The film marked Arnold's second collaboration with Roland Emmerich and Dean Devlin after working on the duo with Stargate (1994).[2] He received the script for Independence Day and started sent to Emmerich and Devlin, before the film's shooting began. He also visited the film's set and wrote some music there and simultaneously wrote music at an hotel in Los Angeles, where Devlin would come there and listen to few key scenes, though neither Devlin and Emmerich listened the whole score (or nearly 70 percent of it) until the scoring sessions. He spent nearly four to five months writing the film's score.[3][4]
At that point, he used several synthesizers: Atari video game console with Pro 24 audio, 16 MIDI channels, Korg M1, and samplers from Akai and Proteus Design Suite to record the score, although he might use real instruments to do the same. He did not mockup the score apart from key sequences, especially the president's speech and aliens' visit to United States. The former was considered as an important part of the film, and Arnold being keen on completing the score before recording. He wrote the basic sketches and sent the sketches to Nicholas Dodd, who orchestrated the score from the initial sketches derived.[3]
Reception
Filmtracks.com summarised "Independence Day is a highlight of film music in the 1990's, a carefree expression of popcorn-ready bombast not equaled in its ferocity during the early years of CGI-dominated pictures. At a time when blockbuster scores were headed in the direction of Hans Zimmer's synthetic and simplistic constructs, Arnold's score was a blazing continuation of a previous generation of orchestral force."[5] Zanobard Reviews rated 9/10 to the score and wrote "David Arnold created a masterpiece with Independence Day, and it was a shame that he did not return for the sequel. Nevertheless, what we have here for the first film is a score for the ages, and one that definitely will not go quietly into the night."[6]
James Southall of Movie Wave wrote "It's blissfully unsubtle, breathlessly exciting from start to end, and the orchestration is bright enough that it avoids the headache-inducing stupour that can be caused by scores like this. Fifty minutes is the perfect length – any more, and it would surely outstay its welcome – and Arnold is unlikely to ever top this one."[7] Calling it as "nothing short of brilliance", Andrew Overfield, writing for The Sound Architect summarised: "The music brings to the ears a blend of chaos, frenzy and patriotism without relying heavily on digital elements and hits to emphasise the power and beast that encompasses this critically acclaimed disaster movie."[8]
Additional music editor – Daniel Gaber, Doug Lackey
Assistant music editor – Neil S. Bulk
Music contractor – Debbi Datz-Pyle, Patti Zimmitti
Copyist – Barbara Watts, Conrad Pope, Craig Ware, Daniel Gold, Deborah Mitchell, Deborah Richman, Doug Dana, Elizabeth Finch, Ellen Gray, Howard Segurson, James Surell, James Weisheit, Jim Hoffman, Jo Ann Kane, Joanna Beck, John Eidsvoog, Jon Marquardt, Julie Eidsvoog, Katherine Fields, Kenneth Gruberman, Kenneth Fix 2, Ladd McIntosh, Larry Rench, Lars Clutterham, Leland Bond, Nicholas Dodd, Phil Azelton, Richard Bronskill, Robert Calderwood, Roberta McIntosh, Ron Gorow, Russell Bartmus, Soon-Ping Tang, Steve Fowler, Steven Smith, Thomas Brown, Tom Calderaro, Vince Bartold, William Francis, William Motzing
Management
Legal acquisition for Sony Music – Vinny Tabone
Sales representative for Sony Music – Gina Aciares
Soundtrack executive for Twentieth Century Fox – Tom Cavanaugh
Vice president, custom marketing for Sony Music – Doug Wygal
