Box office | $119.6 million [3] |
Blazing Saddles is a 1974 American satirical western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Uger, based on a story treatment by Bergman. [4] The film stars Cleavon Little and Gene Wilder. [5] The film received generally positive reviews from critics and audiences, was nominated for three Academy Awards and is ranked No. 6 on the American Film Institute's 100 Years...100 Laughs list.
Brooks appears in three supporting roles: Governor William J. Le Petomane, a Yiddish-speaking Native American chief, and "a aviator/director" in line to help invade Rock Ridge (a nod to Hitchcock); he also dubs lines for one of Lili Von Shtupp's backing troupe and a cranky moviegoer. The supporting cast includes Slim Pickens, Alex Karras and David Huddleston, as well as Brooks regulars Dom DeLuise, Madeline Kahn and Harvey Korman. Bandleader Count Basie has a cameo as himself, appearing with his orchestra.
The film is full of deliberate anachronisms, from the Count Basie Orchestra playing "April in Paris" in the Wild West, to Pickens' character mentioning the Wide World of Sports .
In 2006, Blazing Saddles was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation in the National Film Registry. [6]
On the American frontier of 1874, a new railroad under construction will have to be rerouted through the town of Rock Ridge in order to avoid quicksand. Realizing this will make Rock Ridge worth millions, territorial attorney general Hedley Lamarr plans to force Rock Ridge's residents out of the town and sends a gang of thugs, led by his flunky Taggart, to shoot the sheriff and trash the town.
The townspeople demand that Governor William J. Le Petomane appoint a new sheriff to protect them. Lamarr persuades dim-witted Le Petomane to appoint Bart, a black railroad worker about to be executed for assaulting Taggart. A Black sheriff, Lamarr reasons, will offend the townspeople, create chaos, and leave Rock Ridge at his mercy.
After an initial hostile reception (Bart takes himself "hostage" to escape), he relies on his quick wits and the assistance of Jim, an alcoholic gunslinger known as the "Waco Kid", to overcome the townspeople's hostility. Bart subdues Mongo, an immensely strong and dim-witted yet philosophical henchman sent to kill him, then outwits German seductress-for-hire Lili Von Shtupp at her own game, with Lili falling in love with him.
Upon release, Mongo vaguely informs Bart of Lamarr's connection to the railroad, so Bart and Jim visit the railroad worksite and discover from Bart's best friend Charlie that the railway is planned to go through Rock Ridge. Taggart and his men arrive to kill Bart, but Jim outshoots them and forces their retreat. Lamarr, furious that his schemes have backfired, recruits an army of thugs, including common criminals, motorcycle gangsters, Ku Klux Klansmen, Nazis and Methodists.
East of Rock Ridge, Bart introduces the white townspeople to the Black, Chinese and Irish railroad workers who have all agreed to help them in exchange for acceptance by the community, and explains his plan to defeat Lamarr's army. They labor all night to build a perfect copy of the town as a diversion. When Bart realizes it will not fool the villains, the townsfolk construct copies of themselves.
Bart, Jim and Mongo buy time by constructing the "Gov. William J. Le Petomane Thruway", forcing the raiding party to send for change to pay the toll. Once through the tollbooth, the raiders attack the fake town and its population of dummies, which have been booby-trapped with dynamite. After Jim detonates the bombs with his sharpshooting, launching bad guys and horses skyward, the Rock Ridgers attack the villains.
The resulting brawl between townsfolk, railroad workers, and Lamarr's thugs literally breaks the fourth wall and bursts onto a neighboring movie set where director Buddy Bizarre is filming a Busby Berkeley-style top-hat-and-tails musical number; into the studio commissary for a food fight; and spilling out of the Warner Bros. film lot onto the streets of Burbank.
