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Gregory Hoblit | |
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Born | November 27, 1944 Abilene, Texas, U.S. |
Occupation(s) | Film director, television director, television producer |
Years active | 1974–present[ not verified in body ] |
Spouse | [ not verified in body ] |
Gregory Hoblit (born November 27, 1944) is an American film director, television director and television producer. [1] He is known for directing the feature films Primal Fear (1996), Fallen (1998), Frequency (2000), Hart's War (2002), Fracture (2007), and Untraceable (2008). [1] He has won nine Emmy Awards for directing and producing, [1] an accolade which includes work on the television series Hill Street Blues , NYPD Blue , L.A. Law , and Hooperman , and the television film Roe vs. Wade . [1]
This section needs expansionwith: a more thorough, source-derived description of this section's content. You can help by adding to it. (August 2023) |
Hoblit was born Gregory King Hoblit[ citation needed ] in Abilene, Texas on November 27, 1944, [1] the son of Elizabeth Hubbard King and Harold Foster Hoblit, an FBI agent.[ citation needed ]
This section needs expansionwith: any significant missed career highlights, as presented in published sources. You can help by adding to it. (August 2023) |
Hoblit was "[a] longtime associate of Steven Bochco, [1] the late, celebrated writer and producer of television police and courtroom dramas. [2] Much of Hoblit's work is oriented towards police, attorneys, and legal cases.[ citation needed ] An element of career that has been noted by the entertainment media is the casting of young talent into serious roles that have elevated them to stardom (e.g., for Edward Norton and Ryan Gosling). [3]
Hoblit is known for directing the feature films Primal Fear (1996), Fallen (1998), Frequency (2000), Hart's War (2002), Fracture (2007), and Untraceable (2008). [1]
As described by Jerry Roberts in the 2009 edition of his Encyclopedia of Television Film Directors, Hoblit's directing included episodes of Bay City Blues , Hill Street Blues , NYPD Blue , Cop Rock , L.A. Law , among other television series. [1] His credits also include having directed the science fiction police drama, NYPD 2069 (2004),[ clarification needed ] which was described as "unaired" as of that date. [1] [4] He also wrote an episode of Hill Street Blues .[ clarification needed ][ citation needed ]
This section needs expansionwith: the several further award highlights appearing in the Roberts (2009) source, as well as in other publications. You can help by adding to it. (August 2023) |
Hoblit has won nine Emmy Awards for directing and producing, [1] an accolade which includes six for producing episodes of the television series Hill Street Blues (1981-1984), L.A. Law (1987), Hooperman (1988), and NYPD Blue (1995); [1] the Emmy for L.A. Law was for the pilot episode. [1] [5] The 1981 Emmy for his work on Hill Street Blues was for Outstanding Drama Series, and his fellow awardees were Steven Bochco and Michael Kozoll. [6]
He was further recognized as a producer with an Emmy for the television film Roe vs. Wade (1989). [1]
This section of a biography of a living person does not include any references or sources .(August 2023) |
Year | Film | Director | Producer | Writer | Notes |
---|---|---|---|---|---|
1974 | Goodnight Jackie | Yes | |||
1978 | Loose Change | Yes | Made for television | ||
Dr. Strange | Yes | Made for television | |||
What Really Happened to the Class of '65? | Yes | Television series (1 episode) | |||
1979 | Paris | Yes | Television series | ||
Vampiro | Yes | Made for television | |||
1981 | Every Stray Dog and Kid | Yes | Made for television | ||
1981–1985 | Hill Street Blues | Yes | Yes | Yes | Television series (45 episodes) |
1983 | Bay City Blues | Yes | Yes | Television series (1 episode) | |
1986–1988 | L.A. Law | Yes | Yes | Television series (35 episodes) | |
1987 | Hooperman | Yes | Television series (2 episodes) | ||
1989 | Roe vs. Wade | Yes | Yes | Made for television | |
1990 | Equal Justice | Yes | Television series (1 episode) | ||
Cop Rock | Yes | Television series (2 episodes) | |||
1993 | Class of '61 | Yes | Made for television | ||
1993–1994 | NYPD Blue | Yes | Yes | Television series (9 episodes) | |
1996 | Primal Fear | Yes | |||
1998 | Fallen | Yes | |||
2000 | Frequency | Yes | Yes | ||
2002 | Hart's War | Yes | Yes | ||
2004 | NYPD 2069 | Yes | Yes | Television series (1 episode) | |
2007 | Fracture | Yes | |||
2008 | Untraceable | Yes | |||
2009 | Solving Charlie | Yes | Television series (1 episode) | ||
2013 | Monday Mornings | Yes | Television series (1 episode) | ||
2014 | The Americans | Yes | Television series (1 episode) | ||
2015 | The Strain | Yes | Television series (1 episode) | ||
NYPD Blue is an American police procedural television series set in New York City, exploring the struggles of the fictional 15th Precinct detective squad in Manhattan. Each episode typically intertwines several plots involving an ensemble cast. The show was created by Steven Bochco and David Milch, and was inspired by Milch's relationship with Bill Clark, a former member of the New York City Police Department who eventually became one of the show's producers. The series was originally broadcast by ABC from September 21, 1993‚ to March 1, 2005. It was ABC's longest-running primetime one-hour drama series until Grey's Anatomy surpassed it in 2016.
Steven Ronald Bochco was an American television writer and producer. He developed a number of television series, including Hill Street Blues; L.A. Law; Doogie Howser, M.D.; Cop Rock; and NYPD Blue.
