Wild in the Streets

Last updated
Wild in the Streets
Wild in the streets dvd cover.jpg
Theatrical release poster by Reynold Brown
Directed by Barry Shear
Written by Robert Thom
Based onshort story "The Day It All Happened, Baby!" by Robert Thom
Produced by
Starring
Narrated by Paul Frees (uncredited)
Cinematography Richard Moore
Edited by
Music by Les Baxter
Distributed by American International Pictures
Release date
  • May 29, 1968 (1968-05-29)
Running time
97 minutes
CountryUnited States
LanguageEnglish
Budget$700,000 [1]
Box office$4,000,000 (rentals) [2]

Wild in the Streets is a 1968 American dystopian comedy-drama film directed by Barry Shear and starring Christopher Jones, Hal Holbrook, and Shelley Winters. Based on the short story "The Day It All Happened, Baby!" by Robert Thom, it was distributed by American International Pictures. The film, described as both "ludicrous" and "cautionary", was nominated for an Academy Award for Best Film Editing and became a cult classic of the 1960s counterculture.

Contents

Plot

Popular rock singer and aspiring revolutionary, Max Frost, was born Max Jacob Flatow Jr. His first public act of violence was blowing up his family's new car. Frost's band, the Troopers, live together with him, their women, and others, in a sprawling Beverly Hills mansion. The band includes his 15-year-old genius attorney, Billy Cage, on lead guitar, ex-child actor and girlfriend, Sally LeRoy, on keyboards, hook-handed Abraham Salteen on bass guitar and trumpet, and anthropologist Stanley X on drums. Max's band performs a song noting that 52% of the population is 25 or younger, making young people the majority in the country.

When Max is asked to sing at a televised political rally by Kennedyesque Senate candidate Johnny Fergus, who is running on a platform to lower the voting age from 21 to 18, he and the Troopers appear – but Max stuns everyone by calling instead for the voting age to become 14, then finishes the show with an improvised song, "Fourteen or Fight!", and a call for a demonstration. Max's fans – and other young people, by the thousands – stir to action, and within 24 hours protests have begun in cities around the United States. Fergus's advisors want him to denounce Max, but instead he agrees to support the demonstrations, and change his campaign – if Max and his group will compromise, accept a voting age of 15 instead, abide by the law, and appeal to the demonstrators to go home peaceably. Max agrees, and the two appear together on television – and in person the next day, using the less offensive mantra "Fifteen and Ready".

Most states agree to lower the voting age within days, in the wake of the demonstrations, and Max Frost and the Troopers campaign for Johnny Fergus until the election, which he wins by a landslide. Taking his place in the Senate, Fergus wishes Frost and his people would now just go away, but instead they get involved with Washington politics. When a Congressman from Sally LeRoy's home district dies suddenly, the band enters her in the special election that follows, and Sally – the eldest of the group, and the only one of majority age to run for office – is voted into Congress by the new teen bloc.

The first bill Sally introduces is a constitutional amendment to lower the age requirements for national political office to 14, and "Fourteen or Fight!" enters a new phase. A joint session of Congress is called, and the Troopers – now joined by Fergus's son, Jimmy – swing the vote their way by spiking the Washington, D.C., water supply with LSD, and providing all the Senators and Representatives with teenage escorts.

As teens either take over or threaten the reins of government, the "Old Guard" (those over 40) turn to Max to run for president, and assert his (their) control over the changing tide. Max again agrees, running as a Republican to his chagrin, but once in office, he turns the tide on his older supporters. Thirty becomes a mandatory retirement age, while those over 35 are rounded up, sent to "re-education camps", and permanently dosed on LSD. Fergus unsuccessfully attempts to dissuade Max by contacting his estranged parents, and tries to assassinate him. Failing at this, he flees Washington, D.C., with his remaining family, but they are soon rounded up.

With youth now in control of the United States, politically as well as economically, similar revolutions break out in all the world's major countries. Max withdraws the military from around the world (turning them instead into de facto "age police"), puts computers and prodigies in charge of the gross national product, ships surplus grain for free to Third World nations, disbands the FBI and Secret Service, and becomes the leader of "the most truly hedonistic society the world has ever known".

