Amistad (film)

Last updated
Amistad
Amistad (1997) poster.png
Theatrical release poster
Directed by Steven Spielberg
Written by David Franzoni
Produced by
Starring
Cinematography Janusz Kamiński
Edited by Michael Kahn
Music by John Williams
Production
company
Distributed by DreamWorks Pictures
Release date
  • December 10, 1997 (1997-12-10)
Running time
154 minutes
CountryUnited States
Languages
  • English
  • Mende
  • Spanish
Budget$39 million
Box office$58.3 million [1]

Amistad is a 1997 American historical drama film directed by Steven Spielberg, based on the events in 1839 aboard the Spanish slave ship La Amistad , during which Mende tribesmen abducted for the slave trade managed to gain control of their captors' ship off the coast of Cuba, and the international legal battle that followed their capture by the Washington , a U.S. revenue cutter. The case was ultimately resolved by the U.S. Supreme Court in 1841.

Contents

Morgan Freeman, Anthony Hopkins, and Matthew McConaughey starred, along with Djimon Hounsou in his breakout role as Cinqué; Pete Postlethwaite, Nigel Hawthorne, and a then unknown Chiwetel Ejiofor appeared in supporting roles.

The film received largely positive critical reviews and grossed over $58 million worldwide.

Plot

The schooner La Amistad is transporting black slaves off the coast of the Spanish colony of Cuba in 1839. A captive, Cinqué, leads an uprising against the crew, most of whom are killed. Two navigators, Pedro Montes and Jose Ruiz, are spared on condition they help sail the ship to Africa. The Spaniards betray them and instead sail into U.S. waters, where the ship is stopped by the U.S. revenue cutter Washington , and the mutineers are arrested.

A complicated legal battle ensues over the slaves. United States Attorney William S. Holabird brings charges of piracy and murder against them. Those charges are dismissed in a criminal case because the killings occurred outside of United States territorial waters.

A civil case then follows, with the Amistad Africans being claimed as property by Montes and Ruiz, and as salvage by two officers from the Washington. The Spanish government of Queen Isabella II [lower-alpha 1] intervenes in support of Montes and Ruiz, under the Treaty of 1795, also known as Pinckney's Treaty. To avoid a diplomatic incident, President Martin Van Buren directs his Secretary of State John Forsyth to support the Spanish claim. Meanwhile, abolitionist Lewis Tappan and his black associate Theodore Joadson (a former slave), resolve to help the captives. They approach the brilliant lawyer, former U.S. president and serving U.S. representative John Quincy Adams, but he is reluctant to get involved. They instead hire the young and eccentric attorney Roger Sherman Baldwin.

Baldwin, unable to converse directly with his clients due to the language barrier, suspects the slaves are not Cubans but Africans who have been kidnapped and transported illegally as part of the banned transatlantic slave trade. He and Joadson search La Amistad and find documents which prove the captives were kidnapped from Sierra Leone and transported across the Atlantic aboard the Portuguese slave ship Tecora before being transferred to La Amistad in Havana. The judge is impressed and signals his intention to dismiss the U.S. and Spanish governments' case and release the captives.

To preclude this possibility, Van Buren replaces the judge with a younger man, Coglin, who he believes will be easier to manipulate. Joadson seeks advice from Adams, who tells him that court cases are usually won by the side with the best 'story'. Baldwin and Joadson recruit freedman James Covey as a translator, enabling Cinqué to testify directly before the court. He describes how he was kidnapped from his home, and the horrors of the Middle Passage. Baldwin calls Captain Fitzgerald of the Royal Navy's West Africa Squadron to corroborate Cinqué's testimony. He speculates that the captives were taken aboard the Tecora at the notorious slave fort Lomboko. Under cross-examination, Fitzgerald admits there is no direct evidence of Lomboko's existence. As tension rises, Cinqué abruptly stands and demands, "Give us, us free!". Moved by Cinqué's emotion, Judge Coglin rules that the Africans are to be released, and that Montes and Ruiz are to be arrested and charged with illegal slave-trading.

