Charlotte of Mecklenburg-Strelitz was Queen of Great Britain and Ireland as the wife of King George III from their marriage on 8 September 1761 until her death in 1818. The Acts of Union 1800 unified Great Britain and Ireland into the United Kingdom of Great Britain and Ireland. As George's wife, she was also Electress of Hanover until becoming Queen of Hanover on 12 October 1814. Charlotte was Britain's longest-serving queen consort, serving for 57 years and 70 days.
Allan Ramsay was a Scottish portrait-painter.
The coronation of the monarch of the United Kingdom is an initiation ceremony in which they are formally invested with regalia and crowned at Westminster Abbey. It corresponds to the coronations that formerly took place in other European monarchies, which have all abandoned coronations in favour of inauguration or enthronement ceremonies. A coronation is a symbolic formality and does not signify the official beginning of the monarch's reign; de jure and de facto his or her reign commences from the moment of the preceding monarch's death or abdication, maintaining legal continuity of the monarchy.
The colobium sindonis is a simple sleeveless white linen shift worn by British monarchs during part of the coronation service. It symbolises divesting oneself of all worldly vanity and standing bare before God. The monarch is continually robed and disrobed during the ceremony, according to ancient custom.
The Diamond Diadem, historically known as the George IV State Diadem, is a diadem that was made in 1820 for King George IV. The diadem has been worn by queens regnant and queens consort in procession to coronations and State Openings of Parliament. It has been featured in paintings and on stamps and currency.
The Gold State Coach is an enclosed, eight-horse-drawn carriage used by the British royal family. Commissioned in 1760 by Francis Rawdon-Hastings, 1st Marquess of Hastings for King George III, and designed by Sir William Chambers, it was built in the London workshops of Samuel Butler. It was commissioned for £7,562. It was built for George III's coronation in 1761, but was not ready in time; it was completed in 1762.
Gentleman of the Bedchamber was a title in the Royal Household of the Kingdom of England from the 11th century, later used also in the Kingdom of Great Britain. A Lord of the Bedchamber was a courtier in the Royal Household; the term being first used in 1718. The duties of the Lords and Gentlemen of the Bedchamber originally consisted of assisting the monarch with dressing, waiting on him when he ate, guarding access to his bedchamber and closet and providing companionship. Such functions became less important over time, but provided proximity to the monarch; the holders were thus trusted confidants and often extremely powerful. The offices were in the gift of The Crown and were originally sworn by Royal Warrant directed to the Lord Chamberlain.
The Royal Family Order of George IV is an honour that was bestowed as a mark of personal esteem on female members of the British royal family by King George IV. It was the first Royal Family Order issued in the United Kingdom. Prior to George IV's accession in 1820, both ladies and gentlemen of the Court, as well as female members of the royal family, had worn the Sovereign's portrait set in a jewelled frame. George IV formalised the order.
John Stewart, 7th Earl of Galloway,, styled Viscount Garlies from 1747 until 1773, was a British peer who became the 7th Earl of Galloway in 1773 and served as a Member of Parliament from 1761 to 1773.
Martin Jennings, FRSS is a British sculptor who works in the figurative tradition, in bronze and stone. His statue of John Betjeman at St Pancras railway station was unveiled in 2007 and the statue of Philip Larkin at Hull Paragon Interchange station was presented in 2010. His statue of Mary Seacole (2016), one of his largest works, stands in the grounds of St Thomas' Hospital in central London, looking over the Thames towards the Houses of Parliament.
The coronation of George III and his wife Charlotte as king and queen of Great Britain and Ireland took place at Westminster Abbey, London, on Tuesday, 22 September 1761, about two weeks after they were married in the Chapel Royal, St James's Palace. The day was marked by errors and omissions; a delayed procession from Westminster Hall to the abbey was followed by a six-hour coronation service and then a banquet that finally ended at ten o'clock at night.
The Imperial Robe is a robe used in the Coronation of the British monarch. It is donned in the final stages of the ceremony for the procession of the monarch from Westminster Abbey to the waiting Gold State Coach. These Robes were last seen at the Coronation of Charles III and Camilla, with King Charles III wearing the Imperial Robe of George V, and Queen Camilla having a new robe made for her.
George IV is an 1821 portrait painting by the English artist Thomas Lawrence portraying George IV, the reigning monarch of the United Kingdom. George is depicted in the robes he wore for his Coronation in July 1821. Lawrence was Britain's pre-eminent portrait painter and had previously depicted George on a number of occasions during the Regency era before he came to the throne in succession to his father George III in 1820. Lawrence had recently been elected to succeed Benjamin West as President of the Royal Academy
Portrait of Queen Charlotte is a 1789 portrait painting by the English artist Thomas Lawrence of the British queen Charlotte of Mecklenburg-Strelitz.
George III is am 1809 portrait painting by the English artist Thomas Lawrence depicting the British monarch George III. It is an oil painting on canvas depicting the King in his robes for the State Opening of Parliament. It was commissioned by George as a gift for the former Prime Minister of the United Kingdom Henry Addington. George had reigned since 1760, but he was troubled by occasional bouts of mental instability. In 1810, shortly after celebrating the Golden Jubilee on the throne, George was overcome by a more lasting loss of control and his eldest son George was declared Prince Regent. The image by Lawrence continued to be used to represent the King throughout the remainder of his reign.
Sir Walter Scott is a portrait painting by the English artist Thomas Lawrence of the Scottish writer Sir Walter Scott. Begun in 1820, it was completed in 1826 and exhibited at the 1827 Royal Academy Summer Exhibition. Lawrence was Britain's foremost society portraitist of the Regency era and was commissioned by George IV, a regular patron of the artist for whom he supplied various paintings for the Waterloo Chamber, to depict Scott for a fee of three hundred guineas.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
Princess Charlotte is an 1817 portrait painting by the British artist George Dawe depicting Princess Charlotte of Wales, the daughter of the Prince Regent.
Portrait of Benjamin West is a 1785 portrait painting by the American artist Gilbert Stuart of the noted Anglo-American painter Benjamin West. West, a future President of the Royal Academy settled in Britain during the 1760s. His epic 1770 battle painting The Death of General Wolfe established him as a leading artist.
Portrait of the Duke of Cumberland is an 1828 portrait painting by the English artist George Dawe depicting Ernest Augustus, Duke of Cumberland. The younger brother of the British monarchs George IV and William IV, he became King of Hanover in 1837.
