Long, Long Time (The Last of Us)

Last updated

"Long, Long Time"
The Last of Us episode
The Last of Us - Long Long Time.jpg
The final crane shot of Bill and Frank's bedroom was inspired by the video game's title screen, [1] signifying promise and loss [2] and allowing a final moment with the characters. [3]
Episode no.Season 1
Episode 3
Directed by Peter Hoar
Written by Craig Mazin
Featured music
Various
Cinematography byEben Bolter
Editing byTimothy A. Good
Original air dateJanuary 29, 2023 (2023-01-29)
Running time75 minutes [4]
Guest appearances
Episode chronology
← Previous
"Infected"		Next →
"Please Hold to My Hand"
The Last of Us season 1
List of episodes

"Long, Long Time" is the third episode of the first season of the American post-apocalyptic drama television series The Last of Us . The episode was written by series co-creator Craig Mazin and directed by Peter Hoar. It aired on HBO on January 29, 2023. In the episode, Joel (Pedro Pascal) and Ellie (Bella Ramsey) travel to Lincoln, Massachusetts, to find Bill (Nick Offerman). Flashbacks follow Bill over twenty years as he survives in his town and meets his partner Frank (Murray Bartlett). The episode's title is taken from the 1970 song by Linda Ronstadt, which plays an important role in Bill and Frank's relationship.

Contents

Mazin wanted to expand on Bill's story from the video game; he felt it allowed a deeper look at love, happiness, and the passage of time. Filming for the episode took place in the former Beachwood area of High River, Alberta, in September 2021; production designer John Paino and his team constructed the town of Lincoln in around six to twelve weeks. Critics overwhelmingly considered the episode the season's best, with Offerman and Bartlett's performances, Mazin's writing, and Hoar's direction receiving particular praise. It was watched by 6.4 million viewers on its first day. The episode received several awards, including Hoar for Outstanding Directing at the Directors Guild of America Awards and Offerman for Outstanding Guest Actor at the Creative Arts Emmy Awards, for which Bartlett was also nominated.

Plot

Traveling on foot to Lincoln, Massachusetts, Joel searches for his stashed provisions while Ellie enters the basement and stabs a trapped infected to death. Encountering a pile of human skeletons, Joel explains the military culled some survivors to conserve food and living space.

Twenty years earlier, in Lincoln, Bill monitors the evacuation from an underground bunker after the outbreak. He ransacks abandoned businesses for supplies and materials to build a generator, electric fence, and traps. Four years later, he encounters Frank, who bargains for a hot meal, shower, and fresh clothes. He and Bill play "Long Long Time" on the piano. He deduces Bill has never had a romantic partner. Frank kisses him, and they sleep together. Three years later, Frank invites Tess and Joel to establish a smuggling operation. Joel convinces the misanthropic Bill to accept Frank's plan by pointing out deficiencies in the town's defenses they can help fix. Later, raiders attempt to infiltrate the town, injuring Bill before being repelled by his defenses.

Ten years later, Bill and Frank are elderly, with a degenerative disease leaving Frank with limited mobility; he asks Bill to help him die. Bill takes Frank to dress in new suits and they marry in their living room. After dinner, Bill places a lethal dose of sleeping tablets in Frank's wine and reveals he spiked his own drink as well, admitting he has no desire to live without Frank. They retire to their room.

Several weeks later, Joel and Ellie reach Lincoln. Ellie finds a letter from Bill addressed to Joel, leaving him his truck, weapons, and any supplies he needs. Bill describes how caring for and protecting Frank gave him a purpose, and states both he and Joel have a mission to save and protect the worthy. When Joel discovers Bill was referring to Tess, he becomes emotional. He and Ellie agree to take Bill's truck and travel to Wyoming to find Tommy, who may be able to help transport Ellie to the Fireflies. Joel sets new rules for Ellie: neither of them is to address Tess or their histories; Ellie is to keep her condition a secret; and she has to follow Joel's orders. They stockpile from Bill's stash; unbeknownst to Joel, Ellie finds a gun and hides it in her backpack. The two drive away with "Long Long Time" playing on cassette.

Production

Conception and writing

The episode was written by series co-creator Craig Mazin. Craig Mazin, MovieZine interview (cropped).png
The episode was written by series co-creator Craig Mazin.

"Long, Long Time" was written by The Last of Us series co-creator Craig Mazin and directed by Peter Hoar. [5] The Directors Guild of Canada revealed Hoar was assigned to direct an episode in July 2021. [6] Hoar had played The Last of Us (2013), the video game on which the series is based, but not its sequel The Last of Us Part II (2020). He "dreamed about being part of" the series after it was announced, and was contacted by executive producer Rose Lam about directing an episode. [7] Rotten Tomatoes revealed the episode's title in December 2022. [8] Mazin wanted the episode to be "a break from fear" of the previous episodes, exploring hopefulness without the constant threat of danger. [9] Mazin mapped out Bill's area and researched how long natural gas would last in his setup. [10] His original script was "quite a bit longer" than the final episode. [11] Hoar's original version was around 77 minutes long; he cut it down to 72 but Mazin insisted they reinsert some elements, resulting in the final 75-minute runtime. Hoar felt a 59-minute episode would have failed. [12] Deadline published Mazin's script in May 2023, considering it among the year's ten best drama episodes. [13]

Mazin approached series co-creator Neil Druckmann, who wrote and co-directed the video game, with the idea of expanding Bill and Frank's story from the games; [14] he felt Bill's inclusion in the game was built around gameplay whereas the television series would allow a deeper look at the character. [15] Druckmann approved as he felt it improved the overall series narrative; [14] he considered a positive relationship a smart inclusion as the series already featured several examples of dark outcomes. [12] He found the game's version of events—wherein Bill saves Joel's life in the present and Frank is already dead—would have been too boring as a television episode without player agency, and likewise the show's story lacked the action sequences required for gameplay. [2] : 26:03  Mazin enjoyed the ability to demonstrate the passage of time and the events within the first 20 years of the outbreak, which was not featured in the games. [16] He considered the episode an opportunity to show that happiness and peace was still achievable; [17] he wanted the episode to explore the dichotomy of loving someone—a recurring theme in the series—and how love manifests in the post-apocalypse. [18]

The episode intentionally avoids specifying Frank's degenerative illness; Mazin said it was either multiple sclerosis or early ALS. [2] : 35:26  One of Bill's lines—"This isn't the tragic suicide at the end of the play"—was inspired by Mart Crowley's play The Boys in the Band (1968); Mazin wanted to avoid the trope of equating homosexuality with tragedy. [2] : 38:07  [19] The final shot of the open window was a reference to the game's title screen. Mazin and Druckmann had envisioned each episode's HBO Max page opening on a unique window shot before the episode started, akin to a title screen, and the final shot was framed to match this; while the idea was later scrapped, the shot remained in the episode. [20] Mazin felt it implied promise and loss, while signifying Bill and Frank were at peace with each other. [2] : 46:35  Hoar felt the shot allowed one final moment with Bill and Frank. [20] Murray Bartlett (who portrays Frank) considered it romantic and Nick Offerman (Bill) found it emotional; [21] Mazin considered it a happy ending. [14] [18] Druckmann considered Bill's suicide note a reminder of Joel's failure at protecting his daughter Sarah and partner Tess in the two preceding episodes. [22] : 3:05 

