Dangerous Beauty | |
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Directed by | Marshall Herskovitz |
Screenplay by | Jeannine Dominy |
Based on | The Honest Courtesan by Margaret Rosenthal |
Produced by |
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Starring | |
Cinematography | Bojan Bazelli |
Edited by | Steven Rosenblum |
Music by | George Fenton |
Production companies | |
Distributed by |
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Release date |
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Running time | 112 minutes |
Country | United States |
Language | English |
Budget | $8 million (estimated) |
Box office | $4 million |
Dangerous Beauty is a 1998 American biographical drama film directed by Marshall Herskovitz, and starring Catherine McCormack, Rufus Sewell and Oliver Platt. Based on the non-fiction book The Honest Courtesan by Margaret Rosenthal, the film is about Veronica Franco, a courtesan in sixteenth-century Venice who becomes a hero to her city, but later becomes the target of an inquisition by the Church for witchcraft. The film features a supporting cast that includes Fred Ward, Naomi Watts, Moira Kelly and Jacqueline Bisset. The film was released as A Destiny of Her Own in some regions, and was retitled The Honest Courtesan for its UK video release.
Veronica Franco is an adventurous, curious, slightly tomboyish young woman in Venice. Her love, Marco, who will be a Senator like his father, cannot marry her because her family is too poor; he marries a foreign noblewoman instead.
Paola, Veronica's mother, plans for her family's financial security, as she still requires dowries for her younger daughters and money for her son's commission. Rather than go to a convent, Paola suggests Veronica become a courtesan, a highly paid, cultured prostitute like her mother and grandmother before her.
At first Veronica is repelled by the idea, but once she discovers that courtesans are allowed access to libraries and education, she tentatively embraces the idea. Training under her mother's tutelage, Veronica is shown how to seduce men subtly, even from afar.
Impressing the powerful men of Venice with her beauty, wit, and compassion, Veronica quickly gains a reputation as a top courtesan. Marco finds it difficult to adjust to his new wife, who is nothing like Veronica, and becomes jealous as Veronica takes his friends and relatives as lovers.
Marco's cousin, Maffio, a poor bard who was once publicly upstaged and later rejected by Veronica, attacks her due to envy. They have a duel of words as well of swords, after which Marco rushes to Veronica's aid. Although Marco and Veronica rekindle their romance, she refuses to stop seeing clients and accept his support. Nevertheless, Veronica spends a great deal of time with Marco, neglecting her business and ignoring her mother's warnings that such a relationship is dangerous for her.
The Fourth Ottoman–Venetian War (1570–73) breaks out, and the city appeals to France for aid. In order to secure a military alliance, Veronica is encouraged to seduce the King of France, which she does.
Accusing Veronica of enjoying being a courtesan, Marco implies she ought to have rejected the King despite the risk to Venice. Veronica points out that she sacrificed their love for the good of the city, while he only did it to protect his family's political standing, so Marco leaves for war angry.
Being better connected and educated than the noblewomen left behind, Veronica is called to inform them of the war's progress. Soon ejected from the gathering, she and her noblewoman friend have a private conference, where she is asked to one day train her daughter to be a courtesan. Veronica points out she is not much freer in the end, having to plan to support herself in her old age.
While the Venetians are fighting at sea, a plague hits the city. Religious zealots take the war and plague as punishment for the city's moral degradation, and Veronica's home is quarantined and almost ransacked by a mob. Marco returns before Veronica is charged and just before Paola dies of the plague.
Veronica is summoned to appear before the Inquisition on charges of witchcraft. Maffio, who is now a monsignor, leads the forces against Veronica, and Marco accuses him of having a personal vendetta against her. Marco declares that if she is guilty, then he—along with many others present―is her accomplice. Even when it appears that she will be executed, Veronica refuses to name her clients. Marco publicly shames the Venetian ministers and senators into admitting their own adulteries and sins by standing up in the assembly. Bewildered by the extent of sin in the city, and unwilling to attack so many powerful men, the Inquisitor drops the charges of witchcraft.
Marco and Veronica were lovers the rest of their days.
