The music for the American post-apocalyptic drama television series The Last of Us was composed by Gustavo Santaolalla and David Fleming. Santaolalla composed the music for the video game franchise on which the series is based, including The Last of Us (2013) and The Last of Us Part II (2020). Several of Santaolalla's tracks from the video games were reused throughout the series; his work on the series focused on recrafting his previous work, while Fleming created original music inspired by real-world sounds within a decayed civilization.
The series features songs such as "Never Let Me Down Again" by Depeche Mode and "Long, Long Time" by Linda Ronstadt, as well as covers of these songs by Jessica Mazin and Nick Offerman, respectively. The 66-track soundtrack album for the first season was published by Milan Records in February 2023, featuring the work of Santaolalla, Fleming, Mazin, and Offerman, as well as Jake Staley and Juan Luqui. Critics praised the use of music throughout the series for its appropriateness and intensification of the writing. Santaolalla is nominated for Outstanding Music Composition at the 75th Primetime Creative Arts Emmy Awards.
In March 2020, Gustavo Santaolalla, who composed the music for the video game The Last of Us (2013) and its sequel The Last of Us Part II (2020), was announced to be returning to compose the music for the television adaptation. [1] He said Latino viewers "will recognize touches" of his music, [2] and drew on his experiences in film and television, having composed the themes and some tracks for Jane the Virgin (2014–2019) and Making a Murderer (2015–2018). [2]
Santaolalla primarily recrafted his previous work instead of creating new music, focusing on elements he found interesting. [3] He treated the series as "an expansion" of the game, keeping them tied to each other; he did not seek to revise or correct any previous work as he found it authentic. [4] He enjoyed the natural feeling of silence in the series and felt it helped draw in viewers emotionally. [5] Santaolalla had around 185 cues for the series. [4]
David Fleming co-composed the score; his work was inspired by real-world sounds within a decayed civilization. [6] Fleming largely worked on action-heavy music for the series, such as a large action sequence in the fifth episode. Like Santaolalla, he wanted to keep his score minimalistic and exercised restraint to match series co-creator Craig Mazin's goal of "having the viewer feel that they're part of the scene rather than be observing the scene". [5] He selected specific instruments that paired appropriately with Santaolalla's work; rather than using a generic drum, he wanted one with "personality, whether it be a rusty barrel or like cracking wood or bowing, rusty metal". [5]
Series editor Timothy A. Good used Santaolalla's game score as temp music during editing and found it influenced his decisions. [7] : 50:59 Several songs from the games were reused to evoke particular emotions, such as "All Gone" in the sixth episode to remind viewers of Sarah's death. [8] : 25:25 For the ninth episode, the music reflects the sadness of the action sequence; [9] : 49:46 Mazin attempted several variations of music for the sequence, including dark and action-heavy tracks, but ultimately chose Santaolalla's "saddest" music from the game as the emotions were ultimately the same despite their usage within different contexts. [9] : 52:05