Casting and characters

Bartlett and Con O'Neill's casting as Frank and Bill was announced on July 15, 2021. [23] Bartlett was unfamiliar with the source material but was drawn to the show after he read the script. [24] He researched the game after receiving the role and found it cinematic, citing the characters, narrative, and themes. [25] According to Mazin, the producers cried during Bartlett's audition. [26] Druckmann expected some fans to be upset by Frank's inclusion in the show due to the divergence from the game's narrative. [27] On December 5, Bartlett claimed Nick Offerman would appear on the show in a role close to his; [28] two days later, Offerman was announced to be playing Bill, replacing O'Neill who was forced to drop out due to scheduling conflicts with Our Flag Means Death . [2] : 13:36  [29] Mazin wanted gay men to play Frank and Bill, but after O'Neill's departure, he was drawn to casting Offerman at the suggestion of executive producer Carolyn Strauss. [9]

Mazin felt inspired to cast a comedic actor like Offerman because "funny people have soul", a mantra he learned from Vince Gilligan, citing performances like Bryan Cranston in Breaking Bad and Bob Odenkirk in Better Call Saul . [30] A scheduling conflict originally prohibited Offerman from accepting the role but he decided to take it after his wife Megan Mullally read the script; [9] he felt attached to the material and found a kinship with Bill due to his experience in crafting. [12] Hoar, executive producer Evan Wells, and co-executive producer Jacqueline Lesko met Offerman and Bartlett and had dinner before production to better understand the characters. [7] Offerman was cleanshaven with short hair when he began working on the show; the production team decided to add long hair and a beard to demonstrate Bill's inability to express himself. [7] Bill's first line in the episode—"Not today you New World Order jack-booted fucks"—was originally written as a description but Offerman insisted on saying it aloud. [31] Offerman selected some of the books and videos to place in Bill's entertainment area. [21]

A singing coach helped Offerman and Bartlett prepare for the piano performances; Bartlett was specifically coached to sing worse. [32] Offerman rehearsed the song with Mullally, a singer. [33] Cinematographer Eben Bolter recalled seeing Offerman's hands shaking between takes of the performance. [32] Mazin and Offerman—both heterosexual—sought advice and approval from gay men involved in the production, including Bartlett, Hoar, editor Timothy A. Good, and unit production manager Cecil O'Connor. Mazin ultimately considered their age more important than their sexuality as he wanted to explore a long, committed relationship; [2] : 13:54  having been married for 27 years, he understood "there's a different kind of love" in long-term partnerships. [16] Mazin felt Offerman's inexperience in playing gay men added to the role, as Bill is similarly inexperienced in exploring his sexuality. [26] Offerman considered the role important as he hoped the representation helped to "break down [the] walls" of gender stereotypes. [34] In the sex scene, Offerman found Bill's discomfort "easy to channel" due to the crew members watching on set. [26]

Music

Linda Ronstadt's song "Long Long Time" is featured heavily in the episode as it represents unfulfilled and unacknowledged love. Linda Ronstadt 1976.jpg
Linda Ronstadt's song "Long Long Time" is featured heavily in the episode as it represents unfulfilled and unacknowledged love.

Mazin wanted Bill and Frank to initially connect through a song about lonely heartache [2] : 16:40  and "making your peace with the fact that you will always be alone". [37] Struggling to find a song, he spoke to his friend Seth Rudetsky in February 2021, requesting a show tune like "I Miss the Music" from the musical Curtains (2006). Rudetsky suggested "Her Face" from Carnival! (1961), which Mazin felt was "perfect". [35] After discovering the scenario involved a closeted man singing to an openly gay man, Rudetsky suggested Linda Ronstadt's "Long Long Time", written by Gary White; he felt the lyrics represented the lack of acknowledgement from one's love. Rudetsky received a consultancy credit for the episode. [35] The song exhibits themes of unfulfilled love and how time heals wounds. The moment with Frank at the piano marks the beginning of profound change for Bill, who finds himself in an unexpected long-term, loving relationship that eventually sees him care for another individual. Bill and Frank's relationship is echoed in the lyrics: [36]

Love will abide, take things in stride
Sounds like good advice, but there's no one at my side
And time washes clean, love's wounds unseen
That's what someone told me, but I don't know what it means. [36]

In the hour after the episode's broadcast, Ronstadt's song saw a 4,900 percent increase in streams on Spotify in the United States over the previous week; outlets compared it to the 2022 resurgence of Kate Bush's "Running Up That Hill" after its use in the fourth season of Stranger Things . [38] [39] [40] According to Luminate, from January 28 to 30, daily streams of the song in the United States increased from under 8,000 to almost 149,000—a spike of 1,776 percent—and daily sales jumped to over 1,500, a 13,782 percent increase. [41] For the first time, [lower-alpha 1] the song topped three Billboard charts in the week preceding February 11: Rock Digital Song Sales from 6,000 downloads (an 11,181 percent increase) in the United States; LyricFind U.S., from a 3,013 percent increase in lyric search and usage; and LyricFind Global, a 2,047 percent increase. It ranked sixth on the Hot Trending Songs chart, [42] and fifth on January's Top TV Songs chart. [43] Ronstadt, who sold rights to her music in 2021, said "I still love the song and I'm very glad that Gary will get a windfall". [44]

Montages in the episode use "I'm Coming Home to Stay" by Fleetwood Mac and "White Room" by Cream. [45] Bill and Frank's final scene features an instrumental piece by Max Richter, "On the Nature of Daylight". [19] Hoar had tried to use the piece in It's a Sin (2021) but it was removed. He used it as temp music for the episode and HBO approved the licensing; [46] Bolter had assumed it would be replaced during editing, particularly due to the licensing fee, but was "so moved and delighted" by its inclusion. [46] [47] Richter responded by performing the piece on piano in a TikTok video, which he dedicated to Bill and Frank. [48] "On the Nature of Daylight" ranked tenth on Billboard's Top TV Songs chart for January. [43]

Filming

Bill's town of Lincoln, Massachusetts, was recreated in the former Beachwood area of High River, Alberta. The Last of Us - High River set 2.png
Bill's town of Lincoln, Massachusetts, was recreated in the former Beachwood area of High River, Alberta.