Under pressure from Senator John C. Calhoun of South Carolina, who represents the slave-holding interests of the American South, Van Buren appeals the case to the Supreme Court. Baldwin and Joadson visit Adams again, and after meeting Cinqué he agrees to represent the Africans before the Supreme Court. Adams' impassioned and eloquent speech convinces the court to confirm the judgement and release the Africans.

Lomboko is stormed by Royal Marines under the command of Captain Fitzgerald, and the slaves held there are freed. Fitzgerald orders the ship's cannon to destroy the fortress, and dictates a sardonic letter to Forsyth saying that he was correct — the infamous slave fort does not (now) exist.

Van Buren is discredited by his failure to prevent the release of the Africans, and loses the 1840 election to William Henry Harrison. The Spanish government continues to press its claim for compensation up until the American Civil War.

The captions say that Cinqué returns to Africa, but is unable to reunite with his family due to civil war in Sierra Leone.

Cast

Casting

In casting the role of Joseph Cinqué, Spielberg had strict requirements that the actor must have an impressive physical appearance, be able to command authority and be of West African descent. The actor who secured the role would also need to learn the Mende accent spoken by Cinqué. [2] Cuba Gooding Jr. was offered the role but turned it down and later regretted it. [3] [4] Dustin Hoffman was offered a role but turned it down, [5] [6] while Will Smith and musician Seal both tried to secure the part. Despite open auditions being held in London, Paris and Sierra Leone, the role remained unfilled with just nine weeks before filming was due to start. Spielberg was prepared to delay production by up to two years if he could not find the right actor. [7] After considering over 150 actors, Spielberg watched the audition tape of relatively unknown actor Djimon Hounsou reading a speech from the film's script. After Hounsou read the speech in English and further learned it in Mende, Spielberg was impressed enough to cast him in the role of Cinqué. [8] Hounsou auditioned with the hope of landing just a small role [7] and said he was not aware of the story before securing the role. He read numerous books on the rebellion and subsequent trial to acquaint himself with events portrayed in the film. [2]

Morgan Freeman was selected for the role of Theodore Joadson on a first-come basis, who was a fictional character in the film representing the composite of African American abolitionists in the 19th century. Spike Lee, an actor and film director, was reportedly offered the role but declined it. [9] Freeman had been offered the role of Ensign James Covey, but he chose to play Joadson instead after he realized that the role was too young for him. Chiwetel Ejiofor made his film debut in the role of Covey, having auditioned for it while playing Othello at the Royal National Theatre in London, while he was a student at the London Academy of Music and Dramatic Art. [10]

Retired U.S. Supreme Court Justice Harry Blackmun made a cameo appearance in the film as Justice Joseph Story. Blackmun was honored to appear in the movie, acknowledging it was a "significant film about our nation's struggle with slavery". [11]

Production

Djimon Hounsou had a short period of just 10 days to learn the Mende dialect for his role as Joseph Cinqué; despite both the dialect and Hounsou's native Benin dialect being from West Africa, there were few similarities. Hounsou struggled to learn all his lines in Mende and resorted to phonetically reciting some of them, except for the most important scenes where he made sure to understand every word spoken. Hounsou expressed that being restrained in real chains and shackles during filming was among the most challenging aspects of the movie, causing him to contemplate quitting on the first day. [2]

Filming

Filming locations included Mystic Seaport, which doubled as New Haven. Film crews spent four days there and employed around 300 extras [12] Numerous scenes were filmed in Newport, Rhode Island. Many courthouse scenes were shot in the Old Colony House, while the prison scenes were shot within Fort Adams.