The final scene and credits of the first episode feature the song "Never Let Me Down Again" by Depeche Mode, [10] which Mazin chose due to its blend of upbeat sounds and dark lyrics. He felt its title referred to the relationship between Joel and Ellie. [11] : 40:25 The song topped two Billboard charts after the broadcast of the first episode. [12] It returned in the sixth episode, performed by Mazin's daughter Jessica, to demonstrate Ellie feeling let down by Joel. [13] [14] The third episode uses "Long, Long Time" by Linda Ronstadt, which exhibits themes of unfulfilled love and how time heals wounds, echoing Bill and Frank's relationship. [15] Streams of the song increased significantly following the episode's broadcast; several outlets compared it to the 2022 resurgence of Kate Bush's "Running Up That Hill" after its use in the fourth season of Stranger Things . [16] [17] [18]
The Last of Us: Season 1 (Soundtrack from the HBO Original Series) comprises the score created for the television series The Last of Us, including several adapted from the video game series. [3] Milan Records published the 66-track soundtrack album released digitally on February 27, 2023, [19] [20] after the seventh episode of the series. [21] Alongside the works of Santaolalla and Fleming, the soundtrack features tracks performed by Jake Staley and Juan Luqui, [19] as well as Jessica Mazin's version of "Never Let Me Down Again" and Nick Offerman's of "Long, Long Time". [6] [22] The album charted at 118th in Belgium in the week of April 15. [23] A CD of the soundtrack was first released in July, [24] and a vinyl record by Mondo was announced in May [25] and released in August. [26]
The two-disc CD release features two additional tracks. [24]
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "The Last of Us" | Gustavo Santaolalla | Santaolalla | 1:08 |
2. | "Reflections" | Santaolalla | Santaolalla | 0:17 |
3. | "Get Out" | David Fleming | Fleming | 7:14 |
4. | "All Gone" | Santaolalla | Santaolalla | 1:34 |
5. | "The Quarantine Zone" |
|
| 1:45 |
6. | "Don't Look" |
| Fleming | 2:08 |
7. | "Forsaken" | Santaolalla | Santaolalla | 0:42 |
8. | "Breaching the Wall" |
| Fleming | 3:45 |
9. | "Cargo" |
|
| 1:02 |
10. | "Radio Silence" |
|
| 2:42 |
11. | "Hope" | Santaolalla | Santaolalla | 0:42 |
12. | "Greater Purpose" |
|
| 1:03 |
13. | "Haven" |
|
| 1:34 |
14. | "Set Everything Right" | Santaolalla | Santaolalla | 1:21 |
15. | "Hive Mind" |
|
| 1:38 |
16. | "Resolve" | Santaolalla | Santaolalla | 1:48 |
17. | "Shortcut" | Fleming | Fleming | 6:13 |
18. | "The Swarm" |
|
| 2:09 |
19. | "Invited" |
|
| 1:35 |
20. | "Long, Long Time" | Gary B. White | Nick Offerman | 1:12 |
21. | "There Is No Girl" |
|
| 1:05 |
22. | "It Can't Last (Sunset)" | Santaolalla | Santaolalla | 1:48 |
23. | "Raiders" |
| Fleming | 1:47 |
24. | "Longing" | Santaolalla | Santaolalla | 0:57 |
25. | "All Gone (Affliction)" | Santaolalla | Santaolalla | 1:23 |
26. | "Surveillance" |
|
| 1:59 |
27. | "Vanishing Grace" | Santaolalla | Santaolalla | 1:26 |
28. | "All Gone (Purpose)" | Santaolalla | Santaolalla | 1:22 |
29. | "Stockpile" |
|
| 1:18 |
30. | "All Gone (Isolation)" | Santaolalla | Santaolalla | 0:51 |
31. | "Salvation" | Santaolalla | Santaolalla | 1:26 |
32. | "Warning Signs" |
| Fleming | 2:45 |
33. | "The Last of Us (Prevail)" | Santaolalla | Santaolalla | 0:49 |
34. | "All Gone (Reunion)" | Santaolalla | Santaolalla | 1:38 |
Total length: | 62:06 |
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "Bravery" |
|
| 1:27 |
2. | "Subterranean" |
| Fleming | 2:50 |
3. | "Murals" |
|
| 1:32 |
4. | "Endure" |
| Fleming | 1:30 |
5. | "Survive" | Fleming | Fleming | 4:32 |
6. | "A Great Man" | Santaolalla | Santaolalla | 1:58 |