"Long, Long Time" was filmed in September 2021; [20] preparation and filming took around 20 days each. [12] Some larger sequences were filmed roughly in order. [7] Eben Bolter worked as cinematographer. [1] The opening scene of Joel at the river was filmed in Banff, Alberta; the production team discussed digitally removing mountains in the background to better resemble Greater Boston's topography but they were ultimately included. Bolter wanted the opening shots to resemble an "early morning feeling when the sun's just about to come up". [50] The following scenes with Joel and Ellie was filmed at Sheep River Falls; [51] Bolter had large lights in place in case clouds covered the sun. [50] The walking sequences were filmed in the Ann & Sandy Cross Conservation Area, at a stone bridge in Fish Creek Park, and the Priddis General Store near Alberta Highway 22. Some of Bill's early montage scenes were filmed at a gas plant in Mazeppa, and the closed Lowe's Home Improvement store in Shawnessy, representing The Home Depot. [51]

Bill's town of Lincoln was recreated in the former Beachwood area of High River, which was abandoned following the 2013 Alberta floods. [51] On July 12, the High River town council approved the production team's request to film in Beachwood between July 12 and October 31; [49] in exchange, the production paid CA$100,000 to the town of High River for community funding, which was ultimately split between the High River Bike Park Society (80 percent) and Spitzee School (20 percent). The production team removed three trees in the area, for which they reimbursed the town an additional CA$15,000. [52] Production designer John Paino and his team constructed the town of Lincoln in around six to twelve weeks; greenery was transported from Vancouver to replicate Lincoln's foliage, which was expanded to demonstrate the passage of time. [9] The buildings lacked roofs, requiring the visual effects department to add them into every shot. [26] The scene at the strawberry patch was filmed in the last moments of available light during the day; Hoar considered it among his favorite moments "because it's so natural and so real". [7] The piano scene was filmed with three cameras—separate cameras for Offerman and Bartlett, and a roving camera to move between them—as Mazin wanted it recorded as a live performance. [50]

Most interiors were built on a soundstage, including Bill's house and bunker. [9] The front room of Bill's house existed both on a soundstage and on location; the latter version was used to allow the camera to move from inside to outside during an action sequence. Hoar used minimal lighting for the action scene, limited to fire and occasional lightning. [26] Mazin assisted in directing the scene, filming additional close-ups. [12] Paino felt Bill's family were likely among the "first settlers" of the town, demonstrated by their house's central placement, and therefore it contained old artifacts. [9] Bolter, a fan of the games, pitched the final shot of the window to Mazin as a tribute to the first game's title screen; the corner of the bedroom interior was constructed on a platform to allow the crane shot to move from outside to inside. [1] He said they "had to fight for that shot". [3] The last scene filmed was Bill and Frank in their bedroom on their final day. [7] Principal photography concluded on October 5, 2021. [53]

Reception

Broadcast and ratings

The episode aired on HBO on January 29, 2023. [54] Annie Wersching, who portrayed Tess in the video game, died on the same day; [55] the episode was altered several days later to add a dedication. [56] The episode had 6.4 million viewers in the United States on its first night, including linear viewers and streams on HBO Max—an increase of 12 percent from the previous week and 37 percent from the premiere. [57] On linear television, it had 747,000 viewers on its first night, with a 0.21 ratings share. [58]

Critical response

Murray Bartlett (further cropped).jpg
Nick Offerman (42636140954) (cropped).jpg
The performances of Murray Bartlett (left) and Nick Offerman (right) were widely praised by critics; [5] [59] [60] both were nominated for Outstanding Guest Actor at the 75th Primetime Creative Arts Emmy Awards, with Offerman winning. [61]

On review aggregator Rotten Tomatoes, "Long, Long Time" has an approval rating of 98 percent based on 50 reviews, with an average rating of 9.9/10. The website's critical consensus said the episode "richly deepens" the show's story, "beautifully played" by Offerman and Bartlett. [62] Critics overwhelmingly considered the episode the season's best, [5] [63] [64] and some named it among the greatest television episodes in recent years; [65] [66] [67] Rolling Stone ranked it the 50th best television episode in September 2024, with Chris Cruz calling it "a rare glimpse of an apocalypse that's more than just misery porn". [68] The Hollywood Reporter 's Daniel Fienberg felt it elevated the series to a new level. [4] Empire 's John Nugent named it "one of the finest hours of television in recent memory", [69] and The Guardian 's Andy Welch called it "absolutely magical television". [70] CNN's Brian Lowry wrote the final shot "represented the perfect close to an almost-perfect hour of television". [71] Some critics compared Bill and Frank's story to the opening sequence of Up (2009) for its ability to tell a heartwarming and heartbreaking story in a limited time. [72] [73] [74]

Offerman and Bartlett's performances were highly praised; [5] [59] [60] Complex 's William Goodman described them as a "career-best" [75] and TV Guide 's Kat Moon considered them deserving of Emmy nominations but felt Offerman's performance "demands special attention". [76] Regarding the recasting of Bill, The Guardian's Welch wrote "it's now hard to imagine anyone other than Offerman in that role". [70] Reviewers lauded Offerman's ability to portray Bill's gentler side, and Bartlett's eager and charismatic attitude as Frank; [77] [78] [79] TVLine named them the Performers of the Week. [80] Den of Geek 's Bernard Boo wrote their "performance as a pair is pitch-perfect", [67] and Vulture 's Keith Phipps praised their ability to convey emotions without dialogue. [81] Conversely, Vulture's Jackson McHenry found Offerman and Bartlett were "stuck in wooden roles acting out maudlin dynamics". [82] Pedro Pascal and Bella Ramsey's performances as Joel and Ellie were well received. [79] [83]

The A.V. Club 's David Cote praised Mazin's writing for its humor and heart without overt cheesiness. [84] Push Square 's Aaron Bayne applauded the decision to tell a different story from the game; [85] Mashable 's Belen Edwards felt the episode's beauty would have been impossible otherwise. [86] Slate 's Victoria Ritvo lauded the connection to the larger story while remaining largely self-contained. [87] IGN 's Simon Cardy called Bill and Frank's final day "remarkably touching from start to finish"; [79] Den of Geek's Boo said it was "overwhelming to watch", an impressive feat considering the limited time with the characters. [67] Evening Standard 's Vicky Jessop felt, while beautiful and moving, the episode lacked explanation for viewers unfamiliar with the video game. [88] Vulture's McHenry wrote it "tries so hard to imitate what we think of prestige television that it forgets to say anything at all". [82] IndieWire 's Steve Greene praised Hoar's physical direction and Paino's production design, [78] and Total Film 's Bradley Russell lauded Hoar's ability to elevate small moments into significance, citing the strawberry patch scene. [89] After the episode, film director Steven Spielberg sent an email to Mazin, who shared it with Hoar, Offerman, Bartlett, and Bolter. [90] [91]

Radio Times 's Adam Starkey felt the depiction of a mature gay relationship set a benchmark for the medium; [92] Slate's J. Bryan Lowder recognized the importance of presenting a gay couple as role models amidst growing anti-LGBT sentiment that "gender ideology" and sexual deviance is being used to recruit children. [93] Kotaku 's Kenneth Shepard appreciated the relationship's ties to pre-apocalypse LGBTQ+ history that, as other characters and relationships in the franchise illustrate, were no longer common knowledge. [94] The Washington Post 's Riley MacLeod thought it suffered from tropes like Frank's illness and the couple's isolation, though acknowledged these were partly due to the apocalypse rather than their sexuality. [95] The episode was the subject of review bombing on IMDb and Metacritic, which journalists largely attributed to homophobia. [96] [97] [98]

