With his ninth Emmy nomination for an episode of Dahmer – Monster: The Jeffrey Dahmer Story in 2023, Barclay became the first Black director to be nominated by the Television Academy in every narrative dramatic category.[1]
Barclay went on to Harvard College, where he was extremely active in student musical theatre productions and the a cappella singing group The Harvard Krokodiloes. During his four years there, he wrote 16 musicals, including the music for two of the annual Hasty Pudding shows. Barclay attended both the La Lumiere School and Harvard with John Roberts, now the Chief Justice of the Supreme Court. His Harvard roommate was novelist Arthur Golden, author of Memoirs of a Geisha.
Music video career
Following his graduation from Harvard, Barclay worked as a copywriter and creative supervisor at Grey, BBDO, Cunningham & Walsh, and Marsteller. Barclay then moved into music video directing and production through his own company, Black & White Television. He directed music videos for Bob Dylan ("It's Unbelievable"), the New Kids On The Block ("Games"[3]), Janet Jackson and Luther Vandross ("The Best Things in Life Are Free"[4]). Most notably, he created eight videos for LL Cool J, including "Mama Said Knock You Out", which won awards from both MTV and Billboard—and went on to be listed by The Rock and Roll Hall of Fame as one of the 500 songs that shaped rock and roll.[5] In 2013, Complex Magazine ranked "Mama Said Knock You Out" as one of the top 50 rap videos of the 1990s,[6] crediting it with creating "one of the most crucial links in establishing the cultural bridge between boxing and rap." Barclay was often hired to direct videos for films, introducing audiences to House Party (1990), White Men Can't Jump (1992), Mo' Money (1992), Posse (1993), and Cool Runnings (1993), among others.
In 2012, Barclay directed his first music video in 16 years, working once again with LL Cool J and R&B star Joe on the video for "Take It". Also drawing on his music video experience was Barclay's episode ("The Coup") of the Steven Spielberg-produced NBC series Smash, in which TV Fanatic said that the Barclay-directed number for the original song "Touch Me" (written by OneRepublic's Ryan Tedder) "pushed the boundaries from traditional Broadway show to music video level."[7]
Film and television career
1990s
Barclay began his successful career in television with an unaired episode of Angel Street in 1992. He was hired by John Wells, who was making his debut as an executive producer.
After directing episodes of ER, Barclay directed and eventually became a producer of NYPD Blue. In three years there, Barclay would receive two Emmy Awards for best directing—the second of which was for the episode titled "Hearts and Souls"— featuring the death of Jimmy Smits' character Bobby Simone. The episode has been ranked one of TV Guide's 100 Best Episodes of All Time.[8] Barclay reteamed with Smits again in his role as "Nero Padilla" on Sons of Anarchy.[9]
2008 marked Barclay's return to HBO, where he executive produced three seasons of In Treatment, as well as directed 36 episodes. The series garnered a Golden Globes nomination for Best Drama Series in 2009 and series lead Gabriel Byrne won the Golden Globe for Best Television Actor in a Drama Series that same year.[11] In 2008, the series won 2 Emmys for Glynn Turman for Outstanding Guest Actor in a Drama Series and Dianne Wiest won for Outstanding Supporting Actress in a Drama Series.[12]
Also in 2008, Barclay collaborated with screenwriter Dustin Lance Black to write the MTV film Pedro, the story of Pedro Zamora from The Real World: San Francisco. The film, directed by Nick Oceano, premiered at the Toronto International Film Festival and earned the writers WGA, the Humanitas Prize, and GLAAD Media Awards nominations.
2010s
In 2011, Barclay became the executive producer and primary director for the fourth season of FX's Sons of Anarchy, a role he continued through the seventh and final season.
Also in 2013, Barclay directed two episodes of Glee, "Diva"[13] and "Lights Out".[14] For his work on "Diva", Barclay was nominated for an Emmy for Outstanding Direction in a Comedy Series,[15] his second Emmy nomination for Glee.