7. | "All Gone (Promise)" | Santaolalla | Santaolalla | 1:18 |
8. | "All Gone (Flashbacks)" | Santaolalla | Santaolalla | 1:10 |
9. | "The Last of Us (Protection)" | Santaolalla | Santaolalla | 1:14 |
10. | "Never Let Me Down Again" | Martin Gore | Jessica Mazin | 3:30 |
11. | "Left Behind (Together)" | Santaolalla | Santaolalla | 1:08 |
12. | "Fleeting" | Santaolalla | Santaolalla | 0:55 |
13. | "Vanishing Grace (Devotion)" | Santaolalla | Santaolalla | 0:52 |
14. | "Vanishing Grace (Radiant)" | Santaolalla | Santaolalla | 1:17 |
15. | "Refuge" | Santaolalla | Santaolalla | 0:49 |
16. | "The Choice" | Santaolalla | Santaolalla | 1:24 |
17. | "Left Behind" | Santaolalla | Santaolalla | 3:12 |
18. | "All Gone (Embrace)" | Santaolalla | Santaolalla | 1:30 |
19. | "Collateral" | Santaolalla | Santaolalla | 1:09 |
20. | "Resolve (Isolation)" | Santaolalla | Santaolalla | 1:20 |
21. | "Complications" |
| Fleming | 2:33 |
22. | "Uncertain Course" | Santaolalla | Santaolalla | 1:21 |
23. | "Breathless" |
|
| 1:32 |
24. | "Unbroken" | Santaolalla | Santaolalla | 1:29 |
25. | "All Gone (Elegy)" | Santaolalla | Santaolalla | 0:45 |
26. | "Wounds" | Santaolalla | Santaolalla | 1:24 |
27. | "Safe Surrender" | Fleming | Fleming | 2:46 |
28. | "The Last of Us (Vengeance)" | Santaolalla | Santaolalla | 2:59 |
29. | "All Gone (In Vain)" | Santaolalla | Santaolalla | 1:06 |
30. | "All Gone (Ephemeral)" | Santaolalla | Santaolalla | 1:48 |
31. | "The Settlement" | Santaolalla | Santaolalla | 0:50 |
32. | "The Path" | Santaolalla | Santaolalla | 1:41 |
Total length: | 54:51 |
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
33. | "Never Let Me Down Again" | Gore | Depeche Mode | 4:48 |
34. | "All or None" | Pearl Jam | 4:37 | |
Total length: | 64:16 |
The vinyl record release, split across two records, features some track changes. [26]
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "The Last of Us" | Santaolalla | Santaolalla | 1:08 |
2. | "Get Out" | Fleming | Fleming | 7:14 |
3. | "All Gone" | Santaolalla | Santaolalla | 1:34 |
4. | "The Quarantine Zone" |
|
| 1:45 |
5. | "Don't Look" |
| Fleming | 2:08 |
6. | "Forsaken" | Santaolalla | Santaolalla | 0:42 |
7. | "Breaching the Wall" |
| Fleming | 3:45 |
8. | "Hope" | Santaolalla | Santaolalla | 0:42 |
9. | "Haven" |
|
| 1:34 |
10. | "Resolve" | Santaolalla | Santaolalla | 1:48 |
Total length: | 22:20 |
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "The Swarm" |
|
| 2:09 |
2. | "Long, Long Time" | White | Offerman | 1:12 |
3. | "It Can't Last (Sunset)" | Santaolalla | Santaolalla | 1:48 |
4. | "Raiders" |
| Fleming | 1:47 |
5. | "Longing" | Santaolalla | Santaolalla | 0:57 |
6. | "All Gone (Affliction)" | Santaolalla | Santaolalla | 1:23 |
7. | "Vanishing Grace" | Santaolalla | Santaolalla | 1:26 |
8. | "All Gone (Purpose)" | Santaolalla | Santaolalla | 1:22 |
9. | "All Gone (Isolation)" | Santaolalla | Santaolalla | 0:51 |
10. | "Warning Signs" |
| Fleming | 2:45 |
11. | "Salvation" | Santaolalla | Santaolalla | 1:26 |
12. | "Subterranean" |
| Fleming | 2:50 |
13. | "The Last of Us (Prevail)" | Santaolalla | Santaolalla | 0:49 |
14. | "Bravery" |
|
| 1:27 |
Total length: | 22:12 |
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "Survive" | Fleming | Fleming | 4:32 |
2. | "A Great Man" | Santaolalla | Santaolalla | 1:58 |
3. | "All Gone (Flashbacks)" | Santaolalla | Santaolalla | 1:10 |
4. | "Never Let Me Down Again" | Gore | Mazin | 3:30 |
5. | "Left Behind (Together)" | Santaolalla | Santaolalla | 1:08 |
6. | "Fleeting" | Santaolalla | Santaolalla | 0:55 |
7. | "Vanishing Grace (Devotion)" | Santaolalla | Santaolalla | 0:52 |