Hill Street Blues is an American serial police procedural television series that aired on NBC in prime-time from January 15, 1981, to May 12, 1987, for 146 episodes. The show chronicles the lives of the Metropolitan Police Department staff of a single police station located on Hill Street in an unnamed large city, although the opening credits show scenes from the city of Chicago, contrasted with New York City inferences, including: a discussion, at the start of the eighth episode, of the police department running a summer camp for juvenile delinquents in New York's Allegany State Park; a stolen police vehicle being found in the East River in the 11th episode; and a mention, in the 13th episode, that Detective LaRue lives on the Lower East Side. The "blues" are the police officers in their blue uniforms. The show received critical acclaim, and its production innovations influenced many subsequent dramatic television series produced in the United States and Canada. In 1981, the series won eight Emmy Awards, a debut season record surpassed only by The West Wing, in 2000. The show won a total of 26 Emmy Awards during its run, including four consecutive wins for Outstanding Drama Series.
Mike Post is an American composer, best known for his television theme music for various shows, including The White Shadow; Law & Order; Law & Order: Special Victims Unit; The A-Team; The Byrds of Paradise; NYPD Blue; Renegade;The Rockford Files; L.A. Law; Quantum Leap; Magnum, P.I.; and Hill Street Blues. He was also the producer of the Van Halen III album by the band Van Halen.
Miriam Leder is an American film and television director and producer; she is noted for her action films and use of special effects. She has directed the films The Peacemaker (1997), Deep Impact (1998), Pay It Forward (2000), and On the Basis of Sex (2018). She was the first female graduate of the AFI Conservatory, in 1973. She has been nominated for ten Emmy Awards, winning two.
David Sanford Milch is an American writer and producer of television series. He has created several television shows, including ABC's NYPD Blue (1993–2005), co-created with Steven Bochco, and HBO's Deadwood.
Barbara Bosson was an American actress and writer. She is best known for her roles in the television series Hill Street Blues (1981–1986) and Murder One (1995–1997), for both of which she received six Primetime Emmy Award nominations.
Walon Green is an American documentary film director and screenwriter, for both television and film.
James McDaniel Jr. is an American stage, film and television actor. He is best known for playing Lt. Arthur Fancy on the television show NYPD Blue. He played the role of Paul in the hit Lincoln Center play Six Degrees of Separation. He played a police officer in the ill-fated 1990 series Cop Rock, and a close advisor to the director Spike Lee regarding the activist Malcolm X in the 1992 film Malcolm X. He also played Sgt. Jesse Longford in the ABC television series Detroit 1-8-7.
Charles Hamilton Eglee is an American film and television screenwriter and producer. He worked extensively for Steven Bochco productions throughout the 1990s. For Bochco productions he co-created Byrds of Paradise with frequent collaborator Channing Gibson and co-created Murder One with Gibson and Bochco. Eglee co-created the series Dark Angel with James Cameron.
Charles Maurice Haid III is an American actor and television director, with notable work in both movies and television. He is best known for his portrayal of Officer Andy Renko in Hill Street Blues.
Debrah Farentino is an American actress, producer and journalist. She began her career starring in the CBS daytime soap opera Capitol from 1982 to 1987, before moving to prime time with a female leading role in the ABC comedy drama series Hooperman (1987–88).
Joanna Frank is an American actress.
Steven DePaul is an American television director, producer and mystery author. His books, "The Left Coast Irregulars" and "Frequently Asked Questions", both part of the Rock and Roll Confidential Mystery series are available on Amazon. He has directed multiple episodes of "The Good Doctor", "The Gifted", Shades of Blue, NCIS-LA, CSI-NY, GRIMM, The Unit, Bones, as well as many episodes of one-hour dramatic television. He was a longstanding producer and director on NYPD Blue. In his capacity as producer of NYPD Blue he won the Emmy Award for Outstanding Drama Series in 1995. He was also nominated for NYPD Blue on five other occasions. Also wonGolden Globe Award for Best Television Series – Drama in 1993, and a George F. Peabody for "Raging Bulls", an episode he directed for NYPD Blue. .
Michael Bill Wagner was an American television writer and producer who worked on several television shows between 1975 and 1992, and won an Emmy Award in 1982 for Outstanding Writing in a Drama Series for his work on the television show Hill Street Blues. He co-created, produced and wrote several episodes for the one-season ABC series Probe.
Ted Mann is a Canadian born television writer and producer. He has worked in both capacities on the series NYPD Blue, Deadwood and Crash. In 1995 he won the Emmy award for Best Drama Series for his work on the second season of NYPD Blue.
Richard Channing Gibson is an American screenwriter and producer. He worked in both capacities with St. Elsewhere and NYPD Blue. He is one of the creators of the drama series Murder One and The Byrds of Paradise.
Jody Worth is an American television writer and producer. He has worked in both capacities on Deadwood and has been nominated for an Emmy Award and a Writers Guild of America Award for his work on the series. He is the son of producer and screenwriter Marvin Worth.
Jesse John Bochco is an American television director and producer. He is the son of television producer/writer Steven Bochco and actress Barbara Bosson.
Michael Kozoll is an American screenwriter. He is perhaps best known for creating the police procedural television series Hill Street Blues along with Steven Bochco. Kozoll wrote for television programs including Delvecchio, Quincy, M.E., McCloud, Richie Brockelman, Private Eye and Kolchak: The Night Stalker. He won two Primetime Emmy Awards, and was nominated for two more, in the category Outstanding Writing for a Drama Series for his work on Hill Street Blues. In 1981 he won an Emmy for Outstanding Drama Series, along with Bochco and Gregory Hoblit.
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: CS1 maint: multiple names: authors list (link)Fracture (New Line Cinema) may be remembered as the movie that brought Ryan Gosling into the mainstream (just as Primal Fear, director Gregory Hoblit's 1996 feature debut, introduced audiences to a young Edward Norton)... casting Gosling opposite Hopkins in a big-budget legal thriller is clearly Hollywood's way of saying, 'Here he is folks: the next big thing.'