This is a discography of Giuseppe Verdi's penultimate opera, Otello . It was first performed at La Scala, Milan, on 5 February 1887.
Otello has been recorded complete on disc and film a number of times since World War II, but most music-guide reviewers contend that a recording made of a 1947 NBC radio broadcast of the opera conducted by Arturo Toscanini and featuring singers Herva Nelli, Ramón Vinay and Giuseppe Valdengo, is musically the best of these versions. [1] RCA Victor has issued the Toscanini recording several times on commercial LPs and on CD in digitally remastered form. In addition, performances of Otello were captured live as early as the 1920s (at the Royal Opera House, Covent Garden, London) and the 1930s (at the Metropolitan Opera, New York City, the latter via the Metropolitan Opera radio broadcasts). They, too, are available on CD reissues. A wide variety of stage performances dating from the 1950s to the present day are also to be had on CD or on DVD.
Individual arias, duets and scenes from Otello have been committed to disc by many celebrated tenors, baritones and sopranos since acceptable audio technology was first developed in the early 20th century. The best of these recorded extracts have been reissued on CD and make for fascinating comparative listening. Recordings made in the early 1900s by the creators of the roles of Otello and Iago, namely Francesco Tamagno and Victor Maurel, are among those now available in digital formats.
The NBC Symphony Orchestra was a radio orchestra conceived by David Sarnoff, the president of the Radio Corporation of America, the parent corporation of the National Broadcasting Company especially for the conductor Arturo Toscanini. The NBC Symphony Orchestra performed weekly radio broadcast concerts with Toscanini and other conductors and several of its players served in the house orchestra for the NBC Radio Network. NBC encouraged the public’s perception of the Orchestra as a full-time organization exclusively at Toscanini’s beck and call, but Fortune disclosed in 1938 that these instrumentalists played other radio—and, later, television—broadcasts: “the Toscanini concerts have been allocated only fifteen of the thirty hours a week each man works, including rehearsals.”
Arturo Toscanini was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career, he was appointed the first music director of the NBC Symphony Orchestra (1937–1954), and this led to his becoming a household name, especially in the United States, through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire.
Renata Tebaldi was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "la voce d'angelo", and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera."
Leonard Warren was an American opera singer. A baritone, he was a leading artist for many years with the Metropolitan Opera in New York City. Especially noted for his portrayals of the leading baritone roles in the operas of Giuseppe Verdi, he had few rival baritones in his time. His power and range were the highlights of his vocal instrument.
Francesco Tamagno was an Italian operatic dramatic tenor who sang with enormous success throughout Europe and America. On 5 February 1887, he sang Otello in the first performance of Giuseppe Verdi's opera. He is also the earliest Italian tenor of note to have left a sizeable body of recordings of his voice. He was one of the first international male public figures to admit that he was the single parent and caregiver of a daughter from her birth.
Ezio Fortunato Pinza was an Italian opera singer. Pinza possessed a rich, smooth and sonorous voice, with a flexibility unusual for a bass. He spent 22 seasons at New York's Metropolitan Opera, appearing in more than 750 performances of 50 operas. At the San Francisco Opera, Pinza sang 26 roles during 20 seasons from 1927 to 1948. Pinza also sang to great acclaim at La Scala, Milan, and at the Royal Opera House, Covent Garden, London.
Giovanni Zenatello was an Italian opera singer. Born in Verona, he enjoyed an international career as a dramatic tenor of the first rank. Otello became his most famous operatic role but his repertoire also included French roles. In 1904, he created the part of Pinkerton in Madama Butterfly.
Jan Peerce was an American operatic tenor. Peerce was an accomplished performer on the operatic and Broadway concert stages, in solo recitals, and as a recording artist. He is the father of film director Larry Peerce.
Ramón Vinay was a famous Chilean operatic tenor with a powerful, dramatic voice. He is probably best remembered for his appearances in the title role of Giuseppe Verdi's tragic opera Otello.
Victor Alberto de Sabata was an Italian conductor and composer. He is widely recognized as one of the most distinguished operatic conductors of the twentieth century, especially for his Verdi, Puccini and Wagner.
Giovanni Martinelli was an Italian operatic spinto tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
Richard Alexander Crooks was an American tenor and a leading singer at the New York Metropolitan Opera.
Maria Antonietta Stella was an Italian operatic soprano, and one of the most prominent Italian spinto sopranos of the 1950s and 1960s. She made her debut in Spoleto in 1950, as Leonora in Verdi's Il trovatore, a year later at Rome Opera, as Leonora in La forza del destino, in 1954 at La Scala in Milan, as Desdemona in Otello, in 1955 at the Royal Opera House in London as Aida, and in 1956 at the Metropolitan Opera in New York City, in the same role.
Giuseppe Valdengo was an Italian operatic baritone. Opera News said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical."
Antonio Magini-Coletti was a leading Italian baritone who had a prolific career in Europe and the United States during the late 19th century and the early part of the 20th century. A versatile artist, he appeared in several opera world premieres but was particularly associated with the works of Giuseppe Verdi, Richard Wagner and the verismo composers. He was also an accomplished exponent of the bel canto repertoire.
Historical classical music recordings are generally classical music recordings made prior to the stereo era of vinyl disc recording, which began around 1957.
Arturo Toscanini was an Italian conductor. He was one of the most acclaimed musicians of the late 19th and 20th century. Toscanini was a prolific recording artist, having conducted many recordings from 1920 until his retirement in 1954.
The 1947 recording of Verdi's Otello by Arturo Toscanini and the NBC Symphony Orchestra and chorus is regarded as one of the most notable early Verdi opera recordings. The role of Otello was sung by Ramón Vinay, Desdemona by Herva Nelli, and Iago by Giuseppe Valdengo, and Cassio by tenor Virginio Assandri.
Aldo Bertocci was an Italian operatic tenor who sang both comprimario and leading roles in a career spanning the late 1940s to the mid-1970s. He sang in the world premieres of nine 20th century operas, most of them in performances broadcast on the RAI, Italy's national public-service radio. His discography includes live recordings of several rarities such as Mascagni's Silvano and Leoncavallo's Zingari. Bertocci was born in Turin and from 1974 lived in Cassano Valcuvia where he died shortly before his 88th birthday.
This is a discography of Giuseppe Verdi's last opera, Falstaff. It was first performed at La Scala, Milan, on 9 February 1893.