During the scene where the characters Joseph Cinqué and John Quincy Adams meet for the first time, actors Hounsou and Hopkins "struggled through take after take, trying not to cry", and had to be continually told by Spielberg to hold back the tears as it wasn't appropriate for that moment in the scene. Hopkins reportedly wept once the scene was completed. [7]

Post-production

The entire film was completed in 51 days and cost around $39 million (~$80.5 million in 2022). [12] Prior to release, a legal battle ensued between Spielberg's DreamWorks Pictures and novelist Barbara Chase-Riboud, the latter who claimed that specific details from her 1989 novel Echo of Lions were lifted for the screenplay. Chase-Riboud filed a $10 million lawsuit of copyright infringement. [13]

Soundtrack

Music

Amistad: Original Motion Picture Soundtrack
Film score by
ReleasedDecember 9, 1997
Recorded1997
Studio Sony Pictures Studios
Genre Film score
Length55:51
Label DreamWorks
Producer John Williams
John Williams chronology
Seven Years in Tibet
(1997)
Amistad: Original Motion Picture Soundtrack
(1997)
Saving Private Ryan
(1998)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg
Filmtracks Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg
Movie Wave Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg

The musical score for Amistad was composed by John Williams. A soundtrack album was released on December 9, 1997, by DreamWorks Records. [14]

Historical accuracy

Professor Howard Jones's 1987 book Mutiny on the Amistad: The Saga of a Slave Revolt and Its Impact on American Abolition, Law, and Diplomacy was cited by the producers as one of numerous sources used for research during the script's development. [15]

Many academics, including Columbia University professor Eric Foner, have criticized Amistad for the misleading characterization of the Amistad case as a "turning point" in the American perspective on slavery. [16]

Foner wrote:

In fact, the Amistad case revolved around the Atlantic slave trade — by 1840 outlawed by international treaty — and had nothing whatsoever to do with slavery as a domestic institution. Incongruous as it may seem, it was perfectly possible in the nineteenth century to condemn the importation of slaves from Africa while simultaneously defending slavery and the flourishing slave trade within the United States... Amistad’s problems go far deeper than such anachronisms as President Martin Van Buren campaigning for re-election on a whistle-stop train tour (in 1840, candidates did not campaign), or people constantly talking about the impending Civil War, which lay 20 years in the future. [16]

Elmer P. Martin Jr. argued that the film missed an opportunity to mention contemporary events like the Creole case, a similar slave revolt on an American ship in 1841. Martin noted that some antebellum abolitionists Frederick Douglass found it "strange and perverse" that some of the defenders of the Amistad slaves were willing to excuse the "similar traffic carried on with the same motives and purposes" in American waters. [17]

Some critics, like historian Eric McKitrick, felt that the fictional character of Joadson, as portrayed by Morgan Freeman, softened the film's portrayal of early American race relations: "No such person of the bearing and dignity depicted by Mr. Freeman would have been allowed to exist in the America of 1840." However, Richard S. Newman drew a connection between Joadson and Black reformers like James Forten, an early abolitionist who influenced white reformers like Tappan and William Lloyd Garrison. [18]

Reception

Critical response

Amistad received mainly positive reviews. On Rotten Tomatoes, the film has an approval rating of 78% based on reviews from 67 critics, with an average score of 6.9/10. Its consensus reads, "Heartfelt without resorting to preachiness, Amistad tells an important story with engaging sensitivity and absorbing skill." [19] Metacritic calculated an average score of 63 out of 100 based on 23 reviews, indicating "generally favorable reviews". [20] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. [21]

Susan Wloszczyna of USA Today summed up the feelings of many reviewers when she wrote, "as Spielberg vehicles go, Amistad — part mystery, action thriller, courtroom drama, even culture-clash comedy — lands between the disturbing lyricism of Schindler's List and the storybook artificiality of The Color Purple ." [22] Roger Ebert awarded the film three out of four stars, writing:

Amistad, like Spielberg's Schindler's List, is [...] about the ways good men try to work realistically within an evil system to spare a few of its victims. [...] Schindler's List works better as narrative because it is about a risky deception, while Amistad is about the search for a truth that, if found, will be small consolation to the millions of existing slaves. As a result, the movie doesn't have the emotional charge of Spielberg's earlier film — or of The Color Purple, which moved me to tears. [...] What is most valuable about Amistad is the way it provides faces and names for its African characters, whom the movies so often make into faceless victims. [23]