8. | "Never Let Me Down Again" | Gore | Depeche Mode | 4:48 |
9. | "The Choice" | Santaolalla | Santaolalla | 1:24 |
10. | "Left Behind" | Santaolalla | Santaolalla | 3:12 |
Total length: | 23:49 |
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "All Gone (Embrace)" | Santaolalla | Santaolalla | 1:30 |
2. | "Complications" |
| Fleming | 2:33 |
3. | "Collateral" | Santaolalla | Santaolalla | 1:09 |
4. | "Resolve (Isolation)" | Santaolalla | Santaolalla | 1:20 |
5. | "Unbroken" | Santaolalla | Santaolalla | 1:29 |
6. | "All Gone (Elegy)" | Santaolalla | Santaolalla | 0:45 |
7. | "Wounds" | Santaolalla | Santaolalla | 1:24 |
8. | "The Last of Us (Vengeance)" | Santaolalla | Santaolalla | 2:59 |
9. | "All Gone (In Vain)" | Santaolalla | Santaolalla | 1:06 |
10. | "All Gone (Ephemeral)" | Santaolalla | Santaolalla | 1:48 |
11. | "The Path" | Santaolalla | Santaolalla | 1:41 |
12. | "All or None" |
| Pearl Jam | 4:37 |
Total length: | 22:21 |
In the context of the series, Santaolalla's score received praise, [27] [28] with CNET's Keane feeling it added "a yearning of sadness to the narrative". [29] For the first episode, Total Film 's Bradley Russell wrote the score was used to "intensify, but never overpower, the ... emotional beats". [30] IGN 's Simon Cardy praised its sparing use in the second episode "to great effect", [31] and favorably compared "the pulsating electronic beats" of the eighth episode to the soundtrack of Blade Runner 2049 . [32] The mournful music during the ninth episode's action sequence was praised; [33] [34] [35] IGN's Cardy felt it reflected the scene's regretful tone, [36] and Total Film's Russell considered it among the season's strongest musical moments. Russell similarly lauded the increasing tension of the music during the season's final scene. [37] For his work on the third episode, Santaolalla is nominated for Outstanding Music Composition for a Series (Original Dramatic Score) at the 75th Primetime Creative Arts Emmy Awards. [38]
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Craig Mazin is an American screenwriter, producer, and director. He is best known for creating, writing, and producing the HBO miniseries Chernobyl (2019) and co-creating, co-writing, and executive producing the HBO series The Last of Us (2023–present), the latter alongside Neil Druckmann. He has won two Primetime Emmy Awards, including Outstanding Writing for a Limited Series, Movie, or Dramatic Special and Outstanding Limited Series. Before his work on drama shows gained widespread attention, he was primarily known for his writing work on comedy films such as Scary Movie 3 (2003), Scary Movie 4 (2006), The Hangover Part II (2011), The Hangover Part III (2013), and Identity Thief (2013).
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Gustavo Alfredo Santaolalla is an Argentine musician, composer, and record producer. He is known for composing film scores for the acclaimed director Alejandro González Iñárritu, composing the first four psychological drama films Iñárritu directed. He also composed the original scores for the video games The Last of Us (2013) and The Last of Us Part II (2020), as well as the themes for television series such as the American satirical romantic dramedy series Jane the Virgin (2014–2019), the MBC 4 satirical romantic dramedy series Miss Farah (2019–2022), an Arabic adaptation of Jane the Virgin, and Making a Murderer (2015–2018). He won Academy Awards for Best Original Score in two consecutive years, first for Brokeback Mountain (2005) and then Babel (2006).