Accolades

At the 75th Primetime Emmy Awards, Offerman won Outstanding Guest Actor in a Drama Series, [99] for which Bartlett was also nominated. [61] Offerman won Best Guest Actor in a Drama Series at the 1st Astra Creative Arts TV Awards [100] and Best Supporting Performance in a New Scripted Series at the 39th Independent Spirit Awards; [101] Bartlett was nominated for both. [102] [103] Offerman was nominated for Best Guest Starring Role on Television at the 51st Saturn Awards, [104] and Bartlett for Supporting Role in a Series at the 28th Satellite Awards. [105] Offerman's piano performance was nominated for Best TV Musical Performance at the Dorian Awards, [106] and for Best Musical Moment at the 2023 MTV Movie & TV Awards. [107]

At the Emmy Awards, the episode was nominated for Contemporary Makeup (Non-Prosthetic) [lower-alpha 2] and Contemporary Hairstyling, [lower-alpha 3] and Mazin, Hoar, and Gustavo Santaolalla for Outstanding Writing, Outstanding Directing, and Outstanding Music Composition, respectively. [61] Hoar won Outstanding Directing at the 76th Directors Guild of America Awards [108] and Good won Best Edited Drama Series at the American Cinema Editors Awards 2024, [109] while Michael J. Benavente and Joe Schiff were nominated for Outstanding Achievement in Sound Editing at the Golden Reel Awards 2023 [110] and Mazin for Best Adapted Screenplay – Television at the USC Scripter Awards. [111] The episode won Best Dramatic Presentation, Short Form at the 2024 Hugo Awards. [112]

Notes

  1. ↑ "Long Long Time" previously peaked at 25 on the Billboard Hot 100 in October 1970. [42]
  2. ↑ Nominees: department head makeup artist Connie Parker; and key makeup artist Joanna Mireau [61]
  3. ↑ Nominees: department head hairstylist Chris Glimsdale; key hairstylist Penny Thompson; and Pascal's personal hairstylist Courtney Ullrich [61]

Related Research Articles

<span class="mw-page-title-main">Nick Offerman</span> American actor (born 1970)

Nicholas David Offerman is an American actor. He became widely known for his role as Ron Swanson in the NBC sitcom Parks and Recreation (2009–2015), for which he received the Television Critics Association Award for Individual Achievement in Comedy and was twice nominated for the Critics' Choice Television Award for Best Supporting Actor in a Comedy Series.

<span class="mw-page-title-main">Murray Bartlett</span> Australian actor (born 1971)

Murray Bartlett is an Australian actor. He became known for starring as a luxury resort manager in the first season of the HBO dark comedy series The White Lotus (2021), for which he won a Primetime Emmy Award for Outstanding Supporting Actor. He gained further recognition for his role as Nick De Noia in the Hulu miniseries Welcome to Chippendales (2022), and Frank in the episode "Long, Long Time" of the HBO drama series The Last of Us (2023), receiving Primetime Emmy Award nominations for both.

<span class="mw-page-title-main">Long Long Time</span> 1970 single by Linda Ronstadt

"Long Long Time" is a song written by Gary White which became a hit for Linda Ronstadt in 1970. "Long Long Time" is about a lasting love for someone who never became a lover.

<span class="mw-page-title-main">Endure and Survive</span> 5th episode of the 1st season of The Last of Us

"Endure and Survive" is the fifth episode of the first season of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Jeremy Webb. It was released online on HBO Max and HBO on Demand on February 10, 2023, ahead of its broadcast on HBO on February 12. In the episode, Joel and Ellie agree to escape Kansas City, Missouri, with Henry and his brother Sam, who are being hunted by bandit leader Kathleen and her second-in-command Perry.

<span class="mw-page-title-main">Halley Gross</span> American screenwriter (born 1985)

Halley Wegryn Gross is an American screenwriter and former actress. She is best known for writing two 2016 episodes of the HBO series Westworld and co-writing the 2020 video game The Last of Us Part II.

The Last of Us is an American post-apocalyptic drama television series created by Craig Mazin and Neil Druckmann for HBO. Based on the video game franchise developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and causes the collapse of society. The first season, based on the 2013 game, follows Joel, a smuggler tasked with escorting the immune teenager Ellie across a post-apocalyptic United States. The second season, expected to partly adapt the 2020 sequel, is set five years later and introduces Abby.

The Last of Us is an action-adventure video game series and media franchise created by Naughty Dog and published by Sony Interactive Entertainment. The series is set in a post-apocalyptic United States ravaged by cannibalistic humans infected by a mutated fungus in the genus Cordyceps. It follows several survivors, including Joel, a smuggler who lost his daughter during the outbreak; Ellie, a young girl who is immune to the infection; and Abby, a soldier who becomes involved in a conflict between her militia and a religious cult. The games use a third-person perspective in which the player fights against hostile humans and cannibalistic creatures with firearms, improvised weapons, and stealth.

Peter Hoar is a double BAFTA winning British director of film and television, known for his work on Daredevil, Doctor Who,It's a Sin and The Last of Us.

<span class="mw-page-title-main">When You're Lost in the Darkness</span> 1st episode of the 1st season of The Last of Us

"When You're Lost in the Darkness" is the series premiere of the American post-apocalyptic drama television series The Last of Us. Written by series creators Craig Mazin and Neil Druckmann and directed by Mazin, the episode aired on HBO on January 15, 2023. The first episode of the first season, it introduced Joel and his daughter Sarah during the chaos of a global pandemic outbreak caused by a mutated form of the Cordyceps fungus that turns its victims into bloodthirsty attackers. Twenty years later, Joel and Tess set out to find Joel's brother Tommy and are tasked with smuggling the young Ellie in exchange for supplies.

Infected (<i>The Last of Us</i>) 2nd episode of the 1st season of The Last of Us

"Infected" is the second episode of the first season of the American post-apocalyptic drama television series The Last of Us. It was written and directed by series creators Craig Mazin and Neil Druckmann, respectively; Druckmann wrote and co-directed the 2013 video game on which the series is based. The episode aired on HBO on January 22, 2023. In the episode, Joel and his partner Tess escort the young Ellie through a biological contamination area in Boston to reach the Massachusetts State House.

<span class="mw-page-title-main">Please Hold to My Hand</span> 4th episode of the 1st season of The Last of Us

"Please Hold to My Hand" is the fourth episode of the first season of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Jeremy Webb. It aired on HBO on February 5, 2023. In the episode, Joel and Ellie encounter an ambush in Kansas City, Missouri. Elsewhere in the city, bandit leader Kathleen, her second-in-command Perry, and their group search for Henry and his brother Sam.

Kin (<i>The Last of Us</i>) 6th episode of the 1st season of The Last of Us

"Kin" is the sixth episode of the first season of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Jasmila Žbanić. It aired on HBO on February 19, 2023. In the episode, Joel and Ellie travel to Jackson, Wyoming, where they find Joel's brother Tommy and his wife Maria.

