Richard Pryor (album)

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Richard Pryor
Richard Pryor 1968album.jpg
Live album by
Richard Pryor
ReleasedNovember 1968
RecordedSpring and summer 1968
Venue Troubadour
Genre Comedy
Length33:28
Label Dove/Reprise; Omnivore Records, Stand Up! Records (reissue)
Producer Richard Pryor, Robert Marchese
Jennifer Lee Pryor, Reggie Collins, Cheryl Pawelski (reissue)
Richard Pryor chronology
Richard Pryor
(1968)		 Craps (After Hours)
(1971)

Richard Pryor is the debut album of comedian Richard Pryor. It was recorded live in 1968 at the Troubadour in West Hollywood, California. [1] [2]

Contents

The album cover, designed by Gary Burden, was nominated for a Grammy Award. [3] [4]

History

Richard Pryor, like his other early-1970s albums Craps (After Hours) and Live At The Comedy Store, 1973 , captures Pryor during his most transformative period as a comic, when he evolved from a family-friendly comic in the mode of Bill Cosby into the challenging, politically aware comedian of his most famous albums. He had felt creatively stifled until, at the Aladdin Hotel in Las Vegas in 1967, he walked offstage mid-performance after exclaiming, "What am I doing here?" The incident hurt his career, but only temporarily; his film and TV work grew, and his new stand-up material was more true to his own voice. Although Pryor resisted overtly linking his comedy with radical politics, he could not ignore events such as the civil rights movement, and took time off for a period of intense self-education in black history and culture. Biographer Scott Saul, in the book Becoming Richard Pryor, wrote that Pryor's new work "invented a style that was as far-out as Frank Zappa and as defiant as H. Rap Brown", fueled by both countercultural irony and Black Power militancy. [5] [6] [7]

However, Pryor had trouble getting that new voice on his new record. Reportedly, producer Robert Marchese and Pryor’s manager Bobby Roberts clashed over Pryor's obscenity and frankness, which Roberts felt would not sell to white audiences. Frustrated at having what he felt was his best work excised, Pryor would later say he was prouder of the album's cover than its contents. [8] Nevertheless, as University of Michigan cultural studies professor Bambi Haggins has noted, the first signs of Pryor's mature, "uncontainable and unpredictable" comic style are readily apparent on Richard Pryor—most obviously on the cover art, but also in the contentious point of view in routines like "Super Nigger." [9]

The 2021 reissue's bonus tracks restore much of Pryor's original, more radical and hard-hitting vision, including the classic "Hippy Dippys" monologue and the 11-minute vignette "Hank's Place", which Saul called "the masterpiece of Pryor’s early career." [8] [7]

Album cover

A collaboration between Pryor, designer Gary Burden, artist Rick Griffin, and photographer Henry Diltz, the album art for Richard Pryor was a parody of the "naked savage" covers often seen on National Geographic . Pryor, clad only in a loincloth, wore a ring in his nose and stared defiantly at the camera as he brandished a primitive-looking bow and arrow. [9] [8] Burden said that as a result of the cover, he received two letters: "One was a letter from the National Geographic Society’s attorneys offering to sue me for defaming their publication. The second letter was a Grammy nomination for the best album cover." [3] The album was later re-issued with a modified cover, replacing the border of leaves with the Statue of Liberty.

Reception

A 1968 review in Billboard said that "The humor of Richard Pryor, familiar through his many TV appearances, is captured hilariously. As the cover indicates, the humor is wild, but it always hits its mark." [10]

Reviewing the album in 2023, Den of Geek writer Tony Sokol said that "Pryor created a new style in American comedy. It was truly unprecedented." He praised Pryor's improvisational approach on the bonus tracks, saying that "Pryor holds open conversations, and makes deep connections with the audience." [7] Joe Marchese of The Second Disc called the album "an auspicious introduction for one of the most significant and influential stand-up comedians of all time". [11]

Releases

Richard Pryor was originally released in 1968 on Dove/Reprise. [12]

Omnivore Recordings released an expanded edition in 2021 with bonus material selected from the box set Evolution/Revolution: The Early Years . [13] Liner notes for the reissues were written by Scott Saul, author of the biography Becoming Richard Pryor. [14] It was re-released on vinyl by Stand Up! Records on May 26, 2023 as a double album, with the bonus tracks on the second disc. The reissues feature Burden's original album cover. [8] [15] [11]