Lamarr, realizing he has been beaten, hails a taxi and orders the cabbie to "drive me off this picture". He ducks into Mann's Chinese Theatre, which is showing the premiere of Blazing Saddles. As he settles into his seat, he sees onscreen Bart arriving on horseback outside the theatre. Bart blocks Lamarr's escape and shoots him in the groin. Bart and Jim then enter the theater to watch the end of the film, in which Bart announces to the townspeople that he is moving on because his work is done (and because he is bored).
Riding out of town, he finds Jim, still eating his popcorn, and invites him along to "nowhere special". The two friends briefly ride into the desert before dismounting and boarding a limousine, which drives off into the sunset.
Cast notes:
The idea came from a story outline written by Andrew Bergman that he originally intended to develop and produce himself. "I wrote a first draft called Tex-X" (a play on Malcolm X's name), he said. "Alan Arkin was hired to direct and James Earl Jones was going to play the sheriff. That fell apart, as things often do." [10] Brooks was taken with the story, which he described as "hip talk—1974 talk and expressions—happening in 1874 in the Old West", and purchased the film rights from Bergman. Though he had not worked with a writing team since Your Show of Shows , he hired a group of writers (including Bergman) to expand the outline, and posted a large sign: "Please do not write a polite script." [11]
Brooks described the writing process as chaotic: "Blazing Saddles was more or less written in the middle of a drunken fistfight. There were five of us all yelling loudly for our ideas to be put into the movie. Not only was I the loudest, but luckily I also had the right as director to decide what was in or out." [12] Bergman remembers the room being just as chaotic, telling Creative Screenwriting, "In the beginning, we had five people. One guy left after a couple of weeks. Then, it was basically me, Mel, Richie Pryor and Norman Steinberg. Richie left after the first draft and then Norman, Mel and I wrote the next three or four drafts. It was a riot. It was a rioter’s room!" [10]
The original title, Tex X, was rejected to avoid it being mistaken for an X-rated film, [2] as were Black Bart – a reference to Black Bart, a white highwayman of the 19th century [2] – and Purple Sage. Brooks said he finally conceived Blazing Saddles one morning while taking a shower. [13]
The casting was problematic. Pryor was Brooks' original choice to play Sheriff Bart, but the studio, claiming his history of drug arrests made him uninsurable, refused to approve financing with Pryor as the star. [13] The role of Sheriff Bart went to Cleavon Little, and Pryor remained as a screenwriter instead. Brooks offered the other leading role, the Waco Kid, to John Wayne; he declined, deeming the film "too blue" for his family-oriented image, but assured Brooks that "he would be the first one in line to see it." [14] Gig Young was cast, but he collapsed during his first scene from what was later determined to be alcohol withdrawal syndrome, and Wilder was flown in to replace him. [15] [16]
Johnny Carson and Wilder both turned down the Hedley Lamarr role before Korman was cast. [17] Madeline Kahn objected when Brooks asked to see her legs during her audition. "She said, 'So it's THAT kind of an audition?'" Brooks recalled. "I explained that I was a happily married man and that I needed someone who could straddle a chair with her legs like Marlene Dietrich in Destry Rides Again. So she lifted her skirt and said, 'No touching.'" [18]
Principal photography began on March 6, 1973, and wrapped in early May 1973. Brooks had numerous conflicts over content with Warner Bros. executives, including frequent use of the word "nigger", Lili Von Shtupp's seduction scene, the cacophony of flatulence around the campfire, and Mongo punching out a horse. Brooks, whose contract gave him final content control, declined to make any substantive changes, with the exception of cutting Bart's final line during Lili's seduction: "I hate to disappoint you, ma'am, but you're sucking my arm." [19] When asked later about the many "nigger" references, Brooks said he received consistent support from Pryor and Little. He added, "If they did a remake of Blazing Saddles today [2012], they would leave out the N-word. And then, you've got no movie." [20] Brooks said he received many letters of complaint after the film's release. [21]
