The War Requiem, Op. 66, is a large-scale setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
The Messa per Rossini is a Requiem Mass composed to commemorate the first anniversary of Gioachino Rossini's death. It was a collaboration among 13 Italian composers, initiated by Giuseppe Verdi. The composition was intended to be performed on 13 November 1869 in the Basilica of San Petronio, Bologna, where Rossini grew up and spent a large part of his life.
Andrew Lloyd Webber's Requiem is a requiem mass, which premiered in 1985. It was written in memory of the composer's father, William Lloyd Webber, who died in 1982.
Polish Requiem, also A Polish Requiem, is a large-scale requiem mass for soloists, mixed choir and orchestra by the Polish composer Krzysztof Penderecki. The Lacrimosa, dedicated to the trade union leader Lech Wałęsa, was written for the unveiling of a statue at the Gdańsk Shipyard to commemorate those killed in the Polish anti-government riots in 1970. He expanded the work into a requiem, writing other parts to honour different patriotic events over the next four years.
José Francisco Araiza Andrade is a Mexican operatic tenor and lied singer who has sung as soloist in leading concert halls and in leading tenor operatic roles in the major opera houses of Europe and North America during the course of a lengthy career. Born in Mexico City, he studied singing at the Conservatorio Nacional de Música de México and later in Germany, with Mozartian tenor Richard Holm, and lieder interpretation with Erik Werba. He made his operatic debut in 1970 in Mexico City as First Prisoner in Beethoven's Fidelio. Araiza initially came to international prominence singing in Mozart and Rossini operas, but in the 1980s broadened his repertoire to include Italian and French lyric tenor roles and Wagnerian roles such as Lohengrin and Walther von Stolzing. He was made a Kammersänger of the Vienna State Opera in 1988. Now retired from the opera stage, he teaches singing and serves on the juries of several international singing competitions.
The Quattro pezzi sacri are choral works by Giuseppe Verdi. Written separately during the last decades of the composer's life and with different origins and purposes, they were nevertheless published together in 1898 by Casa Ricordi. They are often performed as a cycle, not in chronological sequence of their composition, but in the sequence used in the Ricordi publication:
Jennifer Larmore is an American mezzo-soprano opera singer, particularly noted for her performances in coloratura and bel canto roles which she has performed in the world's major opera houses. She has been a professor at the Music College of Seoul National University since March 2021.
Teresa Stolz was a Czech spinto soprano, for long a resident in Italy, who was associated with significant performances of the works of Giuseppe Verdi, some with his supervision including Aida in the first performance in Italy, and the soprano part in his Requiem. She was his companion from 1897.
Maria Waldmann was an Austrian mezzo-soprano who had a noted association with Giuseppe Verdi.
Angelo Maurizio Gaspare Mariani was an Italian opera conductor and composer. His work as a conductor drew praise from Giuseppe Verdi, Giacomo Meyerbeer, Gioachino Rossini and Richard Wagner, and he was a longtime personal friend of Verdi's, although they had a falling out towards the end of Mariani's life. He conducted at least two world premieres ; and at least 4 Italian premieres.
Stabat Mater is a work by Gioachino Rossini based on the traditional structure of the Stabat Mater sequence for chorus and soloists. It was composed late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841.
Barbara Joyce Robotham was an English mezzo-soprano opera singer and concert soloist who later became a distinguished voice teacher at the Royal Northern College of Music.
The Requiem is a composition for soprano, mezzo-soprano, tenor, baritone, chorus, and orchestra by the American composer John Harbison. Composed over a period of seventeen years, the complete work was finished in 2002 on a commission from the Boston Symphony Orchestra. Its world premiere was given by the soprano Christine Brewer, mezzo-soprano Margaret Lattimore, tenor Paul Groves, baritone Jonathan Lemalu the Tanglewood Festival Chorus, and the Boston Symphony Orchestra under the direction of Bernard Haitink on March 6, 2003.
Fabio Sartori is an Italian operatic tenor. He is particularly known for his interpretations of Italian roles by Giuseppe Verdi, Giacomo Puccini and of the Verismo.
The Messa da requiem in D minor (1835) is a musical setting of the Catholic funeral mass (Requiem) by Italian opera composer Gaetano Donizetti. It is scored for five soloists, mixed chorus and orchestra. A performance lasts about 62–75 minutes.
Markella Hatziano is an operatic mezzo-soprano born in Athens, Greece.
Ana Victória Pitts is a Brazilian mezzo-soprano who has performed internationally.
Sung Min Song is a South Korean operatic tenor who has performed internationally, based in Germany. He is focused on Italian opera and 19th-century oratorios including Puccini's Messa di Gloria and Verdi's Requiem. A member of the Saarländisches Staatstheater from 2017, he is capable of performing tenor roles with a high tessitura such as Arnold in Rossini's Guillaume Tell.
![Second performance of the Requiem, at La Scala on 25 May 1874, with Verdi conducting. The soloists depicted are (left to right) Ormondo Maini [it], Giuseppe Capponi, Maria Waldmann, and Teresa Stolz Verdi Requiem La Scala premiere by Tofani.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Verdi_Requiem_La_Scala_premiere_by_Tofani.jpg/290px-Verdi_Requiem_La_Scala_premiere_by_Tofani.jpg)
