Robbie Ross | |
---|---|
Born | Robert Baldwin Ross 25 May 1869 Tours, France |
Died | 5 October 1918 49) London, England | (aged
Nationality | Canadian-British |
Other names | Robbie Ross |
Occupation | Journalist |
Known for | Executor of the estate of Oscar Wilde |
Robert Baldwin Ross (25 May 1869 –5 October 1918) was a British journalist, art critic and art dealer, best known for his relationship with Oscar Wilde, to whom he was a devoted lover and literary executor. A grandson of the Canadian reform leader Robert Baldwin, and son of John Ross and Augusta Elizabeth Baldwin, Ross was a pivotal figure on the London literary and artistic scene from the mid-1890s to his early death, and mentored several literary figures, including Siegfried Sassoon. His open homosexuality, in a period when male homosexual acts were illegal, brought him many hardships. [1]
Ross was born in Tours, France. His mother, Elizabeth Baldwin, was the eldest daughter of Robert Baldwin, a Toronto lawyer and politician who in the 1840s, together with his political partner Louis Hippolyte Lafontaine, led Canada to autonomy from Britain. Ross's father, John Ross, was a Baldwinite and a Toronto lawyer who had a very successful political career, serving as Solicitor General for Upper Canada, Attorney General, Speaker of the Legislative Council, President of the Legislative Council, director, and, for a time, president, of the Grand Trunk Railway, and Canadian senator. He became Speaker of the Senate in 1869.
Ross was the youngest of five children, with two sisters, Mary and Maria, and two brothers, John and Alexander. The family moved to Tours, France, in 1866 while Elizabeth was pregnant with Maria, who was born in 1867, the year of Canadian Confederation. John fulfilled his duties as senator largely in absentia until he was chosen as Speaker of the Senate in 1869, the year of Robbie's birth, making his return to Canada unavoidable. The rest of the family followed in 1870. John died in January 1871 and Elizabeth moved the family to London, England, the following April.
In 1888, Ross was accepted at King's College, Cambridge, [2] where he became a victim of bullying, probably because of his sexuality, of which he made no secret, and perhaps also his outspoken journalism in the university paper. Ross caught pneumonia after being dunked in a fountain by other students who had, according to Ross, the full support of Arthur Augustus Tilley, the Junior Tutor of King's. [3] After recovering, he fought for an apology from his fellow students, which he received, but he also sought the dismissal of Tilley. The college refused to punish Tilley (though he resigned as Junior Tutor) and Ross dropped out. Soon after that, he chose to "reveal his sexuality" to his parents.
Ross found work as a journalist and critic but he did not escape scandal. He is believed to have become Oscar Wilde's first male lover in 1886, even before he went to Cambridge. In 1893, a few years before Wilde's imprisonment, Ross had a sexual relationship with a boy of sixteen, the son of friends. The boy confessed to his parents that he had engaged in sexual activity with Ross and also admitted to a sexual encounter with Lord Alfred Douglas while he was a guest at Ross's house. After a good deal of panic and frantic meetings with solicitors, the parents were persuaded not to go to the police, since at that time their son might be seen as equally guilty and face the possibility of going to prison. [4]
On 1 March 1895, Wilde, Douglas, and Ross approached a solicitor, Charles Octavius Humphreys, with the intention of suing the Marquess of Queensberry, Douglas's father, for criminal libel. Humphreys asked Wilde directly whether there was any truth to Queensberry's allegations of homosexual activity between Wilde and Douglas, to which Wilde replied “No.” Humphreys applied for a warrant for Queensberry's arrest, and approached Sir Edward Clarke and Charles Willie Mathews to represent Wilde. His son, Travers Humphreys, appeared as junior counsel for the prosecution in the subsequent case of Wilde v Queensberry. [5]
The libel hearings unearthed evidence that caused Wilde to drop his charges and led to an arrest warrant for him on charges of sodomy and gross indecency. Ross found Wilde at the Cadogan Hotel, in Knightsbridge, with Reginald Turner. Both men advised Wilde to get a boat-train to France, but he refused. His mother had advised him to stay and fight, and Wilde reportedly said: "The train has gone. It's too late." [6] Following Wilde's imprisonment in 1895, Ross went abroad but he returned to offer both financial and emotional support to Wilde during his last years. Ross remained loyal to Wilde and was with him when he died in Paris on 30 November 1900.