Brooks wrote the music and lyrics for three of Blazing Saddles' songs, "The Ballad of Rock Ridge", "I'm Tired" and "The French Mistake". Brooks also wrote the lyrics to the title song, with music by composer John Morris. [2] To sing the title song, Brooks advertised in the trade papers for a "Frankie Laine–type" singer; to his surprise, Laine himself offered his services. "Frankie sang his heart out ... and we didn't have the heart to tell him it was a spoof. He never heard the whip cracks; we put those in later. We got so lucky with his serious interpretation of the song." [22]
The choreographer for "I'm Tired" and "The French Mistake" was Alan Johnson. "I'm Tired" is a homage to and parody of Marlene Dietrich's performance of Cole Porter's song "I'm the Laziest Gal in Town" in Alfred Hitchcock's 1950 film Stage Fright , as well as "Falling in Love Again (Can't Help It)" from The Blue Angel . [2]
The orchestrations were by Morris and Jonathan Tunick. [2]
During production, retired longtime film star Hedy Lamarr sued Warner Bros. for $100,000, charging that the film's running parody of her name infringed on her right to privacy. Brooks said that he was flattered and chose to not fight it in court; the studio settled out of court for a small sum and an apology for "almost using her name." Brooks said that Lamarr "never got the joke." [21] [2] This lawsuit would be referenced by an in-film joke where Brooks' character, the Governor, tells Lamarr that "This is 1874; you'll be able to sue HER."
The film was almost unreleased. "When we screened it for executives, there were few laughs," said Brooks. "The head of distribution said, 'Let's dump it and take a loss.' But [studio president John] Calley insisted they open it in New York, Los Angeles and Chicago as a test. It became the studio's top moneymaker that summer." [18]
The world premiere took place on February 7, 1974, at the Pickwick Drive-In Theater in Burbank; 250 invited guests—including Little and Wilder—watched the film on horseback. [23]
While Blazing Saddles is now considered a classic, critical reaction was mixed upon initial release. Vincent Canby wrote: [24]
Blazing Saddles has no dominant personality, and it looks as if it includes every gag thought up in every story conference. Whether good, bad or mild, nothing was thrown out. Woody Allen's comedy, though very much a product of our Age of Analysis, recalls the wonder and discipline of people like Keaton and Laurel and Hardy. Mr. Brooks's sights are lower. His brashness is rare, but his use of anachronism and anarchy recalls not the great film comedies of the past, but the middling ones like the Hope-Crosby "Road" pictures. With his talent he should do much better than that.
Roger Ebert gave the film four stars out of four, calling it a "crazed grab bag of a movie that does everything to keep us laughing except hit us over the head with a rubber chicken. Mostly, it succeeds. It's an audience picture; it doesn't have a lot of classy polish and its structure is a total mess. But of course! What does that matter while Alex Karras is knocking a horse cold with a right cross to the jaw?" [25] Gene Siskel awarded three stars out of four and called it "bound to rank with the funniest of the year," adding, "Whenever the laughs begin to run dry, Brooks and his quartet of gag writers splash about in a pool of obscenities that score belly laughs if your ears aren't sensitive and if you're hip to western movie conventions being parodied." [26] Variety wrote, "If comedies are measured solely by the number of yocks they generate from audiences, then 'Blazing Saddles' must be counted a success ... Few viewers will have time between laughs to complain that pic is essentially a raunchy, protracted version of a television comedy skit." [27]
Charles Champlin of the Los Angeles Times called the film "irreverent, outrageous, improbable, often as blithely tasteless as a stag night at the Friar's Club and almost continuously funny." [28] Gary Arnold of The Washington Post was negative, writing that "Mel Brooks squanders a snappy title on a stockpile of stale jokes. To say that this slapdash Western spoof lacks freshness and spontaneity and originality is putting it mildly. 'Blazing Saddles' is at once a messy and antiquated gag machine." [29] Jan Dawson of The Monthly Film Bulletin wrote, "Perhaps it is pedantic to complain that the whole is not up to the sum of its parts when, for the curate's egg that it is, Blazing Saddles contains so many good parts and memorable performances." [30] John Simon wrote a negative review of Blazing Saddles, saying, "All kinds of gags—chiefly anachronisms, irrelevancies, reverse ethnic jokes, and out and out vulgarities—are thrown together pell-mell, batted about insanely in all directions, and usually beaten into the ground." [31]