Executive producer for Sony Music Entertainment – Didier C. Deutsch
Product management for Sony Music – Robin Manning
Music supervision for Twentieth Century Fox – Robert Kraft
A&R – Bill Rosenfield
Cover artwork
Art direction – Richard Dombrowski
Liner notes – Dan Goldwasser
Performers
Bassoon – Allen Savedoff, David Riddles, Ronald Jannelli, Rose Corrigan
Cello – Armen Ksajikian, Barry Gold, Christina Soule, Christine Ermacoff, Dane Little, David Shamban, Dennis Karmazyn, Frederick Seykora, Jodi Burnett, Larry Corbett, Miguel Martinez, Paula Hochhalter, Robert L. Adcock, Rowena Hammill, Steve Erdody, Timothy Landauer, Todd Hemmenway, Vage Ayrikyan
Choir – Albert Eddy, Aleta Braxton, Amy Fogerson, Andre Furtivo, Barbara Durham, Barbara Lee, Burman Timberlake, David Schnell, Diana Kahn, Dwayne Condon, Edward Levy, Eileen Holt, Elin Carlson, Elissa Johnston, G. Edward Bruner, George Sterne, Gordon Goodman, Howard Drollinger, Holly Ristuccia, Joseph Golightly, Leanna Brand, Leilani Jones Wilmore, Lesley Leighton, Linda Sauer, Linda St. George, Mallor Walker, Marie Hodgson, Martha Cowan, Marti Pia, Meredith Salamunovich, Mervyn Warren, Michael Horton, Michelle Fournier, Nancy Sulahian, Nicole Baker, Pamela Hall, Paul Salamunovich, Paula Mandros, Robert Lewis, Sarah Bloxham, Sarona Sowa, Stephen Grimm, Tim Hewitt, Vance Wilson, Vicky Brown, Virenia Lind
Clarinet – Charles Boito, Gary Bovyer, Gary Gray, Ralph Williams
Double bass – Ann Atkinson, Bruce Morgenthaler, Buell Neidlinger, Christian Kollgaard, Chris Hanulik, Donald V. Ferrone, Drew Dembowski, Ed Meares, Frances Wu, Ian Walker, Margaret Storer, Nico Abondolo, Oscar Hidalgo, Richard Feves, Susan Ranney
Drums – Robert Zimmitti, Daniel Greco, Don Williams, Emil Radocchia, Joe Porcaro, Michael Fisher, Peter Limonick, Steve Schaeffer, Thomas Raney
Flute – David Shostac, Geraldine Rotella, Louise Di Tullio, Sheridon Stokes
French horn – Brad Warnaar, Brian O'Connor, Daniel Kelley, David Duke, James Thatcher, Jeffrey De Rosa, Jerry Folsom, John A. Reynolds, Kurt Snyder, Mark Adams, Marilyn Johnson, Phil Yao, Richard Todd, Steve Becknell
Harp – Amy Shulman, Katie Kirkpatrick, Susan Allen
Keyboards – Chet Swiatkowski, Michael Lang, Ralph Grierson, Randy Kerber
Oboe – Barbara Northcutt, Earle Dumler, Jon Clarke, Thomas Boyd
Trombone – Alan Kaplan, Alexander Iles, William Reichenbach, Robert Sanders, Charles Loper, Lew McCreary, Phil Teele, Steven Holtman, Steven Williams
Trumpet – Jon Lewis, Malcolm McNab, Rick Baptist
Tuba – Tommy Johnson
Viola – Andrew Picken, Brian Dembow, Carole Castillo, Carrie Holzman-Little, Dan Neufeld, Denyse Buffum, Dmitri Bovaird, Donald McInnes, Harry Shirinian, Janet Lakatos, John Scanlon, Jorge Moraga, Keith Greene, Kenneth Burward-Hoy, Marlow Fisher, Matthew Funes, Raymond Tischer II, Rick Gerding, Robert Becker, Roland Kato
Violin – Alan Grunfeld, Anatoly Rosinsky, Barbra Porter, Berj Garabedian, Bruce Dukov, Carolyn Osborn, Claudia Parducci, Clayton Haslop, Darius Campo, David Ewart, Dennis Molchan, Diana Halprin, Dimitrie Leivici, Endre Granat, Eve Sprecher, Ezra Kliger, Gil Romero, Gwenn Heller, Haim Shtrum, Horia Moroaica, Jacqueline Brand, Jay Rosen, Jennifer Bellusci, Joel Derouin, Julie Gigante, Karen Jones, Kathleen Lenski, Katia Popov, Kwihee Shamban, Lily Ho Chen, Margaret Batjer, Mari Tsumura, Michael Markman, Miran Kojian, Norman Hughes, Patricia Johnson, Peter Kent, Rachel Robinson, Ralph Morrisson, Razdan Kuyumjian, Rebecca Barr, Rene Mandel, Richard Altenbach, Robin Olson, Ron Clark, Sheldon Sanov, Tamara Hatwan, Tiffany Yi Hu
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