The music for the 2013 action-adventure survival horror video game The Last of Us, developed by Naughty Dog and published by Sony Computer Entertainment, was composed by musician Gustavo Santaolalla. Supplementary music for the game's downloadable content The Last of Us: Left Behind was composed by Santaolalla, Andrew Buresh, Anthony Caruso and Jonathan Mayer. Both soundtracks were produced by Santaolalla, Mayer, and Aníbal Kerpel, with separate segments recorded in both Los Angeles and Nashville. Santaolalla, known for his minimalist approach to composing, was excited to work on the soundtrack due to the game's focus on the characters and story. He began composing the music early in the game's development, with few instructions from the development team on the tone that they intended. In collaboration with each other, the team and Santaolalla aimed to make the soundtrack emotional, as opposed to scary. Santaolalla used various instruments to compose the score, including some that were unfamiliar to him.
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The Last of Us is an American post-apocalyptic drama television series created by Craig Mazin and Neil Druckmann for HBO. Based on the 2013 video game developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The series follows Joel, a smuggler tasked with escorting the immune teenager Ellie across a post-apocalyptic United States.
The music for the 2020 action-adventure survival horror video game The Last of Us Part II, developed by Naughty Dog and published by Sony Interactive Entertainment, was composed by musician Gustavo Santaolalla, with additional music composed by Mac Quayle. The original score album was released digitally alongside the game in June 2020, featuring the work of Santaolalla and Quayle. An additional extended play, Covers and Rarities, was released in September 2021, featuring five cover songs from the game and its marketing performed by Troy Baker and Ashley Johnson, who portrayed Joel and Ellie, respectively. The game also received two single releases as vinyl records: one in June 2018 featuring music from the trailers, and one in the Ellie Edition of the game in June 2020.
"When You're Lost in the Darkness" is the series premiere of the American post-apocalyptic drama television series The Last of Us. Written by series creators Craig Mazin and Neil Druckmann and directed by Mazin, the episode aired on HBO on January 15, 2023. It introduced the character Joel and his daughter Sarah during the chaos of a global pandemic outbreak caused by a mutated form of the Cordyceps fungus that turns its victims into bloodthirsty attackers. Twenty years later, Joel and his partner Tess set out to find Joel's brother Tommy and are tasked with smuggling the young Ellie in exchange for supplies.
"Infected" is the second episode of the American post-apocalyptic drama television series The Last of Us. It was written and directed by series creators Craig Mazin and Neil Druckmann, respectively; Druckmann wrote and co-directed the 2013 video game on which the series is based. The episode aired on HBO on January 22, 2023. In the episode, Joel and his partner Tess escort the young Ellie through a biological contamination area in Boston to reach the Massachusetts State House.
"Long, Long Time" is the third episode of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Peter Hoar. It aired on HBO on January 29, 2023. In the episode, Joel and Ellie travel to Lincoln, Massachusetts, to find Bill. Flashbacks follow Bill over twenty years as he survives in his town and meets his partner Frank. The episode's title is taken from the 1970 song by Linda Ronstadt, which plays an important role in Bill and Frank's relationship.
"Please Hold to My Hand" is the fourth episode of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Jeremy Webb. It aired on HBO on February 5, 2023. In the episode, Joel and Ellie encounter an ambush in Kansas City, Missouri. Elsewhere in the city, bandit leader Kathleen, her second-in-command Perry, and their group search for Henry and his brother Sam.
"Kin" is the sixth episode of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Jasmila Žbanić. It aired on HBO on February 19, 2023. In the episode, Joel and Ellie travel to Jackson, Wyoming, where they find Joel's brother Tommy and his wife Maria.
"Left Behind" is the seventh episode of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Neil Druckmann and directed by Liza Johnson. It aired on HBO on February 26, 2023. In the episode, Ellie searches for supplies to save Joel. A flashback follows Ellie as she spends time with her best friend Riley Abel in Boston.
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