Left Behind (<i>The Last of Us</i>) 7th episode of the 1st season of The Last of Us

"Left Behind" is the seventh episode of the first season of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Neil Druckmann and directed by Liza Johnson. It aired on HBO on February 26, 2023. In the episode, Ellie searches for supplies to save Joel. A flashback follows Ellie as she spends time with her best friend Riley Abel in Boston.

<span class="mw-page-title-main">When We Are in Need</span> 8th episode of the 1st season of The Last of Us

"When We Are in Need" is the eighth episode of the first season of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Ali Abbasi. It aired on HBO on March 5, 2023. In the episode, Ellie attempts to protect Joel. She encounters a group of survivors led by a preacher, David, who wants vengeance against Joel and shows interest in Ellie.

<i>The Last of Us</i> season 1 Season of television series

The first season of the American post-apocalyptic drama television series The Last of Us was originally broadcast on HBO between January and March 2023. Based on the video game franchise developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The first season, based on the 2013 game The Last of Us, follows Joel, a smuggler tasked with escorting the immune teenager Ellie across a post-apocalyptic United States.

The second season of the American post-apocalyptic drama television series The Last of Us is set to premiere on HBO in 2025. Based on the video game franchise developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the 2020 game The Last of Us Part II, follows Joel and Ellie five years after the events of the first season, and introduces Abby.

<span class="mw-page-title-main">Look for the Light</span> 9th episode of the 1st season of The Last of Us

"Look for the Light" is the ninth and final episode of the first season of the American post-apocalyptic drama television series The Last of Us. The episode was written by series creators Craig Mazin and Neil Druckmann, and directed by Ali Abbasi. It aired on HBO on March 12, 2023. In the episode, Joel and Ellie arrive in Salt Lake City, Utah, in search for the hospital run by the Fireflies, led by Marlene. A flashback follows Ellie's mother, Anna, as she gives birth.

The Last of Us, an American post-apocalyptic drama television series for HBO based on the video game franchise, focuses on the relationship between Joel and Ellie. The first season, based on the 2013 game, is set in 2023, twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. Joel, a smuggler, is tasked with escorting the immune teenager Ellie across a post-apocalyptic United States.

The music for the American post-apocalyptic drama television series The Last of Us was composed by Gustavo Santaolalla and David Fleming. Santaolalla composed the music for the video game franchise on which the series is based, including The Last of Us (2013) and The Last of Us Part II (2020). Several of Santaolalla's tracks from the video games were reused throughout the series; his work on the series focused on recrafting his previous work, while Fleming created original music inspired by real-world sounds within a decayed civilization.