The film opened in limited release on 20 February 1998 to mixed but mostly positive reviews, receiving a 69% rating on review aggregator website Rotten Tomatoes. Roger Ebert of the Chicago Sun-Times gives it 3 1/2 stars and lauds the writers, noting that "few movies have been so deliberately told from a woman's point of view....Most movies are made by males and show women enthralled by men. This movie knows better." [1] Jack Mathews of the Los Angeles Times described it as "both blessed and cursed with inspiration." [2]
In its initial release, Dangerous Beauty played in only 10 theatres, although it did well, earning $105,989 (a per theater average of $10,599 across ten theaters). Dangerous Beauty eventually opened across 313 theaters, and earned $4.5 million in the United States. [3]
A stage musical version of the film premiered on July 25, 2008 at Northwestern University's Ethel M. Barber Theatre. The musical features book and verse by Jeannine Dominy (the screenwriter of the film), lyrics by Amanda McBroom, and music by Michele Brourman under the direction of Sheryl Kaller. [4] Another musical version of Dangerous Beauty premiered at the Pasadena Playhouse in February 2011, starring Jenny Powers as Veronica Franco and James Snyder (actor) as Marco Venier. [5]
A Funny Thing Happened on the Way to the Forum is a musical with music and lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart.
A courtesan is a prostitute with a courtly, wealthy, or upper-class clientele. Historically, the term referred to a courtier, a person who attended the court of a monarch or other powerful person.
Veronica Franco (1546–1591) was an Italian poet and courtesan in 16th-century Venice. She is known for her notable clientele, feminist advocacy, literary contributions, and philanthropy. Her humanist education and cultural contributions influenced the roles of Courtesans in the late Venetian Renaissance.
Winifred Jacqueline Fraser BissetLdH is a British actress. She began her film career in 1965 and first came to prominence in 1968 with roles in The Detective, Bullitt, and The Sweet Ride, for which she received a Golden Globe nomination as Most Promising Newcomer. In the 1970s, she starred in Airport (1970), The Mephisto Waltz (1971), Day for Night (1973), which won the Academy Award for Best Foreign Language Film, Le Magnifique (1973), Murder on the Orient Express (1974), St. Ives (1976), The Deep (1977), The Greek Tycoon (1978) and Who Is Killing the Great Chefs of Europe? (1978), which earned her a Golden Globe nomination as Best Actress – Motion Picture Comedy or Musical.
Santa Maria della Salute, commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at the Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy.
Death in Venice, Op. 88, is an opera in two acts by Benjamin Britten, his last. The opera is based on the novella Death in Venice by Thomas Mann. Myfanwy Piper wrote the English libretto. It was first performed at Snape Maltings, near Aldeburgh, England, on 16 June 1973.
Leonardo Loredan was a Venetian nobleman and statesman who reigned as the 75th Doge of Venice from 1501 until his death in 1521. As a wartime ruler, he was one of the most important doges in the history of Venice. In the dramatic events of the early 16th century, Loredan's Machiavellian plots and cunning political manoeuvres against the League of Cambrai, the Ottomans, the Mamluks, the Pope, the Republic of Genoa, the Holy Roman Empire, the French, the Egyptians and the Portuguese saved Venice from downfall.
The Contarini is one of the founding families of Venice and one of the oldest families of the Italian Nobility. In total eight Doges to the Republic of Venice emerged from this family, as well as 44 Procurators of San Marco, numerous ambassadors, diplomats and other notables. Among the ruling families of the republic, they held the most seats in the Great Council of Venice from the period before the Serrata del Maggior Consiglio when Councillors were elected annually to the end of the republic in 1797. The Contarini claimed to be of Roman origin through their patrilineal descendance of the Aurelii Cottae, a branch of the Roman family Aurelia, and traditionally trace their lineage back to Gaius Aurelius Cotta, consul of the Roman Republic in 252 BC and 248 BC.
The Honest Courtesan is a 1992 biographical book by Margaret Rosenthal about a 16th-century Venetian courtesan named Veronica Franco.
Antonino Barges was a Franco-Flemish composer of the Renaissance, active in Venice and Treviso. While known as a composer of light popular secular forms such as the villotta, he also wrote motets and a Requiem. He was a friend and probably a student of Adrian Willaert, the founder of the Venetian School, and was listed as a witness to Willaert's last will and testament.
Evidence of magic use and witch trials were prevalent in the Early Modern period, and Inquisitorial prosecution of witches and magic users in Italy during this period was widely documented. Primary sources unearthed from Vatican and city archives offer insights into this phenomenon, and notable Early Modern microhistorians such as Guido Ruggiero, Maria Sofia Messana, Angelo Buttice and Carlo Ginzburg, have defined their careers detailing this topic. In addition, Giovanni Romeo's monograph Inquisitori, esorcisti e streghe nell'Italia della Controriforma (1990) was considered pioneering and marked an important step forward in inquisitorial and witchcraft studies dealing with early modern Italy.In last 25 years a jurist and researcher on trials against witches, add many informations: the names of people involved in witchcraft, their jobs, the meetings. Monia Montechiarini in 'Stregoneria: Crimine Femminile', 'Streghe, eretici e benandanti del Friuli Venezia Giulia' and 'Streghe, Avvelenatrici e Cortigiane di Roma' discovered new secrets.
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