In 2014, Barclay directed the season premiere and penultimate episodes of Sons of Anarchy for the fourth year running. In addition to his Sons of Anarchy duties, Barclay also directed the milestone episode "100" for Glee, for which he received another Emmy nomination,[16] in addition to episodes of The Good Wife, Extant, executive produced by Steven Spielberg and starring Halle Berry, and Manhattan, a Tommy Schlamme/Sam Shaw period drama for WGN America; and Glee's emotional flashback episode "2009" – the first half of the series finale.
In 2015, Barclay served his role as executive producer/director on FX's The Bastard Executioner, created by Kurt Sutter. The show starred Katey Sagal, Stephen Moyer, and Matthew Rhys. At the end of the year, he was enlisted by FOX to direct an episode of Empire, the Television Critics Association program of the year.
In 2017, Barclay directed the pilot of and executive produced another Shondaland project, Station 19, which follows a group of Seattle firefighters in a spinoff of the highly successful Grey's Anatomy. The show is ABC's second highest rated drama, and is currently airing its sixth season on ABC.
In early 2019, Barclay teamed up with the Human Rights Campaign and fellow award winner Dustin Lance Black to produce and direct a star-studded Americans for the Equality Act public awareness and advertising campaign. The series, which launched on March 25, 2019, with a debut video featuring Academy Award-winning actress Sally Field and her son Sam Greisman, features prominent figures in entertainment, sports and beyond speaking about the need for the Equality Act — a crucial civil rights bill that would extend clear, comprehensive non-discrimination protections to millions of LGBTQ people nationwide.[18] The powerhouse lineup of supportive film and television actors, influencers, musicians and professional athletes, includes Adam Rippon,[19] Shea Diamond,[20]Alexandra Billings, Blossom Brown, Justina Machado,[21]Gloria Calderon Kellett, Jamie Lee Curtis, Jane Lynch, Jesse Tyler Ferguson and Justin Mikita,[22] Charlie and Max Carver, Karamo Brown,[23]Marcia Gay Harden, and Nyle DiMarco. The Americans for the Equality Act series is modeled after HRC's successful Americans for Marriage Equality campaign and was awarded at the 4th Annual Shorty Social Good awards, and helped lead to the passage of the act in the House of Representatives.[24]
Also in 2021, after executive producing and directing 14 episodes of Station 19, Barclay directed two episodes of the Ryan Murphy Netflix series Dahmer – Monster: The Jeffrey Dahmer Story (with Evan Peters, Richard Jenkins, and Niecy Nash). The series surpassed 1 billion hours viewed on Netflix, only the third title in Netflix history to cross the 1 billion hour viewing mark within 60 days.[26]
Despite controversies surrounding Dahmer, Barclay’s work on Episode 6, "Silenced," received wide praise. Daniel Fienberg of The Hollywood Reporter[27] wrote, "Directed with more empathy than voyeurism by Paris Barclay, 'Silenced' tells the story of Tony Hughes (excellent newcomer Rodney Burnford [sic]), presented here as perhaps the only victim with whom Jeffrey had traces of a real relationship. It’s easily the best episode of the series, an uncomfortably sweet and sad hour of TV that probably should have been the template for the entire show. Tony was deaf and, in placing a Black, deaf, gay character at the center of the narrative, the series is giving voice to somebody whose voice has too frequently been excluded from gawking serial killer portraits." Kayla Cobb said in her review of "Silenced" for The Decider,[28] "It’s not just the strongest episode of the entire series; it’s one of the most heart-wrenching episodes of the year." For this episode, Barclay received a 2023 Emmy nomination for Best Directing for a Limited or Anthology Series or TV Movie.[29] Barclay’s work on the series finale, "God of Forgiveness, God of Vengeance," was also nominated by the Hollywood Critics Association.[30]
After Dahmer, Paris reteamed with Ryan Murphy to executive produce and direct 2 episodes of the Netflix series The Watcher (with Naomi Watts, Bobby Cannavale, Margo Martindale and Mia Farrow). The series was a hit, ranking as the #1 most watched show on Netflix the week of its debut.[31]
Currently, he is directing two episodes of a new Ryan Murphy series American Sports Story: Gladiator, set to air on FX. He’s also in post-production on a feature documentary about the life of iconic keyboard and recording artist Billy Preston, due in 2024.[32]
Work in musical theater