Ross became Wilde's literary executor, which meant that he had to track down and purchase the rights to all of Wilde's texts, which had been sold off along with Wilde's possessions when Wilde was declared bankrupt. It also meant fighting the rampant trade in black market copies of his books and, in particular, books, usually erotic, that Wilde did not write, but which were published illegally under his name.[ citation needed ]
Ross was assisted in this task by Christopher Sclater Millard, who compiled a definitive bibliography of Wilde's writings. Ross gave Wilde's sons the rights to all their father's works along with the money earned from their publication or performance while he was executor. In 1905, he attended the first performances in England of Wilde's Salome at the Bijou Theatre. One of the actors was Frederick Stanley Smith (1885–1953) with whom Ross had a relationship. [7]
About 1902, he arranged for the transfer of Wilde's remains "from the obscure Bagneux cemetery to Père Lachaise, the most celebrated cemetery in France" and later instructed his heirs to have his own ashes buried in Wilde's tomb. [8]
In 1908, some years after Wilde's death, Ross produced the definitive edition of his works. Ross was also responsible for commissioning Jacob Epstein to produce the sculpture that can now be seen on Wilde's tomb. He even requested that Epstein design a small compartment for Ross's own ashes. As a result of his faithfulness to Wilde even in death, Ross was vindictively pursued by Lord Alfred Douglas, who repeatedly attempted to have him arrested and tried for homosexual conduct.[ citation needed ]
From 1901 to 1908, in personal and professional partnership with the art critic More Adey, Ross managed the Carfax Gallery, a small commercial gallery in London co-founded by John Fothergill and the artist William Rothenstein. [9] The Carfax held exhibitions of works by such artists as Aubrey Beardsley, William Blake, Sylvia Gosse, and John Singer Sargent. [10] After leaving the Carfax, Ross worked as an art critic for The Morning Post . [11]
During the First World War, Ross mentored a group of young, mostly homosexual, poets and artists including Siegfried Sassoon and Wilfred Owen. He was also a close friend of Wilde's sons Vyvyan Holland and Cyril Holland.[ citation needed ]
In early 1918, during the German spring offensive, Noel Pemberton Billing, a right-wing member of Parliament, published an article entitled "The Cult of the Clitoris" in which he accused members of Ross's circle of being among 47,000 homosexuals who were betraying the nation to the Germans. Maud Allan, an actress who had played Wilde's Salome in a performance authorised by Ross, was identified as a member of the "cult". She unsuccessfully sued Billing for libel, causing a national sensation in Britain. The incident brought embarrassing attention to Ross and his associates.[ citation needed ]
Later, in 1918, Ross was preparing to travel to Melbourne, to open an exhibition at the National Gallery of Victoria, when he died suddenly in London on 5 October 1918. [9]
In 1950, on the 50th anniversary of Wilde's death, an urn containing Ross's ashes was placed into Wilde's tomb in Père Lachaise Cemetery in Paris. [12]
Ross was able to rely on an allowance and then an inheritance from his wealthy family, leaving him free to pursue his interests. His main contribution to literature lies in his work, not only as Wilde's executor, but also, earlier, as a friendly but critical reader of many of Wilde's texts. If Ross is to be believed, he frequently suggested changes and improvements.
Ross also tried his hand as a writer. He provided an introduction to Wilde's play Salome . His book Masques and Phases is a collection of previously published short stories and reviews. As an art critic, Ross was highly critical of the post-impressionist painters.
Oscar Fingal O'Fflahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and his criminal conviction for gross indecency for homosexual acts.
John Sholto Douglas, 9th Marquess of Queensberry, was a British nobleman of the Victorian era, remembered for his atheism, his outspoken views, his brutish manner, for lending his name to the "Queensberry Rules" that form the basis of modern boxing, and for his role in the downfall of the Irish author and playwright Oscar Wilde.
Lord Alfred Bruce Douglas, also known as Bosie Douglas, was an English poet and journalist, and a lover of Oscar Wilde. At Oxford he edited an undergraduate journal, The Spirit Lamp, that carried a homoerotic subtext, and met Wilde, starting a close but stormy relationship. Douglas's father, the Marquess of Queensberry, abhorred it and set out to humiliate Wilde, publicly accusing him of homosexuality. Wilde sued him for criminal libel, but some intimate notes were found and Wilde was later imprisoned. On his release, he briefly lived with Douglas in Naples, but they had separated by the time Wilde died in 1900. Douglas married a poet, Olive Custance, in 1902 and had a son, Raymond.
Sir Henry Maximilian Beerbohm was an English essayist, parodist and caricaturist under the signature Max. He first became known in the 1890s as a dandy and a humorist. He was the drama critic for the Saturday Review from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best-known works is his only novel, Zuleika Dobson, published in 1911. His caricatures, drawn usually in pen or pencil with muted watercolour tinting, are in many public collections.
Salome is a one-act tragedy by Oscar Wilde. The original version of the play was first published in French in 1893; an English translation was published a year later. The play depicts the attempted seduction of Jokanaan by Salome, stepdaughter of Herod Antipas; her dance of the seven veils; the execution of Jokanaan at Salome's instigation; and her death on Herod's orders.