References

  1. 1 2 3 Dutta, Debopriyaa (January 31, 2023). "The Final Shot Of This Week's The Last Of Us Was Designed To 'Honor' The Video Game [Exclusive]". /Film . Static Media. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  2. 1 2 3 4 5 6 7 8 Baker, Troy; Mazin, Craig; Druckmann, Neil (January 29, 2023). "Episode 3". HBO's The Last of Us Podcast (Podcast). HBO. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  3. 1 2 Watson, Fay (January 30, 2023). "The Last of Us director explains episode 3's final shot – and why they fought for it". Total Film . Future plc. Archived from the original on January 30, 2023. Retrieved January 31, 2023.
  4. 1 2 Fienberg, Daniel (January 10, 2023). "'The Last of Us' Review: Pedro Pascal and Bella Ramsey in HBO's Powerful Video Game Adaptation". The Hollywood Reporter . Eldridge Industries. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  5. 1 2 3 4 5 Ettenhofer, Valerie (January 10, 2023). "The Last Of Us Review: A Thrilling, Character-Driven Achievement For Game Fans And Newcomers Alike". /Film . Static Media. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  6. ↑ "DGC Alberta Production List" (PDF). Directors Guild of Canada. July 26, 2021. p. 5. Archived (PDF) from the original on July 26, 2021. Retrieved July 27, 2021.
  7. 1 2 3 4 5 6 Monteil, Abby (January 29, 2023). "The Last of Us Tells a Hauntingly Beautiful Story of Gay Survival in its Third Episode". Them . Condé Nast. Archived from the original on January 30, 2023. Retrieved February 2, 2023.
  8. ↑ "The Last of Us". Rotten Tomatoes . Fandango Media. Archived from the original on December 19, 2022. Retrieved December 19, 2022.
  9. 1 2 3 4 5 6 7 Quah, Nicholas (January 29, 2023). "'A Rosetta Stone for The Last of Us': How Two Non-player characters Unlocked the Adaptation". Vulture . New York Media. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  10. ↑ Canfield, David (January 29, 2023). "Inside The Last of Us's Tragic, Gorgeous, and Surprising Love Story Episode". Vanity Fair . Condé Nast. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  11. ↑ Miller, Liz Shannon (January 29, 2023). "The Last of Us Creators on That Heartbreaking Third Episode". Consequence . Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  12. 1 2 3 4 5 Romano, Nick (January 29, 2023). "How the Last of Us gave Bill and Frank the 'beautiful, completely surprising love story' they deserve". Entertainment Weekly . Dotdash Meredith. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  13. ↑ Andreeva, Nellie (May 23, 2023). "It Starts On The Page: Read 'The Last Of Us' Script "Long Long Time" By Craig Mazin". Deadline Hollywood . Penske Media Corporation. Archived from the original on May 23, 2023. Retrieved May 24, 2023.
  14. 1 2 3 Stedman, Alex; Scoville, Max (January 29, 2023). "The Last of Us Show Creators Explain Why They Made Big Changes to Bill and Frank's Story". IGN . Ziff Davis. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  15. ↑ Metz, Axel (January 30, 2023). "The Last of Us showrunners explain that major episode 3 story shift". TechRadar . Future plc. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  16. 1 2 Dockterman, Eliana (January 29, 2023). "The Last of Us Showrunner on Why Its Heart-Wrenching Third Episode Is the Key to the Whole Story". Time . Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  17. ↑ Brown, Tracy (January 29, 2023). "'The Last of Us' team explains the 'skeleton key' episode that has everybody talking". Los Angeles Times . Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  18. 1 2 Favis, Elise (January 29, 2023). "Why HBO's 'The Last of Us' rewrote the love story of Bill and Frank". The Washington Post . Nash Holdings. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  19. 1 2 Zuckerman, Esther (January 19, 2023). "How The Last of Us Made One of the Most Romantic TV Episodes of the Year". GQ . Condé Nast. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  20. 1 2 3 Johnston, Dais (January 29, 2023). "'The Last of Us' Episode 3 Director Reveals the Secret Meaning Behind the Last Shot". Inverse . Bustle Digital Group. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  21. 1 2 Hibberd, James (January 29, 2023). "'The Last of Us': Nick Offerman, Murray Bartlett Discuss Episode 3's Surprise Romance". The Hollywood Reporter . Eldridge Industries. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  22. ↑ The Last of Us | Inside the Episode - 3. HBO Max. January 29, 2023. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  23. ↑ Petski, Denise (July 15, 2021). "'The Last Of Us': Jeffrey Pierce, Murray Bartlett, Con O'Neill Join HBO Series Based On Video Game". Deadline Hollywood . Penske Media Corporation. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
  24. ↑ Fleming, Ryan (June 15, 2022). "How Murray Bartlett's Role In 'The White Lotus' Lit The Fuse On A Renaissance For The Aussie Actor's Career". Deadline . Penske Media Corporation. Archived from the original on June 15, 2022. Retrieved June 17, 2022.
  25. ↑ Coley, Samantha (November 7, 2022). "'The Last of Us': Murray Bartlett Says One of the Scripts Is "One of the Best Hours of Television I've Ever Read"". Collider . Valnet. Archived from the original on November 8, 2022. Retrieved November 8, 2022.
  26. 1 2 3 4 5 Vary, Adam B. (January 29, 2023). "Inside the Romantic and Unexpected 'Last of Us' Love Story Between Nick Offerman and Murray Bartlett". Variety . Penske Media Corporation. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  27. ↑ Barasch, Alex (December 26, 2022). "Can "The Last of Us" Break the Curse of Bad Video-Game Adaptations?". The New Yorker . Archived from the original on December 26, 2022. Retrieved December 27, 2022.
  28. ↑ Hogan, Michael (December 5, 2021). "Murray Bartlett: 'Filming The White Lotus in lockdown felt like a TV summer camp'". The Guardian . Archived from the original on December 5, 2021. Retrieved December 6, 2021.
  29. ↑ Otterson, Joe (December 7, 2021). "'Last of Us' HBO Series Casts Nick Offerman as Bill". Variety . Penske Media Corporation. Archived from the original on December 7, 2021. Retrieved December 7, 2021.
  30. ↑ Rouse, Isaac (January 22, 2023). "'The Last of Us' Showrunner Craig Mazin on Casting Nick Offerman as Survivalist Bill". TV Insider . Fandom, Inc. Archived from the original on January 23, 2023. Retrieved January 23, 2023.
  31. ↑ Hibberd, James (January 29, 2023). "'The Last of Us' Creators Explain Episode 3's Heartbreak Twists, Changes From Game". The Hollywood Reporter . Eldridge Industries. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  32. 1 2 Bennion, Chris (January 30, 2023). "The Last of Us: Bill and Frank's tragic gay love story is the most heartbreaking TV of 2023" . The Telegraph . Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  33. ↑ Alexander, Bryan (January 29, 2023). "'The Last of Us': Nick Offerman talks survivalist Bill's zombie kills, surprising love story". USA Today . Gannett. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  34. ↑ Damshenas, Sam (January 30, 2023). "The Last of Us: How episode 3 is a triumph in beautiful queer storytelling". Gay Times . Archived from the original on January 30, 2023. Retrieved February 2, 2023.
  35. 1 2 3 Evans, Greg (February 3, 2023). "'The Last Of Us' Has Made A New Hit Of Linda Ronstadt's 53-Year-Old Song 'Long Long Time' – All Because Seth Rudetsky Knows Everything". Deadline Hollywood . Penske Media Corporation. Archived from the original on February 6, 2023. Retrieved February 6, 2023.
  36. 1 2 3 Mendez, Moises II (January 30, 2023). "How a Linda Ronstadt Song Helped The Last of Us Tell a Gutting Love Story". Time . Archived from the original on February 1, 2023. Retrieved February 1, 2023.
  37. ↑ Greene, Steve (January 30, 2023). "How 'The Last of Us' Picked That Heartbreaking Linda Ronstadt Song". IndieWire . Penske Media Corporation. Archived from the original on January 30, 2023. Retrieved February 1, 2023.
