Wild in the Streets | |
---|---|
Directed by | Barry Shear |
Written by | Robert Thom |
Based on | short story "The Day It All Happened, Baby!" by Robert Thom |
Produced by | |
Starring | |
Narrated by | Paul Frees (uncredited) |
Cinematography | Richard Moore |
Edited by | |
Music by | Les Baxter |
Distributed by | American International Pictures |
Release date |
|
Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $700,000 [1] |
Box office | $4,000,000 (rentals) [2] |
Wild in the Streets is a 1968 American dystopian comedy-drama film directed by Barry Shear and starring Christopher Jones, Hal Holbrook, and Shelley Winters. Based on the short story "The Day It All Happened, Baby!" by Robert Thom, it was distributed by American International Pictures. The film, described as both "ludicrous" and "cautionary", was nominated for an Academy Award for Best Film Editing and became a cult classic of the 1960s counterculture.
Popular rock singer and aspiring revolutionary, Max Frost, was born Max Jacob Flatow Jr. His first public act of violence was blowing up his family's new car. Frost's band, the Troopers, live together with him, their women, and others, in a sprawling Beverly Hills mansion. The band includes his 15-year-old genius attorney, Billy Cage, on lead guitar, ex-child actor and girlfriend, Sally LeRoy, on keyboards, hook-handed Abraham Salteen on bass guitar and trumpet, and anthropologist Stanley X on drums. Max's band performs a song noting that 52% of the population is 25 or younger, making young people the majority in the country.
When Max is asked to sing at a televised political rally by Kennedyesque Senate candidate Johnny Fergus, who is running on a platform to lower the voting age from 21 to 18, he and the Troopers appear – but Max stuns everyone by calling instead for the voting age to become 14, then finishes the show with an improvised song, "Fourteen or Fight!", and a call for a demonstration. Max's fans – and other young people, by the thousands – stir to action, and within 24 hours protests have begun in cities around the United States. Fergus's advisors want him to denounce Max, but instead he agrees to support the demonstrations, and change his campaign – if Max and his group will compromise, accept a voting age of 15 instead, abide by the law, and appeal to the demonstrators to go home peaceably. Max agrees, and the two appear together on television – and in person the next day, using the less offensive mantra "Fifteen and Ready".
Most states agree to lower the voting age within days, in the wake of the demonstrations, and Max Frost and the Troopers campaign for Johnny Fergus until the election, which he wins by a landslide. Taking his place in the Senate, Fergus wishes Frost and his people would now just go away, but instead they get involved with Washington politics. When a Congressman from Sally LeRoy's home district dies suddenly, the band enters her in the special election that follows, and Sally – the eldest of the group, and the only one of majority age to run for office – is voted into Congress by the new teen bloc.
The first bill Sally introduces is a constitutional amendment to lower the age requirements for national political office to 14, and "Fourteen or Fight!" enters a new phase. A joint session of Congress is called, and the Troopers – now joined by Fergus's son, Jimmy – swing the vote their way by spiking the Washington, D.C., water supply with LSD, and providing all the Senators and Representatives with teenage escorts.
As teens either take over or threaten the reins of government, the "Old Guard" (those over 40) turn to Max to run for president, and assert his (their) control over the changing tide. Max again agrees, running as a Republican to his chagrin, but once in office, he turns the tide on his older supporters. Thirty becomes a mandatory retirement age, while those over 35 are rounded up, sent to "re-education camps", and permanently dosed on LSD. Fergus unsuccessfully attempts to dissuade Max by contacting his estranged parents, and tries to assassinate him. Failing at this, he flees Washington, D.C., with his remaining family, but they are soon rounded up.
With youth now in control of the United States, politically as well as economically, similar revolutions break out in all the world's major countries. Max withdraws the military from around the world (turning them instead into de facto "age police"), puts computers and prodigies in charge of the gross national product, ships surplus grain for free to Third World nations, disbands the FBI and Secret Service, and becomes the leader of "the most truly hedonistic society the world has ever known".
