Fireball 500 | |
---|---|
Directed by | William Asher |
Written by | William Asher Leo Townsend |
Produced by | James H. Nicholson Samuel Z. Arkoff Burt Topper |
Starring | Frankie Avalon Annette Funicello Fabian Chill Wills Harvey Lembeck Julie Parrish |
Cinematography | Floyd Crosby |
Edited by | Fred R. Feitshans, Jr. Eve Newman |
Music by | Les Baxter |
Production company | American International Pictures |
Distributed by | American International Pictures |
Release date |
|
Running time | 92 minutes |
Country | United States |
Language | English |
Box office | $2 million (est. US/ Canada rentals) [1] |
Fireball 500 is a 1966 stock car racing film, blended with the beach party film genre. A vehicle for stars Frankie Avalon, Annette Funicello, and Fabian, it was one of a string of similar racing films from the 1960s. Written by William Asher and Leo Townsend, and directed by William Asher, it tells the story of Dave Owens (Avalon), a stock car racer forced to run moonshine.
Stock car racer "Fireball" Dave Owens from California goes to race in Spartanburg, South Carolina, where he intends on competing against local champ Sonny Leander Fox. Dave beats Leander in a race, impressing the latter's girlfriend, Jane, and the wealthy Martha Brian.
Martha persuades Dave to drive in a cross country night race, not telling him he is actually smuggling moonshine. She and her partner, Charlie Bigg, are pleased with Dave's results. Leander, who runs his own still and smuggling operation, is impressed with Dave's success, but this does not change the fact that he wants to beat Dave on the track, even challenging him to a dangerous figure-8 race which ends in a draw.
Agents from the IRS threaten to send Dave to six months in jail unless he helps them bust the local moonshine ring.
After a driver, Joey, is killed during a run, Dave and Leander agree to team up to investigate the accident. They discover that it was caused by someone placing a huge mirror across the road. It turns out that Martha's moonshining partner, Charlie Bigg, was solely responsible for the murder of Joey and also tried to kill Dave because he was jealous that the young California driver is sleeping with her.
Dave wins the big race but Leander is badly burned. Jane helps him recover and Dave drives off into the sunset with Martha.
The movie was part of a conscious attempt on AIP to move away from beach party movies, which were losing popularity, and go towards youth rebellion films such as Fireball 500 and The Wild Angels. AIP executive Deke Heyward said that:
The next big thing for teenage films is protest. Teenagers empathize with protest because they are in revolt against their parents... These films represent a protest against society. These will be moral tales, there will be good guys and bad guys. But we will show the reasons for young people going against the dictates of the establishment. [3]
Stock car racing had already been the subject of Red Line 7000 but this movie would be specifically told from the teenagers point of view.
Director William Asher had made five beach party films for AIP with Avalon and Funicello. He co wrote the film with Leo Townsend, who had helped Asher write three of the beach party movies. Asher said "for the first time in these pictures we have a love affair consumated. And before marriage." [4] Frankie Avalon's character got to have sex. [5]
Fabian signed a multi picture deal with AIP in late 1965 and this was the first movie he made for them. [6] He was meant to follow it with Robinhood Jones for AIP but that was never made. [7] Frankie Avalon made it under his contract with AIP to be in two films a year for three years. [8]
The film was shot starting 9 March 1966. (The same month AIP began filming Hells Angels on Wheels.) [9]
The "Fireball 500" is a 1966 Plymouth Barracuda, heavily customized by George Barris, with a standard 273 cubic inch V-8 engine that develops 275 h.p. [10] At one point in the film, the car is referred to as the Batmobile, prompting Frankie Avalon's character to quip, "I had mine first.” Barris also built the Batmobile for the Batman television show which premiered in January 1966.
Footage from Fireball 500, specifically shots of the 4B car (Jim Douglas' car) toppling over on its roof, show up later in the demolition derby scenes at the beginning of The Love Bug . When making the film AIP would hire a race car driver and install cameras in the front and rear of his car to obtain shots. [11] The film is notable for its depiction of the inherently dangerous Figure 8 racing.
It was the first movie Funicello made after the birth of her daughter. [12]
Funicello and Fabian starred together again (without Avalon) the following year in AIP's follow-up feature, Thunder Alley .
The film's soundtrack is by Les Baxter, and features six songs written by Guy Hemric and Jerry Styner. Frankie Avalon sings:
Annette Funicello sings "Step Right Up."
Kevin Thomas of the Los Angeles Times said the film "leaves American International's beach formula pretty much intact despite William Asher's attempt to inject some sophistication into his story" but thought it was "always easy to watch" with "a brisk tempo, a stylish verve that leaps over large holes in the story." [13] Bosley Crowther of The New York Times called it "a real turkey... one old bird that should have been cremated, not cooked." [14]
Variety called it "an admirable attempt, realized to a significant degree, to add drama to what had become standard teen pic fluff." [15]
Filmink called it "one of the most transitional films you’ll see... a conscious attempt to evolve the beach party style into a new genre... the film isn’t bad, it’s just that the mixture of cars, serious drama and musical numbers does not entirely work." [16]
In July 1966 it was announced Burt Topper would produce a follow-up, Malibu 500 with a budget of $1.4 million. This became Thunder Alley . [17] [18]
Fabian Anthony Forte, professionally known as Fabian, is an American singer and actor.