On review aggregator Rotten Tomatoes, the film has an 89% approval rating based on 65 reviews, with an average rating of 8.20/10. The site's consensus reads: "Daring, provocative, and laugh-out-loud funny, Blazing Saddles is a gleefully vulgar spoof of Westerns that marks a high point in Mel Brooks' storied career." [32] On Metacritic it has a score of 73% based on reviews from 12 critics, indicating "generally favorable reviews". [33]
Ishmael Reed's 1969 novel Yellow Back Radio Broke-Down has been cited as an important precursor or influence for Blazing Saddles, a connection that Reed himself has made. [34]
The film earned theatrical rentals of $26.7 million in its initial release in the United States and Canada. In its 1976 reissue, it earned a further $10.5 million and another $8 million in 1979. [35] [36] Its total rentals in the United States and Canada totalled $47.8 million from a gross of $119.5 million, becoming only the tenth film up to that time to pass the $100 million mark. [37] [38]
While addressing his group of bad guys, Harvey Korman's character reminds them that, although they are risking their lives, he is "risking an almost certain Academy Award nomination for Best Supporting Actor!" Korman did not receive an Oscar bid, but the film did get three nominations at the 47th Academy Awards, including Best Supporting Actress for Madeline Kahn.
In 2006, Blazing Saddles was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation in the National Film Registry. [6]
Upon the release of the 30th anniversary special edition in 2004, Today said that the movie "skewer[ed] just about every aspect of racial prejudice while keeping the laughs coming" and that it was "at the top of a very short list" of comedies still funny after 30 years. [39] In 2014, NPR wrote that four decades after the movie was made it was "still as biting a satire" on racism as ever, although its treatment of gays and women was "not self-aware at all". [40]
Award | Category | Recipient | Result | Ref. |
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Academy Awards | Best Supporting Actress | Madeline Kahn | Nominated | [41] |
Best Film Editing | John C. Howard and Danford B. Greene | Nominated | ||
Best Song | "Blazing Saddles" Music by John Morris; Lyrics by Mel Brooks | Nominated | ||
British Academy Film Awards | Best Screenplay | Mel Brooks, Norman Steinberg, Andrew Bergman, Richard Pryor and Alan Uger | Nominated | [42] |
Most Promising Newcomer to Leading Film Roles | Cleavon Little | Nominated | ||
National Film Preservation Board | National Film Registry | Inducted | [6] | |
Online Film & Television Association Awards | Hall of Fame – Motion Picture | Won | [43] | |
Writers Guild of America Awards | Best Comedy – Written Directly for the Screenplay | Mel Brooks, Norman Steinberg, Andrew Bergman, Richard Pryor and Alan Uger | Won | [44] |
The film is recognized by American Film Institute in these lists:
A television pilot titled Black Bart was produced for CBS based on Bergman's original story. It featured Louis Gossett Jr. as Bart and Steve Landesberg as his drunkard sidekick, a former Confederate officer named "Reb Jordan". Other cast members included Millie Slavin and Noble Willingham. Bergman is listed as the sole creator. CBS aired the pilot once on April 4, 1975. The pilot episode of Black Bart was later included as a bonus feature on the Blazing Saddles 30th Anniversary DVD and the Blu-ray disc. [46]
In September 2017, Brooks indicated his desire to do a stage version of Blazing Saddles in the future. [47]
The Rock Ridge standard for CD and DVD media is named after the town in Blazing Saddles. [48]
The 2022 animated film Paws of Fury: The Legend of Hank , starring Michael Cera, Samuel L. Jackson, Michelle Yeoh and Ricky Gervais, was originally titled Blazing Samurai and its creators called it "equally inspired by and an homage to Blazing Saddles." Brooks served as an executive producer for the production, and voiced one of the characters. [49]
The film was first released on DVD in 1997, [50] followed by a 30th Anniversary Special Edition DVD in 2004 and a Blu-ray version in 2006. [51] A 40th anniversary Blu-ray set was released in 2014. [52]
Mel Brooks is an American actor, comedian and filmmaker. With a career spanning over seven decades, he is known as a writer and director of a variety of successful broad farces and parodies. A recipient of numerous accolades he is one of 18 entertainers to win the EGOT, which includes an Emmy Award, a Grammy Award, an Academy Award ("Oscar"), and a Tony Award. He has also received a Kennedy Center Honor in 2009, a Hollywood Walk of Fame star in 2010, the AFI Life Achievement Award in 2013, a British Film Institute Fellowship in 2015, a National Medal of Arts in 2016, and a BAFTA Fellowship in 2017.