Ultimately however, Max and his cohorts may face future intergenerational warfare from an unexpected source: pre-teen children. When a young girl finds out Max's age (which is now 24), she sneers, "That's old!" Later, after Max kills a crawdad that was a pet to several young kids, then mocks their youth and powerlessness, one of the kids resolves, "We're gonna put everybody over 10 out of business".
The film was completed in 20 days. [1]
Lowering the voting age was a genuine issue in 1968 and was not passed until 1970 with Oregon v. Mitchell lowering the presidential minimum voting age to 18 and 1971 with the 26th Amendment lowering local and state election minimum voting ages to 18.
The movie features cameos from several media personalities, including Melvin Belli, Dick Clark, Pamela Mason, Army Archerd, and Walter Winchell. Millie Perkins and Ed Begley have supporting roles, and Bobby Sherman interviews Max as president. In a pre- Brady Bunch role, Barry Williams plays the teenage Max Frost at the beginning of the movie. Child actress Kellie Flanagan, who plays Johnny Fergus's daughter Mary appeared in director Barry Shear's television special All Things Bright and Beautiful in the same year. She discussed filming Wild in the Streets in a 2014 interview with Adam Gerace, telling him "I get a huge kick out of Wild in the Streets and always have." [3]
According to filmmaker Kenneth Bowser, the part eventually played by Christopher Jones was offered to folk singer Phil Ochs. After reading the screenplay, Ochs rejected the offer, claiming the story distorted the actual nature of the youth counterculture of the period. [4]
A soundtrack album was released on Tower Records and became successful, peaking at No. 12 on the Billboard charts. Taken from the soundtrack and film, "Shape of Things to Come" (written by songwriters Barry Mann and Cynthia Weil) and performed by the fictional band Max Frost and the Troopers, was released as a single (backed with "Free Lovin' ") and became a hit, reaching No. 22 on Billboard.
On the review aggregator website Rotten Tomatoes, Wild in the Streets holds an approval rating of 67%, based on 21 critic reviews with an average rating of 5.8 out of 10. [5]
Roger Ebert of the Chicago Sun-Times unfavorably compared Wild in the Streets to Privilege (1967), another film that dealt with politics driving the worship of pop idols. Despite the two-star rating, he admitted that the former was the more effective of the two because it has a greater understanding of its teenage audience. He added, "It's a silly film, but it does communicate in the simplest, most direct terms." [6]
Renata Adler of The New York Times raved about the movie, declaring it "by far the best American film of the year so far" and compared it to The Battle of Algiers (1967). [7]
Wild in the Streets was released in theaters in 1968. [8] Its plot was a reductio ad absurdum projection of contemporary issues of the time, taken to extremes, and played poignantly during 1968 – an election year with many controversies (the Vietnam War, the draft, civil rights, the population explosion, rioting and assassinations, and the baby boomer generation coming of age). [9] The original magazine short story, titled "The Day It All Happened, Baby!" was expanded by its author to book length, and was published as a paperback novel by Pyramid Books.
In 1969, Fred R. Feitshans Jr. and Eve Newman were both nominated for the Oscar for Best Film Editing for their work on this film.
Wild in the Streets was released on VHS in the late 1980s, and in 2005 appeared on DVD, on a Midnite Movies disc with 1971's Gas-s-s-s .
The Producers is a 1967 American satirical black comedy film. It was written and directed by Mel Brooks, and stars Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars. The film is about a con artist theater producer and his accountant who scheme to get rich by fraudulently overselling interests in a stage musical purposely designed to fail. Searching for the worst script imaginable, they find a script celebrating Adolf Hitler and the Nazis and bring it to the stage. Because of this theme, The Producers was controversial from the start and received mixed reviews. It became a cult film and found a more positive critical reception later.
Paradise Lost: The Child Murders at Robin Hood Hills is a 1996 American documentary film directed, produced and edited by Joe Berlinger and Bruce Sinofsky about the trials of the West Memphis Three, three teenage youths accused of the May 1993 murders and sexual mutilation of three prepubescent boys as a part of an alleged satanic ritual in West Memphis, Arkansas.