In the theater, Barclay presented his original musical On Hold With Music at Manhattan Theater Club in 1984, with a cast including Jason Alexander, Terry Burrell, John Dossett, Ray Gill, and Maureen Brennan. Based on his life in advertising, Barclay wrote and composed the sung through musical in its entirety.[33]
In 1985, he wrote the book, music and lyrics for another musical drama entitled Almos' a Man, based on a short story by Richard Wright – which had been developed in the second year of the ASCAP Musical Theater Workshop in New York,[33] under the tutelage of Charles Strouse and Stephen Sondheim. It was produced that year at Soho Rep, receiving a mixed review from TheNew York Times' Mel Gussow.[34]
After years of directing, Barclay returned to composing in September 2001 with the premiere of a musical based on the collection of letters Dear America: Letters Home from Vietnam. Called Letters from ‘Nam, the play featured Grammy winner Maureen McGovern, future Tony winner Levi Kreis, and David Burnham. Praised by most reviewers[35][36] and opening days before the September 11 attacks in 2001, the Vietnam musical reportedly hit home emotionally with many who performed in it, produced it, or experienced it.[37]
In 2003, Barclay wrote songs for and co-directed Order My Steps for the Cornerstone Theater Company. The musical play, with book by Tracey Scott Wilson, dealt with the African-American church's response to the AIDS epidemic. The Los Angeles Times call a "moving tale about the human toll of AIDS."[38]
Barclay returned to Vietnam with One Red Flower: Letters from ‘Nam, a reworked version of the musical was produced at the Village Theater in Issaquah to further acclaim,[39] with Levi Kreis and David Burnham reprising their roles. Other productions followed, with the most significant being Eric Schaeffer's "gritty and emotional"[40] staging at the Signature Theatre in Arlington, Virginia in 2004.
In 2008, Barclay presented a reading of One Red Flower in Los Angeles to benefit New Directions, an organization that supports veterans of all wars. Maureen McGovern, Levi Kreis and David Burnham returned in featured roles, with television stars Hunter Parrish and Josh Henderson. Although it was not a full production, again it received glowing reviews, described by Beverly Cohn in the Santa Monica Mirror as an "evening that had the audience smiling with a lump in its throat."[41] Barclay is currently working with Brian Yorkey (Next to Normal) to develop One Red Flower as a television movie, now entitled Letters From ‘Nam.
Directors Guild of America
In June 2013, Barclay was elected President of the Directors Guild of America, the first African-American and first openly gay President in the history of the Guild.[42] After the vote, Barclay expressed gratitude for the honor and admiration for the Union's history, saying "I am profoundly honored to be elected President of the DGA.... The DGA has worked for more than three-quarters of a century to advance the creative and economic rights of directors and their teams and I look forward to continuing this strong tradition of service. As the son of a glass blower and a tile maker from Chicago, I am extremely humbled to have the honor to serve in the footsteps of the legendary leaders of the DGA like Frank Capra, Robert Wise and Gil Cates." Barclay was nominated for the Presidency by past-President Michael Apted, who said of him, "Paris' qualifications for DGA president are exceptional.... His understanding of the issues facing directors and their teams is outstanding and his ability to resolve problems and create solutions is beyond compare." His nomination was seconded by Steven Soderbergh, who said of Barclay, "This is a great moment for our Guild; Paris will be a phenomenal leader as we move into the future."[43] Barclay was enthusiastically re-elected in June 2015.[44]
Before being elected DGA President, Barclay served four terms as First Vice President of the DGA, where he was the first African-American Officer in the history of the guild. While serving as First Vice President, Barclay was also chair of the DGA's Political Action Committee, whose mission it is to promote the interests of DGA members to state and federal lawmakers. Their top issues include battling online copyright threats and promoting production tax incentives. He also served on the Western Directors Council and co-chaired the Diversity Task Force, whose mission is to encourage the hiring of women and minority directors to networks and studios.[45] In addition, Barclay served as a board member of the DGA-affiliated Franco-American Cultural Fund, which promotes cultural exchange between French and American directors.