  38. ↑ Tinoco, Armando (January 30, 2023). "'The Last Of Us' Causes Linda Ronstadt's 'Long, Long Time' To Surge In Streams On Spotify". Deadline Hollywood . Penske Media Corporation. Archived from the original on January 31, 2023. Retrieved January 31, 2023.
  39. ↑ Lussier, Germain (January 30, 2023). "The Latest Last Of Us Has Linda Ronstadt Running Up Those Charts". Gizmodo . G/O Media. Archived from the original on January 31, 2023. Retrieved January 31, 2023.
  40. ↑ Vespe, Eric (January 30, 2023). "The Last Of Us Is Giving Linda Ronstadt A Stranger Things-Style Soundtrack Boost". /Film . Static Media. Archived from the original on January 31, 2023. Retrieved January 31, 2023.
  41. ↑ Unterberger, Andrew (February 2, 2023). "Linda Ronstadt's 'Long, Long Time' Streams and Sales Both Skyrocket Following 'Last of Us' Appearance". Billboard . Eldridge Industries. Archived from the original on February 2, 2023. Retrieved February 10, 2023.
  42. 1 2 Rutherford, Kevin (February 9, 2023). "Linda Ronstadt's 'Long Long Time' Rules Multiple Billboard Charts Thanks to 'The Last of Us'". Billboard . Eldridge Industries. Archived from the original on February 10, 2023. Retrieved February 10, 2023.
  43. 1 2 Rutherford, Kevin (February 23, 2023). "'Ginny & Georgia' Leads January Top TV Songs Charts With Stephen Sanchez Synch". Billboard . Eldridge Industries. Archived from the original on February 23, 2023. Retrieved June 11, 2024.
  44. ↑ Knopper, Steve (February 3, 2023). "Linda Ronstadt Won't Make a Dime From 'Last of Us' Synch But Is 'Very Glad' for It Anyway". Billboard . Eldridge Industries. Archived from the original on February 1, 2023. Retrieved February 5, 2023.
  45. ↑ Mooney, Darren (January 29, 2023). "The Third Episode of The Last of Us Is a miniature Masterpiece". The Escapist . Gamurs. Archived from the original on January 30, 2023. Retrieved January 31, 2023.
  46. 1 2 Starkey, Adam (January 30, 2023). "Seven cool things you didn't know about 'The Last Of Us' episode three". NME . Archived from the original on January 30, 2023. Retrieved February 13, 2023.
  47. ↑ Doster, Tyler (January 29, 2023). "Queer love at the end of the world: 'The Last of Us' just gave the best episode of television in a long, long time". AwardsWatch. Archived from the original on January 30, 2023. Retrieved February 13, 2023.
  48. ↑ Wratten, Marcus (February 2, 2023). "Why this heart-wrenching song in The Last of Us episode 3 sounds so familiar". PinkNews . Archived from the original on February 2, 2023. Retrieved February 13, 2023.
  49. 1 2 Lackey, Angela (July 19, 2021). "High River's council approves filming of The Last of Us TV series in town". The High River Times. Postmedia Network. Archived from the original on July 19, 2021. Retrieved July 27, 2021.
  50. 1 2 3 Hart, Hugh (February 6, 2023). ""The Last of Us" Cinematographer Eben Bolter on Episode 4 & More". Motion Picture Association. Archived from the original on February 6, 2023. Retrieved February 7, 2023.
  51. 1 2 3 Calver, Brent (February 1, 2023). "This week's 'The Last of Us' shows more High River, Kananaskis". Okotoks Today. Great West Media. Archived from the original on February 2, 2023. Retrieved February 3, 2023.
  52. ↑ McCracken, Don (October 14, 2021). "Movie Company Donates $100,000 For Legacy Project In High River". High River Online. Golden West Broadcasting. Archived from the original on October 14, 2021. Retrieved October 15, 2021.
  53. ↑ Bicki, Piotr (October 6, 2021). "Kolejne zdjęcia z planu serialu The Last of Us" [More photos from the set of The Last of Us series]. Eurogamer.pl (in Polish). Gamer Network. Archived from the original on October 6, 2021. Retrieved October 6, 2021.
  54. ↑ Sirani, Jordan (January 17, 2023). "How to Watch The Last of Us: Episode Release Schedule and Cast". IGN . Ziff Davis. Archived from the original on January 19, 2023. Retrieved January 19, 2023.
  55. ↑ Bellingham, Hope (January 30, 2023). "Naughty Dog leads The Last of Us cast tributes for Annie Wersching". GamesRadar+ . Future plc. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  56. ↑ Kaplan, Rebecca (February 1, 2023). "HBO Adds Tribute to Annie Wersching in The Last of Us". MovieWeb . Watchr Media. Archived from the original on February 2, 2023. Retrieved February 6, 2023.
  57. ↑ Campione, Katie (January 31, 2023). "'The Last of Us' Audience Grows For Third Consecutive Week, Becoming HBO's Fourth current Series Averaging 15M+ Viewers Per Episode". Deadline Hollywood . Penske Media Corporation. Archived from the original on January 31, 2023. Retrieved February 1, 2023.
  58. ↑ Salem, Mitch (January 31, 2023). "ShowBuzzDaily's Sunday 1.29.2023 Top 150 Cable Originals & Network Finals Updated". Showbuzz Daily . Archived from the original on February 1, 2023. Retrieved February 1, 2023.
  59. 1 2 Sepinwall, Alan (January 10, 2023). "'The Last of Us': A Finer Version of 'The Walking Dead' and HBO's Next Big Hit". Rolling Stone . Penske Media Corporation. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  60. 1 2 Cardy, Simon (January 10, 2023). "The Last of Us: Season 1 Review". IGN . Ziff Davis. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  61. 1 2 3 4 5 Tangcay, Jazz; Littleton, Cynthia (January 6, 2024). "'The Last of Us' Grabs Eight Wins on Night 1 of 2023 Creative Arts Emmy Awards". Variety . Penske Media Corporation. Archived from the original on January 7, 2024. Retrieved January 7, 2024.
  62. ↑ "The Last of Us: Season 1, Episode 3". Rotten Tomatoes . Fandango Media. Archived from the original on March 30, 2023. Retrieved March 30, 2023.
  63. ↑ Berman, Judy (January 10, 2023). "HBO's The Last of Us Adaptation Is Astonishingly Well Made—But Something's Missing". Time . Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  64. ↑ Opie, David (January 10, 2023). "The Last of Us is so much more than just The Walking Dead meets The Mandalorian". Digital Spy . Hearst Communications. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  65. ↑ Lussier, Germain (January 10, 2023). "The Last Of Us Is the Best Video Game Adaptation Ever, But It's So Much More". Gizmodo . G/O Media. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  66. ↑ King, Jack (January 10, 2023). "We already have our best show of 2023 — The Last of Us". British GQ . Advance Publications. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  67. 1 2 3 Boo, Bernard (January 29, 2023). "The Last of Us Episode 3 Review: The HBO Series Isn't Just Copying the Video Game". Den of Geek . Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  68. ↑ Cruz, Chris (September 2, 2024). "The 100 Best TV Episodes of All Time". Rolling Stone . Penske Media Corporation. Archived from the original on September 2, 2024. Retrieved September 4, 2024.
  69. ↑ Nugent, John (January 10, 2023). "The Last Of Us Review". Empire . Bauer Media Group. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  70. 1 2 Welch, Andy (January 30, 2023). "The Last of Us recap episode three – absolutely magical television". The Guardian . Archived from the original on January 30, 2023. Retrieved January 31, 2023.
  71. ↑ Lowry, Brian (January 29, 2023). "'The Last of Us' just made an early claim to one of the best TV episodes of 2023". CNN. Archived from the original on January 30, 2023.
  72. ↑ Murray, Noel (January 29, 2023). "'The Last of Us' Season 1, Episode 3 Recap: One More Good Day". The New York Times . Archived from the original on January 30, 2023. Retrieved February 2, 2023.
  73. ↑ Motamayor, Rafael (January 30, 2023). "HBO's The Last Of Us Changes A Key Video Game Relationship, And For The Better". /Film . Static Media. Archived from the original on January 30, 2023. Retrieved February 2, 2023.
  74. ↑ Yehl, Joshua (January 30, 2023). "The Last of Us Lets Gay Love Flourish in the Apocalypse". IGN . Ziff Davis. Archived from the original on January 30, 2023. Retrieved February 2, 2023.