Joseph Pujol, better known by his stage name Le Pétomane, was a French flatulist and entertainer. He was famous for his remarkable control of the abdominal muscles, which enabled him to seemingly fart at will. His stage name combines the French verb péter, "to fart" with the -mane, "-maniac" suffix, which translates to "fartomaniac". The profession is referred to as "flatulist", "farteur", or "fartiste".
Hedy Lamarr was an Austrian-born American film actress and inventor. A film star during Hollywood's golden age, Lamarr has been described as one of the greatest movie actresses of all time.
Richard Franklin Lennox Thomas Pryor Sr. was an American stand-up comedian and actor. He reached a broad audience with his trenchant observations and storytelling style, and is widely regarded as one of the greatest and most influential stand-up comedians of all time. Pryor won a Primetime Emmy Award and five Grammy Awards. He received the first Kennedy Center Mark Twain Prize for American Humor in 1998. He won the Writers Guild of America Award in 1974. He was listed at number one on Comedy Central's list of all-time greatest stand-up comedians. In 2017, Rolling Stone ranked him first on its list of the 50 best stand-up comics of all time.
Silent Movie is a 1976 American satirical comedy film co-written, directed by and starring Mel Brooks, released by 20th Century Fox in the summer of 1976. The ensemble cast includes Dom DeLuise, Marty Feldman, Bernadette Peters, and Sid Caesar, with cameos by Anne Bancroft, Liza Minnelli, Burt Reynolds, James Caan, Marcel Marceau, and Paul Newman as themselves. The film is produced in the manner of a 20th-century silent film with intertitles instead of spoken dialogue ; the soundtrack consists almost entirely of accompanying music and sound effects. It is an affectionate parody of slapstick comedies, including those of Charlie Chaplin, Mack Sennett, and Buster Keaton. The film satirizes the film industry, presenting the story of a film producer trying to obtain studio support to make a silent film in the then-present 1970s.
Jerome Silberman, known professionally as Gene Wilder, was an American actor, comedian, writer and filmmaker. He was known mainly for his comedic roles, but also for his portrayal of Willy Wonka in Willy Wonka & the Chocolate Factory (1971). He was also known for his collaborations with Mel Brooks on the films The Producers (1967), Blazing Saddles (1974) and Young Frankenstein (1974), as well as with Richard Pryor in the films Silver Streak (1976), Stir Crazy (1980), See No Evil, Hear No Evil (1989) and Another You (1991). He also starred in Woody Allen's Everything You Always Wanted to Know About Sex* (1972).
Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Dr. Victor Frankenstein. Peter Boyle portrayed the monster. The film co-stars Teri Garr, Cloris Leachman, Marty Feldman, Madeline Kahn, Kenneth Mars, Richard Haydn, and Gene Hackman.
