| The Judas Kiss | |
|---|---|
 Cover of the published play (1998) | |
| Written by | David Hare |
| Characters | |
| Date premiered | 12 March 1998 [1] |
| Place premiered | Playhouse Theatre |
| Subject | Oscar Wilde's decline at the hands of his lover Bosie |
| Genre | Biographical drama |
| Setting | London Naples |
The Judas Kiss is a 1998 British play by David Hare about Oscar Wilde's scandal and disgrace at the hands of his young lover Bosie (Lord Alfred Douglas).
Act 1: London, 1895
Oscar Wilde's spoiled and impetuous young lover Bosie has succeeded in instigating Wilde to sue Bosie's father in court for insulting him as a "sodomite". The loss of the suit opens the way for Wilde being criminally indicted for gross indecency. Wilde has tacit government permission to flee the country to avoid arrest, trial, and imprisonment, but the childish Bosie insists that he stay and defend their honour.
Act 2: Italy, 1897
Wilde is doing the one thing his friends wanted him to avoid, namely reuniting with the unbelievably selfish Bosie after his difficult two-year incarceration. Wilde, a broken man, is holed up in exile from the UK in a rat-infested hotel in Naples. [2]
The play was originally produced by the Almeida Theatre Company and premiered in London's Playhouse Theatre in the West End, where it ran from 12 March to 18 April 1998. [5] It then transferred to Broadway in New York at the Broadhurst Theatre, where it ran from 23 April through 1 August 1998. [6] The play was rushed into production in London in order to open on Broadway in time for the Tonys. [7] [8] The run starred Liam Neeson as Wilde and Tom Hollander as Bosie, and was directed by Richard Eyre. [8]
The Judas Kiss was revived at London's Hampstead Theatre beginning 6 September 2012, starring Rupert Everett as Wilde and Freddie Fox as Bosie, and directed by Neil Armfield. The play ran at the Hampstead through 13 October 2012, [9] toured the UK and Dublin, [10] [11] [12] and then transferred to the West End at the Duke of York's Theatre on 9 January 2013 in a limited run through 6 April 2013. [13] [14] [15]
Everett won the WhatsOnStage Award for Best Actor in a Play, [16] and was nominated for the Olivier Award for Best Actor. [17] In 2016 the production, still starring Everett and with Charlie Rowe as Bosie, ran in North America for seven weeks in Toronto [18] and five weeks at BAM in New York City. [19]
The play had its Australian premiere in 1999 at Sydney's Belvoir St Theatre. It was directed by Neil Armfield, who later directed the 2012 London revival, and featured Bille Brown in the role of Oscar Wilde. [20] In 2014, a new production directed by Jason Cavanagh and produced by the Mockingbird Theatre Company was staged at Theatreworks in the Melbourne suburb of St Kilda, featuring Chris Baldock as Wilde and Nigel Langley as Bosie. [21] [20]
The initial 1998 run of The Judas Kiss proved popular with audiences but less so with critics. [22] The 2012 London revival however was both critically and popularly acclaimed. Michael Billington in The Guardian observed of the revival:
When David Hare's play was first seen in 1998, it suffered from the miscasting of the central roles of Oscar Wilde and Lord Alfred Douglas (Bosie). Now, in Neil Armfield's fine revival, it looks a much richer play .... The Wilde that emerges is a multifaceted character: one who can either be admired for his uncompromising moral integrity, or pitied for his wilful capacity for self-destruction. This is the most convincing dramatic portrait of Wilde that I have come across – one that captures him as both romantic individualist and tragic victim. [23]
Other critics concurred with Billington's sentiment; [24] Fiona Mountford in the Evening Standard echoed that "Time has been kinder to The Judas Kiss (1998) than some initial judgments: on second viewing it's revealed as a rich, resonant piece of writing, which at last boasts the ideal cast." [25]
The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage and the resulting satire of Victorian conformity. Some contemporary reviews praised the play's humour as the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest an enduringly popular play.
William John Neeson is an actor from Northern Ireland. He has received several accolades, including nominations for an Academy Award, a BAFTA Award, three Golden Globe Awards, and two Tony Awards. In 2020, he was placed seventh on The Irish Times list of Ireland's 50 Greatest Film Actors. Neeson was appointed Officer of the Order of the British Empire (OBE) in 2000.
Lord Alfred Bruce Douglas, also known as Bosie Douglas, was an English poet and journalist, and a lover of Oscar Wilde. At Oxford he edited an undergraduate journal, The Spirit Lamp, that carried a homoerotic subtext, and met Wilde, starting a close but stormy relationship. Douglas's father, the Marquess of Queensberry, abhorred it and set out to humiliate Wilde, publicly accusing him of homosexuality. Wilde sued him for criminal libel, but some intimate notes were found and Wilde was later imprisoned. On his release, he briefly lived with Douglas in Naples, but they had separated by the time Wilde died in 1900. Douglas married a poet, Olive Custance, in 1902 and had a son, Raymond.
Robert Baldwin Ross was a British journalist, art critic and art dealer, best known for his relationship with Oscar Wilde, to whom he was a devoted friend, lover, and literary executor. A grandson of the Canadian reform leader Robert Baldwin, and son of John Ross and Augusta Elizabeth Baldwin, Ross was a pivotal figure on the London literary and artistic scene from the mid-1890s to his early death, and mentored several literary figures, including Siegfried Sassoon. His open homosexuality, in a period when male homosexual acts were illegal, brought him many hardships.
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Sir David Rippon Hare is an English playwright, screenwriter and theatre director. Best known for his stage work, Hare has also enjoyed great success with films, receiving two Academy Award nominations for Best Adapted Screenplay for writing The Hoursin 2002, based on the novel written by Michael Cunningham, and The Readerin 2008, based on the novel of the same name written by Bernhard Schlink.
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Duet for One is a 1986 British drama film adapted from the play, a two-hander by Tom Kempinski, about a world-famous concert violinist named Stephanie Anderson who is suddenly struck with multiple sclerosis. It is set in London, and directed by Andrei Konchalovsky. The story was, at the time of the premiere of the play, assumed to be based on the life of cellist Jacqueline du Pré, who was diagnosed with MS, and her husband, conductor Daniel Barenboim, but Kempinski has stated that the subject of the play was a cathartic explosion of his own anxieties and depression.
Douglas William Hodge is an English actor, director, and musician who has had an extensive career in theatre, as well as television and film where he has appeared in Robin Hood (2010), Legends of Oz: Dorothy's Return and Diana (2013), Penny Dreadful (2016), Catastrophe (2018), Joker and Lost in Space (2019), and The Great (2020–2023).
Stephen Adly Guirgis is an American playwright, screenwriter, director, and actor. He is a member and a former co-artistic director of New York City's LAByrinth Theater Company. His plays have been produced both Off-Broadway and on Broadway as well as in the UK. His play Between Riverside and Crazy won the 2015 Pulitzer Prize for Drama.
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Judas kiss may refer to:
Oscar Wilde's life and death have generated numerous biographies.
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