Ultimately however, Max and his cohorts may face future intergenerational warfare from an unexpected source: pre-teen children. When a young girl finds out Max's age (which is now 24), she sneers, "That's old!" Later, after Max kills a crawdad that was a pet to several young kids, then mocks their youth and powerlessness, one of the kids resolves, "We're gonna put everybody over 10 out of business".

Cast

Production notes

The film was completed in 20 days. [1]

Lowering the voting age was a genuine issue in 1968 and was not passed until 1970 with Oregon v. Mitchell lowering the presidential minimum voting age to 18 and 1971 with the 26th Amendment lowering local and state election minimum voting ages to 18.

The movie features cameos from several media personalities, including Melvin Belli, Dick Clark, Pamela Mason, Army Archerd, and Walter Winchell. Millie Perkins and Ed Begley have supporting roles, and Bobby Sherman interviews Max as president. In a pre- Brady Bunch role, Barry Williams plays the teenage Max Frost at the beginning of the movie. Child actress Kellie Flanagan, who plays Johnny Fergus's daughter Mary appeared in director Barry Shear's television special All Things Bright and Beautiful in the same year. She discussed filming Wild in the Streets in a 2014 interview with Adam Gerace, telling him "I get a huge kick out of Wild in the Streets and always have." [3]

According to filmmaker Kenneth Bowser, the part eventually played by Christopher Jones was offered to folk singer Phil Ochs. After reading the screenplay, Ochs rejected the offer, claiming the story distorted the actual nature of the youth counterculture of the period. [4]

Music

A soundtrack album was released on Tower Records and became successful, peaking at No. 12 on the Billboard charts. Taken from the soundtrack and film, "Shape of Things to Come" (written by songwriters Barry Mann and Cynthia Weil) and performed by the fictional band Max Frost and the Troopers, was released as a single (backed with "Free Lovin' ") and became a hit, reaching No. 22 on Billboard.

Reception

On the review aggregator website Rotten Tomatoes, Wild in the Streets holds an approval rating of 67%, based on 21 critic reviews with an average rating of 5.8 out of 10. [5]

Roger Ebert of the Chicago Sun-Times unfavorably compared Wild in the Streets to Privilege (1967), another film that dealt with politics driving the worship of pop idols. Despite the two-star rating, he admitted that the former was the more effective of the two because it has a greater understanding of its teenage audience. He added, "It's a silly film, but it does communicate in the simplest, most direct terms." [6]

Renata Adler of The New York Times raved about the movie, declaring it "by far the best American film of the year so far" and compared it to The Battle of Algiers (1967). [7]

Release

Wild in the Streets was released in theaters in 1968. [8] Its plot was a reductio ad absurdum projection of contemporary issues of the time, taken to extremes, and played poignantly during 1968 – an election year with many controversies (the Vietnam War, the draft, civil rights, the population explosion, rioting and assassinations, and the baby boomer generation coming of age). [9] The original magazine short story, titled "The Day It All Happened, Baby!" was expanded by its author to book length, and was published as a paperback novel by Pyramid Books.

In 1969, Fred R. Feitshans Jr. and Eve Newman were both nominated for the Oscar for Best Film Editing for their work on this film.

Wild in the Streets was released on VHS in the late 1980s, and in 2005 appeared on DVD, on a Midnite Movies disc with 1971's Gas-s-s-s .

The League of Extraordinary Gentlemen, Volume III: Century , page 43, panels 1–2: "I mean that the current president of the United States is Max Foster. Max Foster the pop singer. He's setting up camps for anyone he thinks is too straight. It's hippy fascism." This is a reference to Wild in the Streets in which singer Max Frost becomes president and has everyone over 35 sent to "re-education camps". Max Foster is an analogue of American president Richard Nixon.

See also

Related Research Articles

<span class="mw-page-title-main">Roger Ebert</span> American film critic and author (1942–2013)

Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013.