Wilde is a 1997 British biographical romantic drama film directed by Brian Gilbert. The screenplay, written by Julian Mitchell, is based on Richard Ellmann's 1987 biography of Oscar Wilde. It stars Stephen Fry in the title role, with Jude Law, Vanessa Redgrave, Jennifer Ehle, Gemma Jones, Judy Parfitt, Michael Sheen, Zoë Wanamaker, and Tom Wilkinson in supporting roles.
Sir William Rothenstein was an English painter, printmaker, draughtsman, lecturer, and writer on art. Though he covered many subjects – ranging from landscapes in France to representations of Jewish synagogues in London – he is perhaps best known for his work as a war artist in both world wars, his portraits, and his popular memoirs, written in the 1930s. More than two hundred of Rothenstein's portraits of famous people can be found in the National Portrait Gallery collection. The Tate Gallery also holds a large collection of his paintings, prints and drawings. Rothenstein served as Principal at the Royal College of Art from 1920 to 1935. He was knighted in 1931 for his services to art. In March 2015 'From Bradford to Benares: the Art of Sir William Rothenstein', the first major exhibition of Rothenstein's work for over forty years, opened at Bradford's Cartwright Hall Gallery, touring to the Ben Uri in London later that year.
The Trials of Oscar Wilde, also known as The Man with the Green Carnation and The Green Carnation, is a 1960 British drama film based on the libel and subsequent criminal cases involving Oscar Wilde and the Marquess of Queensberry. It was written by Allen and Ken Hughes, directed by Hughes, and co-produced by Irving Allen, Albert R. Broccoli and Harold Huth. The screenplay was by Ken Hughes and Montgomery Hyde, based on an unperformed play The Stringed Lute by John Furnell. The film was made by Warwick Films and released by Eros Films.
Oscar Wilde is a 1960 biographical film about Oscar Wilde, made by Vantage Films and released by 20th Century Fox. The film was directed by Gregory Ratoff and produced by William Kirby, from a screenplay by Jo Eisinger, based on the play Oscar Wilde by Leslie Stokes and Sewell Stokes. The film starred Robert Morley, Ralph Richardson, Phyllis Calvert and Alexander Knox.
Gross Indecency: The Three Trials of Oscar Wilde is a 1997 play written and directed by Moisés Kaufman. It deals with Oscar Wilde's three trials on the matter of his relationship with Lord Alfred Douglas and other men.
Robert Sholto Johnstone Douglas, known as Sholto Douglas, or more formally as Sholto Johnstone Douglas, was a Scottish figurative artist, a painter chiefly of portraits and landscapes.
De Profundis is a letter written by Oscar Wilde during his imprisonment in Reading Gaol, to "Bosie".
Oscar Wilde's life and death have generated numerous biographies.
Thomas William Hodgson Crosland was a British author, poet and journalist.
La Sainte Courtisane is an unfinished play by Oscar Wilde written in 1894. The original draft was left in a taxi cab by the author, and was never completed. It was first published in 1908 by Wilde's literary executor, Robert Ross. It has never been performed, and has been little studied.
Sir Richard Somers Travers Christmas Humphreys was a noted British barrister and judge who, during a sixty-year legal career, was involved in the cases of Oscar Wilde and the murderers Hawley Harvey Crippen, George Joseph Smith and John George Haigh, the 'Acid Bath Murderer', among many others.
William More Adey was an English art critic, editor and aesthete. He was a co-editor of The Burlington Magazine, but is perhaps best known for having been a friend and member of the inner circle of Oscar Wilde from the early 1890s until Wilde's death in 1900. As a defender of Wilde during his trial and imprisonment, Adey visited the fallen author in Reading Gaol, attempted to negotiate on behalf of the gaoled writer's interests as his de facto guardian, and oversaw a collection that was used to purchase necessities of life, including clothes, for him upon his release.
Christopher Sclater Millard was the author of the first bibliography of the works of Oscar Wilde as well as several books on Wilde. Millard's bibliography was instrumental in enabling Wilde's literary executor, Robert Baldwin Ross, to establish copyright on behalf of his estate.
Oscar Wilde's tomb is located in Père Lachaise Cemetery, Paris, France. It took nine to ten months to complete by the sculptor Jacob Epstein, with an accompanying plinth by Charles Holden and an inscription carved by Joseph Cribb. As of the 50th anniversary of Wilde's death, the tomb also contains the ashes of Robert Ross, Wilde's lover and literary executor.
The Chameleon was a literary magazine edited by Oxford undergraduate John Francis Bloxam. Its first and only issue was published in December 1894. It featured several literary works from the Uranian tradition, concerning the love of adolescent boys.