History of the World, Part I is a 1981 American comedy film written, produced, and directed by Mel Brooks. Brooks also stars in the film, playing five roles: Moses, Comicus the stand-up philosopher, Tomás de Torquemada, King Louis XVI, and Jacques, le garçon de pisse. The large ensemble cast also features Sid Caesar, Shecky Greene, Gregory Hines, Charlie Callas; and Brooks regulars Ron Carey, Dom DeLuise, Madeline Kahn, Harvey Korman, Cloris Leachman, Andreas Voutsinas, and Spike Milligan.
Madeline Gail Kahn was an American actress, comedian and singer, known for comedic roles in films directed by Peter Bogdanovich and Mel Brooks, including What's Up, Doc? (1972), Young Frankenstein (1974), High Anxiety (1977), History of the World, Part I (1981), and her Academy Award–nominated roles in Paper Moon (1973) and Blazing Saddles (1974).
Harvey Herschel Korman was an American actor and comedian who performed in television and film productions. His big break was being a featured performer on CBS' The Danny Kaye Show, but he is best remembered for his performances on the sketch comedy series The Carol Burnett Show, for which he won four Emmy Awards, as well as his partnership with Tim Conway. Korman also appeared in several comedy films by Mel Brooks.
Cleavon Jake Little was an American stage, film, and television actor. He began his career in the late 1960s on the stage. In 1970, he starred in the Broadway production of Purlie, for which he earned both a Tony Award and a Drama Desk Award. His first leading television role was that of the irreverent Dr. Jerry Noland on the ABC sitcom Temperatures Rising (1972–1974). While starring in the sitcom, Little appeared in what has become his signature performance, portraying Sheriff Bart in the 1974 Mel Brooks comedy film Blazing Saddles.
Andrew Bergman is an American screenwriter, film director, and novelist. His best-known films include Blazing Saddles, The In-Laws, The Freshman and Striptease.
Claude Ennis "Jack" Starrett Jr. was an American actor and film director.
Adios Amigo is a 1976 American Western comedy film written, produced and directed by Fred Williamson, who also stars in the lead role. The film co-stars Richard Pryor and James Brown.
Robyn Hilton is an American film and television actress and model. Hilton was active in the 1970s and 1980s following her debut supporting role as Miss Stein, the secretary to Governor William J. Le Petomane, in Mel Brooks' 1974 comedy film Blazing Saddles.
True Colors is an American sitcom television series that aired on Fox from September 2, 1990, to April 12, 1992, for a total of 45 episodes. The series was created by Michael J. Weithorn, and featured an interracial marriage and a subsequent blended family.
Mr. Dugan is an American sitcom about a black Congressman that was scheduled to air in March 1979 on CBS, but was pulled at the last minute and never shown.
Michael Hertzberg is an American assistant director, writer, and film producer best known for his work with director Mel Brooks.
Paws of Fury: The Legend of Hank is a 2022 computer-animated martial arts comedy film directed by Rob Minkoff, Mark Koetsier and Chris Bailey. A loose remake of the 1974 live-action film Blazing Saddles, it features the voices of Michael Cera, Ricky Gervais, Mel Brooks, George Takei, Aasif Mandvi, Gabriel Iglesias, Djimon Hounsou, Michelle Yeoh and Samuel L. Jackson. The film takes place in a world of anthropomorphic animals, in which a dog named Hank learns to become a samurai to save a cat village from a conniving landlord.
Mel Brooks is an actor, comedian, and filmmaker of the stage, television, and screen. He started his work as a comedy writer, actor, and then director of 11 feature films including The Producers (1967), Young Frankenstein (1974), and Blazing Saddles (1974). He is also known for his work on Broadway including, The Producers (2001).
As for Mel Brooks himself, his aviator and voice-overs as a German dancer and cranky film-goer provide funny cameos .... The book credits him as playing "William J. LePetomane/Indian Chief/Aviator/Voice of German Dancer/Voice of Moviegoer."
The director said he hopes he is able to recreate Blazing Saddles on the stage in the future.