<span class="mw-page-title-main">Ron Howard</span> American filmmaker and actor

Ronald William Howard is an American director, producer, screenwriter, and actor. Howard started his career as a child actor before transitioning to directing films. Over his six decade career, Howard has received two Academy Awards, four Emmy Awards, two Golden Globe Awards, and a Grammy Award. He was awarded the National Medal of Arts in 2003 and was inducted into the Television Hall of Fame in 2013. Howard has two stars on the Hollywood Walk of Fame for his contributions in film and television.

The Motion Picture Associationfilm rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively.

<i>The Producers</i> (1967 film) Film by Mel Brooks

The Producers is a 1967 American satirical black comedy film written and directed by Mel Brooks and starring Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars. The film is about a theater producer and his accountant who scheme to get rich by fraudulently overselling interests in a stage musical purposely designed to fail. They find a script celebrating Adolf Hitler and the Nazis and bring it to the stage. Because of this theme, The Producers was controversial from the start and received mixed reviews. It became a cult film and found a more positive critical reception later.

<i>Murphys Romance</i> 1985 film by Martin Ritt

Murphy's Romance is a 1985 American romantic-comedy film directed by Martin Ritt. The screenplay by Harriet Frank Jr. and Irving Ravetch was based on the 1980 novella by Max Schott. The film stars Sally Field, James Garner, Brian Kerwin, and Corey Haim, and was produced by Laura Ziskin for Field's production company Fogwood Films.

<span class="mw-page-title-main">Michael J. Pollard</span> American actor (1939–2019)

Michael J. Pollard was an American actor. He is best known for his role as C.W. Moss in the film Bonnie and Clyde (1967), which earned him critical acclaim along with nominations for an Academy Award, a British Academy Film Award, and two Golden Globe Awards.

<span class="mw-page-title-main">Larry Clark</span> American writer and director

Lawrence Donald Clark is an American film director, photographer, writer and film producer who is best known for his controversial teen film Kids (1995) and his photography book Tulsa (1971). His work focuses primarily on youth who casually engage in illegal drug use, underage sex, and violence, and who are part of a specific subculture, such as surfing, punk rock, or skateboarding.

<i>Weird Science</i> (film) 1985 film by John Hughes

Weird Science is a 1985 American science fantasy comedy film written and directed by John Hughes and starring Anthony Michael Hall, Ilan Mitchell-Smith, and Kelly LeBrock. It is based on the 1951 pre-Code comic "Made of the Future" by Al Feldstein, which appeared in the magazine of the same name. The title song was written and performed by American new wave band Oingo Boingo.

<i>Over the Edge</i> (film) 1979 film by Jonathan Kaplan

Over the Edge is a 1979 American coming-of-age crime drama film directed by Jonathan Kaplan and released in May 1979. The film, based on actual events, had a limited theatrical release but has since achieved cult film status. It was Matt Dillon's film debut.

<span class="mw-page-title-main">Samuel Z. Arkoff</span> American producer of B movies

Samuel Zachary Arkoff was an American producer of B movies.

<i>Gregorys Girl</i> 1981 Scottish film

Gregory's Girl is a 1980 Scottish coming-of-age romantic comedy film written and directed by Bill Forsyth and starring John Gordon Sinclair, Dee Hepburn and Clare Grogan. The film is set in and around a state secondary school in the Abronhill district of Cumbernauld.

<i>Whos That Knocking at My Door</i> 1968 film directed by Martin Scorsese

Who's That Knocking at My Door, originally titled I Call First, is a 1967 American independent drama film written and directed by Martin Scorsese, and starring Harvey Keitel and Zina Bethune. It was Scorsese's feature film directorial debut and Keitel's debut as an actor. The story follows Italian-American J.R. (Keitel) as he struggles to accept the secret hidden by his independent and free-spirited girlfriend (Bethune).