In 2014, the movie was one of several discussed by Noah Berlatsky in The Atlantic in an article concerning white savior narratives in film, calling it "sanctimonious drivel." [24]

Morgan Freeman is very proud of the movie, having said, "I loved the film. I really did. I had a moment of err, during the killings. I thought that was a little over-wrought. But [Spielberg] wanted to make a point and I understood that." [25]

Box office

The film debuted at No. 3 on Wednesday, December 10, 1997. It earned $44,229,441 at the box office in the United States. [26]

Awards and honors

Amistad was nominated for Academy Awards in four categories: Best Supporting Actor (Anthony Hopkins), Best Original Dramatic Score (John Williams), Best Cinematography (Janusz Kamiński), and Best Costume Design (Ruth E. Carter). [27]

AwardCategoryNominee(s)Result
Academy Award Best Supporting Actor Anthony Hopkins Nominated
Best Cinematography Janusz Kamiński Nominated
Best Costume Design Ruth E. Carter Nominated
Best Original Dramatic Score John Williams Nominated
American Society of Cinematographers Outstanding Achievement in Cinematography in Theatrical Releases Janusz KamińskiNominated
Art Directors Guild Excellence in Production Design for a Feature Film Rick Carter (production designer),
Tony Fanning, Christopher Burian-Mohr, William James Teegarden (art directors)
Lauren Polizzi, John Berger, Paul Sonski (assistant art directors)
Nicholas Lundy, Hugh Landwehr (new york art directors)
Nominated
Chicago Film Critics Association Best Supporting Actor Anthony HopkinsNominated
Most Promising Actor Djimon Hounsou Nominated
Critics' Choice Movie Award Best Film Nominated
Best Supporting Actor Anthony HopkinsWon
David di Donatello Best Foreign Film Steven Spielberg Nominated
Directors Guild of America Award Outstanding Directing – Feature Film Nominated
European Film Awards Achievement in World Cinema
(also for Good Will Hunting )
Stellan Skarsgård Won
Golden Globe Award Best Actor – Motion Picture Drama Djimon HounsouNominated
Best Director Steven SpielbergNominated
Best Motion Picture – Drama Nominated
Best Supporting Actor – Motion Picture Anthony HopkinsNominated
Grammy Award Best Instrumental Composition Written for a Motion Picture or for Television John WilliamsNominated
NAACP Image Award Outstanding Actor in a Motion Picture Djimon HounsouWon
Outstanding Motion Picture Nominated
Outstanding Supporting Actor in a Motion Picture Morgan Freeman Won
Online Film Critics Society Best Supporting Actor Anthony HopkinsNominated
Producers Guild of America Award Best Theatrical Motion Picture Steven Spielberg, Debbie Allen, Colin Wilson Nominated
Political Film Society Awards Exposé Nominated
Satellite Award Best Actor – Motion Picture Drama Djimon HounsouNominated
Best Adapted Screenplay David Franzoni Nominated
Best Art Direction and Production Design Rick CarterNominated
Best Cinematography Janusz KamińskiWon
Best Costume Design Ruth E. CarterNominated
Best Director Steven SpielbergNominated
Best Editing Michael Kahn Nominated
Best Film – Drama Steven Spielberg, Debbie Allen, Colin WilsonNominated
Best Original Score John WilliamsNominated
Screen Actors Guild Award Outstanding Performance by a Male Actor in a Supporting Role Anthony HopkinsNominated
Southeastern Film Critics AssociationBest Supporting Actor2nd place

The film was nominated by the American Film Institute for its 2006 list of most inspiring movies. [28]

Other cultural significance

The United States Department of State and the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) collaborated in 1998 to screen Amistad as part of an effort to increase "cultural diplomacy" built around shared national histories of racial struggles in the United States and Cuba. [29]

See also

Footnotes

  1. Queen Isabella II of Spain was the nominal head of the Spanish government, but at the time was a minor and living in exile in Rome with her mother Maria Christina of the Two Sicilies while Spain was under the liberal regency of Baldomero Espartero and under the government of prime minister Antonio González, 1st Marquess of Valdeterrazo.