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
Francis Thomas Avallone , better known as Frankie Avalon, is an American singer, actor and former teen idol. He had 31 charting U.S. Billboard singles from 1958 to late 1962, including number one hits, "Venus" and "Why" in 1959. He is the earliest surviving singer to have scored a solo number one hit on the Billboard Hot 100.
Annette Joanne Funicello was an American actress and singer. She began her professional career at age 12, becoming one of the most popular Mouseketeers on the original Mickey Mouse Club. In her teenage years, Funicello had a successful career as a pop singer recording under the name "Annette". Her most notable singles are "O Dio Mio", "First Name Initial", "Tall Paul", and "Pineapple Princess". During the mid-1960s, she established herself as a film actress, popularizing the successful "Beach Party" genre alongside co-star Frankie Avalon.
Back to the Beach is a 1987 American comedy film starring Frankie Avalon and Annette Funicello, directed by Lyndall Hobbs. The original music score is composed by Steve Dorff. The film generated a total domestic gross of $13,110,903. It received a "two thumbs up" rating from Siskel and Ebert, who compared it favorably to Grease.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
Beach Party is a 1963 American film and the first of seven beach party films from American International Pictures (AIP) aimed at a teen audience. This film is often credited with creating the beach party film genre.
How to Stuff a Wild Bikini is a 1965 Pathécolor beach party film from American International Pictures. The sixth entry in a seven-film series, the movie was directed by William Asher and features Mickey Rooney, Annette Funicello, Dwayne Hickman, Brian Donlevy, and Beverly Adams. It was written by Asher and Leo Townsend. The film features a brief appearance by Frankie Avalon and includes Buster Keaton in one of his last roles.
Ski Party is a 1965 American teen musical comedy film directed by Alan Rafkin and starring Frankie Avalon and Dwayne Hickman. It was released by American International Pictures (AIP). Ski Party is considered as a beach party film spin-off, with a change of setting from the beach to the ski slopes – although the final scene places everyone back at the beach.
Joel Dee "Jody" McCrea was an American actor. He was the son of actors Joel McCrea and Frances Dee.
Beach Blanket Bingo is a 1965 American beach party film directed by William Asher. It is the fifth film in the Beach Party film series. The film stars Frankie Avalon, Annette Funicello, Linda Evans, Deborah Walley, Paul Lynde, and Don Rickles. Earl Wilson and Buster Keaton appear. Evans's singing voice was dubbed by Jackie Ward. It was the last time Avalon had the lead in a beach party films.
Dr. Goldfoot and the Bikini Machine is a 1965 Pathécolor comedy film directed by Norman Taurog and distributed by American International Pictures. Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart and Jack Mullaney, and featuring Fred Clark, the film is a parody of the then-popular spy trend, made using actors from AIP's beach party and Edgar Allan Poe films. The film was retitled Dr G. and the Bikini Machine in England due to a threatened lawsuit from Eon, holder of the rights to the James Bond series.
Muscle Beach Party is the second of seven beach party films produced by American International Pictures. It stars Frankie Avalon and Annette Funicello and was directed by William Asher, who also directed four other films in this series.
Ghost in the Invisible Bikini is a 1966 American fantasy comedy film. It is the seventh and last of American International Pictures' beach party films. The film features the cast cavorting in and around a haunted house and the adjacent swimming pool.
Pajama Party is a 1964 beach party film starring Tommy Kirk and Annette Funicello. This is the fourth in a series of seven beach films produced by American International Pictures. The other films in this series are Beach Party (1963), Muscle Beach Party (1964), Bikini Beach (1964), Beach Blanket Bingo (1965), How to Stuff a Wild Bikini (1965), Ski Party a one-off film with a brief beach scene at the end (1965) and The Ghost in the Invisible Bikini (1966).
It's a Bikini World is a 1967 American musical comedy film starring Tommy Kirk, Deborah Walley and Bobby Pickett. The film features cameos by the music groups the Gentrys, the Animals, Pat & Lolly Vegas, the Castaways and R&B girl group the Toys. Featuring a pro-feminist plotline, it is the only film in the beach party genre to be directed by a woman.
Thunder Alley is a 1967 film about auto racing directed by Richard Rush and starring Annette Funicello and Fabian Forte. It was released by American International Pictures.
Beach Ball is a 1965 American beach party movie starring Edd Byrnes and partly financed by Roger Corman.
The Devil's 8 is a 1969 film directed by Burt Topper and starring Christopher George, Fabian, Tom Nardini and Leslie Parrish. It was produced and distributed by American International Pictures.
Bikini Beach is a 1964 American teen film directed by William Asher and starring Frankie Avalon and Annette Funicello. The film belongs to the beach party genre of movies, popular in the 1960s. This is the third in the series of seven films produced by American International Pictures (AIP).