Barclay completed his second term as DGA president in June 2017. He was succeeded by Thomas Schlamme, whom he worked with on The West Wing and Manhattan, as well as on the DGA board.[46]
Barclay's work for the DGA continues even after his presidency: he helped create and teaches the Guild's First Time Director Orientation.,[47] and in the successful 2020 contract negotiations Barclay co-chaired the Television Creative Rights Committee.[48] He also serves as the co-Chair of the DGA's Return to Work Committee, which created the protocols that brought the industry back to work after the COVID shutdown. In 2021, he was elected the Guild's Secretary/Treasurer.
In 2021, he was named an Honorary Life Member of the DGA, one of the guild's highest honors, recognizing his career achievements and leadership in the industry. His acceptance speech earned praise for its focus on his hopes for his two sons.[49] He currently serves as the Guild's Secretary/Treasurer.
Reputation
During his three decades as a director, Barclay has developed a strong reputation as a go-to director capable of working adeptly in multiple genres - described in a June 2011 article in Variety as a "highly adaptive force with the ability to control both TV detectives and scene-stealing gleesters". The same article ranked Barclay among the "Ten TV Directors Who Leave Their Mark"[50] and another called him “one of the most reputable TV directors in Hollywood.”[51]
Sons of Anarchy creator Kurt Sutter stated in an interview with The Star-Ledger[52] that it wasn't until Barclay came on board to direct that the show found its "groove", observing: "We had all those glitches in those first two or three episodes [...] We had (Paris) come in [...] and we all just started trusting what we were doing here." Later in an interview for Variety, Kurt stated "The great thing about (exec producer Paris Barclay) is that he's a writer and he's also a director [...] so he can get the scripts and understand the production realities of it but also understand creatively what the need for everything is."[53]
In an interview with TV Fanatic, Gleeactor Blake Jenner credited Barclay for guiding him through a difficult scene in the episode "Lights Out", saying "He was just so nurturing."[54]
In a piece for Vulture, television critic Matt Zoller Seitz cites Barclay as one of the few producer/directors who can "manage and drive the medium [of television]" as well as a writer-showrunner can. Seitz explains, "Directors tend to think in terms of images and moments; those skill sets aren't often compatible with the left-brain requirements of managing a sitcom or drama (though there are always exceptions; see veteran TV director Paris Barclay's executive-producer credit on FX's stylishly nasty biker drama, Sons of Anarchy)."[55]
Over time, many of Barclay's former assistants have gone on to great Hollywood success in their own right. One of his first assistants was Kevin Williamson, writer of Scream and I Know What You Did Last Summer, and the creator and executive producer of the hit television shows Dawson’s Creek, The Vampire Diaries, and The Following.[57] Josh Barry, another former Barclay assistant,[58] was the head of the television department at Prospect Park after working as an executive in Drama Development at ABC.[59] He was recently tapped to be the President of Shawn Levy's 21 Laps Television as part of a major deal with Netflix.[60] Sam Martin, the former HBO executive (Bury My Heart at Wounded Knee, Lackawanna Blues) and film producer (Pariah), and Jason Clodfelter, former VP of Drama Development and now Co-President at Sony Television,[60] both previously served as Barclay assistants.[61]
Personal life
Openly gay since late in his college days,[62] he was a regular contributor to The Advocate for several years. Barclay married food-industry executive Christopher Barclay (né Mason), his partner of 10 years, in 2008.[63] They have 2 children.
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