Related Research Articles

<i>United States v. The Amistad</i> 1841 U.S. Supreme Court case on the legality of the Atlantic slave trade

United States v. Schooner Amistad, 40 U.S. 518 (1841), was a United States Supreme Court case resulting from the rebellion of Africans on board the Spanish schooner La Amistad in 1839. It was an unusual freedom suit that involved international diplomacy as well as United States law. The historian Samuel Eliot Morison described it in 1969 as the most important court case involving slavery before being eclipsed by that of Dred Scott v. Sandford in 1857.

<span class="mw-page-title-main">Djimon Hounsou</span> Beninese-born actor

Djimon Gaston Hounsou is a Beninese-born actor. He began his career appearing in music videos and made his film debut in Without You I'm Nothing (1990). He then earned widespread recognition for his role as Cinqué in the Steven Spielberg film Amistad (1997), which earned him a Golden Globe nomination. For his performances in In America (2002) and Blood Diamond (2006), Honsou was nominated for the Academy Award for Best Supporting Actor.

<span class="mw-page-title-main">John Forsyth (politician)</span> American politician (1780–1841)

John Forsyth Sr. was a 19th-century American politician from Georgia. He represented the state in both the House of Representatives and the Senate, and also served as the 33rd Governor of Georgia. As a supporter of the policies of President Andrew Jackson, Forsyth was appointed the 13th United States Secretary of State by Jackson in 1834, and continued in that role until 1841 during the presidency of Martin Van Buren. He also served as US Minister to Spain during the presidency of James Monroe.

<span class="mw-page-title-main">Mende people</span> Ethnic group in Sierra Leone

The Mende are one of the two largest ethnic groups in Sierra Leone; their neighbours, the Temne people, constitute the largest ethnic group at 35.5% of the total population, which is slightly larger than the Mende at 31.2%. The Mende are predominantly found in the Southern Province and the Eastern Province. The Mende are mostly farmers and hunters. Some of the major cities with significant Mende populations include Bo, Kenema, Kailahun, and Moyamba.

<span class="mw-page-title-main">Josiah Willard Gibbs Sr.</span> American linguist and theologian (1790–1861)

Josiah Willard Gibbs Sr. was an American linguist and theologian, who served as professor of sacred literature at Yale University. He is chiefly remembered today for his involvement in the Amistad case and as the father of theoretical physicist Josiah Willard Gibbs.

<span class="mw-page-title-main">Chiwetel Ejiofor</span> British actor (born 1977)

Chiwetel Umeadi Ejiofor is a British actor. He is the recipient of various accolades, including a British Academy Film Award, and a Laurence Olivier Award, with nominations for an Academy Award, two Primetime Emmy Awards and five Golden Globe Awards.

<span class="mw-page-title-main">Joseph Cinqué</span> West African captive and leader of La Amistad slave revolt in 1839

Sengbe Pieh, also known as Joseph Cinqué or Cinquez and sometimes referred to mononymously as Cinqué, was a West African man of the Mende people who led a revolt of many Africans on the Spanish slave ship La Amistad in July 1839. After the ship was taken into custody by the US Revenue-Marine, Cinqué and his fellow Africans were eventually tried for mutiny and killing officers on the ship, in a case known as United States v. The Amistad. This reached the U.S. Supreme Court, where Cinqué and his fellow Africans were found to have rightfully defended themselves from being enslaved through the illegal Atlantic slave trade and were released. The US government did not provide any aid to the acquitted Mende People. The United Missionary Society, a black group founded by James W.C. Pennington, helped raise money for the return of thirty-five of the survivors to Sierra Leone in 1842.

