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The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage and the resulting satire of Victorian ways. Some contemporary reviews praised the play's humour and the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.
The Happy Prince and Other Tales is a collection of stories for children by Oscar Wilde first published in May 1888. It contains five stories: "The Happy Prince," "The Nightingale and the Rose," "The Selfish Giant," "The Devoted Friend," and "The Remarkable Rocket." In 2003, the second through fourth stories were adapted by Lupus Films and Terraglyph Interactive Studios into the three-part series Wilde Stories for Channel 4.
The Mandrake is a satirical play by Italian Renaissance philosopher Niccolò Machiavelli. Although the five-act comedy was published in 1524 and first performed in the carnival season of 1526, Machiavelli likely wrote The Mandrake in 1518 as a distraction from his bitterness at having been excluded from the diplomatic and political life of Florence following the 1512 reversion to Medici rule. Some scholars read the play as an overt critique of the House of Medici; and some scholars assert that the play is a mirror to his political treatises. However, Machiavelli set the action in 1504 during the period of the Florentine Republic in order to express his frustrations without fear of censure from patrons already ill-disposed towards him and his writing.
Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play Salomé by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer.
Dialogues des Carmélites, FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation.
Christopher Merlin Vyvyan Holland is a British biographer and editor. He is the only grandchild of Oscar Wilde, whose life he has researched and written about extensively.
Eine florentinische Tragödie, Op. 16, is an opera in one act by Alexander von Zemlinsky composed in 1915–16 to a libretto adapted by the composer from a German translation by Max Meyerfeld of Oscar Wilde's unfinished play A Florentine Tragedy.
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Literaturoper, a term coined by the German music critic Edgar Istel, describes a genre of opera that emerged during the late 19th century. When an existing play for the legitimate theatre is set to music without major changes and without the intervention of a librettist, a “Literaturoper” is the result. Although the term is German, it can be applied to any kind of opera, irrespective of style or language.
Maddalena is an opera in one act by the Russian composer Sergei Prokofiev, who also wrote the libretto based on a play of the same name by Magda Gustavovna Lieven-Orlov. That play was in turn based on Oscar Wilde's play A Florentine Tragedy.
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La chute de la maison Usher is an unfinished opera in one act by Claude Debussy to his own libretto, based on Edgar Allan Poe's 1839 short story "The Fall of the House of Usher". The composer worked on the score between 1908 and 1917 but it was never completed.
This is a bibliography of works by Oscar Wilde, a late-Victorian Irish writer. Chiefly remembered today as a playwright, especially for The Importance of Being Earnest, and as the author of The Picture of Dorian Gray; Wilde's oeuvre includes criticism, poetry, children's fiction, and a large selection of reviews, lectures and journalism. His private correspondence has also been published.
Antigone is an opera in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
Pietro Floridia was an Italian composer of classical music.
Adrien (Hadrian) is an opera by the French composer Étienne Méhul. The libretto, by François-Benoît Hoffman, is closely based on Metastasio's Adriano in Siria. Written in 1791 and intended for performance at the Paris Opéra in 1792, the work was caught up in the turbulent political climate of the French Revolution and banned until 1799.
The Taming of the Shrew is a 1957 opera in four acts, five scenes by Vissarion Shebalin to a libretto by the Soviet musicologist Abram Akimovich Gozenpud, based on the comedy by William Shakespeare. Gozenpud utilized very little of Shakespeare's original text in his libretto, and completely eliminated many of the secondary characters and subplots from the play. His libretto does match the spirit of Shakespeare's play in its use of wit, the genuine passion of the story's lovers, and mixture of both lofty and coarse language.
Oscar is an American opera in two acts, with music by composer Theodore Morrison and a libretto by Morrison and English opera director John Cox. The opera, Morrison's first, is based on the life of Oscar Wilde, focused on his trial and imprisonment in Reading Gaol. It was a co-commission and co-production between Santa Fe Opera and Opera Philadelphia. This work received its world premiere at the Santa Fe Opera on 27 July 2013. Opera Philadelphia first presented the revised version of the opera on 6 February 2015.
Río de Sangre is a Spanish-language opera in 3 acts and 14 scenes by the film score composer of the Matrix trilogy, Don Davis. Kate Gale wrote the original English prose libretto which was translated into Spanish by Alicia Partnoy. Commissioned by the Florentine Opera Company, the work premiered in October 22, 2010 in a production starring soprano Kerry Walsh and tenor John Duykers. The original cast recorded the opera for Albany Records in 2010. The opera is set in an unnamed South American country with a story centering on political intrigue and family tragedy. The role of its main character, Christian Delacruz, the country's newly elected president, was sung by Guido LeBron.
References
- ↑ "Oscar Wilde: An Inventory of His Collection at the Harry Ransom Center". norman.hrc.utexas.edu. Retrieved 2018-08-20.
- ↑ The Complete Works of Oscar Wilde. Collins. pp. 689 (footnote).; Luce/Methuen premiere of the Moore edition, 1908