  75. ↑ Goodman, William (January 10, 2023). "HBO's 'The Last of Us' Season 1 Is a Triumph". Complex . Complex Networks. Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  76. ↑ Moon, Kat (January 29, 2023). "Why The Last of Us' 'Long Long Time' Is a Major Contender for Best Episode of 2023". TV Guide . Fandom, Inc. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  77. ↑ Bennion, Chris (January 30, 2023). "The Last of Us, episode 3 review: Nick Offerman elevates zombie drama to Sopranos status". The Telegraph . Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  78. 1 2 Greene, Steve (January 29, 2023). "'The Last of Us' Ep. 3 Review: 'Long, Long Time' Is a Masterful Love Story for the Ages". IndieWire . Penske Media Corporation. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  79. 1 2 3 Cardy, Simon (January 29, 2023). "The Last of Us: Episode 3 Review". IGN . Ziff Davis. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  80. ↑ "The TVLine Performers of the Week: Murray Bartlett and Nick Offerman". TVLine . Penske Media Corporation. February 4, 2023. Archived from the original on February 4, 2023. Retrieved February 5, 2023.
  81. ↑ Phipps, Keith (January 29, 2023). "The Last of Us Recap: This Is You". Vulture . Vox Media. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  82. 1 2 McHenry, Jackson (January 30, 2023). "The Empty Sentiment of The Last of Us". Vulture . Vox Media. Archived from the original on January 31, 2023. Retrieved January 31, 2023.
  83. ↑ Motamayor, Rafael (January 29, 2023). "The Last of Us Episode 3 Brings The Tears". /Film . Static Media. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  84. ↑ Cote, David (January 29, 2023). "In The Last Of Us, Nick Offerman and Murray Bartlett prove that true love survives the apocalypse". The A.V. Club . G/O Media. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  85. ↑ Bayne, Aaron (January 30, 2023). "TV Show Review: The Last Of Us (HBO) Episode 3 - Television At Its Finest". Push Square . Hookshot Media. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  86. ↑ Edwards, Belen (January 29, 2023). "'The Last of Us' gives Bill and Frank the love story they deserve". Mashable . Ziff Davis. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  87. ↑ Ritvo, Victoria (January 29, 2023). "A Standout Episode of The Last of Us Does Something the Games Couldn't". Slate . Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  88. ↑ Jessop, Vicky (January 10, 2023). "The Last of Us on Sky Atlantic and NOW review: expertly tugs both heartstrings and nerves". Evening Standard . Archived from the original on January 10, 2023. Retrieved January 11, 2023.
  89. ↑ Russell, Bradley (January 30, 2023). "The Last of Us episode 3 review: "An early contender for one of 2023's best episodes"". Total Film . Future plc. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  90. ↑ O'Connell, Mikey (June 9, 2023). ""Tears On My Pillow Were Just Part Of The Price": Mark Mylod, Karyn Kusama and the THR Director Roundtable". The Hollywood Reporter . Eldridge Industries. Archived from the original on June 9, 2023. Retrieved June 13, 2023.
  91. ↑ Hibberd, James (August 16, 2023). "'The Last of Us' Showrunner on Season 2 Plan, Casting Abby and His Favorite Scene". The Hollywood Reporter . Eldridge Industries. Archived from the original on August 16, 2023. Retrieved August 17, 2023.
  92. ↑ Starkey, Adam (January 30, 2023). "The Last Of Us is at its best when it diverts from the game". Radio Times . Immediate Media Company. Archived from the original on January 30, 2023. Retrieved January 30, 2023.
  93. ↑ Lowder, J. Bryan (January 31, 2023). "The Last of Us' Gorgeous Gay Love Story Could Not Be More Timely". Slate . Archived from the original on January 31, 2023. Retrieved February 2, 2023.
  94. ↑ Shepard, Kenneth (January 30, 2023). "HBO's The Last Of Us Reclaims The Queerness Its world Forgot". Kotaku . G/O Media. Archived from the original on January 30, 2023. Retrieved February 14, 2023.
  95. ↑ MacLeod, Riley (January 29, 2023). "'The Last of Us' tells a new but familiar queer love story". The Washington Post . Nash Holdings. Archived from the original on January 30, 2023. Retrieved February 2, 2023.
  96. ↑ Wratten, Marcus (February 1, 2023). "The Last of Us review-bombed by trolls because gay people don't exist in the apocalypse, apparently". PinkNews . Archived from the original on February 2, 2023. Retrieved February 2, 2023.
  97. ↑ Clark, Travis (February 1, 2023). "The latest episode of HBO's 'The Last of Us' is getting review-bombed by angry gamers". Business Insider . Axel Springer SE. Archived from the original on February 2, 2023. Retrieved February 2, 2023.
  98. ↑ Maskell, Emily (February 1, 2023). "HBO's The Last of Us review-bombed by angry homophobes". Attitude . Stream Publishing Limited. Archived from the original on February 2, 2023. Retrieved February 2, 2023.
  99. ↑ White, Peter; Cordero, Rosy; Rice, Lynette; Tinoco, Armando (January 6, 2024). "Creative Arts Emmy Awards Winners List (Updating Live)". Deadline Hollywood . Penske Media Corporation. Archived from the original on January 7, 2024. Retrieved January 7, 2024.
  100. ↑ Schneider, Michael (January 8, 2024). "'The Boys,' 'Succession' Land Most Honors at Astra TV Awards (FULL WINNERS LIST)". Variety . Penske Media Corporation. Archived from the original on January 9, 2024. Retrieved January 9, 2024.
  101. ↑ Blauvelt, Christian (December 5, 2023). "'American Fiction, 'May December,' 'Past Lives' Lead 2024 Indie Spirits Noms". IndieWire . Penske Media Corporation. Archived from the original on December 5, 2023. Retrieved December 6, 2023.
  102. ↑ Anderson, Erik (July 11, 2023). "'The Boys,' 'Yellowjackets,' 'Abbott Elementary' lead 2023 HCA TV Awards nominations". AwardsWatch. Archived from the original on July 11, 2023. Retrieved July 12, 2023.
  103. ↑ Earl, William (February 25, 2024). "Spirit Awards 2024: Early Winners Include Da'Vine Joy Randolph, 'May December' and 'American Fiction'". Variety . Penske Media Corporation. Archived from the original on February 25, 2024. Retrieved February 26, 2024.
  104. ↑ Hipes, Patrick (February 5, 2024). "'Avatar: The Way Of Water', 'Oppenheimer', 'Star Trek: Picard' Among Winners At Saturn Awards". Deadline Hollywood . Penske Media Corporation. Archived from the original on February 5, 2024. Retrieved February 6, 2024.
  105. ↑ Anderson, Erik (December 18, 2023). "International Press Academy Satellite Awards Nominations: 'Oppenheimer,' 'Succession' Lead". AwardsWatch. Archived from the original on December 18, 2023. Retrieved December 27, 2023.
  106. ↑ Coates, Tyler (June 26, 2023). "'Succession,' 'Abbot Elementary,' 'The Other Two' Among Dorian TV Award Winners". The Hollywood Reporter . Penske Media Corporation. Archived from the original on June 26, 2023. Retrieved July 10, 2024.
  107. ↑ Grein, Paul (April 27, 2023). "MTV Announces Nominees for Best Musical Moment, to Be Presented at 2023 MTV Movie & TV Awards (Full List)". Billboard . Eldridge Industries. Archived from the original on May 2, 2023. Retrieved May 3, 2023.
  108. ↑ Tapp, Tom (February 10, 2024). "DGA Awards: Christopher Nolan, Celine Song, 'The Last Of Us' & 'SNL' Among Big Winners – Full List". Deadline Hollywood . Penske Media Corporation. Archived from the original on February 11, 2024. Retrieved February 10, 2024.
  109. ↑ Coates, Tyler (March 3, 2024). "ACE Eddie Awards: 'The Holdovers, 'Oppenheimer' and 'Taylor Swift: The Eras Tour' Among Winners". The Hollywood Reporter . Penske Media Corporation. Archived from the original on March 3, 2024. Retrieved March 4, 2024.
  110. ↑ Tangcay, Jazz (January 16, 2024). "'Oppenheimer' Dominates Motion Picture Sound Editors Golden Reel Awards Nominations". Variety . Penske Media Corporation. Archived from the original on January 16, 2024. Retrieved February 5, 2024.
  111. ↑ Feinberg, Scott (January 17, 2024). "USC Scripter Awards: 'Origin' Among Five Nominees for Best Film Adaptation". The Hollywood Reporter . Penske Media Corporation. Archived from the original on January 17, 2024. Retrieved February 5, 2024.
  112. ↑ "Hugo, Lodestar, and Astounding Awards Winners". Locus . August 11, 2024. Archived from the original on August 11, 2024. Retrieved August 12, 2024.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.