Amistad may refer to:

Tecora was a Portuguese slave ship of the early 19th century. The brig was built especially for the slave trade although the transport across the Atlantic of human beings as slaves had already been outlawed by several nations in international treaties in the first decade of the 19th century. She was fast and maneuverable in order to evade British patrols that attempted to stop such illegal slave ships off the coast of Africa.

<i>La Amistad</i> Slave ship

La Amistad was a 19th-century two-masted schooner owned by a Spaniard living in Cuba. It became renowned in July 1839 for a slave revolt by Mende captives who had been captured and sold to European slave traders and illegally transported by a Portuguese ship from West Africa to Cuba, in violation of European treaties against the Atlantic slave trade. Spanish plantation owners Don José Ruiz and Don Pedro Montes bought 53 captives in Havana, Cuba, including four children, and were transporting them on the ship to their plantations near Puerto Príncipe. The revolt began after the schooner's cook jokingly told the slaves that they were to be "killed, salted, and cooked." Sengbe Pieh unshackled himself and the others on the third day and started the revolt. They took control of the ship, killing the captain and the cook. Three Africans were also killed in the melee.

The 2nd Golden Satellite Awards, given on February 22, 1998, honored the best in film and television of 1997.

Lomboko was a slave factory in what is today Sierra Leone, controlled by the infamous Spanish slave trader Pedro Blanco. It consisted of several large depots or barracoons for slaves brought from the interior, as well as several palatial buildings for Blanco to house his wives, concubines, and employees.

Pedro Blanco (1795–1854) was a notorious Spanish slave trader based in Gallinas on the coast of Sierra Leone between 1822 and 1838. Before entering the slave trade, Blanco ran a sugar mill in Cuba.

<span class="mw-page-title-main">James Covey</span> Interpreter in the Amistad case

James Benjamin Covey was a sailor, remembered today chiefly for his role as interpreter during the legal proceedings in the United States federal courts that followed the 1839 revolt aboard the Spanish slave ship La Amistad. Covey, who spoke Mende and English, was instrumental for enabling the Mende passengers of the Amistad to communicate with the court and to defend themselves successfully against charges of mutiny and murder.

The Mendi Bible is a Bible presented to John Quincy Adams in 1841 by a group of freed Mendi captives who had mutinied on the schooner La Amistad.

<i>Mutiny on the Amistad</i>

Mutiny on the Amistad: The Saga of a Slave Revolt and Its Impact on American Abolition, Law, and Diplomacy (1987) is a history of a notable slave mutiny of 1839 and its aftermath, written by professor Howard Jones.

Sierra Leonean Americans are an ethnic group of Americans of full or partial Sierra Leonean ancestry. This includes Sierra Leone Creoles whose ancestors were African American Black Loyalists freed after fighting on the side of the British during the American Revolutionary War. Some African Americans trace their roots to indigenous enslaved Sierra Leoneans exported to the United States between the 18th and early 19th century. In particular, the Gullah people of partial Sierra Leonean ancestry, fled their owners and settled in parts of South Carolina, Georgia, and the Sea Islands, where they still retain their cultural heritage. The first wave of Sierra Leoneans to the United States, after the slavery period, was after the Sierra Leone Civil War in the 1990s and early 2000s. According to the American Community Survey, there are 34,161 Sierra Leonean immigrants living in the United States.

<i>Amistad Memorial</i> (New Haven) Sculpture in New Haven, Connecticut, U.S.

The Amistad Memorial in New Haven, Connecticut, is a bronze sculpture created by Ed Hamilton to recognize the events of the 1839 Amistad Affair. The affair was a kidnapping of 53 Africans and their subsequent mutiny aboard La Amistad. It led to a historically significant United States Supreme Court case, in which the Amistad captives were ruled to be acting in self-defense, thereby granting them the right to mutiny.

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