Michael J. Pollard was an American character actor. With his distinctive bulbous nose, dimpled chin and smirk, he gained a cult following, usually portraying quirky, off-beat, simplistic but likeable supporting characters. He was best known for his role as C.W. Moss, in the film Bonnie and Clyde (1967), which earned him critical acclaim along with nominations for an Academy Award, a British Academy Film Award, and two Golden Globe Awards. Other notable appearances include The Wild Angels (1966), Hannibal Brooks (1969), Little Fauss and Big Halsy (1970), Dirty Little Billy (1972), American Gothic (1988), and Tango & Cash (1989).
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Who's That Knocking at My Door, originally titled I Call First, is a 1967 American independent drama film written and directed by Martin Scorsese, and starring Harvey Keitel and Zina Bethune. It was Scorsese's feature film directorial debut and Keitel's debut as an actor. The story follows Italian-American J.R. (Keitel) as he struggles to accept the secret hidden by his independent and free-spirited girlfriend (Bethune).
Max Frost and the Troopers were a fictional rock music group created for the exploitation film Wild in the Streets, released in 1968. The film featured Christopher Jones as the highly influential singer Max Frost. The songs performed by Frost and his band, a group that was never formally named in the film, were credited to Max Frost and the Troopers in the subsequent singles and album. The band name "Troopers" is based on the term "troops," the designation Frost used in the film to refer to his friends and followers.
Foxes is a 1980 American coming-of-age drama film directed by Adrian Lyne, in his feature film directorial debut, and written by Gerald Ayres. The film stars Jodie Foster, Scott Baio, Sally Kellerman, Randy Quaid, and Cherie Currie, in her acting debut. It revolves around a group of teenage girls coming of age in suburban Los Angeles toward the end of the disco era.
Firecreek is a 1968 American Western film directed by Vincent McEveety and starring James Stewart and Henry Fonda, the latter in his first of two roles that year as a villain. The film is similar to High Noon in that it features an entire town that refuses to help a peace officer against outlaws. Stewart plays an unlikely hero, forced into action when his conscience will not permit evil to continue. The supporting cast features Inger Stevens, Dean Jagger, Ed Begley, Jay C. Flippen, Jack Elam and John Qualen.
Back Roads is a 1981 American romantic comedy film starring Sally Field and Tommy Lee Jones. It is directed by Martin Ritt. It got middling reviews and grossed $11 million at the box office. This was the first film produced by CBS Theatrical Films. The film was distributed by Warner Bros.
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Shape of Things to Come is the first and only album released by Max Frost and the Troopers. It was produced in 1968 by Mike Curb, Ed Beram, and Harley Hatcher (engineer) and directed by Rick Stephens for Sidewalk Productions and released on Tower Records.
William Frank Jones, known professionally as Christopher Jones, was an American actor. He was best known for his starring roles in the films Wild in the Streets (1968) and Ryan's Daughter (1970), and for playing the title role in the 1960s television series The Legend of Jesse James.
"Shape of Things to Come" is a song written by Barry Mann and Cynthia Weil from the film Wild in the Streets, performed by the fictional band Max Frost and the Troopers on their 1968 album Shape of Things to Come, featuring a lead vocal by Harley Hatcher. The song was also released without vocals by Davie Allan and the Arrows. The song was a mere 1 minute 55 seconds in length. The song came some 35 years after H. G. Wells' The Shape of Things to Come.
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Happening '68 was a rock-and-roll variety show produced by Dick Clark Productions, which aired on the American Broadcasting Company (ABC) network. The show followed American Bandstand on Saturday afternoons. Happening '68 premiered on January 6, 1968 and was popular enough that ABC added a weekday spin-off. It's Happening ran on Mondays through Fridays from July 15, 1968 through October 25, 1968. When 1968 ended, Happening '68 became just Happening, which was canceled in October 1969.