Max Frost and the Troopers were a fictional rock music group created for the exploitation film Wild in the Streets, released in 1968. The film featured Christopher Jones as the highly influential singer Max Frost. The songs performed by Frost and his band, a group that was never formally named in the film, were credited to Max Frost and the Troopers in the subsequent singles and album. The band name "Troopers" is based on the term "troops," the designation Frost used in the film to refer to his friends and followers.

<i>Foxes</i> (film) 1980 drama film by Adrian Lyne

Foxes is a 1980 American coming-of-age drama film directed by Adrian Lyne, in his feature film directorial debut, and written by Gerald Ayres. The film stars Jodie Foster, Scott Baio, Sally Kellerman, Randy Quaid, and Cherie Currie, in her acting debut. It revolves around a group of teenage girls coming of age in suburban Los Angeles toward the end of the disco era.

<i>Back Roads</i> (1981 film) 1981 film by Martin Ritt

Back Roads is a 1981 American romantic comedy film starring Sally Field and Tommy Lee Jones. It is directed by Martin Ritt. It got middling reviews and grossed $11 million at the box office. This was the first film produced by CBS Theatrical Films. The film was distributed by Warner Bros.

<i>Shape of Things to Come</i> (Max Frost and the Troopers album) 1968 studio album by Max Frost and the Troopers

Shape of Things to Come is the first and only album released by Max Frost and the Troopers. It was produced in 1968 by Mike Curb, Ed Beram, and Harley Hatcher (engineer) and directed by Rick Stephens for Sidewalk Productions and released on Tower Records.

<span class="mw-page-title-main">Christopher Jones (actor, born 1941)</span> American actor (1941–2014)

William Frank Jones, known professionally as Christopher Jones, was an American actor. He was best known for his starring roles in the films Wild in the Streets (1968) and Ryan's Daughter (1970), and for playing the title role in the 1960s television series The Legend of Jesse James.

"Shape of Things to Come" is a song written by Barry Mann and Cynthia Weil from the film Wild in the Streets, performed by the fictional band Max Frost and the Troopers on their 1968 album Shape of Things to Come, featuring a lead vocal by Harley Hatcher. The song was also released without vocals by Davie Allan and the Arrows. The song was a mere 1 minute 55 seconds in length. The song came some 35 years after H. G. Wells' The Shape of Things to Come.

Larry Bishop is an American actor, screenwriter and film director. He is the son of Sylvia Ruzga and comedian Joey Bishop. He has been featured in many Hollywood movies including Hell Ride.

Happening '68 was a rock-and-roll variety show produced by Dick Clark Productions, which aired on the American Broadcasting Company (ABC) network. The show followed American Bandstand on Saturday afternoons. Happening '68 premiered on January 6, 1968 and was popular enough that ABC added a weekday spin-off. It's Happening ran on Mondays through Fridays from July 15, 1968 through October 25, 1968. When 1968 ended, Happening '68 became just Happening, which was canceled in October 1969.

References

  1. 1 2 Mark McGee, Faster and Furiouser: The Revised and Fattened Fable of American International Pictures, McFarland, 1996 p260
  2. "Big Rental Films of 1968," Variety , 8 January 1969, pg 15.
  3. Gerace, Adam (25 October 2014). "...And Then I Wrote". AdamGerace.com. Retrieved 7 May 2015.
  4. "Panel Discussions on Comic Related" (Interview). Archived from the original on 2011-08-24. Retrieved 2011-07-27.
  5. Wild in the Streets , retrieved 2022-12-29
  6. Wild in the Streets (Monday, May 20, 1968) RogerEbert.com. Retrieved February 2, 2021
  7. Hoberman, J. "Are You Over 35? Wild in the Streets Should Scare You," The New York Times, Friday, September 30, 2016. Retrieved February 2, 2021
  8. American Film Institute (1976). The American Film Institute Catalog: Feature Films 1961–1970, Part 2. CA, USA: University of California Press. p. 38. ISBN   0-520-20970-2 . Retrieved 2010-10-24.
  9. Ebert, Roger (20 May 1968). "WILD IN THE STREETS". RogerEbert.com. Chicago Sun-Times.