Track listing

Disc one, side one
No.TitleLength
1."Super Nigger"3:16
2."Girls"3:25
3."Farting"2:02
4."Prison Play"9:12
Disc one, side two
No.TitleLength
5."T.V. Panel Show"7:09
6."Smells"2:43
7."Army Life"4:48
8."Frankenstein"0:56
Disc two: Bonus tracks
No.TitleLength
9."Peoria" 
10."Improv Pt. 1" 
11."Heart and Brain" 
12."Taxi Cabs and Subways" 
13."Playboy Club" 
14."Rumpelstiltskin" 
15."Slippin' in Poo Poo" 
16."Birth Control" 
17."N---er Babies" 
18."Faith Healer" 
19."Black Power" 
20."I Feel" 
21."Jail" 
22."Directions" 
23."Movie Stars in the Bathroom" 
24."War Movies" 
25."The Army" 
26."Hippy Dippys" 
27."Hank's Place" 
28."Improv Pt. 2" 
29."Mankind" 

Credits

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References

  1. ↑ Sullivan, James (June 8, 2010). Seven Dirty Words: The Life and Crimes of George Carlin . Da Capo Press. p.  115. ISBN   978-0-7867-4592-0.
  2. ↑ Luft, Eric (September 21, 2009). Die at the Right Time!: A Subjective Cultural History of the American Sixties. Gegensatz Press. p. 103. ISBN   978-1-933237-39-8.
  3. 1 2 Violet, J. (September 1, 2009). "Richard Pryor". Gary Burden. Retrieved 2023-06-20.
  4. ↑ "Artist: Gary Burden". Grammmy.com. Retrieved 2023-06-20.
  5. ↑ Yaffe, David; Saul, Scott (December 10, 2014). "How Richard Pryor Beat Bill Cosby and Transformed America". The Daily Beast. Retrieved 2023-06-20.
  6. ↑ Zoglin, Richard (2009). Comedy at the Edge: How Stand-up in the 1970s Changed America. Bloomsbury USA. ISBN   978-1-58234-625-0 . Retrieved 2023-06-19.
  7. 1 2 3 Sokol, Tony (June 7, 2023). "Richard Pryor Vinyl Reissues Highlight the Evolution of Comedy". Den of Geek . Retrieved 2023-06-08.
  8. 1 2 3 4 5 6 Saul, Scott (2021). Richard Pryor (booklet). Stand Up! Records/Omnivore Records.
  9. 1 2 Haggins, Bambi (February 2007). Laughing Mad: The Black Comic Persona In Post-Soul America (PDF). Rutgers University Press. p. 51. ISBN   978-0-8135-3984-3 – via Arizona State University.
  10. ↑ "Richard Pryor - Richard Pryor". Billboard . Vol. 80, no. 51. 1968-12-21. Retrieved 2023-06-27.
  11. 1 2 3 Marchese, Joe (2023-05-12). "The Line-Up: Stand Up! Records Reissues Three Richard Pryor Classics on Vinyl". The Second Disc. Retrieved 2023-06-08.
  12. ↑ Henry, David; Henry, Joe (2014). Furious Cool: Richard Pryor and the World That Made Him. Algonquin Books. ISBN   978-1-61620-447-1 . Retrieved 2023-06-18.
  13. 1 2 Marchese, Joe (2021-01-22). "Heart and Brain: Omnivore Preps Spoken Word Releases from Richard Pryor, Allen Ginsberg". The Second Disc. Retrieved 2023-06-21.
  14. ↑ Solomon, Matt (April 26, 2023). "Richard Pryor Comedy Album Reissues Prove He's More Relevant Than Ever". Cracked . Retrieved 2023-06-08.
  15. ↑ "Richard Pryor's first albums to be rereleased on vinyl". Chortle . 2023-04-23. Retrieved 2023-06-08.
  16. ↑ "Richard Pryor – Richard Pryor". Discogs. Retrieved 2023-06-11.
  17. ↑ "Richard Pryor - Richard Pryor". AllMusic . Retrieved 2023-06-08.
  18. ↑ Marchese, Joe (2021-07-23). "I Hope I'm Funny: Omnivore Reissues Richard Pryor's "Live at The Comedy Store, 1973"". The Second Disc. Retrieved 2023-06-08.
  19. ↑ Buss, Andrew (May 8, 2023). "Richard Pryor's first two albums are being re-released on vinyl". Laugh Button. Retrieved 2023-06-08.
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